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at the same time he gave him some commissions that he executed successfully. He was already well known and regarded when in 1814 López was called to the court of
Ferdinand VII, the Spanish king, who appointed him official court painter and received a royal appointment. Shortly thereafter he succeeded
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and the
Academicism, and he was unaffected by romanticism popular at the end of his career. López was very skilled in drawing and using the brush, but he did not achieve the level of genius that Goya did. His best works are probably his drawings and small-scale paintings.
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Vicente López was a prolific painter executing many religious, allegorical, historic and mythological scenes, but he specialized in portraits. During his long career he painted nearly every notable person in Spain during the first half of the 1800s.
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Vicente López spent the remainder of his life in Madrid painting portraits of statesmen, academics, and other important figures, as well as dramatic and emotional religious subjects. When he died, in Madrid, he was court painter of Queen
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on 19 September 1772. His parents were Cristóbal López
Sanchordi and Manuela Portaña Miró. Vicente López began formally studying painting in Valencia at the age of thirteen, he was a disciple of father Antonio de Villanueva, a Franciscan
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style. He had the Neo-classical emphasis on masterly drawing, though with less rigidity. López is considered the best
Spanish painter of his time, second only to
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in his native city. He was seventeen when he won first prize in drawing and coloring receiving a scholarship to study in the prestigious
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906:. Calle del Duque de Osuna #3; Original from Oxford University, Digitized May 1, 2007: M. Rivadeneyra. pp. 432–433.
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Catálogo
Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas)
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Vicente López was a Neo-classicist painter but he retained certain traces of the
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visited the city of Turia in 1802, the king appointed him an honorary
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in
English about Vicente López Portaña both in web and
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Francisco Tadeo
Calomarde, 1st Duke of Santa Isabel
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490:María Pilar de la Cerda y Marín de Resende, 1795
46:but its sources remain unclear because it lacks
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409:when the famous master visited the court from
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323:Academia Real de Bellas Artes de San Fernando
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692:Princess Luisa Carlotta of the Two Sicilies
518:Pedro de Toledo, 13th Duke of the Infantado
382:as Royal Court Painter during the reign of
77:Learn how and when to remove this message
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394:. In 1817 he was named President of the
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447:Francisco José de Goya y Lucientes
433:. He was seventy eight years old.
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898:Madrazo, Pedro de (1872).
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916:: CS1 maint: location (
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449:. One of his rivals was
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331:Mariano Salvador Maella
61:more precise citations.
833:Manuel González Salmón
586:Fray Tomás Gascó, 1794
533:Ferdinand VII of Spain
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952:at Wikimedia Commons
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207:Vicente López Portaña
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787:, early 19th century
458:Anton Raphael Mengs
129:Painted by his son
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34:list of references
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53:Please help
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985:1850 deaths
980:1772 births
606: 1831
573: 1823
431:Isabella II
185:Nationality
59:introducing
959:Categories
880:References
371:Charles IV
369:When king
304:Early life
144:1772-09-19
912:cite book
411:Bordeaux
355:J. Duart
335:Bernardo
310:Valencia
199:Painting
152:Valencia
89:In this
721:, 1840s
465:Gallery
424:, 1826.
189:Spanish
103:Portaña
95:surname
55:improve
931:@ the
862:, 1834
835:, 1826
772:, 1825
757:, 1829
694:, 1819
667:, 1823
622:, 1815
556:, 1828
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443:Rococo
363:Madrid
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174:Madrid
437:Style
315:friar
297:]
222:[
178:Spain
156:Spain
99:López
40:, or
918:link
380:Goya
339:Luis
337:and
163:Died
138:Born
929:PDF
325:in
211:OIC
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