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included important wind parts. His symphonies of the 1750s are scored in eight parts: four strings, two horns and two oboes, although flutes or clarinets may substitute for the oboes. Horns provided not only a harmonic backdrop for strings but solo lines as well, and he was also one of the first
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Because at least five other 18th-century musicians bore the surname
Stamitz, including four from Johann's immediate family, any attempt to catalog his (or any of the others') works is risky at best, principally in view of the many variations in spelling. Actually, few difficulties arise in
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distinguishing between works by Johann
Stamitz and those of his sons Carl and Anton. By contrast, the relationship of the names 'Steinmetz' and 'Stamitz' has caused substantial confusion, given at least two other 18th-century musicians with the surname Steinmetz.
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or prestissimo finale. While prior isolated four-movement symphonies exist, Stamitz was the first composer to use it consistently: well over half his symphonies and nine of his ten orchestral trios are in four movements. He also contributed to the development of
150:. After only one year, he left the university to pursue a career as a violin virtuoso. His activities during the six-year period between his departure from the university in 1735 and his appointment in Mannheim around 1741 are not precisely known.
308:'s six from the 1740s seem to have been the first). He also composed a large amount of chamber music for various instrumental combinations, as well as eight vocal works including his widely circulated concert Mass in D.
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and his 10 orchestral trios. The orchestral trios are actually symphonies for strings, but may be played one player to a part as chamber music. His concertos include numerous ones for
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He was appointed by the
Mannheim court in 1741 or 1742. Most likely, his engagement there resulted from contacts made during the Bohemian campaign and coronation of Carl Albert (
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He probably returned to
Mannheim around the autumn of 1755, dying there in spring 1757, less than two years later, at the age of 39. The entry of his death reads:
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chordal textures and slow harmonic rhythm. Like
Italian operas, Stamitz's compositions have a strong sense of rhythmic drive and distinctive thematic material.
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Stamitz also adapted and extended traits originally developed in
Italian opera in his instrumental works. He added innovative dynamic devices such as extended
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Probably around the late summer of 1754, Stamitz paid a yearlong visit to Paris, perhaps at the invitation of music patron
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191:(actually symphonies for string orchestra), and possibly other works of his by various publishers there.
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Stamitz married Maria
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The
Symphonies of Johann Stamitz: A Study in the Formation of the Classic Style.
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Music in
Western Civilization: Volume B â The Baroque and Classical Eras
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with whom he stayed, appearing in public there for the first time at a
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on 8 September 1754. His
Parisian success induced him to publish his
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The chief innovation in Stamitz's symphonic works is their four-
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139:, into a family that came from Marburg (today
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519:. Bohn Stafleu van Loghum. pp. 13â17.
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157:) of Bavaria, a close ally of the Elector
610:International Music Score Library Project
451:Symphony in B-flat major "Mannheim No. 3"
374:Learn how and when to remove this message
260:Learn how and when to remove this message
69:Learn how and when to remove this message
176:, and two children who died in infancy.
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32:This article includes a list of general
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544:Biography and works for viola d'amore
316:Innovations in the Classical symphony
181:Alexandre Le Riche de La Poupelinière
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446:Symphony in A major "Mannheim No. 2"
441:Symphony in G major "Mannheim No. 1"
352:adding citations to reliable sources
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468:Missa Solemnis in D major
515:Wolf, Eugene K. (1981).
111:, were composers of the
189:Orchestral Trios, Op. 1
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53:more precise citations.
1141:Common practice period
306:Johann Melchior Molter
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174:Anton Thadäus Nepomuk
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1151:Age of Enlightenment
602:at Wikimedia Commons
348:improve this section
234:improve this section
148:University of Prague
131:Stamitz was born in
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673:Franz Xaver Richter
663:Christian Cannabich
492:Notturno in D major
465:Symphony in F major
172:, Maria Franziska,
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668:Ignaz Fränzl
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413:ternary form
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170:Carl Philipp
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163:Karl Theodor
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1279:1757 deaths
1274:1717 births
902:Hoffmeister
872:Dittersdorf
552:ed. L. Macy
415:) as well.
405:sonata form
286:harpsichord
133:Deutschbrod
51:introducing
1263:Categories
1146:Classicism
1134:Background
1113:Techniques
1089:Intermezzo
1047:Zingarelli
952:MysliveÄek
847:Boccherini
837:J. C. Bach
820:J. Stamitz
815:C. Stamitz
693:Anton Fils
526:9031303461
497:References
420:crescendos
409:rondo form
296:, one for
292:, one for
284:, two for
280:, two for
274:symphonies
59:March 2022
34:references
1241:Biography
1161:Economics
1094:Pastorale
1042:Wranitzky
962:Paisiello
947:L. Mozart
852:Cherubini
795:Cannabich
763:Beethoven
751:Composers
422:, simple
335:does not
288:, 12 for
221:does not
123:periods.
121:Classical
101:violinist
1204:Category
1181: â
997:Sacchini
967:Piccinni
922:Kreutzer
917:KoĹželuch
897:M. Haydn
892:Gyrowetz
862:Clementi
857:Cimarosa
842:G. Benda
778:Schubert
396:movement
364:May 2020
302:clarinet
250:May 2020
159:Palatine
155:Karl VII
97:composer
94:Bohemian
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1166:Physics
1027:Traetta
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927:Krommer
810:Richter
612:(IMSLP)
608:at the
356:removed
341:sources
298:trumpet
242:removed
227:sources
141:Maribor
137:Bohemia
117:Baroque
47:improve
1214:Portal
1077:Genres
1037:Wanhal
1032:Viotti
977:Reicha
972:Pleyel
957:Neruda
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907:Hummel
887:Gossec
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867:Czerny
805:Fränzl
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278:violin
36:, but
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882:Gluck
768:Haydn
424:tutti
290:flute
282:viola
987:Rode
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827:Abel
800:Fils
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578:ISBN
561:ISBN
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339:any
337:cite
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127:Life
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