654:
Gothic architecture but also
Western medieval style. From the outside, the house remains very original by multiplying volumes and facades, varying the roofs’ shapes and sizes. The ground floor is occupied by common rooms (library, dining room, games room). On the upper floors are the living rooms, Polenov's workshop and his wife's office. Large windows are arranged to admire the view of the Oka and Taroussa at the time. Since then, the trees planted by the artist, his children and local peasants, are closing a little bit the view but offers a dense forest. Pines mainly grew up on this sandy land. Little by little, he also built annexes: a cart shed, stables, a house for the workers, "the admiralty", intended to be the house for the boats (today the room is dedicated to the diorama), a small isba for children, and finally Polenov's final workshop, "the abbey" a large brick building to be his last studio (it was also used for theatrical performances).
853:
834:
208:
180:
714:
222:
682:
873:
697:
787:
817:
752:
516:), which he joined then. This artistic movement was born from the desire to break with the themes imposed by the Academy to better represent contemporary concerns. In addition, the members promote the accessibility of art among the people by organizing traveling exhibitions (not limited to the artistic centers of Moscow and St. Petersburg). Through their eminently realistic painting, they seek to denounce the living conditions of the Russian population and to promote greater literacy. His works won the admiration of
734:
769:
802:
74:
920:
289:. Vasily Polenov was encouraged by his father to draw sketches of any interesting ancient subject he would witness. His mother, Maria Alekseevna (1816–1895), was a painter and a portraitist; she received her lessons from the academician Moldavski, a partner of Karl Briullov. She also wrote a book in 1852 about the life of a family spending the summertime in a
629:. His most talented students are Abram Arkhipov, Isaac Levitan, Konstantin Korovin and Alexander Golovine. The artist was very important to the teaching of the technique, being very demanding on the quality of colors and canvases. In 1893 he became a member of the Academy of Fine Arts in St. Petersburg. Polenov was elected a member of the
481:, a setting combining cliffs by the sea and countryside. He completed his European work by returning to Paris, devoting himself to historical subjects after this momentous period of his career dedicated to Norman landscapes. In the late 1870s, Polenov concentrated on painting following the realist tradition of
547:
He also began to attend retreats of the
Abramtsevo circle. The name comes from the village where the property of Savva Mamontov is. Savva and Vasily had met a decade before in Italy and were now ready to create together surrounded by artists from all disciplines. The very essence of this place was to
401:
the following year. His
Italian stay did not stimulate him much, he lacked from inspiration and worked very little. Nevertheless, there, two major encounters happened and shaped his lifetime work. In "the Eternal City", he felt in love with the young Maroussia Obolenskaya who tragically died the same
641:
In the late 1880s, Polenov dreamed of a house-museum in the countryside in order to spread the benefits of a rich cultural life. He wanted to create his own place of creation and education but also a place where he could expose the archaeological and artistic collections gathered by his family along
657:
Paying tribute to the family's humanist tradition, the
Polenov improved the living conditions of the surroundings ’populations. Struck by the pitiful state of schools and the difficult living conditions of the teachers, with his wife they built two schools and organized cultural trips to Moscow for
440:
and also in charge of the orientation of the young residents of the
Imperial Academy in France. He played a vital role in the careers of young artists because he would find them clients and present them to the restricted circles of the Parisian artistic world. Every Tuesday, the preceptor organized
384:
theme for which the young artist had a deep interest. The price he received for this painting allowed him, along with other laureates, to become a pensioner (scholarship's owner) abroad and live in Europe at the expenses of the
Russian State. At the end of the summer of 1872, Vasily Polenov crossed
476:
In the summer of 1874, Ilya Repine and Vasily
Polenov followed the advice of their preceptor Bogoliubov and went to Normandy in quest for spontaneous impressions. There, they would mainly work outdoors, according to the influence of the Barbizon School. They spent several months in the company of
203:
movement of realist artists. His contemporaries would call him the “Knight of Beauty” as he embodied both
European and Russian traditions of painting. His vision of life was summarized as following: “Art should promote happiness and joy”. As a painter and a humanist, he would truly believe in the
653:
The house, built based on the model his childhood's house in
Imotchentsy, was completed in 1892. It is a large three-storey wooden building. He realized himself the plans the design of it and the general style approaches Art Nouveau, which he himself called "Scandinavian", mixing Romanesque and
449:
workshops while bringing together painters, writers and singers. The creation of painted ceramics was also a good mean of acquiring additional incomes for the scholars, as these objects were highly prized in the French capital. These
Russian meetings were mainly frequented by the painters
301:, also an artist. From both parents and grandparents Vasily and his siblings would receive general knowledge about physics, history, geography and also the biographies of famous painters and musicians, and this tradition was stated in his mother's book in order to reach other children.
368:
As bachelors, Polenov and Levitsky lived and worked together in "Devich'e Pole" (the name of the street "Maiden's Field"), in an attic of the Olsufevsky House (the home of Rafail Levitsky's future wife Anna Vasilevna Olsufevskaya). This house is illustrated by Polenov in his painting
642:
the decades. In 1889, he made a trip to the area of Taroussa, 130 km south of Moscow, with his friend and disciple Constantin Korovine. Struck by the beauty of the place, he decided that he will make his dream true there, on the banks of the river Oka. Thanks to the purchase by
324:
Other important ancestor of Vasily Polenov was his great grandfather, Alekseï Polenov (1738–1816). As a famous scholar, he was the first Russian jurist with a multidisciplinary education (economics, history, philosophy...). He participated to an essay competition organized by the
406:(1841–1918), a rich entrepreneur, art lover and philanthrope. Together, in Italy, they were already planning to create a circle of multidisciplinary artists. The Mamontov's estate in Abramtsevo seemed to be the ideal place to set up some artists' studios and a theater.
658:
the instructors. To meet the needs of the peasants, they also build a church of which Polenov is the architect. Children from surrounding villages are regularly invited to theatrical performances at the estate, "Old Borok". In 1918, after the
617:, his lifetime masterpiece. This painting is considered as the work of his life for both his artistic career as for the realization of his dearest wishes. He first made a real-sized preparatory study in the mansion of Savva Mamontov in
238:, Polenov grew up in a wealthy, intellectual and artistic family. During his teenage years, in 1860s, Russia was energized by great minds promoting virtues of democracy, progress, education, and they would stand against oppression.
610:
to work on the biblical theme. He hopes to find details of daily life and landscapes that will inspire him to represent the life of the Christ. He painted many studies about scenes of the life of Christ but the most famous is
304:
His maternal grandmother was also really important during the painter's childhood. Vera Voeikova (1792–1873) received an excellent education as a young girl thanks to a woman that raised her after her parents’ death. She knew
833:
551:
There, all art practices were combined: painting, architecture, music but also decorative and popular arts such as wood crafting and ceramics. In addition to Polenov, the main artists that took part of the circle were Repin,
1035:
261:, according to the advice he received during his life abroad, Dmitri Polenov started to do archaeological digs in ancient Russian sites. For many years he devoted his knowledge and work to the Secretary of the
852:
621:
before directly painting the final work that will be part of the fifteenth itinerant exhibition of the winter of 1887. Alexander III will buy it, making the painter financially at ease after this sale.
469:, thanks to which he will obtain the title of Academician), daily life scenes, portraits and many Normandy’s landscapes. When he returned from his trip, he made a decisive statement for his career: "
365:
artist and photographer. Their letters, which are now stored in the Polenov's House museum, are an interesting account of the many art exhibitions, movements and artists of their time.
713:
960:
471:
There, I tried all kinds of painting , and I came to the conclusion that I have mostly talent for landscapes and scenes of everyday life, which I will exploit in the future.
1025:
945:
1020:
985:
950:
626:
548:
give freedom of creation, renouncing to academic aesthetic canons. Savva Mamontov would animate his workshops based on traditional art and Russian folklore.
493:
nature, related to daily human life and his paintings generally reflect his sensitivity and delicacy, combining harmony and appeasement but also nostalgia.
603:. Later, in 1910–1918, Polenov was involved in a folk theatre project.There he met his future wife, Natalia (1858–1931), Maria Iakountchikova's sister.
309:
and Russian literature. As a “mamie”, she managed to teach the importance of developing artistic abilities and she was also telling stories about the
179:
568:(Polenov's younger sister, a brilliant watercolourist and ceramist), Mikhail Nesterov, Maria Iakountchikova (future sister-in-law of the artist) ...
650:(1884) for the amount, huge at the time, of 30 000 rubles, he bought a sandy hill overlooking the river, not far from the small village of Bekhovo.
940:
720:
612:
544:, 1879). The principles developed by Polenov had a great impact on the further development of Russian (and especially Soviet) landscape painting.
681:
980:
253:, he spent 3 years in Greece. There he would meet important personalities at the time linked to the world of Art and Science: the painter
257:, the architect Roman Kuzmin (some years after, he would help design and build the Polenov family house at Imotchensy). At his return to
1030:
696:
575:". The Neo Russian style was born within this estate, premise of the national Art Nouveau. Polenov painted among others in Abramtsevo,
955:
1040:
975:
262:
751:
995:
313:. Her fiancé, the Colonel Alexeï Voeikov, had important missions back in the days as a military. Today, at the Museum-House of
1005:
816:
733:
465:
During these years, the painter tried all kinds of painting in order to find his true talent. He painted historical scenes (
415:
He has something attractive, which makes anyone fall in love with his art; we feel the taste of life in the people he paints
786:
1015:
823:
768:
249:
and bibliographer. As a representative of the Academy of Sciences and then as the secretary of the Russian embassy of
1000:
350:
924:
872:
432:
at 72 rue Blanche and at 13 rue Véron that he established his studio in the autumn of 1973. In Paris, he attended
801:
990:
859:
376:
As one of the best students of the Imperial Academy of Fine Arts, he received the Great Medal for his painting
630:
512:
During the 1880s, his work was spotted by Vladimir Stassov, a supporter of the traveling exhibition society (
497:
482:
31:
517:
413:(1528–1588), a great colourist of the Venetian golden age, was confirmed. Vasily Polenov wrote about him: "
901:
207:
242:
529:
462:, Nikolai Dmitriev-Orenburgsky, Pentaleon Schyndler, Alexei Harlamov and Mikhail Dolivo-Dobrovolski.
310:
211:
346:
270:
221:
150:
140:
136:
132:
380:(1871, Museum of the Academy of Fine Arts, St. Petersburg). This work was his first approach to a
864:
841:
643:
17:
402:
year of measles. However, Rome, has also been the scene of a fruitful and exciting meeting with
1010:
321:
coat of arm: Alexeï retrieved it from a chest containing French army official dinner service.
600:
326:
970:
965:
496:
Vasily Polenov's European residential school ended prematurely because he took part in the
8:
455:
659:
557:
297:
was then re-edited with illustrations made by Vassili Polenov and his younger sister,
596:
459:
433:
331:
what is more useful to the State: that peasants should own land or own only property?
215:
879:
667:
553:
478:
354:
282:
235:
192:
199:; 1 June 1844 – 18 July 1927) was a Russian landscape painter associated with the
572:
565:
486:
358:
306:
298:
266:
775:
725:
703:
592:
561:
540:
410:
403:
265:. In 1860, he travelled with his sons. This long horseback journey led them to
101:
934:
741:
513:
362:
254:
200:
168:
1036:
Academic staff of the Moscow School of Painting, Sculpture and Architecture
895:
437:
424:
The second major chapter of his stay in Europe is in France, in Paris and
906:
521:
390:
246:
501:
451:
429:
79:
35:
666:
after the death of the artist, in 1927. Polenov's great-granddaughter
758:
525:
274:
662:, the house-museum became the first national museum and was renamed
507:
409:
It is also in Italy that his passion and admiration for the painter
663:
636:
591:(1882). He also worked in stage design. Most notably, he decorated
425:
318:
314:
120:
73:
528:
freshness of color combined with artistic finish of composition (
446:
442:
386:
43:
721:
Christ and the woman taken in adultery (He that is without sin?)
212:
Polenov's celebrated painting of a traditional Russian courtyard
919:
618:
490:
421:, which he will keep later in the library of the house-museum.
394:
278:
258:
250:
625:
From 1883 to 1895, Polenov coached many young artists at the
607:
381:
290:
398:
286:
606:
In 1881, Polenov undertook a trip to the Middle East and
524:. He was one of the first Russian artists who achieved a
961:
Awarded with a large gold medal of the Academy of Arts
627:
Moscow School of Painting, Sculpture and Architecture
335:
On the abolition of the serfdom of russian peasants
204:civilizing mission of Art, Culture and Education.
844:, Commander of the Rusçuk Detachment in Brestovets
571:Abramtsevo even received the nickname of "Russian
436:’s events (1824–1896), an official painter of the
225:Christ among the Doctors (1896), Tretyakov Gallery
1026:19th-century male artists from the Russian Empire
508:The Wanderers’ movement and the Abramtsevo Circle
229:
932:
637:The Artist’s studio museum, the House of the Oka
946:Academic staff of the Imperial Academy of Arts
489:. He attempted to impart the silent poetry of
345:Vasily Polenov simultaneously enrolled to the
986:19th-century painters from the Russian Empire
340:
951:Full Members of the Imperial Academy of Arts
670:has been a director of Polenovo since 2011.
337:”, which became effective 100 years after.
1021:People's Artists of the USSR (visual arts)
863:(1871), Scientific-research Museum of the
378:The Resurrection of the daughter of Jairus
72:
417:". He also acquired one of his sketches,
357:and was a classmate and close friend of
220:
206:
941:Members of the Imperial Academy of Arts
14:
933:
981:People from Sankt-Peterburgsky Uyezd
520:, who acquired many of them for his
419:The Struggle of Jacob with the Angel
27:19th and 20th-century Russian artist
353:(1863–1871). Polenov studied under
329:in 1766 on the following subject: “
24:
842:Grand Duke Alexander Alexandrovich
317:, we can see a glass cup with the
141:Full Member Academy of Arts (1893)
25:
1052:
1031:20th-century Russian male artists
912:
918:
871:
851:
832:
815:
800:
785:
767:
750:
732:
712:
695:
680:
178:
956:Imperial Academy of Arts alumni
351:University in Saint Petersbourg
333:”. His text was then entitled “
151:Imperial Academy of Arts (1870)
1041:Painters of pre-1948 Palestine
976:Painters from Saint Petersburg
762:(1881–1882), Tretyakov Gallery
245:(1806–1872), was a well known
230:Early life and family heritage
13:
1:
996:20th-century Russian painters
631:St.Petersburg Academy of arts
498:Russo-Turkish War (1877-1878)
263:Russian Archeological Society
133:Member Academy of Arts (1876)
32:Eastern Slavic naming customs
1006:Russian Orientalist painters
898:, named after Vasily Polenov
673:
589:The Upper Pond in Abramtsevo
518:Pavel Mikhailovich Tretyakov
7:
902:List of Orientalist artists
888:
860:Raising of Jairus' daughter
577:The Birch Alley in the Park
10:
1057:
1016:Russian landscape painters
467:The Arrest of the Huguenot
341:Studies and European years
243:Dmitriy Vasilevich Polenov
197:Василий Дмитриевич Поленов
189:Vasily Dmitrievich Polenov
30:In this name that follows
29:
827:(1878), Tretyakov Gallery
810:(1886), Tretyakov Gallery
780:(1879), Tretyakov Gallery
745:(1888), Tretyakov Gallery
707:(1879), Tretyakov Gallery
690:(1878), Tretyakov Gallery
477:other Russian artists in
196:
174:
164:
156:
146:
128:
109:
87:
71:
62:
55:
1001:Russian realist painters
347:Imperial Academy of Arts
137:Professor by rank (1892)
63:
865:Russian Academy of Arts
295:Summer in Tsarkoye Selo
846:(1878), Russian Museum
241:The painter's father,
226:
218:
991:Russian male painters
648:Christ and the sinner
614:Christ and the sinner
601:Russian Private Opera
327:Free Economic Society
224:
210:
927:at Wikimedia Commons
688:Grandmother's Garden
536:Grandmother's Garden
371:Grandmother's Garden
456:Konstantin Savitski
393:before settling in
644:Tsar Alexander III
558:Constantin Korovin
454:, Vasily Polenov,
227:
219:
923:Media related to
460:Alexander Beggrov
434:Alexei Bogolyubov
216:Tretyakov Gallery
186:
185:
16:(Redirected from
1048:
922:
880:Moscow Courtyard
875:
855:
836:
819:
804:
795:(1893), Polenovo
789:
771:
754:
736:
716:
699:
684:
668:Natalia Polenova
646:of his painting
554:Viktor Vasnetsov
531:Moscow Courtyard
483:Aleksey Savrasov
479:Veules-les-Roses
355:Pavel Chistyakov
198:
182:
116:
97:
95:
76:
66:
53:
52:
21:
1056:
1055:
1051:
1050:
1049:
1047:
1046:
1045:
931:
930:
925:Vasiliy Polenov
915:
891:
884:
876:
867:
856:
847:
837:
828:
820:
811:
805:
796:
790:
781:
772:
763:
755:
746:
737:
728:
717:
708:
700:
691:
685:
676:
639:
510:
487:Fyodor Vasilyev
359:Rafail Levitsky
349:and to the Law
343:
234:As a native of
232:
147:Alma mater
139:
135:
124:
118:
114:
105:
99:
93:
91:
83:
67:
65:Василий Поленов
64:
58:
51:
28:
23:
22:
15:
12:
11:
5:
1054:
1044:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
1003:
998:
993:
988:
983:
978:
973:
968:
963:
958:
953:
948:
943:
929:
928:
914:
913:External links
911:
910:
909:
904:
899:
890:
887:
886:
885:
877:
870:
868:
857:
850:
848:
838:
831:
829:
821:
814:
812:
806:
799:
797:
791:
784:
782:
773:
766:
764:
756:
749:
747:
738:
731:
729:
726:Russian Museum
718:
711:
709:
704:Overgrown Pond
701:
694:
692:
686:
679:
675:
672:
638:
635:
595:'s mansion in
593:Savva Mamontov
566:Elena Polenova
562:Mikhail Vrubel
541:Overgrown Pond
509:
506:
404:Savva Mamontov
342:
339:
236:St. Petersburg
231:
228:
184:
183:
176:
172:
171:
166:
162:
161:
158:
154:
153:
148:
144:
143:
130:
126:
125:
119:
117:(aged 83)
111:
107:
106:
102:St. Petersburg
100:
89:
85:
84:
77:
69:
68:
60:
59:
57:Vasily Polenov
56:
26:
9:
6:
4:
3:
2:
1053:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1012:
1011:Peredvizhniki
1009:
1007:
1004:
1002:
999:
997:
994:
992:
989:
987:
984:
982:
979:
977:
974:
972:
969:
967:
964:
962:
959:
957:
954:
952:
949:
947:
944:
942:
939:
938:
936:
926:
921:
917:
916:
908:
905:
903:
900:
897:
893:
892:
882:
881:
874:
869:
866:
862:
861:
854:
849:
845:
843:
835:
830:
826:
825:
818:
813:
809:
803:
798:
794:
793:Golden Autumn
788:
783:
779:
777:
770:
765:
761:
760:
753:
748:
744:
743:
742:Lake Tiberias
735:
730:
727:
723:
722:
715:
710:
706:
705:
698:
693:
689:
683:
678:
677:
671:
669:
665:
661:
655:
651:
649:
645:
634:
632:
628:
623:
620:
616:
615:
609:
604:
602:
598:
594:
590:
586:
582:
578:
574:
569:
567:
563:
559:
555:
549:
545:
543:
542:
537:
533:
532:
527:
523:
519:
515:
514:the Wanderers
505:
503:
499:
494:
492:
488:
484:
480:
474:
472:
468:
463:
461:
457:
453:
448:
444:
439:
435:
431:
427:
422:
420:
416:
412:
411:Paul Veronese
407:
405:
400:
396:
392:
388:
383:
379:
374:
372:
366:
364:
363:Peredvizhniki
360:
356:
352:
348:
338:
336:
332:
328:
322:
320:
316:
312:
308:
302:
300:
296:
292:
288:
284:
280:
276:
272:
268:
264:
260:
256:
255:Karl Briullov
252:
248:
247:archaeologist
244:
239:
237:
223:
217:
213:
209:
205:
202:
201:Peredvizhniki
194:
190:
181:
177:
173:
170:
169:Peredvizhniki
167:
163:
159:
155:
152:
149:
145:
142:
138:
134:
131:
127:
122:
113:July 18, 1927
112:
108:
103:
90:
86:
81:
75:
70:
61:
54:
49:
45:
42: and the
41:
37:
33:
19:
896:4940 Polenov
878:
858:
839:
822:
807:
792:
774:
757:
739:
719:
702:
687:
656:
652:
647:
640:
624:
613:
605:
588:
584:
580:
576:
570:
550:
546:
539:
535:
530:
511:
495:
475:
470:
466:
464:
438:Russian Navy
423:
418:
414:
408:
377:
375:
370:
367:
344:
334:
330:
323:
303:
294:
240:
233:
188:
187:
115:(1927-07-18)
98:June 1, 1844
78:Portrait by
47:
39:
971:1927 deaths
966:1844 births
907:Orientalism
587:(1881) and
581:In the Boat
452:Ilya Repine
428:. It is in
391:Switzerland
361:, a fellow
311:war of 1812
44:family name
40:Dmitrievich
935:Categories
824:Brestovets
660:Revolution
597:Abramtsevo
502:war artist
430:Montmartre
319:Napoleonic
157:Occupation
94:1844-06-01
80:Ilya Repin
36:patronymic
894:Asteroid
808:Sick Girl
759:Parthenon
674:Paintings
633:in 1893.
526:plein air
397:and then
129:Education
889:See also
840:Room of
724:, 1888,
664:Polenovo
599:and his
585:La Voria
583:(1880),
573:Barbizon
538:, 1878;
534:, 1878;
443:ceramics
426:Normandy
382:biblical
373:(1878).
315:Polenovo
283:Vladimir
275:Yaroslav
267:Novgorod
214:(1878),
165:Movement
123:, Russia
121:Polenovo
104:, Russia
522:gallery
491:Russian
447:etching
387:Germany
193:Russian
48:Polenov
18:Polenov
883:(1878)
778:'s joy
776:Caesar
619:Moscow
395:Venice
307:French
279:Suzdal
271:Rostov
259:Russia
251:Athens
175:Awards
160:Artist
82:, 1877
34:, the
608:Egypt
500:as a
299:Elena
291:dacha
485:and
445:and
399:Rome
389:and
287:Tver
110:Died
88:Born
740:On
46:is
38:is
937::
579:,
564:,
560:,
556:,
504:.
473:"
458:,
293:.
285:,
281:,
277:,
273:,
269:,
195::
191:(
96:)
92:(
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_-_Google_Art_Project.jpg)
