Antonín Dvořák - Knowledge

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writing. Throughout the piece, Dvořák uses skipping rhythms, high register of the first violin, and unified key relationships among all movements except for Lento. There is less shaping in thematic material, heavy uses of repetition, and less attention was paid to the development. Shortly after the composition of Op. 96, Dvořák composed his E-flat Major String Quintet, Op. 97. This piece was distinguished from his prior chamber works due to the instrumentation of two viola parts. The influence that Native American folk music had on Dvořák's work was also apparent in Op. 97; there is a common drum rhythm in Native American music presented throughout all of the movements except the Larghetto.

313: 355:. Anna and František married on 17 November 1840. Dvořák was the first of 14 children, eight of whom survived infancy. Dvořák was baptized as a Roman Catholic in the village's church of St. Andrew. Dvořák's years in Nelahozeves nurtured his strong Christian faith and the love for his Bohemian heritage that so strongly influenced his music. In 1847, Dvořák entered primary school and was taught to play violin by his teacher Joseph Spitz. He showed early talent and skill, playing in a village band and in church. František was pleased with his son's gifts. At the age of 13, through the influence of his father, Dvořák was sent to 547:. It seems that Brahms had only recently joined the jury, as he was not on it during the calendar year of 1874, according to Hanslick. Hanslick had first-hand knowledge, as a continuing member of the jury (from at least 1874 to 1877). Nevertheless, Brahms had time and opportunity to appreciate Dvořák's 1874 submission. Botstein says that the jury's purpose was "to award financial support to talented composers in need" in the Austro-Hungarian Empire. The jury received a "massive submission" from Dvořák: "fifteen works including two symphonies, several overtures and a 1357: 868:, offered Dvořák an annual salary of $ 15,000 – an incredibly lavish sum for the era (equivalent to $ 508,667 in 2023), twenty-five times what he was paid at the Prague Conservatory. Emanuel Rubin describes the Conservatory and Dvořák's time there. Thurber, a wealthy and philanthropic woman, made it open to women and black students as well as white men, which was unusual for the times. Dvořák's original contract provided for three hours a day of work, including teaching and conducting, six days a week, with four months of vacation each summer. The 175: 1092: 601: 2608: 2246: 1732: 1427: 500:, but the full opera with the original score was performed once in 1929, and not heard again until a concert performance in September 2019 at the Dvořák Prague International Music Festival. Clapham says Dvořák realized he had gone to "extremes in attempting to follow the example of Wagner". In 1873–74, he reset "the King and Charcoal Burner libretto entirely afresh, in a totally different manner", without using "anything from the ill-fated earlier version". The alternate opera, called 764:, in a concert on 27 August. He had arrived a week early to conduct rehearsals of the chorus of 500 voices and orchestra of 150. The performance was "a greater triumph than any" Dvořák "had had in his life up to that time...following this phenomenal success, choral societies in the English-speaking countries hastened to prepare and present the new work." Dvořák visited Britain at least eight times in total, conducting his own works there. In 1887, Richter conducted the 2696: 8190: 7197: 8200: 2329:, Op. 77 from early 1875, is noteworthy for the use of a double bass. This quintet was written towards the end of the composer's transitional phase, incorporating a thematic density to his works. This quintet is characterized by delicate operetta style uncommon in his instrumental work. The extension of a variation to all section is reminiscent of his symphonic literature. It was written for a chamber music competition sponsored by the 464:(1862) his Opus 2, although the chronological Burghauser Catalogue numbers these as B.6 and B.7, showing five earlier compositions without opus numbers. In the early 1860s, Dvořák also made his first symphonic attempts, some of which he self-critically burned. The manuscript of a symphony in C minor without opus number, B.9, composed in 1865, was preserved. This symphony has come to be numbered as Dvořák's First (see under " 5795:, notes in German and English. Bibliography co-edited by Dr. John Clapham and Dr. W. Pfannkuch, and a Survey of Life and Work. If there is a reference to one edition and the reader has access only to another edition, the catalogue numbers such as B.178 for the New World Symphony will be more useful than page numbers. In the chronology of Dvořák's life, one may search by year (and date) rather than page number. 8697: 367: 468:"). His first composing attempts passed without critical reception or public performances. His compositions up through 1870, according to the Burghauser Catalogue either had no known premieres, or were premiered in 1888 or later. For example, the Third String Quartet, B.18, was written in about 1869 but first published posthumously in 1964 and premiered in 1969. In 1870, he composed his first opera, 1084:. Brahms said he had no dependents and "If you need anything, my fortune is at your disposal". Clapham writes "Dvořák was deeply moved and tears came to his wife's eyes, but it was quite impossible for him, a Czech, to contemplate leaving Bohemia." Brahms himself had little time left to live, as he died 3 April 1897. Also, Brahms hoped to gain an ally in Vienna to "counterbalance the influence of" 8685: 992: 642:, who had also been on the juries awarding the prizes. The letter not only notified Dvořák that he had again won the prize, but made known to him for the first time that Brahms and Hanslick had been on the jury. The letter conveyed an offer of friendly assistance of the two in making Dvořák's music known outside his Czech motherland. Within the month December 1877, Dvořák wrote his 1590:, Op. 95, is B.178. Scholars today often refer to Dvořák's works by their B numbers (for Burghauser), partly because many early works do not have opus numbers. References to the traditional opus numbers are still common because of their historical continuity with earlier scores and printed programs. The opus numbers remain more likely to appear in printed performance programs. 1760: 8721: 31: 620: 1814: 8709: 1796: 1778: 840:, cello. It is said that Nedbal and Suk had been two of Dvořák's "most promising" students at the Conservatory and took the initiative in founding the Quartet. As of 1891 Dvořák had written 11 string quartets, six of which had been premiered, and these were available as part of the repertory of the Quartet on tour, as were the two quartets of 412:, who engaged the whole orchestra in the Bohemian Provisional Theatre Orchestra. Dvořák played viola in the orchestra beginning in 1862. Dvořák could hardly afford concert tickets, and playing in the orchestra gave him a chance to hear music, mainly operas. In July 1863, Dvořák played in a program devoted to the German composer 853: 1445: 2365:

In the 1880s Dvořák made a list of his destroyed compositions, including string quartets in B-flat, D and E minor of 1868–70. Dvořák destroyed these compositions during his "mad period" only after copies had already been printed. The number of errors in the parts makes it unlikely that they were ever

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Brahms continued to try to "clear a path for" Dvořák, "the only contemporary whom he considered really worthy". While Dvořák was in America, Simrock was still publishing his music in Germany, and Brahms corrected proofs for him. Dvořák said it was hard to understand why Brahms would "take on the very

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and the String Quintet in E-flat, Op. 97 (B180). Dvořák composed this work in three days after he and his family reunited in Spillville, Iowa. He drew inspiration from the freedom he felt in the countryside of America. This piece is distinguishable from his other quartets due to the simplicity of it

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Two months before leaving for America, Dvořák had hired as secretary Josef Jan Kovařík, who had just finished violin studies at the Prague Conservatory and was about to return to his home in the United States. There he continued to serve as Dvořák's secretary and lived with the Dvořák family. He had

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in London and Vienna to great acclaim (they had been written ten years earlier and Dvořák had allowed them to languish after initial lack of interest from his publishers). Richter wrote to Dvořák of the London performance, "at the hundreds of concerts I have conducted during my life, no new work has

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published a review of the Moravian Duets and Slavonic Dances in the Berlin "Nationalzeitung", saying that the "Dances" would make their way "round the world" and "a heavenly naturalness flows through this music". "There was a run on the German music shops for the dances and duets of this hitherto...

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music since 1857. Late in life, he said that Wagner "was so great a genius that he was capable of doing things that were beyond the reach of other composers". Wagner especially influenced Dvořák's operas, but also some orchestral pieces. According to Clapham, the theme of the Andante Sostenuto from

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Dvořák's main goal in America was to discover "American Music" and engage in it, much as he had used Czech folk idioms within his music. Shortly after his arrival in America in 1892, Dvořák wrote a series of newspaper articles reflecting on the state of American music. He supported the concept that

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became a better known composer. Dvořák also took an additional language course to improve his German and worked as an "extra" violist in numerous bands and orchestras, including the orchestra of the St. Cecilia Society. Dvořák graduated from the Organ School in 1859, ranking second in his class. He

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with Franz Hanke, who encouraged his musical talents even further and was more sympathetic. At the age of 16, through the urging of Liehmann and Zdenĕk, František allowed his son to become a musician, on the condition that the boy should work toward a career as an organist. After leaving for Prague

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In 1873 Dvořák married Josefina's younger sister, Anna Čermáková (1854–1931). They had nine children – Otakar (1874–1877), Josefa (1875–1875), Růžena (1876–1877), Otýlie (1878–1905), Anna (1880–1923), Magdalena (1881–1952), Antonín (1883–1956), Otakar (1885–1961) and Aloisie (1888–1967). Otýlie, a

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On leaving the National Theater Orchestra after his marriage, Dvořák secured the job of organist at St. Vojtěch, also called St. Adalbert's, Church in Prague under Josef Foerster, his former teacher at the Organ School. The job paid "a mere pittance", but it was "a welcome addition for the young

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Clapham gives the official report for the 1874 prize, saying Dvořák was a relatively impoverished music teacher who "has submitted 15 compositions, among them symphonies, which display an undoubted talent...The applicant... deserves a grant to ease his straitened circumstances and free him from

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was a huge success in Bohemia and Moravia, sung at events in Dvořák's honor in 1901 and 1904. The piece had considerable success in England in October 1886, with an audience on the 15th "in raptures... the critics praised the music in the warmest terms", and on the 29th, there was a "large and

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preferred to represent budding composers as being well established by giving early works much higher opus numbers than their chronological order would merit. In other cases, Dvořák deliberately assigned lower opus numbers to new works to be able to sell them outside contract obligations to his

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said of the work: "Had I known that one could write a cello concerto like this, I would have written one long ago!" Agreeing with Schonberg, the cellist and author Robert Battey wrote "I believe it to be the greatest of all cello concertos...an opinion shared by most cellists". A compiler of

907:, to tumultuous applause. Clapham writes that "without question this was one of the greatest triumphs, and very possibly the greatest triumph of all that Dvořák experienced" in his life, and when the Symphony was published it was "seized on by conductors and orchestras" all over the world. 2521:, Op. 114, which contains the well-known aria "Měsíčku na nebi hlubokém" ("Song to the Moon"), is played on contemporary opera stages with any frequency outside the Czech Republic. This is attributable to their uneven invention and libretti, and perhaps also their staging requirements – 1751: 1210: 205:. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and Dvořák has been described as "arguably the most versatile... composer of his time". 378:

and introduced him to the composers of the time; Dvořák had much regard for Liehmann despite his teacher's violent temper. Liehmann was the church organist in Zlonice and sometimes let Antonín play the organ at services. Dvořák took further organ and music theory lessons at

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The Mass in D major (first numbered Op. 76, then Op. 86) was originally intended for organ, solo voices and small choir. The work was finalized in 1892 when, in response to a request from the Novello publishers of London, Dvořák arranged his Mass for a symphony orchestra.

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Despite Dvořák's newfound success, a February 1888 performance of Stabat Mater in Vienna fell victim to more anti-Czech feeling and what the composer called "destructive criticism". He heartily thanked Richter for his "courage and devoted sympathy". In 1890, influenced by

1805: 1812: 686:. In December, he dedicated the piece to Joachim and sent him the score. The next spring the two discussed the score and Dvořák revised it extensively, but Joachim was still not comfortable with it. The concerto was premiered in Prague in October 1883 by the violinist 2194:. Wihan and others had asked for a cello concerto for some time, but Dvořák refused, stating that the cello was a fine orchestral instrument but completely insufficient for a solo concerto. Dvořák composed the concerto in New York while serving as the Director of the 2386:('Hey, Slavs!') in a variation style. The quartet in E minor is a single movement, including a slow, 63 bars on an F# pedal point. The single movement from the E minor quartet was used five years later in his second string quintet Op. 77, as a second movement named 1794: 1553:, which Dvořák did not want to sell to Simrock, and had published with Schlesinger as Op. 39 instead of Op. 52. This led to the same opus number being given to more than one of Dvořák's works; for example, the opus number 12 was assigned successively to the opera 1787: 1776: 1759: 2626: 534:

When Dvořák turned age 33 in 1874, he remained almost unknown as a composer outside the area of Prague. That year, he applied for and won the Austrian State Prize ("Stipendium") for composition, awarded in February 1875 by a jury consisting of the critic

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African-American and Native American music should be used as a foundation for the growth of American music. He felt that through the music of Native Americans and African-Americans, Americans would find their own national style of music. Here Dvořák met

1813: 1795: 428:. Dvořák was making about $ 7.50 a month. The constant need to supplement his income pushed him to give piano lessons. It was through these piano lessons that he met his future wife. He originally fell in love with his pupil and colleague from the 2290: 2272: 1769: 872:, a severe economic depression, depleted the assets of the Thurber family and other patrons of the Conservatory. In 1894, Dvořák's salary was cut to $ 8,000 per year and moreover was paid only irregularly. The Conservatory was located at 126–128 212:

in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with

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In a 1904 interview, Dvořák claimed that opera was 'the most suitable form for the nation'. If this nationalist sentiment was at the heart of his opera compositions, he struggled to find a style straddling Czech traditional melody and the

1114:. In the same year, Dvořák visited Brahms on his deathbed and attended his funeral on 6 April 1897. In November Dvořák was appointed a member of the jury for the Viennese Artists' Stipendium. He was informed in November 1898 that Emperor 1443: 1017:. Dvořák's first love and later sister-in-law, Josefina Kaunitzová, née Čermáková, died in May 1895. He and she had maintained friendly relations over the years. After her death, he revised the coda of his Cello Concerto in her memory. 708:, intending to premiere it in December 1880. However, Dvořák later discovered that, despite this intention, members of the orchestra objected to performing works by the composer in two consecutive seasons, due to "anti-Czech feeling". 481:

In 1871, Dvořák left the Provisional Theatre orchestra to have more time for composing. Up through 1871 Dvořák only gave opus numbers up to 5 among his first 26 compositions. The first press mention of Antonín Dvořák appeared in the

2657:(one piano, four hands), but Dvořák then orchestrated the entire set, completing it the same year. The second book, Op. 72 (also composed originally for piano four hands), composed eight years later, includes forms native to other 2156:

described "an attractive Piano Concerto in G minor with a rather ineffective piano part, a beautiful Violin Concerto in A minor, and a supreme Cello Concerto in B minor". All the concerti are in the classical three-movement form.

748:. The success "sparked off a whole series of performances in England and the United States", a year ahead of appreciation in Germany and Austria. Dvořák was invited to visit Britain where he appeared to great acclaim in 1884. The 1630:

tradition; but, as Taruskin suggests, the difference was Dvořák's use of cyclic form, especially in his later symphonies and concertos, where he "occasionally recycled themes... to a degree which lent his works a tinge of secret

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of 1877. Orchestral variations on an original theme, composed as a freestanding work, were a rather unusual genre. Originally unsuccessful and revived only after ten years, it has since established itself in the repertoire.

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Antonín Dvořák composed his Requiem in 1890, at the beginning of the peak period of his career. Dvořák was deeply religious, and this work reflects his faith and spirituality. The premiere took place on 9 October 1891 in

2382:. The second, third, and fourth quartets illustrate Dvořák's progress as a composer. He demonstrates understanding of highly developed musical language in his D major quartet, shaping the melody of the Slav freedom song 2210:. Dvořák attended at least two performances of Herbert's cello concerto and was inspired to fulfill Wihan's request for a cello concerto. Dvořák's concerto premiered in London on 16 March 1896, with the English cellist 2100:

it was greeted, belatedly, in 1901: "The Vienna performance in March 1901 was a triumph of Dvořák's music, as if the Viennese public wished thereby to make up for their earlier, sometimes cool reception of his works."

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During Dvořák's final years, he concentrated on composing opera and chamber music. In November 1895, he resumed his professorship at the Prague Conservatory. Between 1895 and 1897, he completed his string quartets in

1193:" on 18 April and died on 1 May 1904, of an undiagnosed cause following five weeks of illness, at the age of 62, leaving many unfinished works. His funeral service was held on 5 May, and his remains were buried in 1164:

were performed in Prague, but Dvořák was away in Vienna; then in November 1901 came the "postponed official birthday party... In many towns all over Bohemia and Moravia, the Czech people celebrated his birthday."

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as professor of composition and instrumentation. At first he refused the offer, but then later accepted; this change of mind was seemingly a result of a quarrel with his publisher Simrock over payment for his

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in 1891, when the composer accepted a position as director of her school. Te Deum is more intimate than the Stabat Mater and Requiem. It was premiered at Dvořák's first concert in New York on 21 October 1892.

176: 1436: 2116:(God, we laud You). It was composed in 1892 and dedicated to the 400th anniversary of the discovery of America. The composition had been completed before Dvořák moved to America and was commissioned by 4202: 2624: 1160:

as director of the Prague Conservatory from November 1901 until his death. Dvořák's 60th birthday was celebrated as a national event. First, around the actual date, six of his operas and the oratorio

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In 1899 Franz Joseph had decreed that the Czech language could no longer be used in local administration or law courts. This was much resented, and he hoped to placate the Czechs by the appointments.

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Once each in 1884, in October 1886, and in April 1990, twice each in 1885, March to May and later in August, in 1891 June and later in October, and lastly in March 1896: Burghauser 1960 or later ed.

2451:. The Bagatelles are cyclical and similar to a suite, echoing Czech bagpipe melodies. Dvořák wrote two waltzes for string quartet, and arranged set of 12 love songs for the string quartet entitled 671:

unknown composer." The dances were played in 1879 in concerts in France, England, and the United States. Later Simrock requested further Slavonic Dances, which Dvořák supplied in his Op. 72, 1886.

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There is speculation by Dvořák scholars such as Michael Beckerman that the second movement of his Symphony No. 9 "From the New World", was adapted from studies for a never-written opera about

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Dvořák with his family and friends in New York in 1893 - from left: his wife Anna, son Antonín, Sadie Siebert, Josef Jan Kovařík (secretary), mother of Sadie Siebert, daughter Otilie, Antonín.

2289: 2271: 1561:(1873), the Furiant in G minor for piano (1879), and the Dumka in C minor for piano (1884). In other cases, a work was given as many as three different opus numbers by different publishers. 952:, Op. 104, B. 191, completed in February 1895. However, due to homesickness, his partially unpaid salary, and increasing recognition in Europe – he had been made an honorary member of the 8871: 1617:. After Dvořák's death, research uncovered four unpublished symphonies. The manuscript of the first one had even been lost to the composer himself. This led to the situation in which the 956:

in Vienna – he decided to return to Bohemia. He informed Thurber that he was leaving. Dvořák and his wife left New York before the end of the spring term, with no intention of returning.

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was disappointed that none of his music was performed.) "Seventy-six choral associations" from all over Bohemia gathered in Prague, and "sixteen thousand singers" sang Dvořák's oratorio

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equally enthusiastic audience, and once again the critics were full of praise", but the libretto's translation from Czech into English was "regarded on all sides as unsatisfactory".

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In 1991, the New York City Council was petitioned by Beth Israel Hospital to permit the demolition of a small row house at 327 East 17th Street, once the home of Antonín Dvořák.

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lands Serbia, Poland and Ukraine, although some "merge characteristics of more than one dance". Dvořák did not use actual folk tunes, but created his own themes in the style of

586:. He again entered but this time did not win the Austrian State Prize. He did win it in 1876, and finally felt free to resign his position as an organist. In 1877, he wrote the 523:, Op. 5, was performed in Prague, by a "splendid team of players" organized by Procházka. It was his first piece played in a concert. In March 1873, his Czech patriotic cantata 2202:, who was also teaching at the Conservatory, had written his Second Cello Concerto, Op. 30 and presented it several times that year, including its successful premiere with the 1845:. Dvořák wrote it between January and May 1893, while he was in New York. At the time of its first performance, he claimed that he used elements from American music such as 8881: 8876: 2492:, which he experienced as lead viola player in the orchestra of Prague's Provisional Theatre between 1862 and 1871, and whose influence is evident in his works such as 3649: 424:

district with five other people, who also included violinist Mořic Anger and Karel Čech, who later became a singer. In 1866, Maýr was replaced as chief conductor by

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and orchestra based on the text of an old church hymn with the same name. The inspiration for creating this piece was the death of the composer's daughter, Josefa.

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Place. It was in this house that both the B minor Cello Concerto and the New World Symphony were written within a few years. Despite protests, from Czech President

2394:. These show a stronger sense of form and include three separate arrangements: for orchestra (B47), for violin and piano (B48A), and for piano four hands (B48B). 1343:. As the article was specifically on Schubert, three years in advance of the centennial of his birth, it seems Dvořák had a special predilection toward Schubert. 343:, and was the eldest son of František Dvořák (1814–94) and his wife, Anna, née Zdeňková (1820–82). František worked as an innkeeper, a professional player of the 2046: 6388: 1418: 2722: 682:, who with others premiered it in November of that year. Joachim became a "chief champion" of Dvořák's chamber music. In that same year, Dvořák also wrote his 432:, Josefína Čermáková, for whom he apparently composed the song-cycle "Cypress Trees". However, she never returned his love and ended up marrying another man. 2313:

A viola player himself, Dvořák had a natural affinity for string instruments. Over a period of thirty years, Dvořák composed over forty chamber music works.

531:) to a warm response from both audience and critics, making it an "unqualified success". Dvořák's compositions were first coming to be recognized in Prague. 496:

was returned to Dvořák from the Provisional Theatre and said to be unperformable. Its overture was premiered in 1872 in a Philharmonic concert conducted by

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was one of several pieces performed in a Japanese internment camp on Sumatra by a vocal orchestra made up of female prisoners of war on 27 December 1943.

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in December of that year. Twice later, Joachim was scheduled to play the concerto, but both times the arrangements fell through and he never did play it.

666:, but when requested by Simrock, also in an orchestral version. These were an immediate and great success. On 15 December 1878, the leading music critic 563:

anxiety in his creative work." It says he had not yet owned a piano. Before being married, he had lodged with five other men, one of whom owned a small "

8811: 2566:, Op. 99, B. 185, was written in March 1894. Around that time Dvořák was informed of the death of the famous conductor, and his close personal friend, 1327:

models". To be more specific about "classical models," in 1894 Dvořák wrote an article in which he said the composers of the past he admired most were

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residence for people with AIDS. In 2017, this residence was converted into a homeless shelter. To honor Dvořák, a statue of him was erected in nearby

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premiered more of Dvořák's symphonies than anyone else. He conducted the first performances of Nos. 2, 5 and 6; the composer premiered Nos. 7 and 8;

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commissioned Dvořák to conduct concerts in London, and his performances were well received there. In response to the commission, Dvořák wrote his

6848: 2617: 837: 296: 1298:, a traditional Slavic and Polish genre. His major works reflect his heritage and love for his native land. Dvořák followed in the footsteps of 6383: 5303: 1414: 279:

in Czech and were intended to convey the Czech national spirit, as were some of his choral works. By far the most successful of the operas is

91: 8236: 2144:, Op. 69, B. 135, performed in 1885 at the Birmingham, England, Musical Festival, was the greatest success to that point in Dvořák's career. 8826: 1717:, Op. 88, is characterized by a warmer and more optimistic tone. Karl Schumann (in booklet notes for a recording of all the symphonies by 1278:, Op. 46, which first brought him a wide reputation, and Op. 72, include at least one of each of these forms. He also wrote an orchestral 416:, who conducted the orchestra. Dvořák had had "unbounded admiration" for Wagner since 1857. In 1862, Dvořák had begun composing his first 7068: 5856: 2281: 2263: 208:

Dvořák displayed his musical gifts at an early age, being a talented violin student. The first public performances of his works were in

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From other works that show the influence of Czech folk rhythms and melodic shapes, perhaps the best known examples are the two sets of

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was the first of three concerti (for solo instrument and orchestra) that Dvořák composed, but is perhaps the least known of the three.

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originally published as No. 5, was later known as No. 8, and then renumbered as No. 9 in the critical editions published in the 1950s.

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because of illness. The first Czech Musical Festival, in April 1904, had "a programme consisting almost entirely" of Dvořák's music (

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tedious job of proofreading. I don't believe there is another musician of his stature in the whole world who would do such a thing."

861: 239: 8896: 8786: 8761: 7233: 2570:. A month earlier, he had been grieved to hear that his father was near death, far away in Bohemia. Dvořák consoled himself in the 1645:, in reference to the time Dvořák spent in the village of Zlonice, and in the church there, between the age of 13 and 16. Like the 374:

Dvořák took organ, piano, and violin lessons from his German-language teacher Antonín Liehmann. Liehmann also taught the young boy

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applied unsuccessfully for a position as an organist at St. Henry's Church, but remained undaunted in pursuing a musical career.

292: 227:, Op. 46. The sheet music's high sales and critical reception led to his international success. A London performance of Dvořák's 3530: 2353:, Op. 97, with a second viola added, was written near the end of his American period in 1893, when he spent a summer holiday in 2096:

30 November 1892: "the composer was frequently applauded between numbers and given a most enthusiastic ovation at the end.". In

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Dvořák created many other songs inspired by Czech national traditional music, such as the "Love Songs", "Evening Songs", etc.

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played. Dvořák kept the manuscripts of these quartets but did not give them opus numbers. They are noted to have numbers

231:

in 1883 led to many other performances in the United Kingdom, the United States, and eventually Russia in March 1890. The

8901: 8846: 6907: 6902: 6893: 6888: 6868: 4789: 2398: 1032: 1022: 920: 810: 261: 217:

on the jury of the Austrian State Competition. In 1877, after his third win, Brahms recommended Dvořák to his publisher,

6022:Šourek, Otakar; Bartos, František; Hanuš, Jan; Berkovec, Jiři; Čubr, Anton; Pokorný, Antonín; Šolc, Karel, eds. (1976). 1126:, the ceremony taking place before an audience in June 1899. On 4 April 1900 Dvořák conducted his last concert with the 8836: 8831: 8801: 6946: 6941: 6936: 6863: 6858: 6853: 6843: 6838: 6833: 6828: 6817: 6812: 6658: 6636: 6604: 2670: 2375: 2371: 2367: 2344: 2326: 2322: 1558: 1496: 1073:

became the most popular of all Dvořák's ten operas and gained an international reputation (below under Works, Operas).

924: 766: 728:. Richter did eventually conduct the piece in London in 1882 and always retained an interest in Dvořák's compositions. 643: 588: 583: 571: 461: 457: 5183: 8911: 8886: 8866: 8851: 8841: 8229: 8173: 7100: 7045: 7040: 7018: 7013: 6624: 6590: 6276: 5479: 5454: 4966: 4144: 2423: 2419: 2411: 1400: 1378: 520: 155: 2390:, making this initially a five-movement composition. He later withdrew the second movement and reworked it into the 1371: 516:

couple". Despite these circumstances, Dvořák still managed to compose a substantial body of music around this time.

6734: 4843: 2441: 507: 4261: 4231: 242:

in New York City. While in the United States, Dvořák wrote his two most successful orchestral works: the Symphony

8806: 8776: 6918: 6576: 4948: 4076: 2457: 1905: 1542:, but not always in the order in which they were written or published. To improve sales, some publishers such as 971:

amongst others who wanted the house preserved as a historical site, it was demolished in 1991 to make room for a

942: 448: 8741: 7200: 6349: 5157: 5114: 4861: 4177: 1080:

by the London Philharmonic. Also in 1896, Brahms tried to persuade Dvořák, who had several children, to move to

1007:

Dvořák returned from the United States on 27 April 1895 with his wife and Otakar Berger. After a performance of

8861: 8856: 8554: 6993: 6988: 6983: 6972: 5705:

Beckerman, Michael (1 December 1992). "Henry Krehbiel, Antonín Dvořák, and the Symphony 'From the New World'".

5136: 2431: 579: 323: 7652: 7169: 4984: 4784: 2632:

Arranged for viola and piano by Elias Goldstein, performed by Elias Goldstein (viola) and Monica Pavel (piano)

1655:, Op. 4, also in 1865, despite touches of originality, it did not remain in the standard symphonic repertory. 7090: 7062: 6782: 6729: 6693: 6004: 5736:

The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvořák, Mahler, and Selected Contemporaries

5002: 4897: 4879: 2468: 2462: 2254: 2168: 2050: 1693:, a vivid Czech dance. This was the symphony that made Dvořák internationally known as a symphonic composer. 953: 934: 884:, who later became one of the earliest African-American composers. Burleigh introduced Dvořák to traditional 683: 440:

in 1898, but died only seven years later. Otakar wrote a book about his father in 1960, just before he died.

8076: 7174: 8222: 7932: 7226: 6724: 6714: 6547: 6542: 6537: 6532: 6527: 6522: 6517: 6512: 6502: 4330: 4299: 3807: 2818: 2712: 2187: 2176: 2161: 1834: 1740: 1714: 1696: 1682: 1678: 1672: 1658: 1646: 1638: 1623:

has successively been called the 5th, 8th and 9th. The modern chronological numbering system is used here.

1619: 1610: 1603: 1311: 1287: 1183: 1077: 949: 938: 896: 798: 753: 701: 687: 635: 575: 556: 552: 429: 388:, theory with František Blažek, and organ with Joseph Foerster. The latter was not only a professor at the 249: 244: 232: 7322: 8135: 7095: 7085: 6326: 4915: 2472: 2427: 2415: 2391: 1014: 885: 675: 638:. He did not learn the outcome until December. Then, he received a personal letter from the music critic 551:". Brahms was "visibly overcome" by the "mastery and talent" of Dvořák. The two symphonies were Dvořák's 4933: 4828: 1626:

With their lyrical style and accessibility to the listener, Dvořák's symphonies seem to derive from the

527:

was performed by the Prague Hlahol Choral Society of 300 singers (conducted by his friend and supporter

359:

to live with his uncle Antonín Zdenĕk in order to learn the German language. His first composition, the

312: 8675: 8180: 7422: 7377: 7251: 7079: 6772: 2030: 1870: 1227: 1139: 972: 749: 737: 470: 228: 190: 6312: 3177: 1574:

the last five symphonies were not published in order of composition, explaining why, for example, the

8549: 7999: 7317: 7125: 6583: 1893: 1708: 1609:

During Dvořák's life, only five of his symphonies were widely known. The first one published was the

1549: 1135: 287: 7907: 7732: 7073: 6766: 6413: 5022: 2130: 1685:, Op. 60, are largely pastoral in nature. The Sixth, published in 1880, shows a resemblance to the 1614: 1365: 1324: 1178: 1161: 1149: 781: 697: 691: 492: 6179: 5623: 5584:

The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II

8462: 8193: 7802: 7219: 5597: 1686: 960: 873: 789: 740:, was premiered in Prague in 1880. However, after it was performed and very well received at the 393: 8590: 7512: 385: 8689: 8559: 8437: 8203: 8145: 8120: 7952: 7527: 7272: 6788: 6157:(in Czech, German, English, and French). Šourek, Otakar (preface). Prague: Editio Bärenreiter. 2321:

In 1860, just after he completed his education at the Prague Organ School, Dvořák composed his

2140: 1382: 761: 646:

in D minor and dedicated it to Brahms. Both Brahms and Hanslick had been much impressed by the

8407: 8327: 7983: 7822: 7697: 7687: 5744: 3986: 2010: 1042: 7742: 7622: 7577: 7557: 7472: 7131: 7105: 6777: 6630: 6618: 6611: 6233:

Dvorák to Duke Ellington: A Conductor Explores America's Music and Its African American Roots

5008: 4990: 4972: 4954: 4937: 4921: 4903: 4885: 4867: 4849: 4832: 2203: 2042: 1850: 1295: 1271: 892: 802: 7517: 2574:. The resulting work, considered the finest of his song cycles, is based on the text of the 1316: 1153: 8751: 8746: 8442: 8402: 8342: 8157: 8103: 7942: 7397: 7307: 6477: 6405: 2735: 2529: 2331: 2092:, conducted by Dvořák himself, and was "very successful". It had an outstanding success in 1111: 1065: 996: 964: 829: 437: 8272: 7902: 2653:. The first book, Op. 46 (1878), is predominantly Czech in form. It was created for piano 2397:

During his time in America in 1893, Dvořák composed two of his most popular quartets: the

1500:, and the majority of his songs. The echoes of such influence are also found in his major 1214: 1194: 1173: 1157: 1013:

at the National Theater on 19 May, Dvořák left the city for the family country cottage in

658:, Simrock commissioned Dvořák to write something of the same nature. Dvořák submitted his 8: 8630: 8245: 8152: 8070: 7772: 7607: 6437: 6421: 5952: 2153: 1186:. Dvořák himself was forced by illness to "take to his bed" and so was unable to attend. 793: 757: 705: 613: 389: 380: 8277: 7747: 7547: 7537: 7382: 6173: 4743: 409: 8600: 8362: 8065: 7912: 7847: 7752: 7682: 7667: 7647: 7502: 7352: 7180: 6461: 5722: 5214: 5048: 4236: 2717: 1882: 1127: 1053: 721: 352: 268:. While he remained at the Conservatory for a few more years, pay cuts and an onset of 8514: 8262: 7857: 6321: 3491:, B.1 through B.26, with Op. 1 assigned both to a string quintet B.7 and to the opera 3055:

Clapham 1966, p. 295; also gives further partial ascending and descending family trees

1939: 1689:

of Brahms, particularly in the outer movements, but not so much in the third-movement

1299: 1198: 841: 497: 425: 202: 8595: 8580: 8467: 8457: 8412: 8199: 8082: 7962: 7947: 7887: 7867: 7827: 7812: 7792: 7727: 7717: 7712: 7707: 7692: 7677: 7672: 7447: 7442: 7347: 6256: 6237: 6231: 6216: 6197: 6191: 6158: 6130: 6111: 6076: 6057: 6038: 6032: 6008: 5971: 5938: 5904: 5862: 5842: 5824: 5816: 5804: 5771: 5752: 5691: 5662: 5475: 5450: 5068: 4140: 3381: 3371: 2727: 2662: 2489: 2231: 2117: 2077: 1913: 1846: 1583: 1263: 1231: 976: 865: 741: 605: 198: 8519: 7417: 5855:——— (1980), "Dvořák, Antonín (Leopold)", in Sadie, Stanley (ed.), 5252: 3803: 3599:, is B.27 in the Burghauser (1960) Catalogue. Dvořâk did not give it an opus number. 3172: 2754: 2567: 2227: 1969:. Dvořák wrote five symphonic poems, all in 1896–1897 with sequential opus numbers: 1917: 1909: 1718: 784:, Dvořák also visited Russia, and conducted performances of his music in Moscow and 401: 8713: 8655: 8509: 8484: 8357: 8087: 8039: 7927: 7882: 7877: 7817: 7632: 7587: 7432: 7402: 7372: 7312: 6679: 6597: 6569: 6445: 6316: 6295: 5714: 5658: 5654: 5423:. English language version of a Czech site including details of all Dvořák's works. 4770: 3982: 2750: 2575: 2541: 2500: 2354: 2017:

is based on a program of Dvořák's devising and is believed to be autobiographical.

1995: 1971: 1515: 1487: 1283: 1009: 916: 817: 663: 655: 651: 257: 105: 8625: 8499: 7762: 7467: 5414: 1711:, it is among the greatest and purest examples in this art-form since Beethoven". 1641:, Op. 3, was written in 1865 when Dvořák was 24 years old. It was later subtitled 1091: 600: 299:

is a major series of concerts held annually to celebrate Dvořák's life and works.

8504: 8140: 8034: 8029: 8009: 8004: 7978: 7892: 7842: 7767: 7737: 7702: 7662: 7392: 7387: 7357: 7297: 7164: 7138: 6642: 6469: 6187: 5999:

Smaczny, Jan (2003). "Grand Opera Amongst the Czechs". In Charlton, David (ed.).

5932: 5914: 4227: 4084: 3956:, p. 82 "Dvořákova rodina s přáteli na dvoře domu v New Yorku v roce 1893 ." 2650: 2578:. Dvořák's father died 28 March 1894, two days after the completion of the work. 2517: 2219:

discographies of Dvořák's music wrote that his is the "king" of cello concertos.

2215: 1966: 1897: 1704: 1632: 1506: 1491: 1453: 1275: 1222: 1131: 1119: 1059: 659: 639: 544: 536: 384:

in September 1857, Dvořák entered the city's Organ School, studying singing with

340: 281: 223: 214: 80: 58: 8489: 7602: 7487: 1889: 1667:, Op. 10 (c. 1873), shows the impact of Dvořák's acquaintance with the music of 968: 486:

journal in June 1871, and the first publicly performed composition was the song

8650: 8447: 8432: 8382: 8372: 8347: 8332: 8312: 8130: 8044: 7937: 7922: 7897: 7837: 7832: 7797: 7657: 7637: 7627: 7582: 7562: 7542: 7522: 7507: 7497: 7482: 7462: 7367: 7327: 7292: 7282: 7242: 7144: 6754: 6672: 6648: 3191: 2817:

at the southeast corner of the intersection with Irving Place, a block east of

2658: 2562: 2505: 2379: 2199: 2190:

was the final concerto to be composed. He wrote it in 1894–1895 for his friend

2172: 1977: 1962: 1925: 1874: 1854: 1668: 1627: 1523: 1483: 1306: 1115: 1085: 912: 881: 825: 785: 679: 647: 631: 540: 478:

was first publicly performed as late as 1905, and the full opera only in 1938.

417: 413: 260:

in 1893, Dvořák also wrote his most famous piece of chamber music, his twelfth

253: 169: 8529: 7427: 6178:. Third Series: Modern Symphonies. Philadelphia: J. B. Lippincott Co. p. 2230:

in 1925–1929 produced a revised and orchestrated version. Dvořák's cataloguer

2191: 1921: 1901: 8735: 8640: 8610: 8422: 8317: 8302: 7917: 7852: 7787: 7642: 7597: 7342: 7337: 7332: 7277: 6686: 6429: 5965: 4041: 3725:

The quartet was Op. 34, B.75 and was revised in 1879: Burghauser 1960, p. 179

2846: 2833: 2804: 2791: 2535: 2494: 2056:

The Stabat Mater, Op. 58, is an extensive (c. 90 minutes) vocal-instrumental

1989: 1929: 1722: 1519: 1251: 1144: 1035:, and also worked on the cycle of symphonic poems inspired by the collection 869: 821: 745: 8479: 3385: 2455:(B152), taken from his set of 18 songs originally composed in 1865 entitled 1935: 852: 709: 630:

Dvořák entered the Austrian Prize competition again in 1877, submitting his

490:("Reminiscence", October 1871, musical evenings of L. Procházka). The opera 8725: 8701: 8660: 8645: 8620: 8544: 8539: 8392: 8292: 7862: 7782: 7777: 7757: 7722: 7572: 7567: 7552: 7532: 7492: 7477: 7457: 7287: 7267: 5894: 5836: 4725: 2778:

Brahms joined the jury, and the 1874 prize was awarded, only in early 1875.

2734:

has written a number of children's books based on some of Dvořák's operas.

2731: 2061: 2057: 2038: 1700: 1571:

the first four symphonies to be composed were published after the last five

1568:

they were initially numbered by order of publication instead of composition

1564:

To add to this confusion, the numbering of Dvořák's symphonies has varied:

1458: 1267: 1076:

In 1896 he visited London for the last time to conduct the premiere of his

833: 667: 405: 375: 269: 8452: 7407: 1247: 876:, but was demolished in 1911 and replaced by what is today a high school. 8125: 7872: 7807: 7612: 7592: 7437: 7412: 6453: 6305: 5937:. Vol. III: The Nineteenth Century Legacy. Oxford University Press. 2523: 2485: 2207: 1958: 1947: 1943: 1539: 1239: 1063:

in 1900, two songs and "Recitatives" in 1900–1901, and finally the opera

1047: 904: 760:

on 22 April 1885. On a visit later in 1885, Dvořák presented his cantata

654:, who published them with success. Having in mind Brahms's well-received 528: 421: 420:. In 1864, Dvořák agreed to share the rent of a flat located in Prague's 408:. The high professional level of the ensemble attracted the attention of 332: 317: 54: 5688:

New Worlds of Dvořák: Searching in America for the Composer's Inner Life

4804: 2695: 2378:

in the Burghauser catalog and show the strong influence of the music of

8287: 8014: 7617: 5751:. Vol. 3. Bloomington: Indiana University Press. pp. 410–36. 2641: 2305: 2089: 1826: 1543: 1470: 1291: 1235: 806: 548: 218: 186: 8214: 5726: 4465:"Austrian State Committee for Music", according to Hughes 1967, p. 229 4045: 3399: 2296:

Performed by Roxana Pavel Goldstein (violin) and Monica Pavel (piano).

1699:

of 1885, Op. 70, is highly regarded by critics and musicologists; Sir

1557:(1871), the Concert Overture in F (1871, derived from the opera), the 1323:

From 1873 on, Dvořák's style was "moving steadily in the direction of

7957: 7362: 7302: 3811: 2448: 2211: 1866: 1336: 1190: 712:

therefore conducted the premiere of the symphony at a concert of the

609: 5995:, ed. Alison Latham, Oxford University Press, 2002, pp. 391–92. 3038: 2335:(Artistic Circle), where it was unanimously awarded a prize of five 1869:

mission in 1969, and in 2009 it was voted the favourite symphony in

1482:

generally conform to classical models, but he also composed the new

1226:

and his large collection of songs, were directly inspired by Czech,

559:, both of which had been premiered in Prague in the spring of 1874. 404:'s orchestra, with whom he performed in Prague's restaurants and at 8049: 6144:Černušák, Gracián; Štědroň, Bohumír; Nováček, Zdenko, eds. (1963). 5718: 2549: 2410:

He also composed two piano quintets, both in A major, of which the

2109: 1511: 1479: 1340: 475: 452:

St. Adalbert in Prague, where Dvořák was organist from 1874 to 1877

276: 6336: 5361:

Yoell, John H., "Dvořák in America: A Discography", Appendix C of

4025:

Rubin, Emanuel, Chapter 6. Dvořák at the National Conservatory in

1888:

Many conductors have recorded cycles of the symphonies, including

436:

composer in her own right, married Dvorak's student, the composer

185:

composer. He frequently employed rhythms and other aspects of the

8024: 7211: 6341: 5815:(St. Martin's Press or Faber & Faber 1966, MacMillan reprint 5770:(in Czech). Prague: Bärenreiter Supraphon; Koniasch Latin Press. 5616: 4289:(concerning the circumstances under which the house was removed). 3531:"First recording of long-forgotten Dvořák opera King and Collier" 2967:

First performed in 1893 and published in 1894 as 'Symphony no. 5'

2113: 2105: 2065: 1965:, never employed by more conservative Romantic composers such as 1690: 1527: 1270:; and folk song forms of Slavic peoples, including the Ukrainian 1259: 1255: 1243: 1095:

Dvořák's funeral on 5 May 1904, an event of national significance

891:

In the winter and spring of 1893, Dvořák was commissioned by the

356: 348: 194: 6286: 6026:. Antonín Dvořák (composer) (Supraphon ed.). Prague: Artia. 4307: 3779: 3213:, Alison Latham, Ed., Oxford University Press, 2002, pp. 468–69. 2508:

also influenced his operas, evident in his extensive rewrite of

5274: 5272: 3650:"Admiration and emulation: the friendship of Brahms and Dvorák" 2685:

List of music students by teacher: C to F § Antonín Dvořák

2571: 2234:

made another orchestration and abridgement, published in 1975.

2180: 2112:

solo, choir and orchestra to the Latin text of the famous hymn

2097: 2093: 2005: 2000: 1501: 1332: 1081: 1037: 725: 624: 564: 344: 336: 209: 182: 76: 5237: 5115:"Why did Dvořák hold particular affections for this symphony?" 2931:

First performed 1879; first published 1888 as 'Symphony no. 3'

570:

In 1875, the year his first son was born, Dvořák composed his

366: 141: 129: 6331: 4536: 4534: 4473: 4471: 3504:

From a set, "Songs to words by Eliška Krásnohorská", B.23 in

2436: 2336: 2081: 2073: 1490:

rhythms and melodic shapes. Amongst them are the two sets of

1294:

is one of his best-known chamber works, and is named for the

1209: 132: 8696: 5368: 5269: 4516:, pp. 108–09, " management handled by... Karel Knittl." 4160: 4158: 4156: 3977:

Döge, Klaus (20 January 2001). "Dvorák, Antonín (Leopold)".

3553: 1234:. As the basis for his works, Dvořák frequently used Slavic 991: 347:, and a butcher. Anna was the daughter of Josef Zdeněk, the 126: 8872:

Foreign members of the Serbian Academy of Sciences and Arts

8019: 6301: 4606: 4421: 4419: 4417: 3869: 3798:

Burghauser, Jarmil; Joachimová, Zoja (translation) (2003).

3410: 3408: 3216: 2654: 2069: 1862: 1328: 1148:. In April 1901, The Emperor appointed him a member of the 736:

Dvořák's first piece of a religious nature, his setting of

114: 6007:. Cambridge: Cambridge University Press. pp. 366–82. 5512: 5500: 5310: 5049:"Symphony No. 7 in D Minor, Op. 70, B141 | Antonín Dvořák" 4696: 4694: 4692: 4594: 4570: 4531: 4468: 4447: 4116: 4104: 3767: 3016:

Burghauser 1960 or later ed., "Survey of the life of" A.D.

592:, and Ludevít Procházka conducted its premiere in Prague. 474:, over the course of five months from May to October. Its 285:, premiered in 1901. Among his smaller works, the seventh 5959:(revised ed.). New York: W. W. Norton & Company. 5210:"Review/Music; The American Symphony Takes On a New Role" 4492:, p. 154 he calls the medal "an outstanding honour". 4402: 4375: 4363: 4153: 3886: 3884: 3847: 3845: 3757: 3755: 3709: 3707: 3680: 3607: 3605: 3334: 3332: 3330: 3293: 3291: 3276: 3142: 3106: 3019: 2997: 2995: 2958:

First performed and published in 1888 as 'Symphony no. 4'

2949:

First performed and published in 1885 as 'Symphony no. 2'

2940:

First performed and published in 1881 as 'Symphony no. 1'

2447:, for the unusual combination of two violins, cello, and 1878: 1582:

All of Dvořák's works were catalogued chronologically by

619: 144: 30: 6332:

Online catalogue of the Antonín Dvořák Museum collection

5343: 5284: 4546: 4495: 4414: 3857: 3446: 3405: 3240: 3154: 2668:

A work that does not fit in the other categories is the

5803:. London: Newton Abbot (England), David & Charles. 5524: 5488: 4706: 4689: 4618: 4519: 4092: 3818: 3677:, p. 36 is "certain" that these two were included. 3233: 3231: 1675:, Op. 13, except for the start of the second movement. 1504:

works. Dvořák wrote operas (of which the best known is

788:. In 1891, Dvořák received an honorary degree from the 5536: 5322: 5257:(Sleeve note). Karel Ančerl and the Czech Philharmonic 3917: 3905: 3881: 3842: 3752: 3740: 3728: 3704: 3692: 3617: 3602: 3577: 3565: 3541: 3470: 3361: 3359: 3344: 3327: 3303: 3288: 3252: 3130: 3094: 3058: 2992: 8673: 6094:. Boston: Northeastern University Press. p. 112. 5474:. Portland, Oregon: Amadeus Press. pp. 239–241. 5449:. Portland, Oregon: Amadeus Press. pp. 157–158. 4353: 4351: 4056: 3830: 3264: 2980: 2545:

need stages large enough to portray invading armies.

156: 147: 135: 3797: 3315: 3228: 3082: 3070: 2222:

In 1865, early in his career, Dvořák had composed a

2188:

Concerto for Cello and Orchestra in B minor, Op. 104

2169:

Concerto for Violin and Orchestra in A minor, Op. 53

2037:

To Dvořák's main choral works belong his setting of

1168:

On 25 March 1904 Dvořák had to leave a rehearsal of

678:. Simrock showed the score to the leading violinist 123: 108: 8882:

Members of the Serbian Academy of Sciences and Arts

6215:. Unlocking the Masters. Milwaukee: Amadeus Press. 5861:, vol. 5, London: MacMillan, pp. 765–92, 4822: 3356: 2726:focuses on Dvořák's love life. Dvořák is played by 2399:

String Quartet No. 12 in F, Op. 96 ("The American")

2162:

Concerto for Piano and Orchestra in G minor, Op. 33

275:All of Dvořák's ten operas, except his first, have 120: 8877:Honorary members of the Royal Philharmonic Society 4927: 4396:Battey, Robert, "Thoughts of home," Chapter 22 of 4348: 3944:Burghauser 1960 B.8, B.45, B.57, B.75, B.92, B.121 3495:, B.16; see "Works" about irregular opus numbering 3039:"Dvorak's Prague Festival (Dvorak Hall) in Prague" 2876:There was no autopsy, nor were the symptoms clear. 2699:Statue of Antonín Dvořák in Prague, Czech Republic 2224:Cello concerto in A major with Piano accompaniment 1999:, Op. 111. The first four of poems are based upon 1586:. As an example, in the Burghauser catalogue, the 986: 860:From 1892 to 1895, Dvořák was the director of the 6148:(in Czech). Prague: Státní hudební vydavatelství. 4732:. Vol. Two. London: Oxford University Press. 4281:"Topics of the Times, The New World at City Hall" 1302:, the creator of the modern Czech musical style. 248:, which spread his reputation worldwide, and his 8733: 5793:] (in Czech). Prague: Bārenreiter Supraphon. 4837: 4442:"Dvořákův pohřeb je opět i národní manifestací." 2716:is based on Dvořák's life. Dvořák was played by 963:, near the intersection of what is today called 933:. Back in New York that autumn, he composed his 864:in New York City. The Conservatory's President, 650:, and Brahms recommended them to his publisher, 5931:Raeburn, Michael; Kendall, Alan, eds. (1990) . 5858:The New Grove Dictionary of Music and Musicians 4785:"Search – Classic 100 Archive – ABC Classic FM" 4777: 2392:Nocturne for Strings in B major, Op. 40 (B. 47) 2041:(the longest extant setting of that text), his 1419:List of compositions by Antonín Dvořák by genre 6213:Dvořák: Romantic Music's Most Versatile Genius 5970:. London, New York: Marion Boyars Publishers. 5880:. Translated by Joseph Stein. New York: Knopf. 5235: 4642:, Vol. XLVIII, No. 3 (July 1894), pp. 341–46). 4431: 4087:, vol. I, Dram online, Liner note, CDR055 690:, who also played it in Vienna with conductor 295:" are also widely performed and recorded. The 8230: 7227: 6357: 6193:Dvořák in America: In Search of the New World 6021: 5278: 4996: 4968:Dvorak: Symphonies 1-9 & Orchestral Works 4942: 4909: 4891: 4855: 4591:, Appendix I pp. 179–80, by Dr. John Stephens 3437: 3435: 3370:(1st ed.). Příbram: Knihovna Jana Drdy. 3209:Smaczny, Jan, "Foerster, Josef Bohuslav", in 2742:about his life in America as Director of the 2665:, using the rhythms of original folk dances. 2461:. His works for violin and piano include the 2325:, Op. 1. Two more would follow, of which the 1478:Dvořák wrote in a variety of forms: his nine 1457:(1901). Performed in German by Czech soprano 392:, but also a composer for the organ; his son 327:Antonín Dvořák birth record 1841 (SOA Prague) 5073:: CS1 maint: multiple names: authors list ( 4978: 4036: 4034: 3972: 3970: 3968: 3966: 3964: 3962: 3947: 1538:A large number of Dvořák's works were given 1197:in Prague, beneath a bust by Czech sculptor 6124: 5184:"Antonín Dvořák, Symphony No. 1 in C minor" 4960: 4873: 4845:Dvorák: Complete Symphonies & Concertos 1877:in Australia. It has also been used by the 1437:Song to the Moon (Měsíčku na nebi hlubokém) 1220:Many of Dvořák's compositions, such as the 948:In the winter of 1894–95, Dvořák wrote his 595: 238:In 1892, Dvořák became the director of the 8237: 8223: 7234: 7220: 6364: 6350: 5991:Smaczny, Jan (2002), "Antonín Dvořák", in 5963: 5926:. Seattle: University of Washington Press. 5784: 5765: 5374: 5181: 4763:"Dvorak Symphony no 9: From the New World" 4684: 4600: 4576: 4540: 4477: 4453: 4437: 4408: 4369: 4164: 4009:"The Deal that Brought Dvorak to New York" 3953: 3559: 3517: 3505: 3488: 3464: 3452: 3441: 3432: 3426: 3414: 3246: 3222: 3148: 3124: 3112: 2922:First performed 1892; first published 1912 2913:First performed 1874; first published 1912 2904:First performed 1888; first published 1959 2895:First performed 1936; first published 1961 2512:in 1894, following its failure at Vienna. 2179:, who also gave its first performances in 1486:. Many of his works show the influence of 1182:. "Thousands of listeners celebrated" the 959:Dvořák's New York home was located at 327 297:Dvořák Prague International Music Festival 29: 8812:Academic staff of the Prague Conservatory 6281:International Music Score Library Project 6110:. Princeton: Princeton University Press. 6105: 6030: 5951: 5878:Johannes Brahms: His Work and Personality 5704: 5685: 5542: 5328: 5207: 5089:"Program Notes: Dvořák's Eighth Symphony" 4754: 4650: 4648: 4392: 4390: 4062: 4040: 4031: 3959: 3875: 3863: 3049: 2414:, Op. 81, is the better known. He left a 1602:Title page of the manuscript to Dvořák's 1401:Learn how and when to remove this message 937:. He also conducted a performance of his 903:, which was premiered under the baton of 744:in London on 10 March 1883, conducted by 511:Dvořák with his wife Anna in London, 1886 504:, B.42, was premiered in Prague in 1874. 361:Forget-Me-Not Polka in C (Polka pomněnka) 252:, one of the most highly regarded of all 240:National Conservatory of Music of America 7069:Serenade in D minor for Wind Instruments 6337:Antonín Dvořák's correspondence database 6186: 6143: 6089: 6051: 5834: 5798: 5738:. Bloomington: Indiana University Press. 5469: 5444: 5432: 5415:"en/string-quartet3 – antonin-dvorak.cz" 5401: 5349: 5316: 5290: 4712: 4640:The Century Illustrated Monthly Magazine 4624: 4612: 4588: 4552: 4501: 4489: 4425: 4381: 4328: 4270:(concerning when the house was removed). 4226: 4134: 4122: 4110: 4098: 4068: 3923: 3911: 3890: 3851: 3785: 3773: 3761: 3746: 3734: 3713: 3698: 3686: 3674: 3635: 3623: 3611: 3583: 3571: 3547: 3476: 3350: 3338: 3309: 3297: 3282: 3270: 3258: 3136: 3100: 3076: 3025: 3012: 3010: 3001: 2694: 2024: 1853:in this work, but he later denied this. 1837:, Op. 95, is also known by its subtitle 1597: 1364:This article includes a list of general 1314:"could almost have come directly out of 1208: 1090: 990: 851: 618: 599: 506: 447: 443: 365: 322: 311: 8244: 6210: 6070: 5998: 5930: 5893: 5854: 5530: 5518: 5506: 5494: 5362: 5137:"Richard Wagner's Influences on Dvořák" 5023:"Antonin Dvorak: Symphony no. 2, op. 4" 5020: 4760: 4700: 4564: 4525: 4513: 4397: 4331:"Homeless Facility To Open In Gramercy" 4026: 4002: 4000: 3998: 3996: 3987:10.1093/gmo/9781561592630.article.51222 3160: 2986: 2760: 1003:("To dear miss Otilka Dvořáková"), 1894 731: 363:was written possibly as early as 1855. 181:; 8 September 1841 – 1 May 1904) was a 8734: 6384:List of compositions by Antonín Dvořák 6229: 6152: 6001:The Cambridge Companion to Grand Opera 5921: 5884: 5801:Antonín Dvořák, Musician and Craftsman 5742: 5733: 5250: 5236:van der Velden, Hans (February 2011). 5021:Thought, Fugue for (20 October 2013). 4645: 4387: 4232:"Music; Czech Composer, American Hero" 4006: 3836: 3824: 3365: 3321: 3088: 3064: 2581:Another well known cycle is the seven 2430:; and four piano trios, including the 2405: 1415:List of compositions by Antonín Dvořák 272:led him to return to Bohemia in 1895. 92:List of compositions by Antonín Dvořák 8218: 7215: 6345: 6250: 6236:. New York: Oxford University Press. 6171: 6146:Československý hudební slovník I. A-L 5581: 5134: 5112: 4724: 3800:Dvořák: Symphonies 4–5–6 (sleevenote) 3523: 3007: 2504:. His later interest in the music of 168: 5563:Burghauser 1960 or later ed., B. 185 5386: 4748:DVOŘÁK AMERICAN HERITAGE ASSOCIATION 4074: 3993: 3976: 3647: 2214:. The reception was "enthusiastic". 1881:as the entrance music for superstar 1671:. This influence is less evident in 1350: 1152:, along with the leading Czech poet 792:, and was offered a position at the 170:[ˈantoɲiːnˈlɛopoldˈdvor̝aːk] 8827:Classical composers of church music 8093:Tchaikovsky and the Belyayev circle 6056:. Oxford: Oxford University Press. 6037:. Oxford: Oxford University Press. 5875: 5208:Rothstein, Edward (24 March 1992). 4863:Antonín Dvorák: Symphonies Nos. 7-9 4790:Australian Broadcasting Corporation 4357: 2683:For Dvořák's notable students, see 2678: 543:, director of the State Opera, and 221:, who commissioned what became the 13: 7241: 6884:String Quartet movement in F major 6371: 6099: 5690:. New York: W.W. Norton & Co. 5624:"Americké dopisy (TV film) (2015)" 5306:(in Czech). Nibiru-publishers.com. 4007:Cooper, Michael (23 August 2013), 2606: 2440:), Op. 90. He also wrote a set of 2416:Terzetto for two violins and viola 2360: 2316: 2304:Problems playing these files? See 2244: 1953: 1825:Problems playing these files? See 1730: 1425: 1370:it lacks sufficient corresponding 1142:, and Dvořák's own symphonic poem 1110:married his student, the composer 14: 8923: 8797:20th-century Czech male musicians 8792:20th-century classical violinists 8772:19th-century Czech male musicians 8767:19th-century classical violinists 6322:Antonín Dvořák, Bohemian composer 6270: 5787:Antonin Dvořák Thematický Katalog 4986:Dvorak: The Symphonies; Overtures 4262:"Dvorak's Homecoming, With Music" 4081:African Heritage Symphonic Series 2589:) B. 104, Op. 55 which includes " 1703:stated that "along with the four 1122:would award him a gold medal for 805:was premiered later that year in 262:String Quartet in F major, Op. 96 8782:20th-century classical composers 8757:19th-century classical composers 8719: 8707: 8695: 8683: 8198: 8189: 8188: 7196: 7195: 6292:Works by or about Antonín Dvořák 6034:The Symphony: A Listener's Guide 5964:Schönzeler, Hans-Hubert (1984). 5957:The Lives of the Great Composers 5651:Dictionary of Minor Planet Names 5642: 5590: 5575: 5566: 5557: 5548: 5463: 5438: 5426: 5407: 5395: 5380: 5355: 5334: 5296: 5244: 5229: 5201: 5175: 5150: 5128: 5106: 5081: 5040: 5014: 4797: 4736: 4718: 4678: 4630: 4582: 4558: 4507: 4483: 4459: 4329:McCarthy, Clara (30 June 2017). 2961: 2952: 2943: 2934: 2925: 2916: 2907: 2898: 2889: 2870: 2861: 2640:Problems playing this file? See 2622: 2286: 2268: 2237: 1810: 1792: 1774: 1756: 1469:Problems playing this file? See 1441: 1355: 995:Portrait of Dvořák's son-in-law 847: 493:The King and the Charcoal Burner 235:was written for London in 1885. 104: 8897:Czech male classical violinists 8787:20th-century classical pianists 8762:19th-century classical pianists 6849:Andante appassionato in F major 6637:Serenade for Strings in E major 6075:. Portland, OR: Amadeus Press. 6054:Music in the Nineteenth Century 5924:Dvořák Symphonies and Concertos 5835:——— (1979b), 5785:——— (1960) . 5653:. Springer. 2003. p. 166. 5047:ú, Akademie klasické hudby, z. 4881:Dvorak: The Complete Symphonies 4761:Smithee, Alan (22 March 2006). 4322: 4292: 4273: 4254: 4220: 4195: 4170: 4128: 4019: 3938: 3929: 3896: 3791: 3719: 3668: 3641: 3629: 3589: 3511: 3498: 3482: 3458: 3420: 3392: 3203: 3184: 3166: 3118: 2823: 2781: 2744:National Conservatory for Music 2327:String Quintet No. 2 in G major 2323:String Quintet No. 1 in A minor 2033:, with signatures of performers 2020: 1559:String Quartet No. 6 in A minor 1051:in 1896, nothing in 1897, only 987:Return to Europe and last years 662:, Op. 46 in 1878, at first for 525:The Heirs of the White Mountain 6106:Beckerman, Michael B. (1993). 6071:Tibbets, John C., ed. (1993). 5686:Beckerman, Michael B. (2003). 5659:10.1007/978-3-540-29925-7_2056 5628:Czech and Slovak Film Database 5602:Czech and Slovak Film Database 5598:"Koncert na konci léta (1979)" 5586:. McFarland. pp. 258–259. 5402:Clapham (1966, reprinted 1969) 3467:, pp. 101–04, B.16a, B.16 3031: 2772: 2599: 2418:(Op. 74); two piano quartets ( 1721:) compares it to the works of 1547:publishers. An example is the 1305:Dvořák had been an admirer of 862:National Conservatory of Music 771:been as successful as yours." 756:and conducted its premiere at 307: 1: 8892:Czech male classical pianists 8822:Catholic liturgical composers 6327:Antonín Dvořák Museum website 6277:Free scores by Antonín Dvořák 6255:. New York: Greenwood Press. 6005:Cambridge Companions to Music 5988:, Cambridge University Press. 5046: 4744:"African American Influences" 4268:(editorial), 7 September 1997 4139:. Amadeus Press. p. 84. 3595:This piece, sometimes called 2973: 1593: 1184:symphony "From the New World" 1001:"Drahé miss Otilce Dvořákové" 954:Gesellschaft der Musikfreunde 935:Sonatina for violin and piano 634:and other music—possibly his 197:, following the Romantic-era 8817:Burials at Vyšehrad Cemetery 6175:Symphonies and Their Meaning 6172:Goepp, Philip Henry (1913). 5182:beaverbase (26 March 2015). 4203:"Antonin Dvorak | Music 101" 3808:Czech Philharmonic Orchestra 2713:Concert at the End of Summer 1533: 1290:as "Scherzo (Furiant)". His 774: 700:asked Dvořák to compose his 302: 7: 8907:People from Mělník District 8136:Gothic Revival architecture 6031:Steinberg, Michael (1995). 5903:. London: Haus Publishing. 5766:Burghauser, Jarmil (2006). 5391:. New York. pp. 58–59. 5188:American Symphony Orchestra 4950:Dvorák: Symphonies Nos. 1-9 4917:Dvorák: The Nine Symphonies 4685:Burghauser 1960, 1966, 1996 3814:. p. 5. SU 3704-2 032. 3400:'Otilie Suková (1878-1905)' 2720:. The 2012 television film 2593:" (the fourth of the set). 2147: 2104:The Te Deum, Op. 103, is a 2029:Title page of the score to 1282:(1879). He named the third 945:in Chicago that same year. 886:African-American spirituals 750:London Philharmonic Society 519:In November 1872, Dvořák's 502:King and Charcoal Burner II 460:(1861) his Opus 1, and his 370:Dvořák aged 26 or 27 (1868) 201:example of his predecessor 10: 8928: 8902:Czech male opera composers 8847:Czech classical violinists 8077:Neue Zeitschrift für Musik 7252:List of Romantic composers 6730:Violin Concerto in A minor 6127:Dvořák, his life and times 6125:Butterworth, Neil (1980). 6092:Janáček: A Composer's Life 6052:Taruskin, Richard (2010). 5887:Dvorak: His Life and Music 5841:, New York: W. W. Norton, 5679: 4730:Essays in Musical Analysis 4075:De Lerma, Dominique-René, 3535:Radio Prague International 2883: 2703:Dvořák's "Largo" from the 2682: 1788:III. Scherzo: Molto vivace 1412: 1099:In 1897 Dvořák's daughter 973:Beth Israel Medical Center 465: 256:. On a summer vacation in 16:Czech composer (1841–1904) 8837:Czech classical organists 8832:Czech classical composers 8802:20th-century Czech people 8570: 8550:Charles Villiers Stanford 8252: 8168: 8113: 8058: 7992: 7971: 7258: 7249: 7191: 7157: 7118: 7054: 7033: 7006: 6965: 6929: 6805: 6798: 6746: 6725:Piano Concerto in G minor 6720:Cello Concerto in A major 6715:Cello Concerto in B minor 6707: 6666:The Golden Spinning Wheel 6561: 6495: 6488: 6397: 6379: 6287:Comprehensive Dvořák site 6253:Antonín Dvořák on Records 5993:Oxford Companion to Music 5743:Brown, A. Peter (2003b). 5734:Brown, A. Peter (2003a). 5582:Brown, Kellie D. (2020). 5389:Dvoràk His Life and Music 4300:"BRC Homeless Safe Haven" 4287:(editorial), 23 June 1991 4207:courses.lumenlearning.com 3211:Oxford Companion to Music 2757:, is named in his honor. 2690: 2591:Songs My Mother Taught Me 2478: 2345:String Quintet No. 3 in E 1984:The Golden Spinning Wheel 1835:Symphony No. 9 in E minor 1752:I. Adagio – Allegro molto 1715:Symphony No. 8 in G major 1697:Symphony No. 7 in D minor 1683:Symphony No. 6 in D major 1679:Symphony No. 5 in F major 1673:Symphony No. 4 in D minor 1639:Symphony No. 1 in C minor 1189:Dvořák had an "attack of 1078:Cello Concerto in B minor 950:Cello Concerto in B minor 923:(the "American") and the 674:In 1879 Dvořák wrote his 584:Serenade for Strings in E 458:String Quintet in A minor 293:Songs My Mother Taught Me 87: 65: 40: 28: 21: 8912:String quartet composers 8887:Male classical organists 8867:Czech Romantic composers 8852:Czech classical violists 8842:Czech classical pianists 8098:Tchaikovsky and The Five 7096:String Sextet in A major 7086:Violin Sonata in F major 6738:for violin and orchestra 6414:King and Charcoal Burner 6251:Yoell, Jćohn H. (1991). 6230:Peress, Maurice (2004). 6153:Dvořák, Antonín (2009). 6090:Zemanová, Mirka (2002). 5885:Hughes, Gervase (1967). 5749:The Symphonic Repertoire 3520:, pp. 106–08, B.21. 2765: 2618:Humoresque Op. 101 No. 7 2555: 2515:Of all his operas, only 2171:was written in 1878 for 2009:by the Czech folklorist 1857:took a recording of the 1555:King and Charcoal Burner 1346: 1204: 1156:. Dvořák also succeeded 811:Triennial Music Festival 782:Pyotr Ilyich Tchaikovsky 596:International reputation 521:Piano Quintet in A major 8463:Nikolai Rimsky-Korsakov 6211:Hurwitz, David (2005). 5922:Layton, Robert (1978). 5799:Clapham, John (1979a). 5470:Tibbetts, John (1993). 5445:Tibbetts, John (1993). 5238:"Stabat mater dolorosa" 5113:Eliza (28 March 2023). 5011:. Retrieved 2024-02-01. 4993:. Retrieved 2024-02-01. 4975:. Retrieved 2024-02-01. 4957:. Retrieved 2024-02-01. 4924:. Retrieved 2024-02-01. 4906:. Retrieved 2024-02-01. 4888:. Retrieved 2024-02-01. 4870:. Retrieved 2024-02-01. 4852:. Retrieved 2024-02-01. 4135:Tibbetts, John (1993). 3788:, p. 53; 71 in UK. 3368:Můj otec Antonín Dvořák 3366:Dvořák, Otakar (2004). 3178:Encyclopædia Britannica 1522:(including a number of 1385:more precise citations. 1150:Austrian House of Lords 961:East Seventeenth Street 915:-speaking community of 874:East Seventeenth Street 818:Bohemian String Quartet 790:University of Cambridge 724:) on 25 March 1881, in 394:Josef Bohuslav Foerster 316:Dvořák's birthplace in 8807:20th-century organists 8777:19th-century organists 8560:Ralph Vaughan Williams 8438:Alexander Dargomyzhsky 8121:Common practice period 7170:Antonín Dvořák Theatre 5986:Dvořák: Cello Concerto 5135:Eliza (5 April 2023). 5004:Dvorák: The Symphonies 4899:Dvorák: The Symphonies 4656:"About this Recording" 3638:, p. 36, footnote 3173:Josef Bohuslav Förster 2805:40.735694°N 73.98722°W 2700: 2663:traditional folk music 2611: 2576:Czech Bible of Kralice 2249: 2034: 1735: 1606: 1430: 1217: 1213:Dvořák's grave in the 1096: 1004: 857: 627: 616: 512: 453: 371: 328: 320: 100:Antonín Leopold Dvořák 8862:Czech Roman Catholics 8857:Czech opera composers 7175:Antonín Dvořák Museum 5984:Smaczny, Jan (1999), 5554:Clapham 1966, p. 294. 5419:www.antonin-dvorak.cz 5053:www.antonin-dvorak.cz 3237:Smaczny 2002, p. 391. 2847:40.73417°N 73.98250°W 2698: 2610: 2560:The song cycle of 10 2428:string sextet, Op. 48 2248: 2204:New York Philharmonic 2196:National Conservatory 2045:, his setting of the 2028: 1946:conducted No. 9; and 1851:Native American music 1806:IV. Allegro con fuoco 1734: 1601: 1429: 1212: 1136:"Unfinished" Symphony 1130:, performing Brahms' 1094: 994: 893:New York Philharmonic 855: 720:, predecessor of the 622: 603: 572:second string quintet 510: 451: 444:Composer and organist 369: 326: 315: 8591:Antônio Carlos Gomes 8343:Carl Maria von Weber 8158:Romantic nationalism 8104:War of the Romantics 6659:Symphonic Variations 6507:The Bells of Zlonice 6302:"Discovering Dvořák" 6108:Dvořák and His World 5953:Schonberg, Harold C. 5572:Clapham 1966, p. 137 5251:Burghauser, Jarmil. 5162:www.carnegiehall.org 4230:(10 February 2002). 4046:"Seventeenth Street" 3935:Hughes, 1967, p. 147 2810:40.735694; -73.98722 2761:Notes and references 2723:The American Letters 2671:Symphonic Variations 2388:Intermezzo: Nocturne 2259:for violin and piano 2003:from the collection 1643:The Bells of Zlonice 1530:), and piano music. 1497:Symphonic Variations 1238:forms including the 943:Columbian Exposition 824:, was founded, with 767:Symphonic Variations 732:Reception in Britain 644:String Quartet No. 9 589:Symphonic Variations 462:First String Quartet 8631:Silvestre Revueltas 8555:Alexander Mackenzie 8408:Stanisław Moniuszko 8328:Camille Saint-Saëns 8246:Musical nationalism 8153:Musical nationalism 8071:Musical nationalism 7101:Terzetto in C major 7091:Sonatina in G major 6894:No. 12 in F major ( 6789:The Spectre's Bride 6625:Nocturne in B major 6591:Scherzo capriccioso 6438:The Cunning Peasant 6422:The Stubborn Lovers 5387:Dodd, Mead (1967). 5340:Smaczny, 1999, p. 1 4793:. 11 November 2017. 4773:on 4 December 2007. 3656:on 19 February 2014 2852:40.73417; -73.98250 2843: / 2801: / 2406:Other chamber works 2154:Harold C. Schonberg 2141:The Spectre's Bride 2011:Karel Jaromír Erben 1659:Symphony No. 3 in E 1647:Symphony No. 2 in B 1518:and wind ensemble, 1230:, and other Slavic 1124:Litteris et Artibus 1043:Karel Jaromír Erben 999:, with dedication: 925:String Quintet in E 921:String Quartet in F 820:, later called the 794:Prague Conservatory 762:The Spectre's Bride 716:society (in Czech: 706:Vienna Philharmonic 430:Provisional Theatre 400:In 1858, he joined 390:Prague Conservatory 353:Prince of Lobkowicz 331:Dvořák was born in 8601:Heitor Villa-Lobos 8066:Indianist movement 7984:Romantic orchestra 7145:Suite in A major ( 6994:No. 4 in E minor ( 6736:Romance in F minor 6649:Suite in A major ( 6552:From the New World 6462:The Devil and Kate 6315:Recordings at the 5889:. London: Cassell. 5876:Gál, Hans (1971). 5791:Thematic Catalogue 5521:, pp. 378–80. 5509:, pp. 370–71. 5279:Šourek et al. 1976 5215:The New York Times 5093:www.orsymphony.org 4666:on 14 January 2022 4615:, pp. 172–73. 4285:The New York Times 4266:The New York Times 4237:The New York Times 4125:, pp. 119–20. 4113:, pp. 112–13. 4050:New York Songlines 4013:The New York Times 3979:Grove Music Online 3878:, pp. 140–41. 3776:, pp. 63, 68. 3562:, pp. 131–33. 3537:. 20 October 2019. 3402:, Donne Foundation 3028:, pp. 132–33. 2705:New World Symphony 2701: 2612: 2250: 2177:František Ondříček 2035: 1942:led Nos. 3 and 4; 1859:New World Symphony 1843:New World Symphony 1839:From the New World 1745:From the New World 1736: 1620:New World Symphony 1607: 1588:New World Symphony 1576:New World Symphony 1431: 1218: 1154:Jaroslav Vrchlický 1128:Czech Philharmonic 1097: 1054:The Devil and Kate 1005: 901:From the New World 858: 722:Czech Philharmonic 718:spolek Filharmonie 688:František Ondříček 628: 617: 513: 456:Dvořák called his 454: 372: 329: 321: 245:From the New World 8671: 8670: 8596:Francisco Mignone 8581:Alberto Ginastera 8468:Alexander Borodin 8458:Modest Mussorgsky 8413:Henryk Wieniawski 8212: 8211: 8083:New German School 7678:Felix Mendelssohn 7673:Fanny Mendelssohn 7209: 7208: 7181:Dvorak - In Love? 7114: 7113: 6903:No. 13 in G major 6889:No. 11 in C major 6703: 6702: 6605:In Nature's Realm 6577:Carnival Overture 6518:No. 3 in E♭ major 6513:No. 2 in B♭ major 6262:978-0-313-27367-4 6243:978-0-19-509822-8 6222:978-1-574-67107-0 6203:978-0-812-62681-0 6196:. Cricket Books. 6164:978-80-7058-008-0 6136:978-0-859-36142-2 6117:978-0-691-03386-0 6082:978-0-931340-56-7 6073:Dvořák in America 6063:978-0-19-538483-3 6044:978-0-19-506177-2 6014:978-0-521-64683-3 5977:978-0-7145-2575-4 5944:978-0-19-505372-2 5934:Heritage of Music 5910:978-1-904341-52-9 5868:978-0-333-23111-1 5848:978-0-393-01204-0 5829:978-0-312-04515-9 5823:or St. Martin's, 5821:978-0-333-23111-1 5810:978-0-7153-7790-1 5777:978-80-86791-26-5 5758:978-0-253-33488-6 5697:978-0-393-04706-6 5668:978-3-540-29925-7 5649:"(2055) Dvořák". 5472:Dvořák in America 5447:Dvořák in America 5377:, pp. 91–92. 5319:, pp. 81–82. 5027:Fugue for Thought 4384:, pp. 70–71. 4178:"Dvořák's family" 4137:Dvorák in America 3827:, pp. 30–31. 3802:(CD) (in Czech). 3689:, pp. 35–36. 3377:978-80-86240-78-7 3285:, pp. 21–22. 3225:, pp. 36–38. 3163:, pp. 14–16. 3067:, pp. 22–23. 3043:Prague Experience 2627: 2490:Giacomo Meyerbeer 2291: 2273: 2232:Jarmil Burghauser 1950:premiered No. 1. 1815: 1797: 1779: 1761: 1584:Jarmil Burghauser 1446: 1411: 1410: 1403: 1232:traditional music 1215:Vyšehrad Cemetery 1195:Vyšehrad Cemetery 1158:Antonín Bennewitz 977:Stuyvesant Square 866:Jeannette Thurber 832:, second violin, 742:Royal Albert Hall 623:Dvořák statue in 606:Stuyvesant Square 604:Dvořák statue in 97: 96: 8919: 8724: 8723: 8722: 8712: 8711: 8710: 8700: 8699: 8688: 8687: 8686: 8679: 8656:Edward MacDowell 8510:Enrique Granados 8485:Alexander Moyzes 8278:Bohuslav Martinů 8239: 8232: 8225: 8216: 8215: 8202: 8192: 8191: 8088:Post-romanticism 7953:Vaughan Williams 7236: 7229: 7222: 7213: 7212: 7199: 7198: 7046:No. 2 in A major 7041:No. 1 in A major 7024: 7023: 7014:No. 1 in D major 6989:No. 3 in F minor 6984:No. 2 in G minor 6978: 6977: 6952: 6951: 6942:No. 2 in G major 6937:No. 1 in A minor 6913: 6912: 6874: 6873: 6864:No. 9 in D minor 6859:No. 8 in E major 6854:No. 7 in A minor 6844:No. 6 in A minor 6839:No. 5 in F minor 6834:No. 4 in E minor 6829:No. 3 in D major 6823: 6822: 6813:No. 1 in A major 6803: 6802: 6680:The Water Goblin 6631:Othello Overture 6598:Hussite Overture 6548:No. 9 in E minor 6543:No. 8 in G major 6538:No. 7 in D minor 6533:No. 6 in D major 6528:No. 5 in F major 6523:No. 4 in D minor 6503:No. 1 in C minor 6493: 6492: 6489:Orchestral music 6366: 6359: 6352: 6343: 6342: 6317:Internet Archive 6309: 6296:Internet Archive 6266: 6247: 6226: 6207: 6188:Horowitz, Joseph 6183: 6168: 6149: 6140: 6121: 6095: 6086: 6067: 6048: 6027: 6018: 5981: 5960: 5948: 5927: 5918: 5917:on 26 July 2020. 5913:. Archived from 5890: 5881: 5871: 5851: 5814: 5794: 5781: 5762: 5739: 5730: 5701: 5673: 5672: 5646: 5640: 5639: 5637: 5635: 5620: 5614: 5613: 5611: 5609: 5594: 5588: 5587: 5579: 5573: 5570: 5564: 5561: 5555: 5552: 5546: 5540: 5534: 5528: 5522: 5516: 5510: 5504: 5498: 5492: 5486: 5485: 5467: 5461: 5460: 5442: 5436: 5430: 5424: 5422: 5411: 5405: 5399: 5393: 5392: 5384: 5378: 5372: 5366: 5359: 5353: 5347: 5341: 5338: 5332: 5326: 5320: 5314: 5308: 5307: 5300: 5294: 5288: 5282: 5276: 5267: 5266: 5264: 5262: 5248: 5242: 5241: 5233: 5227: 5226: 5224: 5222: 5205: 5199: 5198: 5196: 5194: 5179: 5173: 5172: 5170: 5168: 5158:"Antonín Dvořák" 5154: 5148: 5147: 5145: 5143: 5132: 5126: 5125: 5123: 5121: 5110: 5104: 5103: 5101: 5099: 5085: 5079: 5078: 5072: 5064: 5062: 5060: 5044: 5038: 5037: 5035: 5033: 5018: 5012: 5000: 4994: 4982: 4976: 4964: 4958: 4946: 4940: 4931: 4925: 4913: 4907: 4895: 4889: 4877: 4871: 4859: 4853: 4841: 4835: 4826: 4820: 4819: 4817: 4815: 4801: 4795: 4794: 4781: 4775: 4774: 4769:. Archived from 4758: 4752: 4751: 4740: 4734: 4733: 4726:Tovey, Donald F. 4722: 4716: 4710: 4704: 4698: 4687: 4682: 4676: 4675: 4673: 4671: 4662:. Archived from 4652: 4643: 4634: 4628: 4622: 4616: 4610: 4604: 4598: 4592: 4586: 4580: 4574: 4568: 4562: 4556: 4550: 4544: 4538: 4529: 4523: 4517: 4511: 4505: 4499: 4493: 4487: 4481: 4475: 4466: 4463: 4457: 4451: 4445: 4435: 4429: 4423: 4412: 4406: 4400: 4394: 4385: 4379: 4373: 4367: 4361: 4355: 4346: 4345: 4343: 4341: 4326: 4320: 4319: 4317: 4315: 4306:. Archived from 4296: 4290: 4288: 4277: 4271: 4269: 4258: 4252: 4251: 4246: 4244: 4228:Horowitz, Joseph 4224: 4218: 4217: 4215: 4213: 4199: 4193: 4192: 4190: 4188: 4174: 4168: 4162: 4151: 4150: 4132: 4126: 4120: 4114: 4108: 4102: 4096: 4090: 4088: 4072: 4066: 4060: 4054: 4052: 4044:(13 June 2006), 4038: 4029: 4023: 4017: 4015: 4004: 3991: 3990: 3974: 3957: 3951: 3945: 3942: 3936: 3933: 3927: 3921: 3915: 3909: 3903: 3900: 3894: 3888: 3879: 3873: 3867: 3861: 3855: 3849: 3840: 3834: 3828: 3822: 3816: 3815: 3795: 3789: 3783: 3777: 3771: 3765: 3759: 3750: 3744: 3738: 3732: 3726: 3723: 3717: 3711: 3702: 3696: 3690: 3684: 3678: 3672: 3666: 3665: 3663: 3661: 3652:. Archived from 3648:Botstein, Leon. 3645: 3639: 3633: 3627: 3621: 3615: 3609: 3600: 3593: 3587: 3581: 3575: 3569: 3563: 3557: 3551: 3545: 3539: 3538: 3527: 3521: 3515: 3509: 3502: 3496: 3486: 3480: 3474: 3468: 3462: 3456: 3450: 3444: 3439: 3430: 3424: 3418: 3412: 3403: 3396: 3390: 3389: 3363: 3354: 3348: 3342: 3336: 3325: 3319: 3313: 3307: 3301: 3295: 3286: 3280: 3274: 3268: 3262: 3256: 3250: 3244: 3238: 3235: 3226: 3220: 3214: 3207: 3201: 3199: 3188: 3182: 3170: 3164: 3158: 3152: 3146: 3140: 3134: 3128: 3122: 3116: 3110: 3104: 3098: 3092: 3086: 3080: 3074: 3068: 3062: 3056: 3053: 3047: 3046: 3035: 3029: 3023: 3017: 3014: 3005: 2999: 2990: 2984: 2968: 2965: 2959: 2956: 2950: 2947: 2941: 2938: 2932: 2929: 2923: 2920: 2914: 2911: 2905: 2902: 2896: 2893: 2877: 2874: 2868: 2865: 2859: 2858: 2857: 2855: 2854: 2853: 2848: 2844: 2841: 2840: 2839: 2836: 2827: 2821: 2816: 2815: 2813: 2812: 2811: 2806: 2802: 2799: 2798: 2797: 2794: 2785: 2779: 2776: 2753:, discovered by 2679:Notable students 2629: 2628: 2609: 2587:Cikánské melodie 2432:Piano Trio No. 4 2355:Spillville, Iowa 2350: 2349: 2293: 2292: 2275: 2274: 2247: 2118:Jeanette Thurber 2108:for soprano and 1972:The Water Goblin 1817: 1816: 1799: 1798: 1781: 1780: 1763: 1762: 1733: 1709:Schubert's Ninth 1664: 1663: 1652: 1651: 1516:string orchestra 1488:Czech folk music 1448: 1447: 1428: 1406: 1399: 1395: 1392: 1386: 1381:this article by 1372:inline citations 1359: 1358: 1351: 1109: 1028: 1027: 930: 929: 917:Spillville, Iowa 828:, first violin, 758:St. James's Hall 664:piano four hands 656:Hungarian Dances 580:Piano Trio No. 1 410:Jan Nepomuk Maýr 258:Spillville, Iowa 233:Seventh Symphony 180: 179: 178: 172: 167: 160: 154: 153: 150: 149: 146: 143: 138: 137: 134: 131: 128: 125: 122: 117: 116: 111: 110: 72: 51:8 September 1841 50: 48: 33: 19: 18: 8927: 8926: 8922: 8921: 8920: 8918: 8917: 8916: 8732: 8731: 8730: 8720: 8718: 8708: 8706: 8694: 8690:Classical music 8684: 8682: 8674: 8672: 8667: 8566: 8536:United Kingdom 8515:Joaquín Rodrigo 8505:Manuel de Falla 8403:Frédéric Chopin 8263:Bedřich Smetana 8259:Czech Republic 8248: 8243: 8213: 8208: 8185: 8181:Modernist music 8177: 8174:Classical music 8164: 8109: 8054: 8035:Romantic ballet 8030:Orchestral song 8010:Chorale prelude 8005:Character piece 7988: 7979:Romantic guitar 7972:Instrumentation 7967: 7803:Rimsky-Korsakov 7423:Ferdinand David 7260: 7254: 7245: 7240: 7210: 7205: 7187: 7165:Dvorak (crater) 7153: 7139:Slavonic Dances 7110: 7063:Romantic Pieces 7050: 7029: 7021: 7020: 7002: 6975: 6974: 6961: 6949: 6948: 6930:String quintets 6925: 6910: 6909: 6871: 6870: 6820: 6819: 6806:String quartets 6794: 6783:Mass in D major 6742: 6699: 6694:Tragic Overture 6643:Slavonic Dances 6557: 6484: 6393: 6375: 6370: 6300: 6273: 6263: 6244: 6223: 6204: 6165: 6137: 6129:. Midas Books. 6118: 6102: 6100:Further reading 6083: 6064: 6045: 6015: 5978: 5945: 5911: 5869: 5849: 5811: 5778: 5759: 5698: 5682: 5677: 5676: 5669: 5648: 5647: 5643: 5633: 5631: 5622: 5621: 5617: 5607: 5605: 5596: 5595: 5591: 5580: 5576: 5571: 5567: 5562: 5558: 5553: 5549: 5541: 5537: 5529: 5525: 5517: 5513: 5505: 5501: 5493: 5489: 5482: 5468: 5464: 5457: 5443: 5439: 5431: 5427: 5413: 5412: 5408: 5400: 5396: 5385: 5381: 5375:Burghauser 1960 5373: 5369: 5360: 5356: 5348: 5344: 5339: 5335: 5327: 5323: 5315: 5311: 5302: 5301: 5297: 5289: 5285: 5277: 5270: 5260: 5258: 5249: 5245: 5234: 5230: 5220: 5218: 5206: 5202: 5192: 5190: 5180: 5176: 5166: 5164: 5156: 5155: 5151: 5141: 5139: 5133: 5129: 5119: 5117: 5111: 5107: 5097: 5095: 5087: 5086: 5082: 5066: 5065: 5058: 5056: 5045: 5041: 5031: 5029: 5019: 5015: 5001: 4997: 4983: 4979: 4965: 4961: 4947: 4943: 4932: 4928: 4914: 4910: 4896: 4892: 4878: 4874: 4860: 4856: 4842: 4838: 4827: 4823: 4813: 4811: 4803: 4802: 4798: 4783: 4782: 4778: 4759: 4755: 4742: 4741: 4737: 4723: 4719: 4711: 4707: 4699: 4690: 4683: 4679: 4669: 4667: 4654: 4653: 4646: 4635: 4631: 4623: 4619: 4611: 4607: 4601:Schönzeler 1984 4599: 4595: 4587: 4583: 4577:Burghauser 1960 4575: 4571: 4563: 4559: 4551: 4547: 4541:Burghauser 1960 4539: 4532: 4524: 4520: 4512: 4508: 4500: 4496: 4488: 4484: 4478:Burghauser 1960 4476: 4469: 4464: 4460: 4454:Burghauser 1960 4452: 4448: 4440:, p. 105 ( 4438:Burghauser 2006 4436: 4432: 4424: 4415: 4409:Burghauser 1960 4407: 4403: 4395: 4388: 4380: 4376: 4370:Schönzeler 1984 4368: 4364: 4356: 4349: 4339: 4337: 4327: 4323: 4313: 4311: 4298: 4297: 4293: 4279: 4278: 4274: 4260: 4259: 4255: 4242: 4240: 4225: 4221: 4211: 4209: 4201: 4200: 4196: 4186: 4184: 4176: 4175: 4171: 4165:Burghauser 1960 4163: 4154: 4147: 4133: 4129: 4121: 4117: 4109: 4105: 4097: 4093: 4085:Cedille Records 4073: 4069: 4061: 4057: 4039: 4032: 4024: 4020: 4005: 3994: 3975: 3960: 3954:Burghauser 2006 3952: 3948: 3943: 3939: 3934: 3930: 3922: 3918: 3910: 3906: 3901: 3897: 3889: 3882: 3874: 3870: 3862: 3858: 3850: 3843: 3835: 3831: 3823: 3819: 3796: 3792: 3784: 3780: 3772: 3768: 3760: 3753: 3745: 3741: 3733: 3729: 3724: 3720: 3712: 3705: 3697: 3693: 3685: 3681: 3673: 3669: 3659: 3657: 3646: 3642: 3634: 3630: 3622: 3618: 3610: 3603: 3594: 3590: 3582: 3578: 3570: 3566: 3560:Burghauser 1960 3558: 3554: 3546: 3542: 3529: 3528: 3524: 3518:Burghauser 1960 3516: 3512: 3506:Burghauser 1960 3503: 3499: 3489:Burghauser 1960 3487: 3483: 3475: 3471: 3465:Burghauser 1960 3463: 3459: 3453:Schönzeler 1984 3451: 3447: 3442:Burghauser 1996 3440: 3433: 3427:Burghauser 1960 3425: 3421: 3415:Burghauser 1960 3413: 3406: 3398:Eleanor Kelly. 3397: 3393: 3378: 3364: 3357: 3349: 3345: 3337: 3328: 3320: 3316: 3308: 3304: 3296: 3289: 3281: 3277: 3269: 3265: 3257: 3253: 3247:Schönzeler 1984 3245: 3241: 3236: 3229: 3223:Schönzeler 1984 3221: 3217: 3208: 3204: 3190: 3189: 3185: 3171: 3167: 3159: 3155: 3149:Burghauser 1960 3147: 3143: 3135: 3131: 3125:Burghauser 1966 3123: 3119: 3113:Burghauser 1960 3111: 3107: 3099: 3095: 3087: 3083: 3075: 3071: 3063: 3059: 3054: 3050: 3037: 3036: 3032: 3024: 3020: 3015: 3008: 3000: 2993: 2985: 2981: 2976: 2971: 2966: 2962: 2957: 2953: 2948: 2944: 2939: 2935: 2930: 2926: 2921: 2917: 2912: 2908: 2903: 2899: 2894: 2890: 2886: 2881: 2880: 2875: 2871: 2866: 2862: 2851: 2849: 2845: 2842: 2837: 2834: 2832: 2830: 2829: 2828: 2824: 2809: 2807: 2803: 2800: 2795: 2792: 2790: 2788: 2787: 2786: 2782: 2777: 2773: 2768: 2763: 2736:Josef Škvorecký 2693: 2688: 2681: 2651:Slavonic Dances 2647: 2646: 2638: 2636: 2635: 2634: 2633: 2630: 2623: 2620: 2613: 2607: 2602: 2558: 2481: 2469:Violin Sonatina 2464:Romantic Pieces 2408: 2363: 2361:String quartets 2347: 2346: 2343:displayed. The 2332:Umělecká beseda 2319: 2317:String quintets 2311: 2310: 2302: 2300: 2299: 2298: 2297: 2294: 2287: 2284: 2278: 2277: 2276: 2269: 2266: 2260: 2256:Romantic Pieces 2251: 2245: 2240: 2150: 2051:Mass in D major 2023: 1993:, Op. 110; and 1956: 1954:Symphonic poems 1940:Bedřich Smetana 1898:Gustavo Dudamel 1894:Jiří Bělohlávek 1832: 1831: 1823: 1821: 1820: 1819: 1818: 1811: 1808: 1802: 1801: 1800: 1793: 1790: 1784: 1783: 1782: 1775: 1772: 1766: 1765: 1764: 1757: 1754: 1748: 1737: 1731: 1707:symphonies and 1661: 1660: 1649: 1648: 1633:programmaticism 1613:, dedicated to 1596: 1536: 1524:string quartets 1492:Slavonic Dances 1484:symphonic poems 1476: 1475: 1467: 1465: 1464: 1463: 1462: 1449: 1442: 1439: 1432: 1426: 1421: 1413:Main articles: 1407: 1396: 1390: 1387: 1377:Please help to 1376: 1360: 1356: 1349: 1312:fourth symphony 1300:Bedřich Smetana 1276:Slavonic Dances 1266:; the Yugoslav 1242:; the Bohemian 1223:Slavonic Dances 1207: 1199:Ladislav Šaloun 1132:Tragic Overture 1120:Austria-Hungary 1103: 1025: 1024: 989: 939:Eighth Symphony 927: 926: 850: 799:Eighth Symphony 777: 734: 684:Violin Concerto 660:Slavonic Dances 640:Eduard Hanslick 598: 545:Johannes Brahms 537:Eduard Hanslick 498:Bedřich Smetana 446: 426:Bedřich Smetana 341:Austrian Empire 310: 305: 224:Slavonic Dances 215:Johannes Brahms 203:Bedřich Smetana 193:and his native 174: 173: 165: 158: 140: 119: 113: 107: 103: 83: 81:Austria-Hungary 74: 70: 61: 59:Austrian Empire 52: 46: 44: 36: 24: 17: 12: 11: 5: 8925: 8915: 8914: 8909: 8904: 8899: 8894: 8889: 8884: 8879: 8874: 8869: 8864: 8859: 8854: 8849: 8844: 8839: 8834: 8829: 8824: 8819: 8814: 8809: 8804: 8799: 8794: 8789: 8784: 8779: 8774: 8769: 8764: 8759: 8754: 8749: 8744: 8742:Antonín Dvořák 8729: 8728: 8716: 8704: 8692: 8669: 8668: 8666: 8665: 8664: 8663: 8658: 8653: 8651:Horatio Parker 8648: 8643: 8637:United States 8635: 8634: 8633: 8628: 8623: 8615: 8614: 8613: 8605: 8604: 8603: 8598: 8593: 8585: 8584: 8583: 8574: 8572: 8568: 8567: 8565: 8564: 8563: 8562: 8557: 8552: 8547: 8542: 8534: 8533: 8532: 8524: 8523: 8522: 8520:Joaquín Turina 8517: 8512: 8507: 8502: 8494: 8493: 8492: 8487: 8482: 8474: 8473: 8472: 8471: 8470: 8465: 8460: 8455: 8450: 8448:Mily Balakirev 8440: 8435: 8433:Mikhail Glinka 8427: 8426: 8425: 8417: 8416: 8415: 8410: 8405: 8397: 8396: 8395: 8387: 8386: 8385: 8383:Bernard Zweers 8377: 8376: 8375: 8373:Giuseppe Verdi 8367: 8366: 8365: 8360: 8352: 8351: 8350: 8348:Richard Wagner 8345: 8337: 8336: 8335: 8333:Romain Bussine 8330: 8322: 8321: 8320: 8315: 8313:Leevi Madetoja 8307: 8306: 8305: 8297: 8296: 8295: 8290: 8282: 8281: 8280: 8275: 8270: 8268:Antonín Dvořák 8265: 8256: 8254: 8250: 8249: 8242: 8241: 8234: 8227: 8219: 8210: 8209: 8207: 8206: 8196: 8178: 8170: 8169: 8166: 8165: 8163: 8162: 8161: 8160: 8150: 8149: 8148: 8143: 8138: 8133: 8123: 8117: 8115: 8111: 8110: 8108: 8107: 8100: 8095: 8090: 8085: 8080: 8073: 8068: 8062: 8060: 8056: 8055: 8053: 8052: 8047: 8045:Symphonic poem 8042: 8040:Romantic opera 8037: 8032: 8027: 8022: 8017: 8012: 8007: 8002: 7996: 7994: 7990: 7989: 7987: 7986: 7981: 7975: 7973: 7969: 7968: 7966: 7965: 7960: 7955: 7950: 7945: 7940: 7935: 7930: 7925: 7920: 7915: 7910: 7905: 7900: 7895: 7890: 7885: 7880: 7875: 7870: 7865: 7860: 7855: 7850: 7845: 7840: 7835: 7830: 7825: 7820: 7815: 7810: 7805: 7800: 7795: 7790: 7785: 7780: 7775: 7770: 7765: 7760: 7755: 7750: 7745: 7740: 7735: 7730: 7725: 7720: 7715: 7710: 7705: 7700: 7695: 7690: 7685: 7680: 7675: 7670: 7665: 7660: 7655: 7650: 7645: 7640: 7635: 7630: 7625: 7620: 7615: 7610: 7605: 7600: 7595: 7590: 7585: 7580: 7575: 7570: 7565: 7560: 7555: 7550: 7545: 7540: 7535: 7530: 7525: 7520: 7515: 7510: 7505: 7500: 7495: 7490: 7485: 7480: 7475: 7470: 7465: 7460: 7455: 7450: 7445: 7440: 7435: 7430: 7425: 7420: 7418:Félicien David 7415: 7410: 7405: 7400: 7395: 7390: 7385: 7380: 7375: 7370: 7365: 7360: 7355: 7350: 7345: 7340: 7335: 7330: 7325: 7320: 7315: 7310: 7305: 7300: 7295: 7290: 7285: 7280: 7275: 7270: 7264: 7262: 7256: 7255: 7250: 7247: 7246: 7243:Romantic music 7239: 7238: 7231: 7224: 7216: 7207: 7206: 7204: 7203: 7192: 7189: 7188: 7186: 7185: 7177: 7172: 7167: 7161: 7159: 7155: 7154: 7152: 7151: 7142: 7135: 7128: 7122: 7120: 7116: 7115: 7112: 7111: 7109: 7108: 7103: 7098: 7093: 7088: 7083: 7076: 7071: 7066: 7058: 7056: 7052: 7051: 7049: 7048: 7043: 7037: 7035: 7034:Piano quintets 7031: 7030: 7028: 7027: 7016: 7010: 7008: 7007:Piano quartets 7004: 7003: 7001: 7000: 6991: 6986: 6981: 6969: 6967: 6963: 6962: 6960: 6959: 6944: 6939: 6933: 6931: 6927: 6926: 6924: 6923: 6916: 6905: 6900: 6891: 6886: 6881: 6866: 6861: 6856: 6851: 6846: 6841: 6836: 6831: 6826: 6815: 6809: 6807: 6800: 6796: 6795: 6793: 6792: 6785: 6780: 6775: 6770: 6767:Saint Ludmilla 6763: 6758: 6755:Moravian Duets 6750: 6748: 6744: 6743: 6741: 6740: 6732: 6727: 6722: 6717: 6711: 6709: 6705: 6704: 6701: 6700: 6698: 6697: 6690: 6683: 6676: 6673:The Noon Witch 6669: 6662: 6655: 6646: 6639: 6634: 6627: 6622: 6615: 6608: 6601: 6594: 6587: 6580: 6573: 6565: 6563: 6559: 6558: 6556: 6555: 6545: 6540: 6535: 6530: 6525: 6520: 6515: 6510: 6499: 6497: 6490: 6486: 6485: 6483: 6482: 6474: 6466: 6458: 6450: 6442: 6434: 6426: 6418: 6410: 6401: 6399: 6395: 6394: 6392: 6391: 6386: 6380: 6377: 6376: 6373:Antonín Dvořák 6369: 6368: 6361: 6354: 6346: 6340: 6339: 6334: 6329: 6324: 6319: 6313:Antonín Dvořák 6310: 6298: 6289: 6284: 6272: 6271:External links 6269: 6268: 6267: 6261: 6248: 6242: 6227: 6221: 6208: 6202: 6184: 6169: 6163: 6155:Biblické písně 6150: 6141: 6135: 6122: 6116: 6101: 6098: 6097: 6096: 6087: 6081: 6068: 6062: 6049: 6043: 6028: 6019: 6013: 5996: 5989: 5982: 5976: 5961: 5949: 5943: 5928: 5919: 5909: 5891: 5882: 5873: 5867: 5852: 5847: 5832: 5809: 5796: 5782: 5776: 5768:Antonín Dvořák 5763: 5757: 5740: 5731: 5719:10.2307/897884 5702: 5696: 5681: 5678: 5675: 5674: 5667: 5641: 5615: 5589: 5574: 5565: 5556: 5547: 5543:Beckerman 2003 5535: 5533:, p. 380. 5523: 5511: 5499: 5497:, p. 370. 5487: 5480: 5462: 5455: 5437: 5425: 5406: 5394: 5379: 5367: 5354: 5352:, p. 149. 5342: 5333: 5329:Schonberg 1980 5321: 5309: 5295: 5293:, p. 117. 5283: 5268: 5243: 5228: 5200: 5174: 5149: 5127: 5105: 5080: 5039: 5013: 4995: 4977: 4959: 4941: 4926: 4908: 4890: 4872: 4854: 4836: 4821: 4796: 4776: 4767:Crowndozen.com 4753: 4735: 4717: 4705: 4703:, p. 778. 4688: 4677: 4644: 4629: 4617: 4605: 4603:, p. 194. 4593: 4581: 4579:, p. 604. 4569: 4557: 4555:, p. 112. 4545: 4543:, p. 603. 4530: 4528:, p. 109. 4518: 4506: 4504:, p. 161. 4494: 4482: 4480:, p. 590. 4467: 4458: 4456:, p. 580. 4446: 4430: 4428:, p. 150. 4413: 4411:, p. 574. 4401: 4386: 4374: 4372:, p. 174. 4362: 4360:, p. 151. 4347: 4321: 4310:on 26 May 2020 4291: 4272: 4253: 4219: 4194: 4169: 4167:, p. 322. 4152: 4145: 4127: 4115: 4103: 4101:, p. 132. 4091: 4067: 4063:Beckerman 1992 4055: 4042:Naureckas, Jim 4030: 4018: 3992: 3958: 3946: 3937: 3928: 3916: 3904: 3895: 3880: 3876:Steinberg 1995 3868: 3866:, p. 140. 3864:Steinberg 1995 3856: 3841: 3839:, p. 373. 3829: 3817: 3804:Václav Neumann 3790: 3778: 3766: 3751: 3739: 3727: 3718: 3703: 3691: 3679: 3667: 3640: 3628: 3616: 3601: 3588: 3576: 3564: 3552: 3540: 3522: 3510: 3497: 3481: 3469: 3457: 3445: 3431: 3419: 3404: 3391: 3376: 3355: 3343: 3326: 3314: 3302: 3287: 3275: 3263: 3251: 3239: 3227: 3215: 3202: 3183: 3165: 3153: 3151:, p. 468. 3141: 3129: 3117: 3115:, p. 466. 3105: 3093: 3081: 3069: 3057: 3048: 3030: 3018: 3006: 3004:, p. 754. 2991: 2989:, p. 765. 2978: 2977: 2975: 2972: 2970: 2969: 2960: 2951: 2942: 2933: 2924: 2915: 2906: 2897: 2887: 2885: 2882: 2879: 2878: 2869: 2860: 2822: 2780: 2770: 2769: 2767: 2764: 2762: 2759: 2755:Luboš Kohoutek 2740:Dvorak in Love 2710:The 1980 film 2692: 2689: 2680: 2677: 2637: 2631: 2621: 2616: 2615: 2614: 2605: 2604: 2603: 2601: 2598: 2568:Hans von Bülow 2563:Biblical Songs 2557: 2554: 2506:Richard Wagner 2480: 2477: 2407: 2404: 2380:Richard Wagner 2362: 2359: 2318: 2315: 2301: 2295: 2285: 2280: 2279: 2267: 2262: 2261: 2253: 2252: 2243: 2242: 2241: 2239: 2236: 2228:Günter Raphael 2200:Victor Herbert 2173:Joseph Joachim 2149: 2146: 2022: 2019: 1978:The Noon Witch 1963:symphonic poem 1955: 1952: 1926:Witold Rowicki 1918:Václav Neumann 1910:Rafael Kubelík 1906:István Kertész 1875:ABC Classic FM 1855:Neil Armstrong 1822: 1809: 1804: 1803: 1791: 1786: 1785: 1773: 1768: 1767: 1755: 1750: 1749: 1741:Symphony No. 9 1739: 1738: 1729: 1728: 1727: 1719:Rafael Kubelík 1687:Symphony No. 2 1681:, Op. 76, and 1669:Richard Wagner 1604:Ninth Symphony 1595: 1592: 1580: 1579: 1572: 1569: 1535: 1532: 1466: 1450: 1440: 1435: 1434: 1433: 1424: 1423: 1422: 1409: 1408: 1363: 1361: 1354: 1348: 1345: 1206: 1203: 1138:, Beethoven's 1116:Franz Joseph I 1069:in 1902–1903. 1057:in 1898–1899, 988: 985: 911:come from the 897:Symphony No. 9 882:Harry Burleigh 849: 846: 826:Karel Hoffmann 786:St. Petersburg 776: 773: 754:Symphony No. 7 733: 730: 702:Symphony No. 6 680:Joseph Joachim 648:Moravian Duets 636:Piano Concerto 632:Moravian Duets 614:Ivan Meštrović 597: 594: 541:Johann Herbeck 445: 442: 418:string quartet 414:Richard Wagner 381:Česká Kamenice 309: 306: 304: 301: 291:and the song " 254:cello concerti 250:Cello Concerto 95: 94: 89: 85: 84: 75: 73:(aged 62) 67: 63: 62: 53: 42: 38: 37: 35:Dvořák in 1882 34: 26: 25: 23:Antonín Dvořák 22: 15: 9: 6: 4: 3: 2: 8924: 8913: 8910: 8908: 8905: 8903: 8900: 8898: 8895: 8893: 8890: 8888: 8885: 8883: 8880: 8878: 8875: 8873: 8870: 8868: 8865: 8863: 8860: 8858: 8855: 8853: 8850: 8848: 8845: 8843: 8840: 8838: 8835: 8833: 8830: 8828: 8825: 8823: 8820: 8818: 8815: 8813: 8810: 8808: 8805: 8803: 8800: 8798: 8795: 8793: 8790: 8788: 8785: 8783: 8780: 8778: 8775: 8773: 8770: 8768: 8765: 8763: 8760: 8758: 8755: 8753: 8750: 8748: 8745: 8743: 8740: 8739: 8737: 8727: 8717: 8715: 8705: 8703: 8698: 8693: 8691: 8681: 8680: 8677: 8662: 8659: 8657: 8654: 8652: 8649: 8647: 8644: 8642: 8641:Aaron Copland 8639: 8638: 8636: 8632: 8629: 8627: 8626:Carlos Chávez 8624: 8622: 8619: 8618: 8616: 8612: 8611:Claude Vivier 8609: 8608: 8606: 8602: 8599: 8597: 8594: 8592: 8589: 8588: 8586: 8582: 8579: 8578: 8576: 8575: 8573: 8569: 8561: 8558: 8556: 8553: 8551: 8548: 8546: 8543: 8541: 8538: 8537: 8535: 8531: 8528: 8527: 8525: 8521: 8518: 8516: 8513: 8511: 8508: 8506: 8503: 8501: 8500:Isaac Albéniz 8498: 8497: 8495: 8491: 8488: 8486: 8483: 8481: 8478: 8477: 8475: 8469: 8466: 8464: 8461: 8459: 8456: 8454: 8451: 8449: 8446: 8445: 8444: 8441: 8439: 8436: 8434: 8431: 8430: 8428: 8424: 8423:George Enescu 8421: 8420: 8418: 8414: 8411: 8409: 8406: 8404: 8401: 8400: 8398: 8394: 8391: 8390: 8388: 8384: 8381: 8380: 8378: 8374: 8371: 8370: 8368: 8364: 8363:Zoltán Kodály 8361: 8359: 8356: 8355: 8353: 8349: 8346: 8344: 8341: 8340: 8338: 8334: 8331: 8329: 8326: 8325: 8323: 8319: 8318:Jean Sibelius 8316: 8314: 8311: 8310: 8308: 8304: 8303:Rudolf Tobias 8301: 8300: 8298: 8294: 8291: 8289: 8286: 8285: 8283: 8279: 8276: 8274: 8271: 8269: 8266: 8264: 8261: 8260: 8258: 8257: 8255: 8251: 8247: 8240: 8235: 8233: 8228: 8226: 8221: 8220: 8217: 8205: 8201: 8197: 8195: 8187: 8186: 8183: 8182: 8176: 8175: 8167: 8159: 8156: 8155: 8154: 8151: 8147: 8144: 8142: 8139: 8137: 8134: 8132: 8129: 8128: 8127: 8124: 8122: 8119: 8118: 8116: 8112: 8105: 8101: 8099: 8096: 8094: 8091: 8089: 8086: 8084: 8081: 8079: 8078: 8074: 8072: 8069: 8067: 8064: 8063: 8061: 8057: 8051: 8048: 8046: 8043: 8041: 8038: 8036: 8033: 8031: 8028: 8026: 8023: 8021: 8018: 8016: 8013: 8011: 8008: 8006: 8003: 8001: 7998: 7997: 7995: 7991: 7985: 7982: 7980: 7977: 7976: 7974: 7970: 7964: 7961: 7959: 7956: 7954: 7951: 7949: 7946: 7944: 7941: 7939: 7936: 7934: 7931: 7929: 7926: 7924: 7921: 7919: 7916: 7914: 7911: 7909: 7906: 7904: 7901: 7899: 7896: 7894: 7891: 7889: 7888:J. Strauss II 7886: 7884: 7881: 7879: 7876: 7874: 7871: 7869: 7866: 7864: 7861: 7859: 7856: 7854: 7851: 7849: 7846: 7844: 7841: 7839: 7836: 7834: 7831: 7829: 7826: 7824: 7821: 7819: 7816: 7814: 7811: 7809: 7806: 7804: 7801: 7799: 7796: 7794: 7791: 7789: 7786: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7764: 7761: 7759: 7756: 7754: 7751: 7749: 7746: 7744: 7741: 7739: 7736: 7734: 7731: 7729: 7726: 7724: 7721: 7719: 7716: 7714: 7711: 7709: 7706: 7704: 7701: 7699: 7696: 7694: 7691: 7689: 7686: 7684: 7681: 7679: 7676: 7674: 7671: 7669: 7666: 7664: 7661: 7659: 7656: 7654: 7651: 7649: 7646: 7644: 7641: 7639: 7636: 7634: 7631: 7629: 7626: 7624: 7621: 7619: 7616: 7614: 7611: 7609: 7606: 7604: 7601: 7599: 7596: 7594: 7591: 7589: 7586: 7584: 7581: 7579: 7576: 7574: 7571: 7569: 7566: 7564: 7561: 7559: 7556: 7554: 7551: 7549: 7546: 7544: 7541: 7539: 7536: 7534: 7531: 7529: 7526: 7524: 7521: 7519: 7516: 7514: 7511: 7509: 7506: 7504: 7501: 7499: 7496: 7494: 7491: 7489: 7486: 7484: 7481: 7479: 7476: 7474: 7471: 7469: 7466: 7464: 7461: 7459: 7456: 7454: 7451: 7449: 7446: 7444: 7441: 7439: 7436: 7434: 7431: 7429: 7426: 7424: 7421: 7419: 7416: 7414: 7411: 7409: 7406: 7404: 7401: 7399: 7396: 7394: 7391: 7389: 7386: 7384: 7381: 7379: 7376: 7374: 7371: 7369: 7366: 7364: 7361: 7359: 7356: 7354: 7351: 7349: 7346: 7344: 7341: 7339: 7336: 7334: 7331: 7329: 7326: 7324: 7321: 7319: 7316: 7314: 7311: 7309: 7306: 7304: 7301: 7299: 7296: 7294: 7291: 7289: 7286: 7284: 7281: 7279: 7276: 7274: 7271: 7269: 7266: 7265: 7263: 7259:Composers and 7257: 7253: 7248: 7244: 7237: 7232: 7230: 7225: 7223: 7218: 7217: 7214: 7202: 7194: 7193: 7190: 7183: 7182: 7178: 7176: 7173: 7171: 7168: 7166: 7163: 7162: 7160: 7156: 7150: 7148: 7143: 7141: 7140: 7136: 7134: 7133: 7129: 7127: 7124: 7123: 7121: 7117: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7081: 7077: 7075: 7072: 7070: 7067: 7065: 7064: 7060: 7059: 7057: 7053: 7047: 7044: 7042: 7039: 7038: 7036: 7032: 7026: 7017: 7015: 7012: 7011: 7009: 7005: 6999: 6997: 6992: 6990: 6987: 6985: 6982: 6980: 6971: 6970: 6968: 6964: 6958: 6956: 6945: 6943: 6940: 6938: 6935: 6934: 6932: 6928: 6922: 6921: 6917: 6915: 6906: 6904: 6901: 6899: 6897: 6892: 6890: 6887: 6885: 6882: 6880: 6878: 6867: 6865: 6862: 6860: 6857: 6855: 6852: 6850: 6847: 6845: 6842: 6840: 6837: 6835: 6832: 6830: 6827: 6825: 6816: 6814: 6811: 6810: 6808: 6804: 6801: 6799:Chamber music 6797: 6791: 6790: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6768: 6764: 6762: 6759: 6757: 6756: 6752: 6751: 6749: 6745: 6739: 6737: 6733: 6731: 6728: 6726: 6723: 6721: 6718: 6716: 6713: 6712: 6710: 6706: 6696: 6695: 6691: 6689: 6688: 6687:The Wild Dove 6684: 6682: 6681: 6677: 6675: 6674: 6670: 6668: 6667: 6663: 6661: 6660: 6656: 6654: 6652: 6647: 6645: 6644: 6640: 6638: 6635: 6633: 6632: 6628: 6626: 6623: 6621: 6620: 6616: 6614: 6613: 6609: 6607: 6606: 6602: 6600: 6599: 6595: 6593: 6592: 6588: 6586: 6585: 6581: 6579: 6578: 6574: 6572: 6571: 6570:A Hero's Song 6567: 6566: 6564: 6560: 6553: 6549: 6546: 6544: 6541: 6539: 6536: 6534: 6531: 6529: 6526: 6524: 6521: 6519: 6516: 6514: 6511: 6508: 6504: 6501: 6500: 6498: 6494: 6491: 6487: 6480: 6479: 6475: 6472: 6471: 6467: 6464: 6463: 6459: 6456: 6455: 6451: 6448: 6447: 6443: 6440: 6439: 6435: 6432: 6431: 6427: 6424: 6423: 6419: 6416: 6415: 6411: 6408: 6407: 6403: 6402: 6400: 6396: 6390: 6387: 6385: 6382: 6381: 6378: 6374: 6367: 6362: 6360: 6355: 6353: 6348: 6347: 6344: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6314: 6311: 6307: 6303: 6299: 6297: 6293: 6290: 6288: 6285: 6282: 6278: 6275: 6274: 6264: 6258: 6254: 6249: 6245: 6239: 6235: 6234: 6228: 6224: 6218: 6214: 6209: 6205: 6199: 6195: 6194: 6189: 6185: 6181: 6177: 6176: 6170: 6166: 6160: 6156: 6151: 6147: 6142: 6138: 6132: 6128: 6123: 6119: 6113: 6109: 6104: 6103: 6093: 6088: 6084: 6078: 6074: 6069: 6065: 6059: 6055: 6050: 6046: 6040: 6036: 6035: 6029: 6025: 6020: 6016: 6010: 6006: 6002: 5997: 5994: 5990: 5987: 5983: 5979: 5973: 5969: 5968: 5962: 5958: 5954: 5950: 5946: 5940: 5936: 5935: 5929: 5925: 5920: 5916: 5912: 5906: 5902: 5901: 5896: 5895:Honolka, Kurt 5892: 5888: 5883: 5879: 5874: 5870: 5864: 5860: 5859: 5853: 5850: 5844: 5840: 5839: 5833: 5830: 5826: 5822: 5818: 5812: 5806: 5802: 5797: 5792: 5788: 5783: 5779: 5773: 5769: 5764: 5760: 5754: 5750: 5746: 5741: 5737: 5732: 5728: 5724: 5720: 5716: 5713:(2): 447–73. 5712: 5708: 5703: 5699: 5693: 5689: 5684: 5683: 5670: 5664: 5660: 5656: 5652: 5645: 5629: 5625: 5619: 5603: 5599: 5593: 5585: 5578: 5569: 5560: 5551: 5544: 5539: 5532: 5527: 5520: 5515: 5508: 5503: 5496: 5491: 5483: 5481:0-931340-56-X 5477: 5473: 5466: 5458: 5456:0-931340-56-X 5452: 5448: 5441: 5434: 5429: 5420: 5416: 5410: 5403: 5398: 5390: 5383: 5376: 5371: 5365:, p. 413 5364: 5358: 5351: 5350:Clapham 1979b 5346: 5337: 5330: 5325: 5318: 5317:Clapham 1979b 5313: 5305: 5299: 5292: 5291:Clapham 1979b 5287: 5281:, p. xi. 5280: 5275: 5273: 5256: 5255: 5247: 5239: 5232: 5217: 5216: 5211: 5204: 5189: 5185: 5178: 5163: 5159: 5153: 5138: 5131: 5116: 5109: 5094: 5090: 5084: 5076: 5070: 5054: 5050: 5043: 5028: 5024: 5017: 5010: 5006: 5005: 4999: 4992: 4988: 4987: 4981: 4974: 4970: 4969: 4963: 4956: 4952: 4951: 4945: 4939: 4935: 4930: 4923: 4919: 4918: 4912: 4905: 4901: 4900: 4894: 4887: 4883: 4882: 4876: 4869: 4865: 4864: 4858: 4851: 4847: 4846: 4840: 4834: 4830: 4825: 4810: 4806: 4800: 4792: 4791: 4786: 4780: 4772: 4768: 4764: 4757: 4749: 4745: 4739: 4731: 4727: 4721: 4715:, p. 74. 4714: 4713:Clapham 1979b 4709: 4702: 4697: 4695: 4693: 4686: 4681: 4665: 4661: 4657: 4651: 4649: 4641: 4637: 4633: 4627:, p. 31. 4626: 4625:Clapham 1979b 4621: 4614: 4613:Clapham 1979b 4609: 4602: 4597: 4590: 4589:Clapham 1979b 4585: 4578: 4573: 4567:, p. 257 4566: 4561: 4554: 4553:Zemanová 2002 4549: 4542: 4537: 4535: 4527: 4522: 4515: 4510: 4503: 4502:Clapham 1979b 4498: 4491: 4490:Clapham 1979b 4486: 4479: 4474: 4472: 4462: 4455: 4450: 4443: 4439: 4434: 4427: 4426:Clapham 1979b 4422: 4420: 4418: 4410: 4405: 4399: 4393: 4391: 4383: 4382:Clapham 1979b 4378: 4371: 4366: 4359: 4354: 4352: 4336: 4332: 4325: 4309: 4305: 4301: 4295: 4286: 4282: 4276: 4267: 4263: 4257: 4250: 4239: 4238: 4233: 4229: 4223: 4208: 4204: 4198: 4183: 4179: 4173: 4166: 4161: 4159: 4157: 4148: 4146:0-931340-56-X 4142: 4138: 4131: 4124: 4123:Clapham 1979b 4119: 4112: 4111:Clapham 1979b 4107: 4100: 4099:Clapham 1979b 4095: 4086: 4082: 4078: 4071: 4064: 4059: 4051: 4047: 4043: 4037: 4035: 4028: 4022: 4014: 4010: 4003: 4001: 3999: 3997: 3988: 3984: 3980: 3973: 3971: 3969: 3967: 3965: 3963: 3955: 3950: 3941: 3932: 3926:, p. 89. 3925: 3924:Clapham 1979b 3920: 3914:, p. 85. 3913: 3912:Clapham 1979b 3908: 3899: 3893:, p. 77. 3892: 3891:Clapham 1979b 3887: 3885: 3877: 3872: 3865: 3860: 3854:, p. 60. 3853: 3852:Clapham 1979b 3848: 3846: 3838: 3833: 3826: 3821: 3813: 3809: 3805: 3801: 3794: 3787: 3786:Clapham 1979b 3782: 3775: 3774:Clapham 1979b 3770: 3764:, p. 49. 3763: 3762:Clapham 1979b 3758: 3756: 3749:, p. 46. 3748: 3747:Clapham 1979b 3743: 3737:, p. 44. 3736: 3735:Clapham 1979b 3731: 3722: 3716:, p. 42. 3715: 3714:Clapham 1979b 3710: 3708: 3701:, p. 39. 3700: 3699:Clapham 1979b 3695: 3688: 3687:Clapham 1979b 3683: 3676: 3675:Clapham 1979b 3671: 3655: 3651: 3644: 3637: 3636:Clapham 1979a 3632: 3626:, p. 35. 3625: 3624:Clapham 1979b 3620: 3614:, p. 27. 3613: 3612:Clapham 1979b 3608: 3606: 3598: 3592: 3586:, p. 26. 3585: 3584:Clapham 1979b 3580: 3574:, p. 30. 3573: 3572:Clapham 1979b 3568: 3561: 3556: 3550:, p. 29. 3549: 3548:Clapham 1979b 3544: 3536: 3532: 3526: 3519: 3514: 3507: 3501: 3494: 3490: 3485: 3479:, p. 25. 3478: 3477:Clapham 1979b 3473: 3466: 3461: 3455:, p. 46. 3454: 3449: 3443: 3438: 3436: 3428: 3423: 3417:, p. 77. 3416: 3411: 3409: 3401: 3395: 3387: 3383: 3379: 3373: 3369: 3362: 3360: 3353:, p. 24. 3352: 3351:Clapham 1979b 3347: 3341:, p. 23. 3340: 3339:Clapham 1979b 3335: 3333: 3331: 3324:, p. 35. 3323: 3318: 3312:, p. 21. 3311: 3310:Clapham 1979b 3306: 3300:, p. 17. 3299: 3298:Clapham 1979b 3294: 3292: 3284: 3283:Clapham 1979b 3279: 3272: 3271:Clapham 1979a 3267: 3261:, p. 20. 3260: 3259:Clapham 1979b 3255: 3249:, p. 39. 3248: 3243: 3234: 3232: 3224: 3219: 3212: 3206: 3198:, Czech music 3197: 3193: 3187: 3180: 3179: 3174: 3169: 3162: 3157: 3150: 3145: 3139:, p. 12. 3138: 3137:Clapham 1979b 3133: 3126: 3121: 3114: 3109: 3103:, p. 23. 3102: 3101:Clapham 1979a 3097: 3091:, p. 24. 3090: 3085: 3078: 3077:Clapham 1979a 3073: 3066: 3061: 3052: 3044: 3040: 3034: 3027: 3026:Clapham 1979b 3022: 3013: 3011: 3003: 3002:Taruskin 2010 2998: 2996: 2988: 2983: 2979: 2964: 2955: 2946: 2937: 2928: 2919: 2910: 2901: 2892: 2888: 2873: 2864: 2856: 2826: 2820: 2814: 2784: 2775: 2771: 2758: 2756: 2752: 2747: 2745: 2741: 2737: 2733: 2729: 2725: 2724: 2719: 2718:Josef Vinklář 2715: 2714: 2708: 2706: 2697: 2686: 2676: 2673: 2672: 2666: 2664: 2660: 2656: 2652: 2645: 2643: 2619: 2597: 2594: 2592: 2588: 2584: 2579: 2577: 2573: 2569: 2565: 2564: 2553: 2551: 2546: 2544: 2543: 2538: 2537: 2532: 2531: 2526: 2525: 2520: 2519: 2513: 2511: 2507: 2503: 2502: 2497: 2496: 2491: 2487: 2476: 2474: 2473:Violin Sonata 2470: 2466: 2465: 2460: 2459: 2454: 2453:Echo of Songs 2450: 2446: 2444: 2439: 2438: 2433: 2429: 2425: 2421: 2417: 2413: 2403: 2400: 2395: 2393: 2389: 2385: 2381: 2377: 2373: 2369: 2358: 2356: 2352: 2342: 2338: 2334: 2333: 2328: 2324: 2314: 2309: 2307: 2283: 2265: 2258: 2257: 2238:Chamber music 2235: 2233: 2229: 2225: 2220: 2217: 2213: 2209: 2205: 2201: 2197: 2193: 2189: 2184: 2182: 2178: 2174: 2170: 2165: 2163: 2158: 2155: 2145: 2143: 2142: 2136: 2133: 2132: 2131:Saint Ludmila 2128:The oratorio 2126: 2122: 2119: 2115: 2111: 2107: 2102: 2099: 2095: 2091: 2085: 2083: 2079: 2075: 2071: 2067: 2063: 2059: 2054: 2052: 2048: 2044: 2040: 2032: 2027: 2018: 2016: 2015:A Hero's Song 2012: 2008: 2007: 2002: 1998: 1997: 1996:A Hero's Song 1992: 1991: 1990:The Wild Dove 1986: 1985: 1980: 1979: 1974: 1973: 1968: 1964: 1961:invented the 1960: 1951: 1949: 1945: 1941: 1937: 1933: 1931: 1930:Otmar Suitner 1927: 1923: 1919: 1915: 1911: 1907: 1903: 1899: 1895: 1891: 1886: 1884: 1880: 1876: 1872: 1868: 1864: 1860: 1856: 1852: 1848: 1844: 1840: 1836: 1830: 1828: 1807: 1789: 1771: 1753: 1746: 1742: 1726: 1724: 1723:Gustav Mahler 1720: 1716: 1712: 1710: 1706: 1702: 1698: 1694: 1692: 1688: 1684: 1680: 1676: 1674: 1670: 1666: 1656: 1654: 1644: 1640: 1636: 1634: 1629: 1624: 1622: 1621: 1616: 1612: 1605: 1600: 1591: 1589: 1585: 1577: 1573: 1570: 1567: 1566: 1565: 1562: 1560: 1556: 1552: 1551: 1545: 1541: 1531: 1529: 1525: 1521: 1520:chamber music 1517: 1513: 1509: 1508: 1503: 1499: 1498: 1493: 1489: 1485: 1481: 1474: 1472: 1460: 1456: 1455: 1438: 1420: 1416: 1405: 1402: 1394: 1384: 1380: 1374: 1373: 1367: 1362: 1353: 1352: 1344: 1342: 1338: 1334: 1330: 1326: 1321: 1319: 1318: 1313: 1308: 1303: 1301: 1297: 1293: 1289: 1285: 1281: 1277: 1273: 1269: 1265: 1261: 1258:; the Polish 1257: 1254:; the Slovak 1253: 1249: 1245: 1241: 1237: 1233: 1229: 1225: 1224: 1216: 1211: 1202: 1200: 1196: 1192: 1187: 1185: 1181: 1180: 1179:Saint Ludmila 1175: 1171: 1166: 1163: 1159: 1155: 1151: 1147: 1146: 1145:The Wild Dove 1141: 1137: 1134:, Schubert's 1133: 1129: 1125: 1121: 1117: 1113: 1107: 1102: 1093: 1089: 1087: 1083: 1079: 1074: 1072: 1068: 1067: 1062: 1061: 1056: 1055: 1050: 1049: 1044: 1040: 1039: 1034: 1030: 1018: 1016: 1012: 1011: 1002: 998: 993: 984: 980: 978: 974: 970: 966: 962: 957: 955: 951: 946: 944: 940: 936: 932: 922: 918: 914: 908: 906: 902: 898: 894: 889: 887: 883: 877: 875: 871: 870:Panic of 1893 867: 863: 854: 848:United States 845: 843: 839: 838:Otakar Berger 836:, viola, and 835: 831: 827: 823: 822:Czech Quartet 819: 814: 812: 808: 804: 800: 795: 791: 787: 783: 772: 769: 768: 763: 759: 755: 751: 747: 746:Joseph Barnby 743: 739: 729: 727: 723: 719: 715: 711: 707: 703: 699: 695: 693: 689: 685: 681: 677: 676:String Sextet 672: 669: 665: 661: 657: 653: 649: 645: 641: 637: 633: 626: 621: 615: 611: 607: 602: 593: 591: 590: 585: 581: 577: 573: 568: 566: 560: 558: 554: 550: 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Strauss I 7773:Rachmaninoff 7528:Gretchaninov 7452: 7179: 7146: 7137: 7130: 7080:Silent Woods 7078: 7061: 6995: 6954: 6919: 6895: 6876: 6787: 6773:Stabat Mater 6765: 6760: 6753: 6735: 6692: 6685: 6678: 6671: 6664: 6657: 6650: 6641: 6629: 6617: 6610: 6603: 6596: 6589: 6582: 6575: 6568: 6551: 6506: 6476: 6468: 6460: 6452: 6444: 6436: 6428: 6420: 6412: 6404: 6372: 6252: 6232: 6212: 6192: 6174: 6154: 6145: 6126: 6107: 6091: 6072: 6053: 6033: 6023: 6000: 5992: 5985: 5966: 5956: 5933: 5923: 5915:the original 5899: 5886: 5877: 5857: 5837: 5800: 5790: 5786: 5767: 5748: 5735: 5710: 5706: 5687: 5650: 5644: 5632:. Retrieved 5627: 5618: 5606:. Retrieved 5601: 5592: 5583: 5577: 5568: 5559: 5550: 5538: 5531:Smaczny 2003 5526: 5519:Smaczny 2003 5514: 5507:Smaczny 2003 5502: 5495:Smaczny 2003 5490: 5471: 5465: 5446: 5440: 5433:Clapham 1969 5428: 5418: 5409: 5397: 5388: 5382: 5370: 5363:Tibbets 1993 5357: 5345: 5336: 5324: 5312: 5298: 5286: 5259:. Retrieved 5253: 5246: 5231: 5219:. 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Retrieved 3654:the original 3643: 3631: 3619: 3596: 3591: 3579: 3567: 3555: 3543: 3534: 3525: 3513: 3500: 3492: 3484: 3472: 3460: 3448: 3422: 3394: 3367: 3346: 3317: 3305: 3278: 3273:, p. 5. 3266: 3254: 3242: 3218: 3210: 3205: 3195: 3186: 3176: 3168: 3161:Honolka 2004 3156: 3144: 3132: 3127:, pp. 49–50. 3120: 3108: 3096: 3084: 3079:, p. 3. 3072: 3060: 3051: 3042: 3033: 3021: 2987:Clapham 1980 2982: 2963: 2954: 2945: 2936: 2927: 2918: 2909: 2900: 2891: 2872: 2863: 2825: 2819:Union Square 2793:40°44′08.5″N 2783: 2774: 2748: 2739: 2732:Ian Krykorka 2728:Hynek Čermák 2721: 2711: 2709: 2704: 2702: 2669: 2667: 2648: 2639: 2595: 2586: 2582: 2580: 2561: 2559: 2547: 2540: 2534: 2528: 2522: 2516: 2514: 2509: 2499: 2493: 2482: 2463: 2456: 2452: 2442: 2435: 2409: 2396: 2387: 2383: 2364: 2340: 2330: 2320: 2312: 2303: 2255: 2221: 2185: 2183:and London. 2166: 2159: 2151: 2139: 2138:The cantata 2137: 2129: 2127: 2123: 2103: 2086: 2055: 2039:Stabat Mater 2036: 2031:Stabat Mater 2021:Choral works 2014: 2004: 1994: 1988: 1982: 1976: 1970: 1957: 1934: 1914:Zdeněk Mácal 1890:Karel Ančerl 1887: 1858: 1842: 1841:, or as the 1838: 1833: 1824: 1744: 1713: 1701:Donald Tovey 1695: 1677: 1657: 1642: 1637: 1625: 1618: 1615:Hans Richter 1608: 1587: 1581: 1575: 1563: 1554: 1548: 1540:opus numbers 1537: 1505: 1495: 1477: 1468: 1459:Emmy Destinn 1452: 1397: 1388: 1369: 1322: 1315: 1304: 1288:6th Symphony 1279: 1221: 1219: 1188: 1177: 1174:Leoš Janáček 1169: 1167: 1143: 1140:8th Symphony 1123: 1098: 1075: 1070: 1064: 1058: 1052: 1046: 1036: 1019: 1008: 1006: 1000: 981: 969:Václav Havel 958: 947: 909: 900: 890: 878: 859: 834:Oskar Nedbal 816:In 1891 the 815: 778: 765: 738:Stabat Mater 735: 717: 714:Philharmonia 713: 698:Hans Richter 696: 692:Hans Richter 673: 668:Louis Ehlert 629: 587: 576:5th Symphony 569: 561: 533: 524: 518: 514: 501: 491: 487: 483: 480: 469: 455: 434: 402:Karel Komzák 399: 386:Josef Zvonař 376:music theory 373: 360: 330: 286: 280: 274: 270:homesickness 265: 243: 237: 229:Stabat Mater 222: 207: 99: 98: 71:(1904-05-01) 8752:1904 deaths 8747:1841 births 8530:Hugo Alfvén 8358:Béla Bartók 8126:Romanticism 7908:Tchaikovsky 7843:R. Schumann 7838:C. Schumann 7823:Saint-Saëns 7718:Niedermeyer 7608:Leoncavallo 7578:Kalkbrenner 7353:Bortkiewicz 7184:(1988 film) 7126:Humoresques 7119:Piano music 6966:Piano trios 6908:No. 14 in A 6869:No. 10 in E 6747:Vocal music 6584:Czech Suite 6454:The Jacobin 6306:BBC Radio 3 5304:"Mše D dur" 5261:7 September 4304:BRC Website 3837:Brown 2003a 3825:Layton 1978 3322:Hughes 1967 3089:Hughes 1967 3065:Hughes 1967 2850: / 2808: / 2751:2055 Dvořák 2600:Other works 2583:Gypsy Songs 2524:The Jacobin 2486:grand opera 2434:(subtitled 2384:Hej Slovane 2208:Anton Seidl 2198:. In 1894, 2192:Hanuš Wihan 2152:The critic 2058:sacred work 1987:, Op. 109; 1981:, Op. 108; 1975:, Op. 107; 1959:Franz Liszt 1948:Milan Sachs 1944:Anton Seidl 1922:Libor Pešek 1902:Neeme Järvi 1865:during the 1628:Schubertian 1550:Czech Suite 1383:introducing 1162:St. Ludmila 1104: [ 905:Anton Seidl 801:. Dvořák's 529:Karel Bendl 333:Nelahozeves 318:Nelahozeves 308:Early years 199:nationalist 55:Nelahozeves 8736:Categories 8577:Argentina 8480:Ján Cikker 8288:Niels Gade 8114:Background 8015:Intermezzo 7948:Wieniawski 7928:Vieuxtemps 7893:R. Strauss 7818:Rubinstein 7743:Paderewski 7713:Mussorgsky 7708:Moszkowski 7683:Mercadante 7074:Bagatelles 7019:No. 2 in E 6973:No. 1 in B 6947:No. 3 in E 6818:No. 2 in B 6496:Symphonies 6389:(by genre) 5634:9 February 5630:(in Czech) 5608:9 February 5604:(in Czech) 5055:(in Czech) 4670:14 January 4243:3 November 4182:Classic FM 3810:. Prague: 3660:16 January 3429:, B.1–B.19 3192:"Foerster" 2974:References 2838:73°58′57″W 2835:40°44′03″N 2796:73°59′14″W 2642:media help 2471:, and the 2443:Bagatelles 2306:media help 2090:Birmingham 1936:Adolf Čech 1847:spirituals 1827:media help 1594:Symphonies 1544:N. Simrock 1480:symphonies 1471:media help 1391:March 2012 1366:references 1317:Tannhäuser 1292:Dumky Trio 1236:folk dance 807:Birmingham 710:Adolf Čech 549:song cycle 488:Vzpomínání 288:Humoresque 187:folk music 69:1 May 1904 47:1841-09-08 8714:Biography 8476:Slovakia 8453:César Cui 7728:Offenbach 7703:Moscheles 7698:Moniuszko 7693:Meyerbeer 7648:Marschner 7633:MacDowell 7448:Donizetti 7393:Cherubini 7383:Chaminade 7308:Beethoven 7293:Balakirev 7283:Atterberg 7261:musicians 6920:Cypresses 6761:Psalm 149 6708:Concertos 5435:, p. 163. 5404:, p. 167. 4805:"Gunther" 4660:naxos.com 3812:Supraphon 2749:Asteroid 2488:style of 2458:Cypresses 2449:harmonium 2226:, B. 10. 2212:Leo Stern 1867:Apollo 11 1770:II. Largo 1534:Numbering 1512:serenades 1337:Beethoven 1325:classical 1280:Polonaise 1274:. His 16 1264:polonaise 1248:sousedská 1191:influenza 1112:Josef Suk 997:Josef Suk 895:to write 830:Josef Suk 775:1888–1891 610:Manhattan 567:" piano. 438:Josef Suk 339:, in the 303:Biography 277:librettos 8571:Americas 8443:The Five 8419:Romania 8354:Hungary 8339:Germany 8309:Finland 8299:Estonia 8284:Denmark 8194:Category 8171: ← 8050:Symphony 7913:Thalberg 7878:Spontini 7853:Sibelius 7848:Scriabin 7833:Schubert 7828:Sarasate 7793:Respighi 7788:Reinecke 7748:Paganini 7658:Massenet 7653:Masarnau 7638:Madetoja 7583:Kreisler 7573:Kalivoda 7518:J. Gomis 7503:Glazunov 7498:Giuliani 7388:Chausson 7378:Chadwick 7368:Bruckner 7201:Category 7147:American 7022:♭ 6976:♭ 6955:American 6950:♭ 6911:♭ 6896:American 6877:Slavonic 6872:♭ 6821:♭ 6651:American 6446:Dimitrij 6190:(2003). 6024:Requiem 5955:(1980). 5897:(2004). 5745:"Part 1" 5221:6 August 5069:cite web 5009:AllMusic 4991:AllMusic 4973:AllMusic 4955:AllMusic 4938:AllMusic 4922:AllMusic 4904:AllMusic 4886:AllMusic 4868:AllMusic 4850:AllMusic 4833:AllMusic 4728:(1936). 4358:Gál 1971 3386:56724472 2550:Hiawatha 2542:Dimitrij 2501:Dimitrij 2445:, Op. 47 2348:♭ 2339:for the 2148:Concerti 2110:baritone 2049:and his 1662:♭ 1650:♭ 1528:quintets 1461:in 1915. 1341:Schubert 1307:Wagner's 1284:movement 1252:špacirka 1228:Moravian 1086:Bruckner 1026:♭ 1010:Dimitrij 928:♭ 704:for the 476:overture 266:American 161:-zha(h)k 8676:Portals 8617:Mexico 8607:Canada 8587:Brazil 8526:Sweden 8429:Russia 8399:Poland 8389:Norway 8324:France 8184:→ 8146:Science 8025:Mazurka 8000:Ballade 7933:Voříšek 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