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512:. Schoenberg lived near Mann in Los Angeles as the novel was being written. He was very annoyed by this appropriation without his consent, and later editions of the novel included an Author's Note at the end acknowledging that the technique was Schoenberg's invention, and that passages of the book dealing with musical theory are indebted in many details to Schoenberg's
688:, an admired friend of Mann's. But in general the characters and names echo philosophies and intellectual standpoints without intending portraits or impersonations of real individuals. They serve the many-layered, multi-valent allusiveness of Mann's style to underpin and reinforce the symbolic nature of his work.
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published Lowe-Porter's
English translation. The translator in her note remarked 'Grievous difficulties do indeed confront anyone essaying the role of copyist to this vast canvas, this cathedral of a book, this woven tapestry of symbolism.' She described her translation as 'a version which cannot lay
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As a re-telling of the Faust myth, the novel is concerned with themes such as pride, temptation, the cost of greatness, loss of humanity and so on. Another concern is with the intellectual fall of
Germany in the time leading up to World War II. Leverkühn's own moods and ideology mimic the change from
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Zeitblom insists, however, on the unique closeness of his own relationship to Adrian, for he remains the only person whom the composer addresses by the familiar pronoun. Adrian meets the
Schweigestill family at Pfeiffering in the country an hour from Munich, which later becomes his permanent home and
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legend set in the context of the first half of the 20th century and the turmoil of
Germany in that period. The story centers on the life and work of the (fictitious) composer Adrian Leverkühn. The narrator is Leverkühn's childhood friend Serenus Zeitblom, who writes in Germany between 1943 and 1946.
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Hellenic impulses, which the novel illuminates. Perhaps the 'serene' Zeitblom and the tragical
Leverkuhn personify such a duality between impulses towards reasoned, contemplative progress, and those toward passion and tragic destiny, within character or creativity in the context of German society.
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found in
Germany's intellectual life in the 1930s. Leverkühn becomes increasingly corrupt of body and of mind, ridden by syphilis and insanity. In the novel, all of these thematic threads – Germany's intellectual fall, Leverkühn's spiritual fall, and the physical corruption of his body – directly
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Adrian, producing the concerto which Rudi solicited, attempts to evade his contract and obtain a wife by employing Rudi as the messenger of his love. She however prefers Rudi himself, and not Adrian. Soon afterwards Rudi is shot dead in a tram by Ines out of jealousy. As Adrian begins to plan the
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figure who appears either objectively or out of his own afflicted soul. In these central pages, the fulcrum of the story, Zeitblom presents Adrian's manuscript of the conversation. The demon, speaking in archaic German, claims
Esmeralda as the instrument by which he entraps Adrian and offers him
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will and must be involved, with shudders, in all three strands of the book: the German scene from within, and its broader, its universal origins; the depiction of an art not German alone but vital to our whole civilization; music as one instance of the arts and the state in which the arts find
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being (who says, in effect, "that you can only see me because you are mad, does not mean that I do not really exist"), and, renouncing love, bargains his soul in exchange for twenty-four years of genius. His madness – his daemonic inspiration – leads to extraordinary musical creativity (which
394:, and declares Mann's intention to address his subject in the light of that profound, authentic exploration and depiction of the German character. Yet the relationship is indirect, the Faustian aspect of Leverkühn's character being paralleled in the abnormal circumstances surrounding Nazism.
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Zeitblom describes "with a religious shudder" Adrian's embrace with the woman who gave him syphilis (whom Adrian names "Esmeralda" after the butterfly that fascinates his father), how he worked her name in note-ciphers into his compositions, and how the medics who sought to heal him were all
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Leverkühn's extraordinary intellect and creativity as a young man mark him as destined for success, but his ambition is for true greatness. He strikes a
Faustian bargain for creative genius: he intentionally contracts syphilis, which deepens his artistic inspiration through madness. He is
160:. But the predisposing conditions for Leverkühn's pact with the devil are set in character in the artistic life and processes themselves, not merely as political allegory. The interplay of layers between the narrator's historical situation, the progress of Leverkühn's madness, and the
816:, Leverkühn's personal history, his artistic development, and the shifting German political climate are tied together by the narrator Zeitblom as he feels out and worries over the moral health of his nation (just as he had worried over the spiritual health of his friend, Leverkühn).
284:
In 1915, Ines Rodde marries, but forms an adulterous love for Rudi
Schwerdtfeger. Adrian begins to experience illnesses of retching, headaches and migraines, but is producing new and finer music, preparing the way for his great work, the oratorio
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As the work of gigantic dimensions develops in Adrian's mind, the child falls ill and dies, and Adrian, despairing, believes that by gazing at him with love, in violation of his contract, he has killed him with poisonous and hellish influences.
149:. He feels the inexorable progress of his neuro-syphilitic madness leading towards complete breakdown. As in certain of the Faust legends, he calls together his closest friends to witness his final collapse. At a chamber-reading of his
812:, he said, "I must regretfully own that in my younger years I shared that dangerous German habit of thought which regards life and intellect, art and politics as totally separate worlds." He now realised that they were inseparable. In
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Adrian then moves permanently to
Pfeiffering, and in conversations with Zeitblom confesses a darker view of life. Figures of a demonic type appear, such as Dr. Chaim Breisacher, to cast down the idols of the older generation.
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prevented from effecting a cure by mysterious and deadly interventions. Zeitblom begins to perceive the demonic, as Adrian develops other friendships, first with the translator Rüdiger Schildknapp, and then after his move to
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is completed in 1930, Adrian summons his friends and guests, and instead of playing the music he relates the story of his infernal contract, and descends into the brain disease which lasts until his death ten years later.
153:"The Lamentation of Doctor Faust", he ravingly confesses his demonic pact before becoming incoherent. His madness reduces him to an infantile state in which he lives under the care of his relatives for another ten years.
420:(1844–1900). From his supposed contraction of syphilis to his complete mental collapse in 1889 and his death in 1900, Nietzsche's life presents a celebrated example imitated in Leverkühn. (The illnesses of
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with 'Erbe' as the St. John narrator. Zeitblom describes the work as filled with longing without hope, with hellish laughter transposed and transfigured even into the searing tones of spheres and angels.
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claim to being beautiful, though in every intent it is deeply faithful.' She employed medieval English vocabulary and phrasing to correspond with those sections of the text in which characters speak in
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with the handsome young violinist Rudi Schwerdtfeger, Frau Rodde and her doomed daughters Clarissa and Ines, a numismatist named Dr. Kranich, and two artists named Leo Zink and Baptist Spengler.
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Throughout the work personal names are used allusively to reflect the paths of German culture from its medieval roots. For examples, Zeitblom's father Wohlgemut has the resonance of the artist
613:), completed 1935, similarly explore the isolation of the creative individual, presenting the ethical, spiritual and artistic crises of the early 20th century through their roots in the German
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twenty-four years' life as a genius – the supposed incubation period of his syphilis – if he will now renounce the warmth of love. The dialogue reveals the anatomy of Leverkühn's thought.
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Mann published his own account of the genesis of the novel in 1949. The novel's title and themes are inseparable in German literature from its highest dramatic expression in the
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legends with which he consciously connects himself makes for an overwhelmingly rich symbolic network, an ambiguous complexity that cannot be reduced to a single interpretation.
176:, the name of Zeitblom's apothecary father, Wohlgemut, and the description of Adrian Leverkühn as an old-fashioned German type, with a cast of features "from a time before the
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acted as Mann's adviser and encouraged him to rewrite large sections of the book. Mann also read chapters to groups of invited friends (a method also used by
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with Figures'). Schwerdtfeger woos himself into Adrian's solitude, asking for a violin concerto that would be like the offspring of their platonic union.
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Leverkühn's life unfolds in the context of, and in parallel with, the German cultural and political environment which led to the rise and downfall of
1016:
rendering '... die Fortentwickelung der Kunst an die Duplicität des Apollonischen und des Dionysischen gebunden ist': Nietzsche, Friedrich.
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Zeitblom visits him occasionally, and survives to witness the collapse of Germany's "dissolute triumphs" as he tells the story of his friend.
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300:. There is also a new circle of intellectual friends, including Sextus Kridwiss, the art-expert; Chaim Breisacher; Dr. Egon Unruhe, the
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472:) to test the effect of the text. In preparation for the work, Mann studied musicology and biographies of major composers including
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in Italy with Schildknapp in 1912, and Zeitblom visits them. It is there that Adrian, working on music for an operatic adaptation of
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1052:(first published 1911). 3rd edition (Vienna: Universal Edition 1922). Translation by Roy E. Carter, based on the third edn., as
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881:' translation (Knopf, 1997; Vintage, 1999) is in a more modern vein, and does not attempt to mirror the original in this way.
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correspond to the national disaster of fascist Germany. In Mann's published version of his 1938 United States lecture tour,
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219:; Zeitblom does not, but participates in discussions with the theological students – but Adrian becomes absorbed in musical
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Mann wrote, "Zeitblom is a parody of myself. Adrian's mood is closer to my own than one might – and ought to – think."
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969:'Figurae' in Latin possibly in the sense of 'vehicles of allusion'; or, of 'Spirits'; or, of 'Depictions' or
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The origins of the narrator and the protagonist in the fictitious small town of Kaiserslautern on the
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retreat. While a fictional town, Mann based Pfeiffering on the actual Bavarian town of Polling.
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The Artist-Operas of Pfitzner, Krenek, and Hindemith: Politics and the Ideology of the Artist,
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Doktor Faustus: Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde
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Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn erzählt von einem Freunde
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Thomas Mann's Doctor Faustus and the twelve-tone technique. From the Myth to the Alienation
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is named 'Erbe' (meaning 'heritage', i.e. inheritor of the tradition) in reference to him.
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poet Daniel zur Höhe. In their discussions they declare the need for the renunciation of
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200:, but sympathetic to, and admired by, the "keen-scented receptivity of Jewish circles".
112:("Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend").
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with modal counterpoint. As a model for the composer-legend Mann was strongly aware of
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Doctor Faustus: The Life of the German Composer Adrian Leverkühn, as Told by a Friend
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Doctor Faustus: The Life of the German Composer Adrian Leverkühn, as Told by a Friend
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1007:, First England Edition (Secker and Warburg, London 1949), Translator's note, p. vi.
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448:, presents the theme that the evolution of Art is bound up with the duality of the
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Leverkühn's last creative years are increasingly haunted by his obsession with the
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1243:"Más acá del bien en el mal. Topografía de la moral en Nietzsche, Mann y Tournier"
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582:) created the role in Pfitzner's opera, and the singer-narrator in Leverkühn's
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633:. Wendell Kretzschmar, the man who awakens them to music, probably hints at
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In reality Thomas Mann lived at Palestrina in around 1930 with his brother
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The trajectory of Leverkühn's career is modeled partly upon the life of
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Thomas Mann's Doctor Faustus: The Sources and Structure of the Novel
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is the true antithesis of Bourgeois culture; Zeitblom observes that
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This article is about the novel by Thomas Mann. For other uses, see
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862:, almost contemporaneously with their composition. Mann completed
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The character of the violinist Rudi Schwerdtfeger is modelled on
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They are awakened to musical knowledge by Wendell Kretzschmar, a
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D. Fischer-Dieskau, 'Reflections on "Palestrina"', in Insert to
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themselves today ; and, finally, the invocation of the daemonic.
211:
in Kaisersaschern. After schooling together, both boys study at
1214:(New York: Alfred A. Knopf, New York, 1961); also published as
1056:(Berkeley, Los Angeles: University of California Press, 1978).
845:(2011) is loosely based on both Mann's novel and Goethe's play.
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The use of 'Du' (for 'You') signified an intimate friendship.
673:, and probably the descriptions and interpretations of it by
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398:, the novel's first English translator, wrote of its themes,
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121:
1033:
Compare the roles of Settembrini and Naphta in Mann's novel
536:, an oratorio of 1941–1942 which combines the Schoenbergian
180:", evoke the old post-medieval Germany. In their respective
304:; Georg Vogler, a literary historian; Dr. Holzschuher, a
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origins, and theological studies, they are heirs to the
984:
Die Entstehung des Doktor Faustus, Roman eines Romanes
589:
Two other German operas of the time, the Berlin-based
1875:
Exploits and Opinions of Dr. Faustroll, Pataphysician
889:
1212:
The Story of a Novel: The Genesis of Doctor Faustus
988:
The Story of a Novel: The Genesis of Doctor Faustus
726:. Unsourced material may be challenged and removed.
492:. He communicated with living composers, including
1024:Band I (C.G. Naumann Verlag, Leipzig 1906), p. 51.
296:By August 1919 Adrian has completed the sketch of
1160:Faust as Musician: A Study of Thomas Mann's Novel
562:sought to preserve polyphonic composition in his
519:
2881:
1018:Die Geburt der Tragödie aus dem Geiste der Musik
986:(S. Fischer Verlag, Frankfurt am Main 1949): as
829:of the novel for West German television starred
558:draws on the opera's theme of how the composer
1169:, in Calixtilia (n.3), Lampi di Stampa, 2010.
508:or row system, which was actually invented by
1660:
1327:
445:The Birth of Tragedy from the Spirit of Music
1184:(S. Fischer Verlag, Frankfurt am Main 1947).
572:(also very famous as Evangelist narrator in
2935:German novels adapted into television shows
858:translated many of Mann's works, including
1667:
1653:
1334:
1320:
1088:Hans Piftzner, Palestrina, Raphael Kubelik
504:. In Chapter XXII Leverkühn develops the
320:harshness. Adrian writes to Zeitblom that
32:
786:Learn how and when to remove this message
316:softness and a preparation for an age of
106:, begun in 1943 and published in 1947 as
2236:2nd movement "Quasi-Faust" (1847, Alkan)
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554:in 1917. Leverkühn's preoccupation with
2053:The Black Bonspiel of Wullie MacCrimmon
1240:
849:
661:, the 're-echoing of movement', in the
432:'s child after he had tempted fate (as
2882:
908:Best German Novels of the 20th century
373:
38:First edition cover (jacket) in Europe
2694:The Devil's Hands Are Idle Playthings
1930:The Year the Yankees Lost the Pennant
1648:
1315:
1218:(London: Secker & Warburg, 1961).
1162:Doctor Faustus (New Directions 1973).
926:The scene is strongly reminiscent of
1386:Lotte in Weimar: The Beloved Returns
724:adding citations to reliable sources
695:
657:, it therefore also evokes the high
428:also resonate, as does the death of
134:parallels the actual innovations of
1155:(University of Chicago Press 1969).
13:
1271:Thomas Mann: The Uses of Tradition
1144:(Cambridge University Press 1994).
1022:Nietzsche's Werke. Taschen-Ausgabe
14:
2951:
2557:El extraño caso del doctor Fausto
2399:The Mephistopheles of Los Angeles
1946:The Devil to Pay in the Backlands
1545:Reflections of a Nonpolitical Man
1293:
1273:. Oxford University Press, 1974.
992:Richard Winston and Clara Winston
353:The Lamentation of Doctor Faustus
120:The novel is a re-shaping of the
2930:German novels adapted into films
2900:Novels based on the Faust legend
2864:
2863:
2421:The Laboratory of Mephistopheles
2152:Doctor Faustus Lights the Lights
892:
700:
2234:Grande sonate 'Les quatre âges'
2045:Will Success Spoil Rock Hunter?
1559:The Coming Victory of Democracy
1341:
1106:
1093:
1080:
1067:
810:The Coming Victory of Democracy
711:needs additional citations for
599:(left unfinished in 1924), and
272:, has his long dialogue with a
2720:When the Devil Calls Your Name
2385:The Devil Went Down to Georgia
2176:Historia von D. Johann Fausten
2002:Johannes Cabal the Necromancer
1754:Historia von D. Johann Fausten
1090:(Polydor International, 1973).
1042:
1027:
1010:
997:
994:(Alfred Knopf, New York 1961).
976:
963:
950:
941:
920:
819:
520:Models for the composer-legend
1:
2845:Mephistopheles and Margaretta
1221:Mann, Thomas; translation by
1206:Mann, Thomas; translation by
1187:Mann, Thomas; translation by
913:
534:Lamentatio Jeremiae prophetae
526:The Lamentation of Dr Faustus
239:, and follows Kretzschmar to
102:is a German novel written by
2485:The Devil and Daniel Webster
1899:The Devil and Daniel Webster
411:
7:
2940:German philosophical novels
1142:Thomas Mann: Doctor Faustus
1103:1915: Ch. 1, 'Architecture.
885:
735:"Doctor Faustus" novel
524:Leverkühn's projected work
460:
10:
2956:
2712:The Devil and Daniel Mouse
2241:Scenes from Goethe's Faust
1527:The Road to the Churchyard
1407:Confessions of Felix Krull
1208:Winston, Richard and Clara
1134:
129:subsequently visited by a
115:
18:
2859:
2836:
2785:
2734:
2703:
2678:
2671:
2613:Faust: Love of the Damned
2412:
2341:
2297:
2290:
2210:
2194:
2079:
2020:
1805:
1745:
1682:
1575:
1536:
1497:
1460:Disorder and Early Sorrow
1416:
1349:
1229:. Alfred A. Knopf, 1997.
1195:. Alfred A. Knopf, 1948.
1101:Principles of Art History
1077:Aldershot: Ashgate, 2004.
691:
620:
442:.) Nietzsche's 1871 work
87:
79:
69:
61:
53:
43:
31:
16:1947 novel by Thomas Mann
1883:The Master and Margarita
1836:The Devil and Tom Walker
436:thought) by setting the
207:organist, lecturer, and
2280:Bagatelle sans tonalité
2184:Faustus, the Last Night
1379:Joseph and His Brothers
287:Apocalypsis cum Figuris
167:
2920:Novels about composers
2437:The Damnation of Faust
2364:Sympathy for the Devil
2325:Beethoven's Last Night
1615:Elisabeth Mann Borgese
1552:On the German Republic
1506:Little Herr Friedemann
1467:Mario and the Magician
1241:Montiel, Luis (2003).
1216:The Genesis of a Novel
936:The Brothers Karamazov
663:St John Nepomuk Church
615:Protestant Reformation
584:Apocalysis cum Figuris
409:
2895:Novels by Thomas Mann
2637:Shortcut to Happiness
2629:I Was a Teenage Faust
2517:Marguerite de la nuit
2469:The Student of Prague
2453:The Student of Prague
2219:Gretchen am Spinnrade
2096:La damnation de Faust
1954:That Hell-Bound Train
1627:Júlia da Silva Bruhns
1481:The Tables of the Law
873:Early New High German
866:in 1947, and in 1948
643:Johann Nepomuk Hummel
538:twelve-tone technique
506:twelve-tone technique
400:
2751:Randy Newman's Faust
2509:Beauty and the Devil
2445:Faust and Marguerite
2429:Faust and Marguerite
2128:Faust and Marguerite
1986:The Devil's Own Work
1962:For a Breath I Tarry
1867:The Sorrows of Satan
1828:Melmoth the Wanderer
1821:Daniel and the Devil
1676:Works based on Faust
1474:The Transposed Heads
850:English translations
833:as Adrian Leverkühn.
720:improve this article
665:architecture by the
565:Missa Papae Marcelli
269:Love's Labour's Lost
2905:Books about Germany
2501:The Legend of Faust
2371:Friend of the Devil
2160:The Rake's Progress
2147:(1916–1925, Busoni)
1922:The Devil in Velvet
1717:Theophilus of Adana
1700:Deal with the Devil
1520:Tobias Mindernickel
1147:Bergsten, Gunilla.
1073:Claire Taylor-Jay,
651:Counter-Reformation
645:and the playwright
635:Hermann Kretzschmar
579:St. Matthew Passion
528:echoes the name of
418:Friedrich Nietzsche
374:Sources and origins
243:to study with him.
65:Philosophical novel
28:
2925:Novels about music
2890:1947 German novels
2581:Oh, God! You Devil
2259:(1854–1857, Liszt)
2163:(1951, Stravinsky)
1970:The Damnation Game
1705:in popular culture
1695:Johann Georg Faust
1372:The Magic Mountain
1158:Carnegy, Patrick.
1036:The Magic Mountain
649:. Reflecting the (
627:Michael Wohlgemuth
611:Matthias Grünewald
190:German Renaissance
26:
2877:
2876:
2730:
2729:
2461:Rapsodia satanica
2408:
2407:
2378:Bohemian Rhapsody
2251:(1906–07, Mahler)
1642:
1641:
1453:A Man and His Dog
1269:(Terence James).
1189:Lowe-Porter, H.T.
1175:978-88-488-1150-7
1165:Giordano, Diego.
1140:Beddow, Michael.
1054:Theory of Harmony
856:H. T. Lowe-Porter
837:Alexander Sokurov
796:
795:
788:
770:
675:Heinrich Wölfflin
556:polyphonic theory
510:Arnold Schoenberg
498:Arnold Schoenberg
439:Kindertotenlieder
396:Helen Lowe-Porter
362:The score of the
328:is the herald of
308:scholar; and the
215:– Adrian studies
192:and the world of
178:Thirty Years' War
136:Arnold Schoenberg
95:
94:
80:Publication place
2947:
2915:Modernist novels
2867:
2866:
2676:
2675:
2357:Cross Road Blues
2295:
2294:
2264:Mephisto Waltzes
2244:(1853, Schumann)
2222:(1814, Schubert)
2136:Faust up to Date
1906:None but Lucifer
1669:
1662:
1655:
1646:
1645:
1566:Listen, Germany!
1336:
1329:
1322:
1313:
1312:
1263:
1261:
1260:
1254:
1248:. Archived from
1247:
1128:
1127:
1125:
1124:
1110:
1104:
1097:
1091:
1084:
1078:
1071:
1065:
1046:
1040:
1031:
1025:
1014:
1008:
1001:
995:
990:, translated by
980:
974:
967:
961:
954:
948:
945:
939:
930:'s breakdown in
924:
902:
897:
896:
791:
784:
780:
777:
771:
769:
728:
704:
696:
606:Mathis der Maler
591:Ferruccio Busoni
351:second oratorio
338:is performed in
71:Publication date
36:
29:
25:
2955:
2954:
2950:
2949:
2948:
2946:
2945:
2944:
2880:
2879:
2878:
2873:
2855:
2832:
2812:(comics) (1968)
2781:
2726:
2699:
2687:Printer's Devil
2667:
2493:Alias Nick Beal
2404:
2392:Faustian Echoes
2337:
2332:The Black Rider
2286:
2272:Gothic Symphony
2211:Classical music
2206:
2190:
2099:(1846, Berlioz)
2075:
2069:Il Dottor Faust
2016:
1801:
1794:Faust, Part Two
1787:Faust, Part One
1757:(1587 chapbook)
1741:
1678:
1673:
1643:
1638:
1571:
1532:
1493:
1446:Death in Venice
1412:
1400:The Holy Sinner
1345:
1340:
1296:
1258:
1256:
1252:
1245:
1191:(Helen Tracy).
1153:Krishna Winston
1137:
1132:
1131:
1122:
1120:
1114:"Review: Faust"
1112:
1111:
1107:
1098:
1094:
1085:
1081:
1072:
1068:
1048:A. Schoenberg,
1047:
1043:
1032:
1028:
1015:
1011:
1002:
998:
981:
977:
968:
964:
955:
951:
946:
942:
925:
921:
916:
898:
891:
888:
868:Alfred A. Knopf
852:
827:1982 adaptation
822:
792:
781:
775:
772:
729:
727:
717:
705:
694:
623:
550:, premiered at
522:
494:Igor Stravinsky
463:
414:
376:
302:palaeozoologist
205:German American
170:
131:Mephistophelean
118:
88:Media type
72:
39:
27:Doctor Faustus
24:
17:
12:
11:
5:
2953:
2943:
2942:
2937:
2932:
2927:
2922:
2917:
2912:
2907:
2902:
2897:
2892:
2875:
2874:
2872:
2871:
2860:
2857:
2856:
2854:
2853:
2848:
2840:
2838:
2834:
2833:
2831:
2830:
2822:
2813:
2810:Doctor Faustus
2807:
2798:
2789:
2787:
2783:
2782:
2780:
2779:
2771:
2763:
2755:
2747:
2738:
2736:
2732:
2731:
2728:
2727:
2725:
2724:
2716:
2707:
2705:
2701:
2700:
2698:
2697:
2690:
2682:
2680:
2673:
2669:
2668:
2666:
2665:
2661:The Last Faust
2657:
2649:
2641:
2633:
2625:
2617:
2609:
2601:
2593:
2585:
2577:
2573:Doctor Faustus
2569:
2561:
2553:
2549:Doctor Faustus
2545:
2537:
2529:
2521:
2513:
2505:
2497:
2489:
2481:
2473:
2465:
2457:
2449:
2441:
2433:
2425:
2416:
2414:
2410:
2409:
2406:
2405:
2403:
2402:
2395:
2388:
2381:
2374:
2367:
2360:
2353:
2350:Mephisto Polka
2345:
2343:
2339:
2338:
2336:
2335:
2328:
2321:
2320:
2319:
2316:The Black Halo
2312:
2301:
2299:
2292:
2288:
2287:
2285:
2284:
2276:
2268:
2260:
2256:Faust Symphony
2252:
2249:Symphony No. 8
2245:
2237:
2231:
2230:(1840, Wagner)
2227:Faust Overture
2223:
2214:
2212:
2208:
2207:
2205:
2204:
2198:
2196:
2192:
2191:
2189:
2188:
2180:
2172:
2168:Reuben, Reuben
2164:
2156:
2148:
2140:
2132:
2124:
2120:Le petit Faust
2116:
2108:
2107:(1859, Gounod)
2100:
2092:
2083:
2081:
2077:
2076:
2074:
2073:
2065:
2057:
2049:
2041:
2033:
2024:
2022:
2018:
2017:
2015:
2014:
2010:The Last Faust
2006:
1998:
1990:
1982:
1974:
1966:
1958:
1950:
1942:
1938:Gimmicks Three
1934:
1926:
1918:
1914:Doktor Faustus
1910:
1902:
1895:
1887:
1879:
1871:
1863:
1859:Chasse-galerie
1855:
1847:
1843:St. John's Eve
1839:
1832:
1824:
1817:
1809:
1807:
1803:
1802:
1800:
1799:
1798:
1797:
1790:
1774:
1766:
1762:Doctor Faustus
1758:
1749:
1747:
1743:
1742:
1740:
1739:
1734:
1732:Pan Twardowski
1729:
1727:Mephistopheles
1724:
1719:
1714:
1709:
1708:
1707:
1697:
1692:
1686:
1684:
1680:
1679:
1672:
1671:
1664:
1657:
1649:
1640:
1639:
1637:
1636:
1630:
1624:
1618:
1612:
1606:
1600:
1594:
1588:
1581:
1579:
1573:
1572:
1570:
1569:
1562:
1555:
1548:
1540:
1538:
1534:
1533:
1531:
1530:
1523:
1516:
1509:
1501:
1499:
1495:
1494:
1492:
1491:
1488:The Black Swan
1484:
1477:
1470:
1463:
1456:
1449:
1442:
1435:
1428:
1420:
1418:
1414:
1413:
1411:
1410:
1403:
1396:
1393:Doctor Faustus
1389:
1382:
1375:
1368:
1365:Royal Highness
1361:
1353:
1351:
1347:
1346:
1339:
1338:
1331:
1324:
1316:
1310:
1309:
1301:Doctor Faustus
1295:
1294:External links
1292:
1291:
1290:
1264:
1238:
1225:(John Edwin).
1223:Woods, John E.
1219:
1204:
1185:
1180:Mann, Thomas.
1178:
1163:
1156:
1151:translated by
1145:
1136:
1133:
1130:
1129:
1105:
1092:
1079:
1066:
1041:
1026:
1009:
1005:Doctor Faustus
996:
982:Mann, Thomas.
975:
962:
949:
940:
928:Ivan Karamazov
918:
917:
915:
912:
911:
910:
904:
903:
887:
884:
883:
882:
876:
864:Doctor Faustus
860:Doctor Faustus
851:
848:
847:
846:
834:
825:Franz Seitz's
821:
818:
814:Doktor Faustus
803:to irrational
794:
793:
776:September 2014
708:
706:
699:
693:
690:
682:Paul Ehrenberg
647:Johann Nestroy
631:Albrecht Dürer
622:
619:
601:Paul Hindemith
521:
518:
486:Franz Schreker
482:Hector Berlioz
466:Theodor Adorno
462:
459:
413:
410:
375:
372:
344:Otto Klemperer
342:in 1926 under
274:Mephistopheles
237:mystic numbers
169:
166:
117:
114:
99:Doctor Faustus
93:
92:
89:
85:
84:
81:
77:
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73:
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37:
21:Doctor Faustus
15:
9:
6:
4:
3:
2:
2952:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2913:
2911:
2910:Künstlerroman
2908:
2906:
2903:
2901:
2898:
2896:
2893:
2891:
2888:
2887:
2885:
2870:
2862:
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2811:
2808:
2805:
2803:
2799:
2796:
2795:
2791:
2790:
2788:
2784:
2777:
2776:
2775:Disco Inferno
2772:
2769:
2768:
2764:
2761:
2760:
2756:
2753:
2752:
2748:
2745:
2744:
2740:
2739:
2737:
2733:
2722:
2721:
2717:
2714:
2713:
2709:
2708:
2706:
2702:
2695:
2691:
2688:
2684:
2683:
2681:
2677:
2674:
2670:
2663:
2662:
2658:
2655:
2654:
2650:
2647:
2646:
2642:
2639:
2638:
2634:
2631:
2630:
2626:
2623:
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2618:
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2607:
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2554:
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2546:
2543:
2542:
2538:
2535:
2534:
2530:
2527:
2526:
2522:
2519:
2518:
2514:
2511:
2510:
2506:
2503:
2502:
2498:
2495:
2494:
2490:
2487:
2486:
2482:
2479:
2478:
2474:
2471:
2470:
2466:
2463:
2462:
2458:
2455:
2454:
2450:
2447:
2446:
2442:
2439:
2438:
2434:
2431:
2430:
2426:
2423:
2422:
2418:
2417:
2415:
2411:
2400:
2396:
2393:
2389:
2386:
2382:
2379:
2375:
2372:
2368:
2365:
2361:
2358:
2354:
2352:" (1859–1885)
2351:
2347:
2346:
2344:
2340:
2334:
2333:
2329:
2327:
2326:
2322:
2318:
2317:
2313:
2311:
2310:
2306:
2305:
2303:
2302:
2300:
2296:
2293:
2289:
2282:
2281:
2277:
2274:
2273:
2269:
2266:
2265:
2261:
2258:
2257:
2253:
2250:
2246:
2243:
2242:
2238:
2235:
2232:
2229:
2228:
2224:
2221:
2220:
2216:
2215:
2213:
2209:
2203:
2202:Faust ballets
2200:
2199:
2197:
2193:
2186:
2185:
2181:
2178:
2177:
2173:
2170:
2169:
2165:
2162:
2161:
2157:
2154:
2153:
2149:
2146:
2145:
2141:
2138:
2137:
2133:
2130:
2129:
2125:
2123:(1869, Hervé)
2122:
2121:
2117:
2115:(1868, Boito)
2114:
2113:
2109:
2106:
2105:
2101:
2098:
2097:
2093:
2091:(1816, Spohr)
2090:
2089:
2085:
2084:
2082:
2078:
2071:
2070:
2066:
2063:
2062:
2058:
2055:
2054:
2050:
2047:
2046:
2042:
2039:
2038:
2034:
2031:
2030:
2026:
2025:
2023:
2019:
2012:
2011:
2007:
2004:
2003:
1999:
1996:
1995:
1991:
1988:
1987:
1983:
1980:
1979:
1975:
1972:
1971:
1967:
1964:
1963:
1959:
1956:
1955:
1951:
1948:
1947:
1943:
1940:
1939:
1935:
1932:
1931:
1927:
1924:
1923:
1919:
1916:
1915:
1911:
1908:
1907:
1903:
1900:
1896:
1893:
1892:
1888:
1885:
1884:
1880:
1877:
1876:
1872:
1869:
1868:
1864:
1861:
1860:
1856:
1853:
1852:
1848:
1845:
1844:
1840:
1837:
1833:
1830:
1829:
1825:
1822:
1818:
1815:
1811:
1810:
1808:
1804:
1796:
1795:
1791:
1789:
1788:
1784:
1783:
1781:
1780:
1775:
1772:
1771:
1767:
1764:
1763:
1759:
1756:
1755:
1751:
1750:
1748:
1746:Seminal works
1744:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
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1703:
1702:
1701:
1698:
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1693:
1691:
1688:
1687:
1685:
1681:
1677:
1670:
1665:
1663:
1658:
1656:
1651:
1650:
1647:
1634:
1633:Heinrich Mann
1631:
1628:
1625:
1622:
1619:
1616:
1613:
1610:
1607:
1604:
1601:
1598:
1595:
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1586:
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1582:
1580:
1578:
1574:
1568:
1567:
1563:
1561:
1560:
1556:
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1553:
1549:
1547:
1546:
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1541:
1539:
1535:
1529:
1528:
1524:
1522:
1521:
1517:
1515:
1514:
1510:
1508:
1507:
1503:
1502:
1500:
1498:Short stories
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1471:
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1434:
1433:
1429:
1427:
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1422:
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1415:
1409:
1408:
1404:
1402:
1401:
1397:
1395:
1394:
1390:
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1302:
1298:
1297:
1288:
1287:0-19-815747-9
1284:
1280:
1279:0-19-815742-8
1276:
1272:
1268:
1265:
1255:on 2017-03-29
1251:
1244:
1239:
1236:
1235:0-375-40054-0
1232:
1228:
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1220:
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1209:
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1201:0-679-60042-6
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1143:
1139:
1138:
1119:
1115:
1109:
1102:
1099:H. Wölfflin,
1096:
1089:
1083:
1076:
1070:
1063:
1062:0-520-04945-4
1059:
1055:
1051:
1050:Harmonielehre
1045:
1038:
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1023:
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1013:
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1000:
993:
989:
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979:
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937:
933:
929:
923:
919:
909:
906:
905:
901:
900:Novels portal
895:
890:
880:
879:John E. Woods
877:
874:
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865:
861:
857:
854:
853:
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843:
838:
835:
832:
828:
824:
823:
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815:
811:
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790:
787:
779:
768:
765:
761:
758:
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751:
747:
744:
740:
737: –
736:
732:
731:Find sources:
725:
721:
715:
714:
709:This article
707:
703:
698:
697:
689:
687:
683:
678:
676:
672:
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667:Asam brothers
664:
660:
656:
652:
648:
644:
640:
636:
632:
629:, teacher of
628:
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612:
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585:
581:
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575:
571:
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566:
561:
557:
553:
549:
548:
543:
542:Hans Pfitzner
539:
535:
531:
527:
517:
515:
514:Harmonielehre
511:
507:
503:
499:
495:
491:
487:
484:, Hugo Wolf,
483:
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147:Last Judgment
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90:
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82:
78:
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52:
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2112:Mefistofele
1886:(1929–1940)
1765:(1592 play)
1737:Stingy Jack
1712:Simon Magus
1683:Folk legend
1609:Monika Mann
1537:Other works
1425:Gladius Dei
1343:Thomas Mann
1267:Reed, T. J.
1020:(1871), in
820:Adaptations
434:Alma Mahler
402:Readers of
364:Lamentation
336:Apocalypsis
298:Apocalypsis
264:Shakespeare
233:metaphysics
104:Thomas Mann
48:Thomas Mann
2884:Categories
2826:Frau Faust
2672:Television
2645:Goat Story
2621:Fausto 5.0
2589:Crossroads
2061:Temptation
1994:Jack Faust
1617:(daughter)
1611:(daughter)
1597:Klaus Mann
1593:(daughter)
1591:Erika Mann
1585:Katia Mann
1306:Faded Page
1259:2014-03-18
1123:2021-05-07
932:Dostoevsky
914:References
746:newspapers
653:) cult of
560:Palestrina
547:Palestrina
490:Alban Berg
450:Apollonian
291:Apocalypse
260:Palestrina
143:Apocalypse
2851:Paintings
2794:Gods' Man
2605:Bedazzled
2541:Bedazzled
1777:Goethe's
1770:Cenodoxus
1635:(brother)
1603:Golo Mann
1513:The Clown
1281:(cased).
1003:T. Mann,
934:'s novel
831:Jon Finch
544:'s opera
478:Beethoven
454:Dionysian
412:Nietzsche
340:Frankfurt
330:barbarism
314:bourgeois
310:saturnine
229:polyphony
2869:Category
2819:(comics)
2759:Success!
2735:Musicals
2696:" (2003)
2689:" (1963)
2679:Episodes
2565:Mephisto
2401:" (2015)
2394:" (2012)
2387:" (1979)
2380:" (1975)
2373:" (1970)
2366:" (1968)
2359:" (1936)
2029:Gretchen
1901:" (1937)
1891:Mephisto
1838:" (1824)
1814:Bearskin
1722:Erdgeist
1629:(mother)
1417:Novellas
1308:(Canada)
958:Heinrich
886:See also
839:'s film
805:nihilism
801:humanism
570:Karl Erb
461:Guidance
387:Faust II
217:theology
186:Lutheran
182:Catholic
162:medieval
145:and the
54:Language
2804:(manga)
2283:(Liszt)
2275:(Brian)
2267:(Liszt)
2195:Ballets
1432:Tristan
1135:Sources
971:'Types'
760:scholar
686:Dresden
639:Nepomuk
609:(about
404:Faustus
381:Faust I
241:Leipzig
221:harmony
151:cantata
116:Outline
83:Germany
2829:(2014)
2821:(1987)
2806:(1950)
2797:(1929)
2786:Comics
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2746:(1955)
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2488:(1941)
2480:(1926)
2472:(1926)
2464:(1915)
2456:(1913)
2448:(1904)
2440:(1903)
2432:(1900)
2424:(1897)
2298:Albums
2187:(2006)
2179:(1994)
2171:(1955)
2155:(1938)
2080:Operas
2072:(2018)
2064:(1986)
2056:(1965)
2048:(1955)
2040:(1955)
2032:(1879)
2013:(2019)
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1878:(1898)
1870:(1896)
1862:(1892)
1854:(1844)
1851:Auriol
1846:(1830)
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1577:Family
1350:Novels
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692:Themes
671:Munich
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621:Naming
552:Munich
474:Mozart
430:Mahler
422:Delius
392:Goethe
289:('The
249:Munich
57:German
44:Author
2817:Faust
2802:Faust
2767:Faust
2704:Other
2653:Faust
2597:Faust
2533:Faust
2477:Faust
2413:Films
2342:Songs
2309:Epica
2104:Faust
2088:Faust
2021:Plays
1806:Prose
1779:Faust
1690:Faust
1623:(son)
1605:(son)
1599:(son)
1253:(PDF)
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842:Faust
767:JSTOR
753:books
470:Kafka
306:Dürer
213:Halle
194:Dürer
174:Saale
122:Faust
91:Print
62:Genre
1978:Eric
1283:ISBN
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739:news
574:Bach
500:and
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2837:Art
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