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489:(1744–1811), which proved fruitful for both Stamitz and Beer. At least one of Stamitz's clarinet concertos (the concerto No. 6 in E-flat major) seems to have been composed jointly by the two men, as both of their names appear on the title page of the Viennese manuscript. Stamitz was the first composer to specify a left-hand
425:
During the years
Stamitz spent at Jena, there was neither a town band nor an orchestra to speak of. According to some sources, he was in some way connected to the university, but this seems a matter of dispute. Stamitz gradually descended into poverty. After his death in November 1801, a substantial
257:
By the time he was seventeen, Stamitz was employed as a violinist in the court orchestra. In 1770, he resigned from his post and began travelling. As a travelling virtuoso on the violin, the viola and viola d'amore, Stamitz often accepted short-term engagements, but never managed to gain a permanent
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71:, his father's successor as leader of the Mannheim orchestra. As a youth, Stamitz was employed as a violinist in the court orchestra at Mannheim. In 1770, he began travelling as a
222:, and trained it to be disciplined and technically polished. The players created a sensation with their ability to play with subtlety and precision, as well as with a great
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273:, who had probably come to Paris with him. With Paris as his base, he made frequent concert tours to a number of German cities: on 12 April 1773 he appeared in
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Duos, trios, quartets for various instruments, with a prevalence of strings; the unaccompanied duos for violin and viola are particularly notable.
75:, accepting short-term engagements, but never managing to gain a permanent position. He visited a number of European cities, living for a time in
313:(1753–1781), who had received lessons from Carl's father Johann during a tour of the continent. Between 1782 and 1783, Stamitz gave concerts in
174:, although his writing for the solo instruments is not excessively virtuosic. The opening movements of his orchestral works, which are in
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40 concertos for flute, bassoon, basset horn, violin, viola, viola d'amore and different combinations of some of these instruments
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and different combinations of these instruments. Some of his clarinet and viola concertos are particularly admired. He also wrote
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to his native
Mannheim, before he finally gave up travelling. Sometime in the winter of 1794–95 he moved his family to the
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497:. This occurs in his Viola Concerto in D major, where the passage in question is designated by an "0" above the notes.
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of the young Mozart, or those of Haydn's middle period. Stamitz's works are characterized by regular periods and appealing
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in central
Germany, but his circumstances deteriorated and he descended into debt and poverty, dying in 1801. Papers on
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During the period when he lived in Paris, Stamitz began to cooperate with the
Bohemian born clarinet virtuoso
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court. By now married and the father of four young children, he was forced to resume a life of travelling.
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from his father. After Johann
Stamitz's death in 1757, the 12-year-old Stamitz was taught by the composer
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341:. In April 1786 he made his way to Berlin, where on 19 May 1786 he participated in the performance of
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are expressive and lyrical, sometimes called 'Romance' and usually constructed according to the
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The opening movements of
Stamitz's concertos and orchestral works are regularly constructed in
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were found in his library. Because of this it is thought that he dabbled in attempts at making
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816:(1984). "Italienische Merkmale in der Mannheimer Violintechnik". In Würtz, Roland (ed.).
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11 clarinet concertos (at least one jointly composed with Johann Joseph Beer (1744–1811)
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that
Stamitz composed are considered to be among the finest available from the period.
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position with one of the
European princes or in one of the orchestras of his time.
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ancestry. He was the most prominent representative of the second generation of the
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214:, a violinist and composer of the early classical era. Johann Stamitz was the
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Wolf, Eugene K.; Kaiser, Fritz; Wolf, Jean K. (2001). "Stamitz family ".
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386:. During the winter of 1789–90 he directed the amateur concerts in
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and London. In 1794, he gave up travelling and moved with his family to
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40:; baptized 8 May 1745 – 9 November 1801) was a German
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Deutsche
Biographische Enzyklopäde (German Biographic Encyclopaedia)
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Just as his teacher Franz Xaver
Richter had done, Stamitz preferred
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Stylistically, Stamitz's music is not too far removed from the
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Unabbreviated electronic edition of the first edition. Kassel:
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and more than 60 concertos for violin, viola, viola d'amore,
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690:, conductor, Westminster, WL 50-17 (WL-17 A-WL-17 B), 1950.
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265:, who made him his court composer. He also appeared in the
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321:. In 1785 he returned to Germany to appear in concerts in
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In 1770 he went to Paris, where he went into service with
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Mannheim und Italien – Zur Vorgeschichte der Mannheimer
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50 symphonies (usually in three movements omitting the
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and other instruments. He also wrote a large volume of
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court theatre, which was then under the direction of
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378:in celebration of the balloon ascent of the French
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405:. In 1793 he undertook a last journey along the
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297:, one of many Austro-German musicians, such as
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822:(in German). Mainz: Schott. pp. 200–207.
755:, conductor, EMI Classics, CDC 754842-2, 1993.
737:, conductor, Chandos Records, Chan 9358, 1995.
210:and baptized on 8 May 1745, the eldest son of
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397:On 12 November 1792 he gave a concert in the
949:(5th ed.). New York: G. Schirmer, Inc.
946:Baker's Biographical Dictionary Of Musicians
844:The Harvard Biographical Dictionary of Music
390:, but failed to gain an employment with the
706:, Musical Heritage Society, MHS 1403, 1972.
500:Stamitz's cello concertos were written for
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504:, who was a gifted amateur musician: both
67:, he received lessons from his father and
1039:International Music Score Library Project
218:of the highly reputed court orchestra at
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249:also had a hand in the boy's education.
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59:, a violinist and composer of the early
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999:10.1093/gmo/9781561592630.article.40302
374:, where on 3 November 1787 he staged a
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972:. Vol. 5. K–G. Munich: KG Saur, 1999.
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269:, sometimes together with his brother
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902:Die Musik in Geschichte und Gegenwart
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904:. Allgemeine Enzyklopädie der Musik.
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493:(an important virtuoso device) in a
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875:. Portland, Oregon: Amadeus Press.
749:Academy of St. Martin in the Fields
694:Four Quartets for Winds and Strings
559:in nature and does not exhibit the
229:Carl received his first lessons in
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1743:19th-century German male musicians
1733:18th-century German male musicians
925:"Carl Philipp Stamitz (1745–1801)"
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563:that is considered typical of the
170:and is characterized by appealing
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1708:German Classical-period composers
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285:. In 1777 he dwelt for a time in
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741:Carl Stamitz: Clarinet Concertos
446:Carl Stamitz wrote more than 50
1748:German string quartet composers
1728:German male classical composers
1173:List of Classical-era composers
867:Roeder, Michael Thomas (1994).
630:Viola concerto no. 1 in D major
502:Frederick William II of Prussia
252:
1718:German people of Czech descent
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311:Thomas Erskine, Earl of Kellie
289:where Franz Xaver Richter was
1:
1738:18th-century German composers
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727:Carl Stamitz: Four Symphonies
912:"Carl Stamitz and the Viola"
848:. Cambridge, Massachusetts:
649:6 orchestral quartets, op.14
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87:were found after his death.
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1713:German classical violinists
1035:Free scores by Carl Stamitz
646:6 orchestral quartets, op.1
16:German composer (1745–1801)
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656:Both are considered lost.
633:38 symphonies concertantes
548:, but not excessively so.
512:wrote music for the king.
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871:A History of the Concerto
704:Chamber music. Selections
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55:He was the eldest son of
850:Harvard University Press
717:Prague Chamber Orchestra
565:Viennese classical style
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991:Oxford University Press
674:Discography (selection)
452:symphonies concertantes
263:Louis, Duke of Noailles
96:symphonies concertantes
1723:German opera composers
1570:Common practice period
910:Cuneo, Monica (2017).
358:He later travelled to
305:and in his last years
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191:Early life in Mannheim
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1533:Turkish music (style)
1187:First Viennese School
731:London Mozart Players
680:Symfonies concertante
661:Der verliebte Vormund
384:Jean-Pierre Blanchard
351:, under the baton of
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156:Der verliebte Vormund
24:
1580:Age of Enlightenment
1031:at Wikimedia Commons
561:thematic development
417:in central Germany.
30:Carl Philipp Stamitz
1492:Classical orchestra
1102:Franz Xaver Richter
1092:Christian Cannabich
838:Randel, Don Michael
700:, H-71125, c. 1966.
495:musical composition
299:Carl Friedrich Abel
267:Concerts Spirituels
247:Franz Xaver Richter
239:Christian Cannabich
235:musical composition
202:in the 18th century
69:Christian Cannabich
986:Grove Music Online
941:Slonimsky, Nicolas
916:viola-in-music.com
353:Johann Adam Hiller
204:
27:
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1027:Media related to
1008:978-1-56159-263-0
978:978-3-598-23186-5
935:on 11 March 2007.
882:978-09313-4-061-1
859:978-06743-7-299-3
829:978-3-7957-1326-3
624:3 cello concertos
597:Works (selection)
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688:Henry Swoboda
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638:Chamber music
632:
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567:. The middle
566:
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531:
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522:galante works
513:
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469:
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183:
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136:viola d'amore
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23:
19:
1618:
1611:
1513:Galant music
1243:
1107:Carl Stamitz
1106:
1097:Ignaz Fränzl
1029:Carl Stamitz
984:
969:
945:
933:the original
929:Mozart Forum
928:
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843:
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792:
780:
768:
745:Sabine Meyer
740:
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615:
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572:
550:
519:
499:
484:
458:, clarinet,
445:
424:
396:
375:
357:
346:
331:Braunschweig
260:
256:
253:Early career
228:
205:
159:
155:
89:
54:
38:Karel Stamic
29:
28:
25:Carl Stamitz
18:
1703:1801 deaths
1698:1745 births
1331:Hoffmeister
1301:Dittersdorf
797:Melkus 1984
785:Randel 1996
773:Roeder 1994
553:sonata form
487:Joseph Beer
460:basset horn
421:Final years
407:River Rhine
176:sonata form
124:basset horn
44:of partial
1692:Categories
1575:Classicism
1563:Background
1542:Techniques
1518:Intermezzo
1476:Zingarelli
1381:Mysliveček
1276:Boccherini
1266:J. C. Bach
1249:J. Stamitz
1244:C. Stamitz
1122:Anton Fils
760:References
753:Iona Brown
602:Symphonies
448:symphonies
426:number of
411:university
303:J. C. Bach
287:Strasbourg
92:symphonies
77:Strasbourg
63:. Born in
1670:Biography
1590:Economics
1523:Pastorale
1471:Wranitzky
1391:Paisiello
1376:L. Mozart
1281:Cherubini
1224:Cannabich
1192:Beethoven
1180:Composers
715:with the
616:Concertos
569:movements
546:virtuosic
542:idiomatic
510:Beethoven
491:pizzicato
372:Nuremberg
370:and then
335:Magdeburg
319:Amsterdam
315:The Hague
275:Frankfurt
186:Biography
100:concertos
1633:Category
1610: ←
1426:Sacchini
1396:Piccinni
1351:Kreutzer
1346:Koželuch
1326:M. Haydn
1321:Gyrowetz
1291:Clementi
1286:Cimarosa
1271:G. Benda
1207:Schubert
968:. (ed.)
955:17225213
899:, Hrsg.
667:Dardanus
573:Liedform
557:additive
526:melodies
476:clarinet
413:town of
392:Schwerin
382:pioneer
380:aviation
279:Augsburg
208:Mannheim
172:melodies
160:Dardanus
148:quartets
104:clarinet
73:virtuoso
65:Mannheim
42:composer
1656:Portals
1623:→
1595:Physics
1456:Traetta
1436:Salieri
1421:Rosetti
1356:Krommer
1239:Richter
1041:(IMSLP)
1037:at the
807:Sources
468:bassoon
432:alchemy
360:Dresden
348:Messiah
339:Leipzig
323:Hamburg
317:and in
120:bassoon
85:alchemy
1643:Portal
1506:Genres
1466:Wanhal
1461:Viotti
1406:Reicha
1401:Pleyel
1386:Neruda
1361:Kuhlau
1336:Hummel
1316:Gossec
1306:Dussek
1296:Czerny
1234:Fränzl
1202:Mozart
1005:
976:
953:
879:
856:
826:
669:(1780)
663:(1787)
654:Operas
609:minuet
538:tenths
534:sixths
530:thirds
506:Mozart
428:tracts
403:Goethe
399:Weimar
388:Kassel
364:Prague
343:Handel
327:Lübeck
295:London
231:violin
216:leader
164:Mozart
152:operas
150:. Two
128:violin
98:, and
1451:Spohr
1446:Soler
1441:Sarti
1371:Méhul
1341:Kraus
1311:Gluck
1197:Haydn
721:Naxos
588:minor
581:rondo
516:Style
464:flute
456:cello
442:Music
368:Halle
307:Haydn
271:Anton
180:rondo
168:Haydn
144:trios
132:viola
112:flute
108:cello
46:Czech
34:Czech
1416:Rode
1411:Ries
1256:Abel
1229:Fils
1219:Beck
1003:ISBN
974:ISBN
951:OCLC
877:ISBN
854:ISBN
824:ISBN
591:keys
544:and
536:and
508:and
478:and
436:gold
415:Jena
337:and
233:and
158:and
146:and
140:duos
116:oboe
102:for
81:Jena
1585:Art
995:doi
577:ABA
430:on
345:'s
166:or
1694::
1001:.
993:.
964:,
927:.
914:.
852:.
751:,
747:,
743:,
733:,
729:,
719:,
696:,
686:,
682:,
583:.
532:,
466:,
462:,
438:.
366:,
362:,
355:.
333:,
329:,
325:,
301:,
226:.
182:.
154:,
142:,
134:,
130:,
126:,
122:,
118:,
114:,
110:,
106:,
94:,
52:.
36::
1658::
1156:e
1149:t
1142:v
1068:e
1061:t
1054:v
1011:.
997::
957:.
918:.
885:.
862:.
832:.
799:.
611:)
575:(
32:(
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