Moscow Courtyard - Knowledge

642: 741: 399:, sent from Moscow and dated April 13, 1878, he wrote: "... my picture for the traveling exhibition is ready (the picture has been ready for a long time, but the frame only now). Unfortunately, I did not have time to do more important things, but I wanted to appear at the traveling art exhibition with something decent; I hope to earn lost time for art in the future. My picture shows a courtyard in Moscow in early summer. In the same letter, Polenov consulted with Kramsky about how to proceed: "Now I do not know whether to send it to St. Petersburg or to wait until the exhibition arrives here" and asked to be informed "until what time the exhibition will continue in St. Petersburg". Polenov replied. In a reply dated April 14, 1878, Kramsky wrote to Polenov that he regretted "that your name does not appear here in St. Petersburg (since the exhibition closes on April 22 and is immediately sent to Moscow)". According to Kramskoi, "the matter does not change from that; nor will it change from the fact that: more or less important you will put". 403: 560: 572: 630: 782: 548: 474:

saw my courtyard there. The air in it was extremely unpleasant, on the sketch it is much better, so I humbly ask you to allow me to improve it". Apparently, permission was granted, as technical and technological studies of the painting conducted in 1994-1995 showed that the artist had indeed done the appropriate work on the landscape. According to some reports, on January 29, 1880, Polenov asked Tretyakov about the possibility of presenting "Moscow Courtyard" at the St. Petersburg part of the 8th Travelling Art Exhibition, since the canvas had never been exhibited in St. Petersburg before. In the official catalogue of the exhibition, which opened on March 6, 1880, "Moscow Courtyard" was not included, but there were other works by Polenov: "

331:. Vasily Dmitrievich later recalled (according to his son's notes): "I was looking for an apartment. I saw a note on the door, went in to look, and right out of the window I saw this view. Vasily Dmitrievich later recalled (according to his son's notes): "I was looking for an apartment. I saw a note on the door, went in to look, and right out of the window I saw this view. I immediately sat down and painted it". The artist was referring to the original sketch variant "Moscow courtyard" (in Polenov's own list of his works it was recorded under the title "Arbat corner"). In the summer of the same year, already living in Durnovsky Lane, Polenov began to work on the main version of the canvas "Moscow courtyard", as well as on the painting 641: 29: 418:" classified "Yard" as a "true genre painting", with the emphasis on the manor house: "An old wooden house, a mansion, <...> wrapped in the warm shade of the old, densely overgrown garden. <...> We know it, this family nest... Yes, this is it, an old peaceful house, living its life together with its garden and its "courtyard". This picture belongs to Mr. Polenov and is called "Cortyard in Moscow". In another review of the works of the traveling exhibition, it was written about the "charming, laughing, miniature landscape of Mr. Polenov" and noted that "the eye does not want to take away from this joyful, patriarchal picture...". The artist 717: 618: 446:

enter, but various external circumstances prevented. Now, as far as I understand, these circumstances no longer exist, and I am free, and all my sympathies have been on the side of this society from the beginning, so if I am accepted as a member, I will be very pleased about it". On May 27, 1878, at the general meeting of the members of the Partnership, held in Moscow, Polenov was unanimously elected a full member. My election as a member of the Society was a great event for me", the artist himself wrote. From then on, he regularly presented his works at traveling exhibitions, until the last one in 1923.

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foreground, a blonde girl (possibly the older sister of the crying child) stands looking at a plucked flower. In the distance, near the barn, a woman walks with a bucket, chickens wander near the well, and at the right edge of the canvas, a horse harnessed to a cart waits patiently for its master. By the fence, laundry is drying on a rope. The diagonals of the paths crossing the courtyard indicate the depth of the space. Three figures: a girl with a flower, a woman with a bucket and a standing horse — the triangle of the

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different semantic accents. The first zone represents the events of "farm life": the viewer can easily enter the "stretched" foreground, from which the eye moves along the beaten path to the woman with the bucket, from her to the right to the flock of chickens, the red-roofed well and the standing horse. Then the eye is directed to another zone, deep in the yard and beyond, through the barn to the other houses, the church with its bell tower, and the blue sky with the occasional cloud.

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of man's harmonious existence in nature". According to Yurova, the poeticism of the image in "Moscow Courtyard" is achieved by the fact that "it is associated with the quiet and natural existence of man - a part of nature, imbued with joyful acceptance of existence, faith in the immutability of the beauty of life". According to Yurova, Polenov put into the canvas "the full force of his love for life, for people, which makes even the most ordinary and prosaic things poetic".

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artist, who suddenly saw the beauty of an ordinary landscape". Paston wrote that in the "Moscow Courtyard" one can feel "the taste of a direct, childishly naïve perception of the world, its joy, its poetry and its mystery". She noted that in this work, "the compositional accuracy of the picture is combined with its color harmony in a single complete image, as it was felt by Polenov".

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courtyard gives the picture "crystalline clarity and integrity, without violating the immediacy of the impression of life". Listing the merits of the painting "Moscow Courtyard", in which Polenov managed to embody "all the best that was associated for him with the idea of landscape and domestic genre", Maltseva noted the artist's extensive use painting

202: 2128: 669: 740: 812:, with whom he was acquainted since 1874. In one of his letters, Polenov wrote about this repetition: "When Turgenev came to the opening of the monument to Pushkin, I was also there. I made a repetition of my sketch with the Savior on Peski. I rented an apartment with a view of this church. There's also the dog's playground, where " 395:(Peredvizhniki) was opened in St. Petersburg, which worked until April 22 and then moved to Moscow, where it continued its work on May 7. At the St. Petersburg part of the exhibition, Polenov's paintings were not presented. It is known that Polenov tried, at least belatedly, to send "Moscow Court" there - in a letter to the artist 364: 684: 710:, and it is located between Compositor Street (formerly Durnovsky Lane) and the Church of the Transfiguration on the Sand. The art historian Eleanor Paston, who has studied this question in detail, believes that in 1916 (almost forty years after the painting) Polenov could have mistakenly given the name of the neighboring lane. 263:, Polenov went to the area of military operations, where he created a number of drawings based on his battle impressions. At the end of the year, the artist returned to St. Petersburg, but with the desire to move to Moscow as soon as possible. In a letter to Elizaveta Mamontova (wife of entrepreneur and art patron 588: 847:, who had a large collection of paintings by Russian artists. In Troyanovsky's home gallery "Moscow Court" was hung "in the most honorable place". Shortly before his death, which occurred in 1928, Troyanovsky transferred to the Russian Museum two works by Polenov from his collection — "Sick" and "Moscow Court". 973:

In 1936, a four-story school building was erected on the site of the mansion depicted in the painting. Later, it received the status of a special school with advanced study of the French language and was later renamed as the 12th special school. In 2013, after merging with other buildings, the school

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The painting depicts the courtyard of a house at the intersection of Durnovsky and Trubnikovsky Streets, in the wing of which Polenov rented an apartment in 1877–1878. Behind the courtyard and the adjacent buildings is the Church of the Transfiguration on the Sand, and in the right part of the canvas

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wrote that the painting "Moscow Courtyard" is filled with "simple and clear soulful poetry". According to him, in this work Polenov managed to "perceive the simplest and most banal motif in a poetic way", to show the viewer the most ordinary view "as something unique, native, close and sweet, like a

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In a monograph on Polenov's work, art historian Tamara Yurova noted that the canvas "Moscow Courtyard" was among the "pearls of the Russian school of painting", became "a milestone in the history of Russian landscape painting" and also served as the most complete and perfect expression of "the theme

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In comparison with the original version on the painting made in 1878, Polenov changed its format: instead of vertical, he made it horizontal. This allowed the artist to strengthen the role of architectural structures and, in particular, to add the image of the Church of St. Nicholas the Wonderworker

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The painting "Moscow Courtyard" was the first of Polenov's works to be exhibited at the Peredvizhniki. In a letter to Pavel Chistyakov dated May 19, 1878, Polenov wrote about his long-standing desire to become a member of the Societe of Travelling Art Exhibitions: "...here are six years as I want to

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in Russian painting of the second half of the XIX century, Manin wrote that the "Moscow Courtyard" is "not just a radiant landscape executed in bright plein air colors", but "encapsulates a whole philosophy". According to Manin, in this work Polenov "reigns the poetry of quiet, calm life, the charm

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According to the art historian Faina Maltseva, the main strength and artistry of the picture created by Polenov in the "Moscow Courtyard" lies "in the harmonious unity of landscape and genre painting motif". She wrote that the well-thought-out distribution of the figures in the limited space of the

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The clear structure of the compositional solution of the "Moscow Courtyard" is achieved by its relative closure and "a kind of "interiority", the subordination of all parts of the picture to the whole". Despite the apparent integrity of the picture, it is possible to distinguish separate zones with

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dated January 20, 1877, Repin wrote to Polenov: "No, dear brother, you will see for yourself how our Russian reality, which has never been depicted before, will shine before you. How you will be drawn in, to the marrow of your bones, to its poetic truth, as you begin to comprehend it, yes, with all

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is "full of simple and clear heartfelt poetry" and this work by Polenov "was a new word in Russian landscape painting and played a great role in it". Art historian Tamara Yurova noted that this canvas was among the "pearls of the Russian school of painting" and became "a milestone in the history of

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Another author's replica of the original version of the "Moscow Courtyard", created in 1908, is in a private collection. It was exhibited at Polenov's personal exhibition in Moscow in 1950. According to some reports, this work was commissioned by a certain "Mr. Klamroth". Besides, the existence of

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The Tretyakov Gallery also owns the original version of the painting "Moscow Courtyard" (canvas on cardboard, oil, 49.8 × 39 cm, 1877, inv. no. 11151), formerly owned by N.V. Polenova and then in the collection of the artist and collector Ilya Ostroukhov. The painting came to the Tretyakov Gallery

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In May 1879, after a visit to the Tretyakov Gallery, Polenov had the desire to make some changes in "Moscow Courtyard": in particular, to improve the image of the light and air environment. In a letter to Pavel Tretyakov, dated May 29, 1879, the artist wrote: "Yesterday I was in your gallery and I

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in combination with domestic buildings. At the same time, Savrasov's "Rooks", containing the image of awakening spring nature, is "a work of epic plan, expressing the national worldview of the artist", while in Polenovsky's "Courtyard" "the plot" is "as if "prompted" by a momentary feeling of the

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not Russian. It would be better for you to live permanently in Paris or Germany. Unless, of course, some unexpected changes suddenly happen to you, opening some previously unknown boxes and pouring out unknown treasures and news. Of course, I am not a prophet!" Polenov, upset by Stasov's critical

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wrote that the painting "Moscow Courtyard" can be considered the pinnacle of Polenov's work, combining landscape and genre themes. She noted that this painting "became Polenov's most popular work and forced him to be recognized as a truly Russian artist". According to Lyaskovskaya, this painting

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The painting depicts a typical Moscow courtyard of the second half of the 19th century on a clear summer day. Children are playing on a green lawn between houses, barns and wooden fences. Two boys lying on the grass are playing with a cat, and a small child is crying away from them. Near the

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with columns was opened. The result was "a peculiar rhythm of houses and churches, supported by precisely and subtly found color relationships, the absence of strong light contrasts". However, the main difference between the painting and the original version was the use of

703: 274:, who wrote to him in a letter dated 3 January 1877: "You are going to settle down in Moscow <...>, and in the meantime you do not need Moscow for anything, nor anything else in Russia. You have a mentality that is not Russian, not only not historically, but not even 2631: 1138: 1125: 592: 1700: 1696: 1010: 1006: 309: 2369: 514: 346:

Apparently, a considerable part of the work on "The Moscow Courtyard" was done by Polenov in July and the first half of August 1877, because in the following months he had to travel a lot. At the beginning of July, 1877, the parents of Vasily Dmitrievich died:

824:: according to the author of his biography, Yuri Lebedev, "upon entry into the study, the painting of V. D. Polenov's 'Moscow Courtyard'. This was also testified by Alexandra Olsufyeva, who visited Turgenev at Bougivalin November 1882 and gave him the text of 2528: 591:" by the topographer Alexei Khotev in 1852-1853 and the alphabetical index to this atlas. The estate located at the intersection of Durnovsky and Trubnikovsky pereuloks is marked on the map at number 148. In particular, it included a manor house adjoining 481:

Later the "Moscow Courtyard" was exhibited at a number of exhibitions, including the exposition in the Tretyakov Gallery dedicated to the 25th anniversary of Tretyakov's death (1923), as well as at Polenov's personal exhibitions held in Moscow in 1924, in

599:. According to the alphabetical index, in the 1850s this estate belonged to Lieutenant Colonel Alexander Nikolayevich Yuriev. After Yuriev's death the estate passed to his widow and then (according to the data for 1882) was registered in the name of the 761:

motif, which gave the canvas a narrative without violating the integrity of the presented image: "an ordinary moscow courtyard was filled with meaning and began to be perceived as part of the seen a great life that has a beginning and a continuation".

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recalled: "When "Moscow Courtyard" was first exhibited, all the sketches and landscapes by other artists next to it seemed as black as oilcloth, so much light, air, cheerfulness and truth was in this small in size, but deep in content painting".

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keeps another author's replica of the original version of the painting "Moscow Courtyard" created by Polenov in 1902 (canvas, oil, 55.2 × 44 cm, inv. no. Ж-4210). The artist gave it to his friend, the doctor and collector

706:", near the Church of the Redeemer on Peski, which then "was white, and now has become dark gray". According to Polenov, "at present there is neither a yard nor a tavern house". The current name of Maly Tolstovsky Lane is 629: 752:

in Plotniki. In addition, the Church of the Transfiguration of the Savior on the Sands was moved closer to the center of the canvas because the house partially hides it. The manor house also became more visible — its

918:," presented at the 1st Travelling Art Exhibition in 1871 (seven years before "Courtyard"). The common features that brought these works together were emotional content, simplicity of motif, and the use of images of 1934: 680: 699: 2122: 582:

In the left part of the canvas there is a fenced garden and an old manor house, the end of which faces the lawn. The same manor house, but from the side of the garden, was depicted by Polenov in the painting

801:": in the list of works compiled by the artist himself, it was included at number 123 under the title "Arbatsky Corner". In the catalogs of the Tretyakov Gallery, published in 1952 and 1984, it was called " 2681: 887:"full of silence and comfort" "does not just depict a certain corner of old Moscow, but gives an unforgettable typical image, which contains the characteristic features of the era and its everyday life". 327:. In the same letter, Polenov gave his new address: "Moscow, Durnovsky Lane near the Church of the Transfiguration on the Sand, the Baumgarten house". Polenov rented an apartment with his fellow artist 941:

called the "Moscow Courtyard" "a masterpiece of landscape art" and wrote that "one such painting is enough to go down in history". Referring to the characteristic combination of landscape and domestic

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In the same list of Polenov's works, under number 124 (under the same title "Arbatsky Corner"), there was mentioned the author's repetition, created in 1880 and presented by the artist to the writer

267:) dated December 24, 1876, Polenov wrote "Strongly aspire to you in Moscow, probably, in it will be easier to work than in St. Petersburg, where not a minute can not have free to concentrate ...". 692: 691:

This church, built in 1691, was located on the Arbat Street, at the crossroads with Nikolsky (since 1922 - Plotnikov) Lane. It was pulled down in 1932. The domes of another church, located in the

3251:Алфавитный указатель к плану столичного города Москвы, составленному по распоряжению г. московского обер-полицмейстера, свиты его Императорского величества генерал-майора Лужина, А. Хотевым . — 702:

Ivan Zhuchkov about the circumstances of the creation of the canvas "Moscow Courtyard", Vasily Polenov wrote that he "then lived in Maly Tolstovsky Lane, at the corner of Trubnikovsky, near the

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the heat of love to translate it on your canvas, and you will be surprised at what will turn out before your eyes and the first to enjoy his work, and then all will not yawn in front of it".

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Comparison of the view of the Moscow courtyard from Polenov's painting and A. Khotev's plan. Khotev's map of 1852-1853 (map orientation is determined by the arrow in the lower left corner)

617: 607:, who lived in the same house as the author of "The Moscow Court", later recalled: "Our house Yurieva, then Baumgarten, immortalized by Polenov, who also lived there, in his painting 2132: 2372: 410:

So the canvas "Moscow Courtyard" was presented at the Moscow part of the 6th Traveling Art Exhibition, which took place from May 7 to July 1, 1878 in the building of the

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for his excellent knowledge of painting, as evidenced by the works presented. In the fall of 1876, having joined the Russian Volunteer Army, which took part in

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It took him about three weeks to find an apartment. On 23 June 1877, Polenov wrote to Chizhov: "My new home is very close to yours, in Durnovsky Lane between

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childhood memory". According to Fedorov-Davydov, the canvas "Moscow Courtyard" "was a new word in Russian landscape painting and played a great role in it".

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The picture "Moscow Courtyard" was the first work in which Polenov's "aesthetic credo", which he formulated most clearly in 1888 in a letter to the painter

438:, but a kind of both: a Moscow or provincial aristocratic courtyard overgrown with grass. It is typical and beautifully written". In a letter to the artist 206: 596: 486:

in 1969, and in Moscow and St. Petersburg in 1994-1995. In 1971-1972 the canvas took part in the exhibition "Landscape Painting of the Peredvizhniki" (

221:. In a letter to his parents, written shortly before the end of his trip abroad, the artist reported: "Here I tried all kinds of painting: historical, 3321:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 2176:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 2063:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 2018:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 1826:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 1813:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 1763:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, С. Н. Гольдштейн, Н. Л. Приймак. — 832:". This version of the painting "Moscow Courtyard" (French: La petite cour de Moscou) is kept in the collection of Turgenev's museum, opened in his 2661: 466:, which depicted the same mansion as in "Moscow Courtyard". Together with two other works by the artist ("Udilshchiki" and "Summer"), the painting 3369:

Collection of the Tretyakov Gallery: Vasily Polenov's painting "Moscow Courtyard" (HTML). Radio "Echo of Moscow", echo.msk.ru (6 August 2006)

201:. In 1871, Polenov was awarded a large gold medal by the Academy of Arts for his painting "The Resurrection of Jairus' Daughter" (now in the 129:

are the outlines of the Church of St. Nicholas the Wonderworker in Plotniki. The work organically combines landscape and genre motifs.

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The painting "Moscow Courtyard" was presented at the Moscow part of the 6th Exhibition of the Society for Traveling Art Exhibitions ("

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and Sobachiya Lane were added to it, everything together became known as Composer's Street. In the 1960s, during the construction of

368: 102:(inventory 2670). Its dimensions are 64.5 × 80.1 cm. Together with two other works by Polenov from the late 1870s: the paintings 434:

dated 11 May 1878, characterized this canvas as follows: "Polenov has painted a very beautiful thing, neither a landscape nor a

402: 3307:Народный художник Республики, академик Василий Дмитриевич Поленов. 1844—1927. Каталог / Н. В. Власов, А. А. Фёдоров-Давыдов. — 2230: 3302: 3267: 3196: 3162: 3145: 3122: 3033: 3016: 2999: 2918: 2901: 781: 233:, and so on, and came to the conclusion that my talent is closest to the domestic landscape genre, which I will take up". 1073: 1069: 442:

dated May 19, 1878, Polenov reported, "My picture has really been sold, it was bought by Pavel Mikhailovich Tretyakov".

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of everyday life, which contains something eternal, immutable, inexhaustible source of happiness of human existence".

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remained. In the place of Polenov's "courtyard" there is now the courtyard of the house No. 17 on Composer Street.

1137:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899 / В. В. Андреева, М. В. Астафьева, 3204:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 2352:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 2249:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 2105:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 2034:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 1970:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 1862:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 1842:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 1183:Картина В. Д. Поленова «Московский дворик» // Государственная Третьяковская галерея. Материалы и исследования. — 2541: 2537: 260: 308:

In June 1877, the artist arrived in Moscow. He stayed with his father's friend, industrialist and publisher

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According to art historian Eleanor Paston, there are "unconditional echoes" between "Moscow Courtyard" and

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was presented at the 7th Travelling Art Exhibition, which opened on February 23, 1879 in St. Petersburg.

28: 3408: 3393: 1667: 1618: 1319: 348: 136:"), which was held in May 1878. It became Polenov's first work presented at the traveling exhibitions. 3373: 3331: 2725:Народный художник Республики, академик Василий Дмитриевич Поленов. 1844—1927. Каталог / Н. В. Власов, 2607: 820:

in Moscow, inaugurated on June 6, 1880. Later, Turgenev kept this author's repetition in his study in

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a "masterpiece of landscape art" and wrote that "one such painting is enough to go down in history".

816:" begins. This is Turgenev's corner. I gave him this sketch. The artist referred to the monument to 3398: 3130:Василий Поленов. От Золотого к Серебряному веку // Третьяковская галерея. — 2019. — № 3. — С. 4—77. 829: 587:, also dated 1878. The place from which Polenov could have seen such a view was determined by the " 509:

Currently, the painting "Moscow Courtyard" is exhibited in hall No. 35 of the main building of the

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Moscow patio, Vasily Polenov, 1878 (HTML). Google Arts & Culture — artsandculture.google.com.

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Fragment of A. Khotev's plan. A. Khotev's plan (the arrow corresponds to the direction of view)

611:. The old woman is Yurieva, and her married daughter Baumgarten is carrying her under her arm". 675:

Behind the yard and neighboring buildings there is a white five-domed church with a tent-like

3314:Переписка И. Н. Крамского: И. Н. Крамской и П. М. Третьяков, 1869—1887 / С. Н. Гольдштейн. — 3276:: Красная площадь, 2006. — Т. 4: Живопись второй половины XIX века, книга 2, Н—Я. — 560 с. — 3041:Воспоминания об И. С. Тургеневе // Исторический вестник. — 1911. — Т. 123, № 3. — С. 855—864. 2980:В. Д. Поленов // История русского искусства / И. Э. Грабарь, В. С. Кеменов, В. Н. Лазарев. — 1913:Переписка И. Н. Крамского: И. Н. Крамской и П. М. Третьяков, 1869—1887 / С. Н. Гольдштейн. — 499: 415: 380: 2592: 1017:: Красная площадь, 2006. — V. 4: Живопись второй половины XIX века, книга 2, Н—Я. — 560 p. 296: 3363: 2193:: Красная площадь, 2006. — Т. 4: Живопись второй половины XIX века, book 2, Н—Я. — P. 102. 2054:: Красная площадь, 2006. — V. 4: Живопись второй половины XIX века, book 2, Н—Я. — P. 101. 1707:: Красная площадь, 2006. — V. 4: Живопись второй половины XIX века, книга 2, Н—Я. — P. 98. 8: 2505:: Красная площадь, 2006. — V. 4: Живопись второй половины XIX века, book 2, Н—Я. — P. 95. 1885: 1303:: Красная площадь, 2006. — V. 4: Живопись второй половины XIX века, book 2, Н—Я. — P. 88. 852: 320: 3272:Государственная Третьяковская галерея — каталог собрания / Я. В. Брук, Л. И. Иовлева. — 2501:Государственная Третьяковская галерея — каталог собрания / Я. В. Брук, Л. И. Иовлева. — 2189:Государственная Третьяковская галерея — каталог собрания / Я. В. Брук, Л. И. Иовлева. — 2050:Государственная Третьяковская галерея — каталог собрания / Я. В. Брук, Л. И. Иовлева. — 1299:Государственная Третьяковская галерея — каталог собрания / Я. В. Брук, Л. И. Иовлева. — 623:

Arbat part (sheet 2) from "Atlas of the Capital City of Moscow" by A. Khotev (1852-1853)

372: 91: 2285:: Государственная Третьяковская галерея, 2017. — P. 21-22. — (История одного шедевра). 785:

Author's repetition of the original version of the painting "Moscow Courtyard" in the

454: 3298: 3297:: Palace Editions, 2013. — Т. 12: Живопись первой половины XX века (Н—Р). — 288 с. — 3277: 3263: 3192: 3175: 3158: 3141: 3118: 3117:: Государственная Третьяковская галерея, 2017. — 48 с. — (История одного шедевра). — 3086: 3069: 3052: 3029: 3012: 2995: 2958: 2931: 2914: 2897: 2860: 2148: 1437: 1077: 1055: 1032: 974:

received the status of a gymnasium and a new name: V. D. Polenov Gymnasium No. 1231.

875: 817: 510: 351:

and Maria Alekseevna invited him to their dacha, which was located in the village of

316:

and the eastern part of Russia, but soon after arriving in Moscow he left this idea.

301: 244: 99: 73: 3107:Москва, как много в этом звуке… // Третьяковская галерея. — 2013. — № 3. — С. 78—89. 125:

has been attributed to "a kind of lyrical and philosophical trilogy of the artist".

3224:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 2465:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 2453:: Государственная Третьяковская галерея, 2017. — P. 34. — (История одного шедевра). 2136: 2088:: Государственная Третьяковская галерея, 2017. — P. 22. — (История одного шедевра). 1989:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1782:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1637:: Государственная Третьяковская галерея, 2017. — P. 24. — (История одного шедевра). 1588:: Государственная Третьяковская галерея, 2017. — P. 21. — (История одного шедевра). 1557:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1525:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1468:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1456:: Государственная Третьяковская галерея, 2017. — P. 18. — (История одного шедевра). 1414:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1398:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1350:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1162:Василий Дмитриевич Поленов, Елена Дмитриевна Поленова. Хроника семьи художников. — 1103:: Государственная Третьяковская галерея, 2017. — P. 28 — (История одного шедевра). 802: 770: 661: 483: 439: 375:. At the end of 1877 — beginning of 1878 Polenov was at the Bulgarian front of the 360: 252: 178: 3368: 2651:: Palace Editions, 2013. — V. 12: Живопись первой половины XX века (Н—Р). — 288 p. 2485:: Государственная Третьяковская галерея, 2017. — P. 47. — (История одного шедевра) 2009:: Государственная Третьяковская галерея, 2017. — P. 4. — (История одного шедевра). 1513:: Государственная Третьяковская галерея, 2017. — P. 20. — (История одного шедевра) 1370:: Государственная Третьяковская галерея, 2017. — P. 16 — (История одного шедевра). 209:, as well as the right to a pensioner's trip abroad. In 1872-1873 Polenov visited 3098: 1876: 1649: 1603: 1433: 911: 867: 794: 427: 328: 271: 137: 3348: 3358: 3338:/ Cahiers du Monde russe et soviétique. — 1992. — Vol. 33, n 2—3. — P. 321—355. 2140: 839: 786: 758: 475: 435: 264: 222: 190: 117: 95: 39: 3286:Государственный Русский музей — Живопись, XVIII — начало XX века (каталог). — 2622:Государственный Русский музей — Живопись, XVIII — начало XX века (каталог). — 1315: 3382: 809: 600: 431: 396: 392: 133: 65:

80,1 cm × 64,5 cm (315 in × 254 in)

2613:// Cahiers du Monde russe et soviétique. — 1992. — Vol. 33, n 2—3. — P. 349- 426:

Directly from the exhibition, the painting was purchased from the author by

928: 3255:: Типография Ведомостей Московской городской полиции, 1852—1853. — 184 с. 2418: 2295: 2269:: Типография Ведомостей Московской городской полиции, 1852—1853. — P. 62. 825: 798: 665: 604: 503: 336: 275: 186: 3349:"Moscow Courtyard" in the database of the project "My Tretyakov Gallery" 3187:Коллекционеры России. XVII — начало XX вв. Энциклопедический словарь. — 2712:Коллекционеры России. XVII — начало XX вв. Энциклопедический словарь. — 2696:Коллекционеры России. XVII — начало XX вв. Энциклопедический словарь. — 2676:Коллекционеры России. XVII — начало XX вв. Энциклопедический словарь. — 379:, where he performed the duties of an artist at the headquarters of the 3359:

Vasily Polenov - Moscow courtyard (1878) (HTML). "My Tretyakov Gallery"

676: 363:

took place in August. In September of the same year, Polenov stayed in

280: 240: 230: 226: 198: 863: 603:

Nikolai Lvovich Baumgarten — the husband of Yuriev's daughter. Prince

367:— the estate of his grandmother Vera Nikolaevna Voyeikova, located in 2234: 942: 894: 3353: 3293:Государственный Русский музей — каталог собрания / В. А. Леняшин. — 3174:: Художник России, 1994. — 208 с. — (Русские живописцы XIX века). — 2419:Истории вещей: тайны «Московского дворика» и письмо Василия Поленова 3051:: Художник РСФСР, 1991. — 192 с. — (Русские живописцы XIX века). — 2930:: Молодая гвардия, 1990. — 608 с. — (Жизнь замечательных людей). — 2913:: Молодая гвардия, 2010. — 368 с. — (Жизнь замечательных людей). — 821: 776: 746:

Church of St. Nicholas the Wonderworker in Plotniki (photo of 1882)

734:

Church of the Transfiguration on the Sand in Moscow (photo of 2011)

722:

Church of the Transfiguration on the Sand in Moscow (photo of 1882)

236: 2560:: Молодая гвардия, 1990. — P. 521. — (Жизнь замечательных людей). 386: 255:. In the same year, "the Academy of Arts awarded him the title of 3028:: Яуза, Эксмо, 2010. — 496 с. — (Москва. Путеводитель памяти). — 2437:: Художник России, 1994. — P. 52. — (Русские живописцы XIX века). 753: 340: 284: 210: 2824:: Художник РСФСР, 1991. — P. 35. — (Русские живописцы XIX века). 2990:Мастера русского пейзажа. Вторая половина XIX века. Часть 2. — 2943:В. Д. Поленов. «Московский дворик» // Замечательные полотна. — 2808:: Художник РСФСР, 1991. — P. 36. — (Русские живописцы XIX века) 1929:В. Д. Поленов. «Московский дворик» // Замечательные полотна. — 1120:Мастера русского пейзажа. Вторая половина XIX века. Часть 2. — 495: 152:

Russian landscape painting". Art historian Vitaly Manin called

77: 2836:Мастера русского пейзажа. Вторая половина XIX века. Part 2. — 2215: 1949:Мастера русского пейзажа. Вторая половина XIX века. Part 2. — 2406: 833: 491: 313: 218: 214: 898:

The painting "Moscow Courtyard" on a 1952 USSR postage stamp

1695:Государственная Третьяковская галерея — каталог собрания / 1005:Государственная Третьяковская галерея — каталог собрания / 487: 356: 3332:

Les fonds iconographiques russes et soviétiques en France

3262:: Государственная Третьяковская галерея, 2019. — 320 с. — 2608:

Les fonds iconographiques russes et soviétiques en France

291: 3258:Василий Поленов / Л. Л. Правоверова, В. Б. Широбокова. — 2514:Василий Поленов / Л. Л. Правоверова, В. Б. Широбокова. — 2202:Василий Поленов / Л. Л. Правоверова, В. Б. Широбокова. — 16:

A landscape painting by the Russian artist Vasily Polenov

685:

Church of the Transfiguration of the Savior on the Sands

652:

The name "Durnovsky pereulok" existed until 1952. After

458:

Grandmother's Garden (1878, the State Tretyakov Gallery)

2974:: Государственная Третьяковская галерея, 1946. — 120 с. 2518:: Государственная Третьяковская галерея, 2019. — P. 54. 2206:: Государственная Третьяковская галерея, 2019. — P. 59. 1804:: Государственная Третьяковская галерея, 1946. — P. 19. 1031:Поленов Василий Дмитриевич — Московский дворик (HTML). 695:

part of Moscow, are barely visible to the right of it.

2409:, 2010. — P. 312-313. — (Москва. Путеводитель памяти). 205:). Along with this award he received the title of the 3007:Русская пейзажная живопись. Конец XVIII — XIX век. — 2896:: Белый город, 2011. — 48 с. — (Мастера живописи). — 2859:: Большая российская энциклопедия, 1997. — С. 759. — 2664:(HTML). Виртуальный Русский музей — rusmuseumvrm.ru. 2231:Третьяковка открывает самую большую выставку Поленова 1271:Русская пейзажная живопись. Конец XVIII — XIX век. — 414:. The author of a review published in the newspaper " 412:

Moscow School of Painting, Sculpture and Architecture

3354:

Vasily Dmitrievich Polenov "Moscow Courtyard" (1878)

3214:Товарищество передвижных художественных выставок. — 3101:// Третьяковская галерея. — 2007. — № 1. — С. 22—33. 2784:Центральное филателистическое агентство «Союзпечать» 2163:Товарищество передвижных художественных выставок. — 1738:Товарищество передвижных художественных выставок. — 1652:// Третьяковская галерея. — 2007. — № 1. — P. 29-30. 270:

Polenov also discussed his move with the art critic

2643:Государственный Русский музей — каталог собрания / 956:

List of the paintings by Vasily Dmitrievich Polenov

1904:: Белый город, 2011. — P. 5. — (Мастера живописи). 797:Museum in 1929. Polenov called this version as a " 140:bought that canvas directly from the exhibition. 3208:: Советский художник, 1956. — Т. I. — С. 198—208. 2109:: Советский художник, 1956. — V. I. — P. 201-203. 1670:// Третьяковская галерея. — 2013. — № 3. — P. 82. 1621:// Третьяковская галерея. — 2013. — № 3. — P. 78. 1606:// Третьяковская галерея. — 2007. — № 1. — P. 27. 3380: 1752:Товарищество передвижных художественных выставок 777:Original version (study) and authors' replicates 1074:Василий Поленов. От Золотого к Серебряному веку 406:Moscow Courtyard in the State Tretyakov Gallery 387:6th Travelling Art Exhibition and Painting Sale 177:and then a regular student. His mentors in the 2953:Воспоминания / Н. В. Вырубов, Е. Ю. Львова. — 2789:, 1983. — V. 1 (1918—1969). — P. 198. — 512 p. 2778:Каталог почтовых марок СССР / М. И. Спивак. — 2299:Воспоминания / Н. В. Вырубов, Е. Ю. Львова. — 2216:Выставка «Василий Поленов» в Новой Третьяковке 98:(1844–1927), completed in 1878. It belongs to 2356:: Советский художник, 1956. — V. I. — P. 201. 2253:: Советский художник, 1956. — V. I. — P. 198. 2038:: Советский художник, 1956. — V. I. — P. 206. 1974:: Советский художник, 1956. — V. I. — P. 202. 1866:: Советский художник, 1956. — V. I. — P. 205. 934:and "extraordinary purity of color palette". 664:), only the part of Composer Street from the 538:. They emphasize the relationship of scales. 3153:Русские художники XVIII — начала XX века. — 1719:Русские художники XVIII — начала XX века. — 1382:Русские художники XVIII — начала XX века. — 1334:Русские художники XVIII — начала XX века. — 1187:: Советский художник, 1956. — V. I. — P. 204 698:In November 1916, answering the question of 542:Fragments of the painting "Moscow Courtyard" 478:", "Valley of Death" and "Turkish Outpost". 391:On March 9, 1878, the 6th exhibition of the 3364:"Moscow courtyard". My Moscow — www.mmsk.ru 3140:: Слово, 2019. — Т. 1 (Россия). — 224 с. — 2984:: Наука, 1965. — Т. 9, кн. 2. — С. 119—148. 565:Children, a woman with a bucket and a horse 300:Moscow Courtyard (the first variant, 1877, 279:remarks, shared his doubts with the artist 251:In the summer of 1876, Polenov returned to 169:In 1863-1871 Vasily Polenov studied at the 855:replicas in private collections is known. 689:St. Nicholas the Wonderworker in Plotniki. 339:of cathedrals and interiors of the Moscow 217:, and in 1873-1876 he lived and worked in 27: 3234:Русский пейзаж XVIII — начала XX века. — 1250:Русский пейзаж XVIII — начала XX века. — 1227:Русский пейзаж XVIII — начала XX века. — 577:Church of the Transfiguration on the Sand 3113:Василий Поленов. «Московский дворик». — 2481:Василий Поленов. «Московский дворик». — 2449:Василий Поленов. «Московский дворик». — 2368:Спаса Преображения на Песках церковь // 2281:Василий Поленов. «Московский дворик». — 2084:Василий Поленов. «Московский дворик». — 2005:Василий Поленов. «Московский дворик». — 1686:: Слово, 2019. — Т. 1 (Россия). — P. 86. 1633:Василий Поленов. «Московский дворик». — 1584:Василий Поленов. «Московский дворик». — 1509:Василий Поленов. «Московский дворик». — 1452:Василий Поленов. «Московский дворик». — 1366:Василий Поленов. «Московский дворик». — 1099:Василий Поленов. «Московский дворик». — 1050:Василий Поленов. «Московский дворик». — 893: 862: 780: 525:, as well as other works by the artist. 462:In 1878, Polenov completed the painting 453: 401: 335:. At the same time the artist worked on 295: 235: 2797: 2795: 2324:: Новая Элита, 2011. — P. 232. — 288 p. 292:Move to Moscow and work on the painting 3381: 2497: 2495: 2493: 2491: 2237:— www.vedomosti.ru (15 October 2019). 2117: 2115: 2098: 2096: 2094: 2077: 2075: 2073: 2046: 2044: 1982: 1980: 1963: 1961: 1959: 1731: 1729: 1596: 1594: 1262: 1260: 1243: 1241: 1218: 1216: 393:Society for Travelling Art Exhibitions 2947:: Художник РСФСР, 1966. — С. 234—235. 2421:(HTML). www.mos.ru (7 October 2018). 2218:(HTML). Музеи России — www.museum.ru. 1775: 1773: 1660: 1658: 1577: 1575: 1573: 1571: 1569: 1567: 1502: 1500: 1498: 1496: 1494: 1426: 1424: 1295: 1293: 1291: 1289: 1287: 1285: 1254:: Советский художник, 1986. — P. 196. 1199: 1197: 1195: 1193: 1113: 1111: 1109: 1092: 1090: 1088: 1086: 1056:Государственная Третьяковская галерея 1043: 1041: 1033:Государственная Третьяковская галерея 1027: 1025: 1023: 3311:: Советский художник, 1950. — 122 с. 3290:: Аврора и Искусство, 1980. — 448 с. 3238:: Советский художник, 1986. — 304 с. 2876:: Детская литература, 1967. — 262 с. 2792: 1176: 1174: 1172: 1155: 1153: 1151: 1001: 999: 997: 995: 993: 991: 989: 506:from October 2019 to February 2020. 173:, where he was first (until 1866) a 2488: 2112: 2091: 2070: 2041: 1977: 1956: 1726: 1591: 1257: 1238: 1213: 243:. Portrait of V. D. Polenov (1877, 229:, head portrait, picture, animals, 13: 3191:: РИПОЛ Классик, 2005. — 533 с. — 2595:. — 1911. — V. 123, № 3. — P. 859. 1770: 1655: 1564: 1491: 1421: 1282: 1190: 1106: 1083: 1038: 1020: 14: 3420: 3342: 2957:: Русский путь, 2002. — 376 с. — 2316:Спасопесковский переулок, 6/8 // 2151:, 1965. — V. 9, book 2. — P. 132. 1169: 1148: 986: 3081:Абрамцево. Искусство и жизнь. — 2827: 2811: 2772: 2716:: РИПОЛ Классик, 2005. — P. 406. 2700:: РИПОЛ Классик, 2005. — P. 405. 2375:, М. И. Андреев, В. М. Карев. — 2318:Арбат: в лицах, судьбах, эпохах… 2067:: Искусство, 1987. — P. 177-184. 2022:: Искусство, 1987. — P. 164-165. 1541:Абрамцево. Искусство и жизнь. — 1488:: Искусство, 1970. — P. 170-171. 1418:: Искусство, 1964. — P. 230-231. 739: 727: 715: 640: 628: 616: 570: 558: 546: 3068:: Белый город, 2000. — 64 с. — 3024:Москва, которую мы потеряли. — 2846: 2756: 2740: 2719: 2703: 2687: 2667: 2654: 2637: 2616: 2598: 2589:Воспоминания об И. С. Тургеневе 2579: 2563: 2547: 2521: 2508: 2472: 2456: 2440: 2424: 2412: 2397:Москва, которую мы потеряли. — 2386: 2381:Большая российская энциклопедия 2359: 2343: 2327: 2310: 2288: 2272: 2256: 2240: 2221: 2209: 2196: 2183: 2170: 2154: 2057: 2025: 2012: 1996: 1940: 1920: 1907: 1891: 1869: 1853: 1833: 1820: 1807: 1789: 1757: 1745: 1710: 1689: 1673: 1668:Москва, как много в этом звуке… 1640: 1624: 1619:Москва, как много в этом звуке… 1609: 1548: 1532: 1516: 1475: 1459: 1443: 1405: 1389: 1373: 1357: 1341: 1325: 1320:Большая российская энциклопедия 1306: 967: 3244:Василий Дмитриевич Поленов. — 3085:: Искусство, 2003. — 432 с. — 3047:Василий Дмитриевич Поленов. — 2994:: Искусство, 2001. — 176 с. — 2820:Василий Дмитриевич Поленов. — 2804:Василий Дмитриевич Поленов. — 2765:Василий Дмитриевич Поленов. — 2749:Василий Дмитриевич Поленов. — 2572:Василий Дмитриевич Поленов. — 2336:Василий Дмитриевич Поленов. — 1206:Василий Дмитриевич Поленов. — 1131: 1061: 589:Atlas of the Capital of Moscow 528: 449: 359:; apparently, the trip to the 164: 1: 1850:, 1956. — V. I. — P. 204-205. 1386:: Аврора, 2001. — P. 179-180. 980: 261:the First Serbian–Ottoman War 2576:: Искусство, 1961. — P. 157. 2469:: Искусство, 1964. — P. 393. 2180:: Искусство, 1987. — P. 205. 2167:: Искусство, 1989. — P. 419. 1993:: Искусство, 1964. — P. 267. 1917:: Искусство, 1953. — P. 234. 1830:: Искусство, 1987. — P. 628. 1817:: Искусство, 1987. — P. 160. 1786:: Искусство, 1964. — P. 256. 1767:: Искусство, 1987. — P. 560. 1742:: Искусство, 1989. — P. 418. 1561:: Искусство, 1964. — P. 733. 1529:: Искусство, 1964. — P. 248. 1472:: Искусство, 1964. — P. 237. 1402:: Искусство, 1964. — P. 228. 1354:: Искусство, 1964. — P. 207. 1166:: Искусство, 1964. — P. 736. 1145:: Искусство, 1987. — P. 370. 670:Bolshoi Nikolopeskovsky Lane 7: 3325:: Искусство, 1987. — 668 с. 3318:: Искусство, 1953. — 458 с. 3248:: Искусство, 1961. — 166 с. 3228:: Искусство, 1964. — 838 с. 3218:: Искусство, 1989. — 430 с. 3157:: Аврора, 2001. — 345 с. — 3099:«Поэтическая правда» Москвы 3011:: Аврора, 2012. — 344 с. — 2886:: Искусство, 1970. — 236 с. 2840:: Искусство, 2001. — P. 70. 2769:: Искусство, 1961. — P. 46. 2753:: Искусство, 1961. — P. 97. 2340:: Искусство, 1961. — P. 50. 1953:: Искусство, 2001. — P. 87. 1650:«Поэтическая правда» Москвы 1604:«Поэтическая правда» Москвы 1545:: Искусство, 2003. — P. 57. 1434:«Поэтическая правда» Москвы 1210:: Искусство, 1961. — P. 44. 949: 920:Russian church architecture 302:The State Tretyakov Gallery 143:According to art historian 100:the State Tretyakov Gallery 10: 3425: 2129:История русского искусства 1316:Поленов Василий Дмитриевич 1035:— www.tretyakovgallery.ru. 858: 595:and an outbuilding facing 159: 2880:Гомберг-Вержбинская Э. П. 2542:Жизнь замечательных людей 2320:/ Г. Н. Билялитдинова. — 1723:: Аврора, 2001. — P. 180. 1482:Гомберг-Вержбинская Э. П. 1440:. — 2007. — № 1. — P. 23. 1338:: Аврора, 2001. — P. 179. 1080:. — 2019. — № 3. — P. 17. 69: 61: 53: 45: 35: 26: 21: 3136:Мир Василия Поленова. — 1682:Мир Василия Поленова. — 961: 840:The State Russian Museum 700:Moscow-city's researcher 171:Imperial Academy of Arts 2787:Министерства связи СССР 2662:Московский дворик. 1902 916:The Rooks Have Returned 872:The Rooks Have Returned 3170:Пейзажная живопись. — 2727:А. А. Фёдоров-Давыдов. 2433:Пейзажная живопись. — 2370:Москва. Энциклопедия / 904:Alexei Fedorov-Davydov 899: 879: 789: 459: 430:, who, in a letter to 407: 305: 248: 145:Alexei Fedorov-Davydov 94:by the Russian artist 3232:Фёдоров-Давыдов А. А. 2872:Солнечная палитра. — 1880:Солнечная палитра. — 1438:Третьяковская галерея 1248:Фёдоров-Давыдов А. А. 1224:Фёдоров-Давыдов А. А. 1078:Третьяковская галерея 897: 866: 784: 457: 416:Moskovskiye Vedomosti 405: 381:Imperial Russian Army 299: 239: 2593:Исторический вестник 2540:, 2010. — 368 с. — ( 787:State Russian Museum 609:Grandmother's Garden 585:Grandmother's Garden 519:Grandmother's Garden 468:Grandmother's Garden 464:Grandmother's Garden 333:Grandmother's Garden 105:Grandmother's Garden 3404:Landscape paintings 1754:, 1987, P. 150—157. 1141:, Н. Л. Приймак. — 369:Borisoglebsky uyezd 283:. In a letter from 2735:Советский художник 1886:Детская литература 1848:Советский художник 1233:Советский художник 900: 880: 790: 460: 408: 349:Dmitry Vasilievich 321:Novinsky Boulevard 306: 249: 207:first class artist 195:Alexander Beydeman 92:landscape painting 3409:Tretyakov Gallery 3394:Russian paintings 3335: 3303:978-5-93332-470-6 3268:978-5-89580-262-5 3202:Раздобреева И. В. 3197:978-5-7300-0714-7 3163:978-5-7300-0714-7 3146:978-5-387-01592-2 3123:978-5-89580-169-7 3034:978-5-699-43721-4 3017:978-5-7300-0847-2 3000:978-5-210-01343-9 2970:В. Д. Поленов. — 2919:978-5-235-03383-2 2902:978-5-7793-2160-0 2684:, 2005. — P. 404. 2634:, 1980. — P. 234. 2611: 2383:, 1997. — С. 759. 2350:Раздобреева И. В. 2307:, 2002. — P. 132. 2247:Раздобреева И. В. 2127:В. Д. Поленов // 2103:Раздобреева И. В. 2032:Раздобреева И. В. 1968:Раздобреева И. В. 1937:, 1966. — P. 235. 1860:Раздобреева И. В. 1840:Раздобреева И. В. 1800:В. Д. Поленов. — 1279:, 2012. — P. 247. 1235:, 1986. — P. 168. 1181:Раздобреева И. В. 912:Alexei Savrasov's 884:Olga Lyaskovskaya 876:Tretyakov Gallery 818:Alexander Pushkin 708:Kamennaya Sloboda 593:Trubnikovsky Lane 515:Lavrushinsky Lane 511:Tretyakov Gallery 377:Russo-Turkish War 245:Tretyakov Gallery 83: 82: 74:Tretyakov Gallery 3416: 3333: 3324: 3317: 3310: 3296: 3289: 3275: 3261: 3254: 3247: 3237: 3227: 3217: 3207: 3190: 3173: 3156: 3139: 3116: 3084: 3067: 3050: 3027: 3010: 2993: 2983: 2978:Лясковская О. А. 2973: 2968:Лясковская О. А. 2956: 2946: 2929: 2912: 2895: 2885: 2882:Передвижники. — 2875: 2858: 2841: 2839: 2831: 2825: 2823: 2815: 2809: 2807: 2799: 2790: 2781: 2776: 2770: 2768: 2760: 2754: 2752: 2744: 2738: 2737:, 1950. — 122 с. 2732: 2723: 2717: 2715: 2707: 2701: 2699: 2691: 2685: 2679: 2671: 2665: 2660:Поленов В. Д. — 2658: 2652: 2650: 2641: 2635: 2625: 2620: 2614: 2609: 2602: 2596: 2583: 2577: 2575: 2567: 2561: 2559: 2551: 2545: 2535: 2525: 2519: 2517: 2512: 2506: 2504: 2499: 2486: 2484: 2476: 2470: 2468: 2460: 2454: 2452: 2444: 2438: 2436: 2428: 2422: 2416: 2410: 2400: 2390: 2384: 2378: 2363: 2357: 2355: 2347: 2341: 2339: 2331: 2325: 2323: 2314: 2308: 2302: 2292: 2286: 2284: 2276: 2270: 2268: 2260: 2254: 2252: 2244: 2238: 2225: 2219: 2213: 2207: 2205: 2200: 2194: 2192: 2187: 2181: 2179: 2174: 2168: 2166: 2158: 2152: 2146: 2119: 2110: 2108: 2100: 2089: 2087: 2079: 2068: 2066: 2061: 2055: 2053: 2048: 2039: 2037: 2029: 2023: 2021: 2016: 2010: 2008: 2000: 1994: 1992: 1984: 1975: 1973: 1965: 1954: 1952: 1944: 1938: 1932: 1924: 1918: 1916: 1911: 1905: 1903: 1895: 1889: 1888:, 1967. — P. 71. 1883: 1873: 1867: 1865: 1857: 1851: 1845: 1837: 1831: 1829: 1824: 1818: 1816: 1811: 1805: 1803: 1797:Лясковская О. А. 1793: 1787: 1785: 1777: 1768: 1766: 1761: 1755: 1749: 1743: 1741: 1733: 1724: 1722: 1714: 1708: 1706: 1693: 1687: 1685: 1677: 1671: 1662: 1653: 1644: 1638: 1636: 1628: 1622: 1613: 1607: 1598: 1589: 1587: 1579: 1562: 1560: 1552: 1546: 1544: 1536: 1530: 1528: 1520: 1514: 1512: 1504: 1489: 1487: 1484:Передвижники. — 1479: 1473: 1471: 1463: 1457: 1455: 1447: 1441: 1428: 1419: 1417: 1409: 1403: 1401: 1393: 1387: 1385: 1377: 1371: 1369: 1361: 1355: 1353: 1345: 1339: 1337: 1329: 1323: 1310: 1304: 1302: 1297: 1280: 1274: 1264: 1255: 1253: 1245: 1236: 1230: 1220: 1211: 1209: 1201: 1188: 1186: 1178: 1167: 1165: 1157: 1146: 1144: 1139:С. Н. Гольдштейн 1135: 1129: 1128:, 2001. — P. 69. 1123: 1115: 1104: 1102: 1094: 1081: 1065: 1059: 1058:, 2017. — p. 43. 1053: 1045: 1036: 1029: 1018: 1016: 1003: 975: 971: 845:Ivan Troyanovsky 771:Viktor Vasnetsov 759:genre painting's 743: 731: 719: 704:Smolensky market 662:New Arbat Avenue 654:Sobachiya Square 644: 632: 620: 597:Durnovsky Street 574: 562: 550: 440:Pavel Chistyakov 276:ethnographically 179:history painting 154:Moscow Courtyard 149:Moscow Courtyard 123:Moscow Courtyard 113: 87:Moscow Courtyard 31: 22:Moscow Courtyard 19: 18: 3424: 3423: 3419: 3418: 3417: 3415: 3414: 3413: 3399:Genre paintings 3379: 3378: 3345: 3322: 3315: 3308: 3294: 3287: 3273: 3259: 3252: 3245: 3235: 3225: 3215: 3212:Рогинская Ф. С. 3205: 3188: 3171: 3168:Пилипенко В. Н. 3154: 3137: 3114: 3082: 3065: 3048: 3039:Олсуфьева А. Г. 3025: 3008: 2991: 2981: 2971: 2954: 2944: 2927: 2910: 2893: 2890:Колпакова О. В. 2883: 2873: 2856: 2849: 2844: 2837: 2832: 2828: 2821: 2816: 2812: 2805: 2800: 2793: 2779: 2777: 2773: 2766: 2761: 2757: 2750: 2745: 2741: 2730: 2724: 2720: 2713: 2708: 2704: 2697: 2692: 2688: 2677: 2672: 2668: 2659: 2655: 2648: 2642: 2638: 2623: 2621: 2617: 2603: 2599: 2586:Олсуфьева А. Г. 2584: 2580: 2573: 2568: 2564: 2557: 2552: 2548: 2538:Молодая гвардия 2533: 2526: 2522: 2515: 2513: 2509: 2502: 2500: 2489: 2482: 2477: 2473: 2466: 2461: 2457: 2450: 2445: 2441: 2434: 2431:Пилипенко В. Н. 2429: 2425: 2417: 2413: 2398: 2391: 2387: 2376: 2364: 2360: 2353: 2348: 2344: 2337: 2332: 2328: 2321: 2315: 2311: 2300: 2293: 2289: 2282: 2277: 2273: 2266: 2261: 2257: 2250: 2245: 2241: 2226: 2222: 2214: 2210: 2203: 2201: 2197: 2190: 2188: 2184: 2177: 2175: 2171: 2164: 2161:Рогинская Ф. С. 2159: 2155: 2144: 2123:Лясковская О. А 2120: 2113: 2106: 2101: 2092: 2085: 2080: 2071: 2064: 2062: 2058: 2051: 2049: 2042: 2035: 2030: 2026: 2019: 2017: 2013: 2006: 2001: 1997: 1990: 1985: 1978: 1971: 1966: 1957: 1950: 1945: 1941: 1930: 1925: 1921: 1914: 1912: 1908: 1901: 1898:Колпакова О. В. 1896: 1892: 1881: 1874: 1870: 1863: 1858: 1854: 1843: 1838: 1834: 1827: 1825: 1821: 1814: 1812: 1808: 1801: 1794: 1790: 1783: 1778: 1771: 1764: 1762: 1758: 1750: 1746: 1739: 1736:Рогинская Ф. С. 1734: 1727: 1720: 1715: 1711: 1704: 1694: 1690: 1683: 1678: 1674: 1663: 1656: 1645: 1641: 1634: 1629: 1625: 1614: 1610: 1599: 1592: 1585: 1580: 1565: 1558: 1553: 1549: 1542: 1537: 1533: 1526: 1521: 1517: 1510: 1505: 1492: 1485: 1480: 1476: 1469: 1464: 1460: 1453: 1448: 1444: 1429: 1422: 1415: 1410: 1406: 1399: 1394: 1390: 1383: 1378: 1374: 1367: 1362: 1358: 1351: 1346: 1342: 1335: 1330: 1326: 1311: 1307: 1300: 1298: 1283: 1272: 1265: 1258: 1251: 1246: 1239: 1228: 1221: 1214: 1207: 1202: 1191: 1184: 1179: 1170: 1163: 1158: 1149: 1142: 1136: 1132: 1121: 1116: 1107: 1100: 1095: 1084: 1066: 1062: 1051: 1046: 1039: 1030: 1021: 1014: 1004: 987: 983: 978: 972: 968: 964: 952: 868:Alexei Savrasov 861: 779: 747: 744: 735: 732: 723: 720: 693:Prechistenskaya 681:cone-shaped top 648: 645: 636: 633: 624: 621: 578: 575: 566: 563: 554: 551: 531: 500:New Tretyakovka 452: 428:Pavel Tretyakov 420:Vasily Baksheev 389: 373:Tambov province 329:Rafail Levitsky 325:Sobachiy Square 294: 272:Vladimir Stasov 191:Pyoter Shamshin 167: 162: 147:, the painting 138:Pavel Tretyakov 107: 17: 12: 11: 5: 3422: 3412: 3411: 3406: 3401: 3396: 3391: 3377: 3376: 3371: 3366: 3361: 3356: 3351: 3344: 3343:External links 3341: 3340: 3339: 3326: 3319: 3312: 3305: 3291: 3284: 3270: 3256: 3249: 3239: 3229: 3222:Сахарова Е. В. 3219: 3209: 3199: 3185:Полунина Н. М. 3182: 3165: 3151:Петинова Е. Ф. 3148: 3131: 3125: 3108: 3102: 3093: 3076: 3059: 3042: 3036: 3022:Михайлов К. П. 3019: 3002: 2988:Мальцева Ф. С. 2985: 2975: 2965: 2948: 2938: 2921: 2907:Копшицер М. И. 2904: 2887: 2877: 2867: 2853:Андреева Е. Е. 2848: 2845: 2843: 2842: 2834:Мальцева Ф. С. 2826: 2810: 2791: 2771: 2755: 2739: 2718: 2710:Полунина Н. М. 2702: 2694:Полунина Н. М. 2686: 2674:Полунина Н. М. 2666: 2653: 2636: 2615: 2597: 2578: 2562: 2546: 2529:Копшицер М. И. 2520: 2507: 2487: 2471: 2463:Сахарова Е. В. 2455: 2439: 2423: 2411: 2394:Михайлов К. П. 2385: 2366:Андреева Е. Е. 2358: 2342: 2326: 2309: 2287: 2271: 2255: 2239: 2220: 2208: 2195: 2182: 2169: 2153: 2111: 2090: 2069: 2056: 2040: 2024: 2011: 1995: 1987:Сахарова Е. В. 1976: 1955: 1947:Мальцева Ф. С. 1939: 1935:Художник РСФСР 1919: 1906: 1890: 1868: 1852: 1832: 1819: 1806: 1788: 1780:Сахарова Е. В. 1769: 1756: 1744: 1725: 1717:Петинова Е. Ф. 1709: 1701:Л. И. Иовлева. 1688: 1672: 1654: 1639: 1623: 1608: 1590: 1563: 1555:Сахарова Е. В. 1547: 1531: 1523:Сахарова Е. В. 1515: 1490: 1474: 1466:Сахарова Е. В. 1458: 1442: 1420: 1412:Сахарова Е. В. 1404: 1396:Сахарова Е. В. 1388: 1380:Петинова Е. Ф. 1372: 1356: 1348:Сахарова Е. В. 1340: 1332:Петинова Е. Ф. 1324: 1313:С. М. Грачёва. 1305: 1281: 1256: 1237: 1212: 1189: 1168: 1160:Сахарова Е. В. 1147: 1130: 1118:Мальцева Ф. С. 1105: 1082: 1060: 1037: 1019: 984: 982: 979: 977: 976: 965: 963: 960: 959: 958: 951: 948: 937:Art historian 902:Art historian 882:Art historian 860: 857: 778: 775: 749: 748: 745: 738: 736: 733: 726: 724: 721: 714: 658:Kalinin Avenue 650: 649: 646: 639: 637: 634: 627: 625: 622: 615: 580: 579: 576: 569: 567: 564: 557: 555: 552: 545: 543: 530: 527: 523:Overgrown Pond 476:Overgrown Pond 451: 448: 436:genre painting 388: 385: 310:Fyodor Chizhov 293: 290: 265:Savva Mamontov 253:St. Petersburg 223:genre painting 166: 163: 161: 158: 118:Overgrown Pond 96:Vasily Polenov 81: 80: 71: 67: 66: 63: 59: 58: 55: 51: 50: 47: 43: 42: 40:Vasily Polenov 37: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 3421: 3410: 3407: 3405: 3402: 3400: 3397: 3395: 3392: 3390: 3389:Peredvizhniki 3387: 3386: 3384: 3375: 3372: 3370: 3367: 3365: 3362: 3360: 3357: 3355: 3352: 3350: 3347: 3346: 3337: 3330: 3327: 3320: 3313: 3306: 3304: 3300: 3292: 3285: 3283: 3282:5-900743-22-5 3279: 3271: 3269: 3265: 3257: 3250: 3243: 3240: 3233: 3230: 3223: 3220: 3213: 3210: 3203: 3200: 3198: 3194: 3186: 3183: 3181: 3180:5-7370-0315-9 3177: 3169: 3166: 3164: 3160: 3152: 3149: 3147: 3143: 3135: 3132: 3129: 3126: 3124: 3120: 3112: 3109: 3106: 3103: 3100: 3097: 3094: 3092: 3091:5-85200-309-3 3088: 3080: 3077: 3075: 3074:5-7793-0225-1 3071: 3063: 3060: 3058: 3057:5-7370-0227-6 3054: 3046: 3043: 3040: 3037: 3035: 3031: 3023: 3020: 3018: 3014: 3006: 3003: 3001: 2997: 2989: 2986: 2979: 2976: 2969: 2966: 2964: 2963:5-85887-141-0 2960: 2952: 2949: 2942: 2941:Лобанов В. М. 2939: 2937: 2936:5-235-00789-1 2933: 2925: 2924:Лебедев Ю. В. 2922: 2920: 2916: 2908: 2905: 2903: 2899: 2891: 2888: 2881: 2878: 2871: 2870:Голицын С. М. 2868: 2866: 2865:5-85270-277-3 2862: 2854: 2851: 2850: 2835: 2830: 2819: 2814: 2803: 2798: 2796: 2788: 2785: 2775: 2764: 2759: 2748: 2743: 2736: 2728: 2722: 2711: 2706: 2695: 2690: 2683: 2682:РИПОЛ Классик 2675: 2670: 2663: 2657: 2646: 2645:В. А. Леняшин 2640: 2633: 2629: 2619: 2612: 2606: 2601: 2594: 2590: 2587: 2582: 2571: 2566: 2555: 2554:Лебедев Ю. В. 2550: 2543: 2539: 2531: 2530: 2524: 2511: 2498: 2496: 2494: 2492: 2480: 2475: 2464: 2459: 2448: 2443: 2432: 2427: 2420: 2415: 2408: 2404: 2396: 2395: 2389: 2382: 2374: 2371: 2367: 2362: 2351: 2346: 2335: 2330: 2319: 2313: 2306: 2298: 2297: 2291: 2280: 2275: 2264: 2259: 2248: 2243: 2236: 2232: 2229: 2224: 2217: 2212: 2199: 2186: 2173: 2162: 2157: 2150: 2142: 2141:В. Н. Лазарев 2138: 2137:В. С. Кеменов 2134: 2130: 2126: 2124: 2118: 2116: 2104: 2099: 2097: 2095: 2083: 2078: 2076: 2074: 2060: 2047: 2045: 2033: 2028: 2015: 2004: 1999: 1988: 1983: 1981: 1969: 1964: 1962: 1960: 1948: 1943: 1936: 1928: 1927:Лобанов В. М. 1923: 1910: 1899: 1894: 1887: 1879: 1878: 1877:Голицын С. М. 1872: 1861: 1856: 1849: 1841: 1836: 1823: 1810: 1799: 1798: 1792: 1781: 1776: 1774: 1760: 1753: 1748: 1737: 1732: 1730: 1718: 1713: 1702: 1698: 1692: 1681: 1676: 1669: 1666: 1661: 1659: 1651: 1648: 1643: 1632: 1627: 1620: 1617: 1612: 1605: 1602: 1597: 1595: 1583: 1578: 1576: 1574: 1572: 1570: 1568: 1556: 1551: 1540: 1535: 1524: 1519: 1508: 1503: 1501: 1499: 1497: 1495: 1483: 1478: 1467: 1462: 1451: 1446: 1439: 1435: 1432: 1427: 1425: 1413: 1408: 1397: 1392: 1381: 1376: 1365: 1360: 1349: 1344: 1333: 1328: 1321: 1317: 1314: 1309: 1296: 1294: 1292: 1290: 1288: 1286: 1278: 1270: 1269: 1263: 1261: 1249: 1244: 1242: 1234: 1226: 1225: 1219: 1217: 1205: 1200: 1198: 1196: 1194: 1182: 1177: 1175: 1173: 1161: 1156: 1154: 1152: 1140: 1134: 1127: 1119: 1114: 1112: 1110: 1098: 1093: 1091: 1089: 1087: 1079: 1075: 1072: 1071: 1064: 1057: 1049: 1044: 1042: 1034: 1028: 1026: 1024: 1012: 1011:Л. И. Иовлева 1008: 1002: 1000: 998: 996: 994: 992: 990: 985: 970: 966: 957: 954: 953: 947: 944: 940: 935: 933: 932: 924: 921: 917: 913: 908: 905: 896: 892: 888: 885: 877: 873: 869: 865: 856: 854: 848: 846: 841: 837: 836:in Bougival. 835: 831: 827: 823: 819: 815: 811: 810:Ivan Turgenev 806: 804: 800: 796: 788: 783: 774: 772: 767: 763: 760: 755: 742: 737: 730: 725: 718: 713: 712: 711: 709: 705: 701: 696: 694: 690: 686: 682: 678: 673: 671: 667: 663: 659: 655: 643: 638: 631: 626: 619: 614: 613: 612: 610: 606: 602: 598: 594: 590: 586: 573: 568: 561: 556: 553:Mansion house 549: 544: 541: 540: 539: 537: 526: 524: 520: 516: 512: 507: 505: 501: 497: 493: 490:, Leningrad, 489: 485: 479: 477: 471: 469: 465: 456: 447: 443: 441: 437: 433: 429: 424: 421: 417: 413: 404: 400: 398: 394: 384: 382: 378: 374: 370: 366: 362: 361:Kiev province 358: 354: 350: 344: 342: 338: 334: 330: 326: 322: 317: 315: 311: 303: 298: 289: 286: 282: 277: 273: 268: 266: 262: 258: 254: 246: 242: 238: 234: 232: 228: 225:, landscape, 224: 220: 216: 212: 208: 204: 200: 196: 192: 188: 184: 183:Alexei Markov 180: 176: 172: 157: 155: 150: 146: 141: 139: 135: 134:Peredvizhniki 130: 126: 124: 121:, the canvas 120: 119: 114: 111: 106: 101: 97: 93: 89: 88: 79: 75: 72: 68: 64: 60: 57:Oil on canvas 56: 52: 48: 44: 41: 38: 34: 30: 25: 20: 3328: 3241: 3231: 3221: 3211: 3201: 3184: 3167: 3150: 3134:Пастон Э. В. 3133: 3128:Пастон Э. В. 3127: 3111:Пастон Э. В. 3110: 3105:Пастон Э. В. 3104: 3096:Пастон Э. В. 3095: 3079:Пастон Э. В. 3078: 3062:Пастон Э. В. 3061: 3045:Пастон Э. В. 3044: 3038: 3021: 3004: 2987: 2977: 2967: 2950: 2940: 2926:Тургенев. — 2923: 2906: 2889: 2879: 2869: 2852: 2847:Bibliography 2833: 2829: 2818:Пастон Э. В. 2817: 2813: 2802:Пастон Э. В. 2801: 2774: 2762: 2758: 2746: 2742: 2721: 2709: 2705: 2693: 2689: 2673: 2669: 2656: 2639: 2618: 2604: 2600: 2585: 2581: 2569: 2565: 2556:Тургенев. — 2553: 2549: 2527: 2523: 2510: 2479:Пастон Э. В. 2478: 2474: 2462: 2458: 2447:Пастон Э. В. 2446: 2442: 2430: 2426: 2414: 2392: 2388: 2365: 2361: 2349: 2345: 2333: 2329: 2312: 2305:Русский путь 2294: 2290: 2279:Пастон Э. В. 2278: 2274: 2258: 2246: 2242: 2227: 2223: 2211: 2198: 2185: 2172: 2160: 2156: 2121: 2102: 2082:Пастон Э. В. 2081: 2059: 2031: 2027: 2014: 2003:Пастон Э. В. 2002: 1998: 1986: 1967: 1946: 1942: 1926: 1922: 1909: 1897: 1893: 1875: 1871: 1859: 1855: 1839: 1835: 1822: 1809: 1795: 1791: 1779: 1759: 1747: 1735: 1716: 1712: 1691: 1680:Пастон Э. В. 1679: 1675: 1665:Пастон Э. В. 1664: 1647:Пастон Э. В. 1646: 1642: 1631:Пастон Э. В. 1630: 1626: 1616:Пастон Э. В. 1615: 1611: 1601:Пастон Э. В. 1600: 1582:Пастон Э. В. 1581: 1554: 1550: 1539:Пастон Э. В. 1538: 1534: 1522: 1518: 1507:Пастон Э. В. 1506: 1481: 1477: 1465: 1461: 1450:Пастон Э. В. 1449: 1445: 1431:Пастон Э. В. 1430: 1411: 1407: 1395: 1391: 1379: 1375: 1364:Пастон Э. В. 1363: 1359: 1347: 1343: 1331: 1327: 1322:— bigenc.ru. 1312: 1308: 1266: 1247: 1222: 1203: 1180: 1159: 1133: 1117: 1097:Пастон Э. В. 1096: 1067: 1063: 1048:Пастон Э. В. 1047: 969: 939:Vitaly Manin 936: 930: 925: 909: 901: 889: 881: 849: 838: 807: 791: 768: 764: 750: 697: 674: 651: 608: 584: 581: 532: 522: 518: 508: 480: 472: 467: 463: 461: 444: 432:Ivan Kramsky 425: 409: 397:Ivan Kramsky 390: 345: 332: 318: 307: 269: 250: 187:Pyoter Basin 175:free student 168: 153: 148: 142: 131: 127: 122: 116: 103: 86: 85: 84: 3329:Fouchard É. 3242:Юрова Т. В. 3064:Поленов. — 3005:Манин В. С. 2951:Львов Г. Е. 2909:Поленов. — 2892:Поленов. — 2763:Юрова Т. В. 2747:Юрова Т. В. 2605:Fouchard É. 2570:Юрова Т. В. 2532:Поленов. — 2373:С. О. Шмидт 2334:Юрова Т. В. 2296:Львов Г. Е. 1900:Поленов. — 1268:Манин В. С. 1204:Юрова Т. В. 1068:Пастон Э. В 931:n plein air 830:Confessions 826:Leo Tolstoy 805:-variant". 666:Garden Ring 605:Georgy Lvov 536:composition 529:Description 504:Krymsky Val 450:Next events 257:Academician 241:I. Е. Repin 181:class were 165:Past events 108: [ 3383:Categories 2133:Э. Грабарь 1697:Я. В. Брук 1007:Я. В. Брук 981:References 914:painting " 853:watercolor 795:Ostroukhov 677:bell tower 281:Ilya Repin 231:still life 227:marine art 199:Carl Wenig 62:Dimensions 2632:Искусство 2235:Ведомости 1126:Искусство 793:from the 484:Leningrad 353:Petrushky 2233:(HTML). 1318:(HTML). 950:Also see 822:Bougival 683:) — the 679:(with a 365:Olshanka 323:and the 70:Location 2228:И. Мак. 874:(1871, 859:Reviews 754:portico 341:Kremlin 337:studies 285:Khuguev 211:Germany 203:NIM RAH 160:History 3301: 3280: 3266: 3195: 3178: 3161: 3144: 3121: 3089: 3072: 3055: 3032: 3015: 2998: 2961: 2934: 2917: 2900: 2863: 2628:Аврора 1277:Аврора 943:genres 803:sketch 601:cornet 496:Moscow 78:Moscow 36:Artist 3334:(fr.) 2610:(fr.) 2407:Эксмо 2149:Наука 2131:/ И. 962:Notes 834:dacha 814:Smoke 799:study 660:(now 492:Minsk 355:near 314:Volga 219:Paris 215:Italy 112:] 90:is a 3299:ISBN 3295:СПб. 3278:ISBN 3264:ISBN 3193:ISBN 3176:ISBN 3172:СПб. 3159:ISBN 3155:СПб. 3142:ISBN 3119:ISBN 3087:ISBN 3070:ISBN 3053:ISBN 3049:СПб. 3030:ISBN 3013:ISBN 3009:СПб. 2996:ISBN 2959:ISBN 2932:ISBN 2915:ISBN 2898:ISBN 2861:ISBN 2822:СПб. 2806:СПб. 2649:СПб. 2647:. — 2435:СПб. 2403:Яуза 2143:. — 1721:СПб. 1384:СПб. 1336:СПб. 1273:СПб. 1013:. — 851:two 828:'s " 521:and 488:Kyiv 357:Kyiv 213:and 197:and 115:and 54:Type 49:1878 46:Year 2591:// 1436:// 1076:// 668:to 513:in 502:in 3385:: 3323:М. 3316:М. 3309:М. 3288:Л. 3274:М. 3260:М. 3253:М. 3246:М. 3236:М. 3226:М. 3216:М. 3206:М. 3189:М. 3138:М. 3115:М. 3083:М. 3066:М. 3026:М. 2992:М. 2982:М. 2972:М. 2955:М. 2945:Л. 2928:М. 2911:М. 2894:М. 2884:Л. 2874:М. 2857:М. 2838:М. 2794:^ 2782:: 2780:М. 2767:М. 2751:М. 2733:: 2731:М. 2729:— 2714:М. 2698:М. 2680:: 2678:М. 2630:и 2626:: 2624:Л. 2574:М. 2558:М. 2536:: 2534:М. 2516:М. 2503:М. 2490:^ 2483:М. 2467:М. 2451:М. 2405:, 2401:: 2399:М. 2379:: 2377:М. 2354:М. 2338:М. 2322:М. 2303:: 2301:М. 2283:М. 2267:М. 2265:— 2251:М. 2204:М. 2191:М. 2178:М. 2165:М. 2147:: 2145:М. 2139:, 2135:, 2114:^ 2107:М. 2093:^ 2086:М. 2072:^ 2065:М. 2052:М. 2043:^ 2036:М. 2020:М. 2007:М. 1991:М. 1979:^ 1972:М. 1958:^ 1951:М. 1933:: 1931:Л. 1915:М. 1902:М. 1884:: 1882:М. 1864:М. 1846:: 1844:М. 1828:М. 1815:М. 1802:М. 1784:М. 1772:^ 1765:М. 1740:М. 1728:^ 1705:М. 1703:— 1699:, 1684:М. 1657:^ 1635:М. 1593:^ 1586:М. 1566:^ 1559:М. 1543:М. 1527:М. 1511:М. 1493:^ 1486:Л. 1470:М. 1454:М. 1423:^ 1416:М. 1400:М. 1368:М. 1352:М. 1301:М. 1284:^ 1275:: 1259:^ 1252:М. 1240:^ 1231:: 1229:М. 1215:^ 1208:М. 1192:^ 1185:М. 1171:^ 1164:М. 1150:^ 1143:М. 1124:: 1122:М. 1108:^ 1101:М. 1085:^ 1054:: 1052:М. 1040:^ 1022:^ 1015:М. 1009:, 988:^ 870:, 494:, 383:. 371:, 343:. 193:, 189:, 185:, 110:ru 76:, 3336:/ 2544:) 2125:. 1070:. 929:e 878:) 304:) 247:)

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Index