Andrea Palladio - Knowledge

1939: 552: 3159: 1269: 1750: 1404: 1285: 1987: 1711: 3189: 1107: 1347:), published in 1570, which set out rules others could follow. The first book includes studies of decorative styles, classical orders, and materials. He illustrated a rich variety of columns, arcades, pediments, pilasters and other details which were soon adapted and copied. The second book included Palladio's town and country house designs and classical reconstructions. The third book had bridge and basilica designs, city planning designs, and classical halls. The fourth book included information on the reconstruction of ancient Roman temples. The books were translated into many languages, and went through many editions, well into the eighteenth and nineteenth centuries. 1123: 1245:, built for the theatrical productions of the Olympic Society of Vicenza, of which Palladio was a member. He was asked to produce a design and model, and construction began in February 1580. The back wall of the stage was in the form of an enormous triumphal arch divided into three levels, and three portals through which actors could appear and disappear. This wall was lavishly decorated with columns and niches filled with statuary. The view through the arches gave the illusion of looking down classical streets. The painted ceiling was designed to give the illusion of sitting under an open sky. Behind the hemicycle of seats, Palladio placed a row of Corinthian columns. 533: 1731: 1198: 2011: 1140: 2898: 1443: 806: 926: 2912: 580: 1635: 3174: 648: 821: 1619: 1065: 833: 666: 425: 1424: 756: 1210: 378: 1955: 1033: 3383: 1049: 958: 946: 2183: 568: 2213: 410: 1577: 2940: 1553: 394: 522:", explaining that the functions and form of a modern city hall resembled those of an ancient Roman Basilica. He did not construct the building from the ground up, but added two-story loggias to the exterior of an older building, which had been finished in 1459. For the facade, Palladio made use of two levels of arcades with rounded arches and columns, which opened the exterior of the building to the interior courtyard. The arcades were divided by columns and small circular windows ( 4556: 2954: 1222: 2926: 2198: 40: 2040: 973: 1600: 868:, or Venice region. The long facade was perfectly balanced. The interior, following the professions of the brothers, had both classical and religious motifs. The central hall, The Hall of Olympus on the ground floor, was decorated with Roman gods and goddesses, but when one mounted the stairs, the long upper floor was in the form of a cross and Christian images predominate. The villa also has a series of remarkable 1882:

they could offer a view. The villas very often had loggias, covered arcades or walkways on the outside of upper levels, which gave a view of the scenery or city below, and also gave variety to the facade. When he designed his rustic villas and suburban villas, he paid particular attention to the site, integrating them as much as possible into nature, either by sites on hilltops or looking out at gardens or rivers.

4696: 791:(country house), designed for country living, and a suburban villa, designed for entertaining and impressing. The distinction between the two parts was clearly expressed in the architecture. The central block is nearly square, with two low wings. The rear facade facing the garden has a spacious loggia, or covered terrace, supported by independent columns, on both the ground level and above on the 988: 306:). His father, Pietro, called "della Gondola", was a miller. From an early age, Andrea Palladio was introduced to the work of building. When he was thirteen, his father arranged for him to be an apprentice stonecutter for a period of six years in the workshop of Bartolomeo Cavazza da Sossano, a noted sculptor, whose projects included the altar in the 795:. The front facade facing the road has the same plan but with narrower loggias. The Hall of the Four Columns, the grand salon, could be entered by a grand stairway from either the front or back of the house. It has a very high ceiling, creating a large cubic space, and a roof supported by four Doric columns. Palladio placed 629:, the offices of the Venetian governor of the region, is a later variation on the urban palace, built in Vicenza facing the Basilica Palladiana, and the finest of his late urban palaces. The four brick half-columns on the facade give a strong element of verticality, carefully balanced by the horizontal balustrades on the 1183:, which covers the church itself. The effect is to draw the eye upward, level by level. Inside, the circular interior is surrounded by eight half-columns and niches with statues. An open balustrade runs around the top of the interior wall, concealing the base of the dome itself, making it appear that the 2358:

Similarly, Palladio created a new configuration for the design of Catholic churches that established two interlocking architectural orders, each clearly articulated, yet delineating a hierarchy of a larger order overriding a lesser order. This idea was in direct coincidence with the rising acceptance

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in Padua. Bartolomeo Cavazza is said to have imposed particularly hard working conditions: Palladio fled the workshop in April 1523 and went to Vicenza, but was forced to return to fulfil his contract. In 1524, when his contract was finished, he moved permanently to Vicenza, where he resided for most

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in Scotland). His villas were used by a capitalist gentry who developed an interest in agriculture and land. The configuration was a perfect architectural expression of their worldview, clearly expressing their perceived position in the social order of the times. His influence was extended worldwide

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Daniele Barbaro and his younger brother Marcantonio introduced Palladio to Venice, where he developed his own style of religious architecture, distinct from and equally original as that of his villas. His first project in Venice was the cloister of the church of Santa Maria della Carità (1560–1561),

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of 1552, outside Vicenza, was constructed as a summer house with views from all four sides. The plan has centralized circular halls with wings and porticos expanding on all four sides. Palladio began to implement the classical temple front into his design of façades for villas. He felt that to make

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in Udine, constructed in 1556, had a centralized hall with four columns and service spaces placed relatively toward one side. He used styles of incorporating the six columns, supported by pediments, into the walls as part of the façade. This technique had been applied in his villa designs as well.

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His success as an architect is based not only on the beauty of his work, but also on its harmony with the culture of his time. His success and influence came from the integration of extraordinary aesthetic quality with expressive characteristics that resonated with his clients' social aspirations.

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Although all of Palladio's buildings are found in a relatively small corner of Italy, they had an influence far beyond. They particularly inspired neoclassical architects in Britain and in the United States in the 18th and 19th centuries. While he designed churches and urban palaces, his plans for

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are clearly indicated on the facade by darker reddish bands of stone. The same reddish border outlines the pediment over the portico and the attic, and appears on the rear facade. In another departure from traditional villas, the front doors lead directly into the main salon. The salon is let by a

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with a triple arcade, reached by a central stairway. On the reverse of the building, the rounded gallery projects outward to the garden. Palladio made numerous changes and additions over the years, adding lavish frescoes framed by classical columns in the Hall of the Muses of the Villa Godi in the

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Palladio was inspired by classical Roman architecture, but he did not slavishly imitate it. He chose elements and assembled them in innovative ways appropriate to the site and function of the building. His buildings were often placed on pedestals, raising them and making them more visible, and so

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Very little is known of Palladio's personal life. Documents show that he received a dowry in April 1534 from the family of his wife, Allegradonna, the daughter of a carpenter. They had four sons: Leonida, Marcantonio, Orazio and Silla, and a daughter, Zenobia. Two of the sons, Leonida and Orzzio,

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Palladio also established an influential new building format for the agricultural villas of the Venetian aristocracy. Palladio's approach to his villa designs was not relative to his experience in Rome. His designs were based on practicality and employed few reliefs. He consolidated the various

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In 1540, Palladio received the formal title of architect. In 1541, he made a first trip to Rome, accompanied by Trissino, to see the classical monuments first-hand. He took another, longer trip to Rome with Trissino from the autumn of 1545 to the first months of 1546, and then another trip in

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His buildings served to communicate, visually, their place in the social order of their culture. This powerful integration of beauty and the physical representation of social meanings is apparent in three major building types: the urban palazzo, the agricultural villa, and the church.

1878:, the ceremonial floor, of his villas and palaces. As much as possible he simplified the forms, as he did at Villa Capra "La Rotonda", surrounding a circular dome and interior with perfectly square facades, and placing the building pedestal to be more visible and more dramatic. 349:

Trissino exposed Palladio to the history and arts of Rome, which gave him inspiration for his future buildings. In 1554 he would publish guides to the city's ancient monuments and churches. Trissino also gave him the name by which he became known, Palladio, an allusion to the

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of his life. He became an assistant to a prominent stonecutter and stonemason, Giovanni di Giacomo da Porlezza in Pedemuro San Biagio, where he joined the guild of stonemasons and bricklayers. He was employed as a stonemason to make monuments and decorative sculptures.

2363:, who postulated the notion of two worlds existing simultaneously: the divine world of faith, and the earthly world of humans. Palladio created an architecture which made a visual statement communicating the idea of two superimposed systems, as illustrated at 1889:, also known as a Palladian window, was another common feature of his style, which he used both for windows and the arches of the loggias of his buildings. It consists of an arched window flanked by two smaller square windows, divided by two columns or 749:), in Venice. These books, reprinted in different languages and circulated widely in Europe, secured his reputation as the most influential figure in the renewal of classical architecture, a reputation which only continued to grow after his death. 4065:

P. Clini "Vitruvius' Basilica at Fano: The drawings of a lost building from 'De Architectura Libri Decem'" The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol. XXXIV, Part 5/W12 pp. 121–126 2002

4300: 449:(begun 1537). This design already showed the originality of Palladio's conception. A central block is flanked by two wings; the central block is recessed and the two wings are advanced and more prominent. Inside the central block, the 2238:, Palladio found a powerful expression of the importance of the owner and his social position. The main living quarters of the owner on the second level were clearly distinguished in importance by the use of a pedimented classical 1938: 1020:

virtual wall of glass around the doorway of the south facade. The exterior and interior are closely integrated; the same classical elements own the facade, the columns and pediments, reappear in the interior, decorated with

4194: 526:), with a variety and richness of decorative detail. The building was not completed until 1617, after Palladio's death. Its design had a notable influence on many buildings across Europe, from Portugal to Germany. 1490:

is another adaptation of Palladio's villa plans. It had a particularly famous feature, the Palladio Bridge, designed around 1736. The bridge was extremely popular, and copies were made for other houses, including

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Palladio developed his own prototype for the plan of the villas that was flexible to moderate in scale and function. The Palladian villa format was easily adapted for a democratic worldview, as may be seen in

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The style of Palladio employed a classical repertoire of elements in new ways. He clearly expressed the function of each part of the building by its form, particularly elevating and giving precedence to the

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The success of the Basilica Palladiana propelled Palladio into the top ranks of the architects of Northern Italy. He had travelled to Rome in 1549, hoping to become a Papal architect, but the death of

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and for this reason, unlike his other villas, it faces south to the canal. The villa is set upon a large base, and the central portico is flanked by two stairways. The upper and lower borders of the

1986: 633:, and on the projecting cornice at the top. The red brick of the walls and columns and the white stone of the balustrades and bases of the columns give another contrast. The facade was later given 907:

in 1680–1687, and were not part of Palladio's plan. The building was especially influential, particularly in England and the United States, where it inspired "Neo-Palladianist" buildings such as

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around the domed centre. The height of the base is exactly the height of the attic, and the width of each portico is exactly half the length of the facade. The interior frescos were painted by

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in Vicenza, which Romano had begun but which, after Romano's death, Palladio completed. It was his first construction of a large townhouse. He used Romano's idea for windows framed by stone

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Palladio's architecture was not dependent on expensive materials, which must have been an advantage to his more financially pressed clients. Many of his buildings are of brick covered with

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and added a new loggia to the facade of the Farnese Palace. All of these plans already existed before Palladio; his contribution was to refine, simplify, and use them in innovative ways.

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in the walls of this salon, which were later filled with full-length statues of the ancestors of the owner. The more rustic functions of the house were carried on in the adjoining wings.

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Aside from Palladio's designs, his publications further contributed to Palladianism. During the second half of his life, Palladio published many books on architecture, most famously,

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stand-alone farm outbuildings into a single impressive structure, arranged as a highly organized whole, dominated by a strong centre and symmetrical side wings, as illustrated at

4191: 2172:. It was an earlier project from 1545 to 1550 and remained uncompleted due to elaborate elevations in his designs. He used Mannerist elements such as stucco surface reliefs and 2151:

was completed. The proportions for the building were based on musical ratios for adjacent rooms. The building was centralized by a tripartite division of a series of columns or

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an entry appear grand, the Roman temple front would be the most suitable style. The Palladian villa configuration often consists of a centralized block raised on an elevated

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described Palladio as a genius, declaring that his unfinished Convent of Santa Maria della Carità was the most perfect existing work of architecture. The German architects

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families supported Palladio's career, while he continued to construct a series of magnificent villas and palaces in Vicenza in his new classical style, including the

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above. The original plan of Palladio had the upper level identical to the lower level, but the owners wanted more space for ceremonies, so the central section on the

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Palladio is known as one of the most influential architects in Western architecture. His architectural works have "been valued for centuries as the quintessence of

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Palladio's work was especially popular in England, where the villa style was adapted for country houses. The first English architect to adapt Palladio's work was

1710: 1777:, most of which originally were owned by Inigo Jones. Jones collected a significant number of these on his Grand Tour of 1613–1614, while some were a gift from 1423: 899:. The site is on a gentle wooded hilltop, with views of the countryside in all directions. The villa is perfectly symmetrical, with four identical facades with 5054: 1442: 283: 4110: 987: 688:

ended that ambition. His patron, Gian Giorgio Trissino, died in 1550, but in the same year Palladio gained a new supporter, the powerful Venetian aristocrat

1093:(1610), which integrated it more closely into the Venetian skyline. The original rigorous, perfectly balanced interior is the original work of Palladio. 2371:, this architecture found great favor with the Catholic Church as a clear statement of the proper relationship of the earthly and the spiritual worlds. 4526: 3504: 1701: 4070: 3627: 1782: 1730: 3188: 3158: 1191:. He achieves a perfect balance between the circle and the cross, and the horizontal and vertical elements, both on the facade and in the interior. 1106: 1048: 261:. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, 3216: 3057: 4531: 1139: 4347: 3788: 2355:

walls of Victorian residences is a late remnant of the Palladian format, clearly expressed as a podium for the main living space for the family.

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died during a short period in 1572, greatly affecting their father. He died on 19 August 1580 at either Vicenza or Maser, and was buried in the

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called him the "Father of American Architecture" (Congressional Resolution no. 259 of 6 December 2010). His influence can also be seen in

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His career was unexceptional until 1538–1539; when he had reached the age of thirty, he was employed by the humanist poet and scholar

5125: 4610: 4480: 3389: 1618: 4502: 393: 5130: 1697: 4516: 739:. He continued to compile and write his architectural studies, lavishly illustrated, which were published in full form in 1570 as 5095: 3803:(1554) including as an appendix Raphael’s famous Letter to Leo X, Yale University Press, London and New Haven, Connecticut 2006, 1901:. These particular features originally appeared in the triumphal arches of Rome, and had been used in the earlier Renaissance by 832: 5115: 4777: 3088: 2270:. In the project of the Villa Barbaro, Palladio most likely was also engaged in the interior decoration. Alongside the painter 3632:

His conception of classical architecture was heavily influenced by Vitruvian ideas and his mentor Trissino. "Andrea Palladio."

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were adapted for the architecture and institutions of the newly independent nation. The Massachusetts governor and architect

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in Vicenza, his style became more ornate and more decorative, with more sculptural decoration on the facade, tending toward

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introduced a new kind of Renaissance palace, with monumental blocks, ornate cornices, lateral wings and multiple stairways.

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In his urban structures, he developed a new improved version of the typical early Renaissance palazzo (exemplified by the

2140:. Stuccoed brickwork was always used in his villa designs in order to give the appearance of a classical Roman structure. 4541: 4296: 1248:

Palladio died on 19 August 1580, not long after the work was begun. It was completed, with a number of modifications, by

1209: 820: 2246:). The tallness of the portico was achieved by incorporating the owner's sleeping quarters on the third level, within a 2212: 972: 945: 424: 4928: 4552:

Nature and Antiquity in the Work of Andrea Palladio, Journal of the Society of Architectural Historians, September 2000

4510: 3282: 2774: 2083: 1599: 4938: 4427: 4408: 4367: 4338: 4157: 3808: 3690: 2976:, for Giovanni Giacomo, Pier Antonio, Vincenzo and Francesco Civena, Vicenza (rebuilt in 1750 and after World War II) 2123: 1086: 211: 2911: 1824:

had already been used in the 15th century or earlier, before Palladio. They had been skillfully brought together by

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in Washington D.C., where the public entry to the world of high culture occupies the exalted centre position. The

1476:, who made a long trip to Vicenza and returned full of Palladian ideas. His first major work in the style was the 5140: 4838: 4665: 3238: 2872: 2282: 2242:, centred and raised above the subsidiary and utilitarian ground level (illustrated in the Palazzo Porto and the 2203: 2090: 1857: 978: 884: 128: 2182: 1096:

In 1570, he was formally named "Proto della Serenissima" (chief architect of the Republic of Venice), following

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The suburban villa was a particular type of building, a house near a city designed primarily for entertaining.

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After 1561: Palazzo Della Torre ai Portoni della Bra', for Giambattista Della Torre, Verona (unbuilt project)

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1548 (built 1548–1552): Palazzo Volpe in contra' Gazzolle, for Antonio Volpe, Vicenza (uncertain attribution)

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1545: Palazzo Garzadori in contra' Piancoli, for Girolamo Garzadori, Vicenza (unbuilt, uncertain attribution)

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1557–1558: Palazzo Trissino in contra' Riale, for Francesco and Ludovico Trissino, Vicenza (unbuilt project)

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had introduced the first Renaissance suburban villas, based on a Roman model and surrounded by gardens. The

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http://www.kunstgeschichte-ejournal.net/329/1/Paolo_Veronese%2C_Andrea_Palladio_und_die_Stanza_di_Baco.pdf

4067: 2367:. In a time when religious dominance in Western culture was threatened by the rising power of science and 286:. The churches of Palladio are to be found within the "Venice and its Lagoon" UNESCO World Heritage Site. 4948: 4898: 2468: 307: 4670: 1160: 876:

combining mythical themes with scenes of everyday life. Behind the villa, Palladio created a remarkable

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located in Vicenza was rebuilt incorporating the Roman Renaissance element for façades. A colonnade of

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The influence of Palladio also reached the United States, where the architecture and symbols of the

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1555–1556 ?: Palazzo Garzadori, for Giambattista Garzadori, Polegge, Vicenza (unbuilt project)

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More than 330 of Palladio's original drawings and sketches still survive in the collections of the

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His books with their detailed illustrations and plans were especially influential. His first book,

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Andrea Palladio: His Life and Legacy, at the Royal Academy, review, The Telegraph, 2 February 2009

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Principles of Palladio's Architecture: II, Journal of the Warburg and Courtauld Institutes, 1945

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Relative to his trips to Rome, Palladio developed three main palace types by 1556. In 1550, the

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Describes a major exhibition touring venues in Italy, the United Kingdom, and the United States

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In his early works in Vicenza in the 1540s, he sometimes emulated the work of his predecessor

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1555 ?: Palazzo Poiana in contra' San Tomaso, for Bonifacio Pojana, Vicenza (unfinished)

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was brought forward and given windows with decorative frontons, doubling the interior space.

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For the illusionistic landscape paintings and the relationship of Palladio and Veronese see

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in Vicenza. In 1844, a new tomb was built in a chapel dedicated to him in that cemetery.

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Cardinal Barbaro brought Palladio to Rome and encouraged him to publish his studies of

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Palladio experimented with the plan of the Palazzo Porto by incorporating it into the

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After 1563: Funeral monument to Luigi Visconti in the cloister of the Chapter in the

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1562 (built 1564–1566): Villa Sarego called "La Miga", for Annibale Serego, Miega di

2598:, Province of Vicenza (completed in 1584 by Domenico Groppino after Palladio's death) 2519: 2275: 2243: 1917: 1364: 1275: 1249: 1090: 1085:(1560–1562). His style was rather severe compared with the traditional lavishness of 1070:

South facade of Villa Foscari, with the large windows that illuminate the main salon

242: 230: 3822: 5000: 4843: 4722: 4695: 4675: 3682: 3522: 3437: 3304: 3220: 3053: 3042: 2623: 2591: 2494: 2368: 2332: 2324: 2235: 2164: 2160: 1794: 1760: 1740: 1689: 1681: 1559: 1519: 1508: 1477: 1097: 908: 904: 225: 179: 1171:. The facade features a particularly imposing classical portico, like that of the 598:(begun in 1550) was another urban palace, built on a city square near the port in 4984: 4537:

How I Spent A Few Days in Palladio's World, The Wall Street Journal, 3 March 2009

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Curl, James Stevens, "A Dictionary of Architecture and Landscape Architecture",

3014:, for Girolamo Chiericati, Vicenza (completed about 1680 after Palladio's death) 2796:, Province of Vicenza (destroyed by a fire, then rebuilt in other shape in 1672) 2392:

Note: The first date given is the beginning of the project, not its completion.

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were also admirers of Palladio, and constructed palaces for the King of Prussia

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After 1564: Palazzo Capra al Corso, for Giulio Capra, Vicenza (unbuilt project)

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1546–1549 (built 1549–1614): Loggias of the Palazzo della Ragione (then called

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also embraced the Palladian style. Another English admirer was the architect,

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1564 ?: Palazzo Angaran, for Giacomo Angaran, Vicenza (unbuilt project)

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a Cricoli, Vicenza (once traditionally attributed, but probably designed by

1449: 864:, who were respectively occupied with politics and religious affairs in the 478:

Several other villas of this time are attributed to Palladio, including the

467:, but in doing so he added his own ideas and variations. An example was the 257:, is widely considered to be one of the most influential individuals in the 4923: 4918: 4908: 4893: 4823: 4717: 4636: 3518:, for Giacomo Bragadino, Vicenza (attributed, built after Palladio's death) 3433: 3360:

1580: Church of Santa Lucia, Venice (drawings for the interior; demolished)

3347: 3340: 3274:

of the Dominicans, for Ercole Fregoso, Verona (uncertain attribution; with

3067: 2861: 2789: 2742: 2573: 2490: 2295: 2251: 2001: 1945: 1910: 1874: 1861: 1829: 1825: 1778: 1721: 1669: 1665: 1625: 1605: 1590: 1535: 1527: 1487: 1430: 1394: 1389:. Friedrich Gilly's work, the National Theatre in Berlin (1798), built for 1129: 1007:, also known as "La Malcontenta" for the name of the suburban village near 892: 495: 451: 140: 92: 4583:

Le fabbriche e i disegni di Andrea Palladio : raccolta ed illustrati"

4557:

Digital images of 1721 and 1742 edition of The architecture of A. Palladio

4521: 3144:, for Francesco Thiene, Vicenza (progetto; costruito da Vincenzo Scamozzi) 1905:, but Palladio used them in novel ways, particularly in the facade of the 2887: 2707: 2247: 2173: 1894: 1845: 1648: 1609: 1567: 1492: 1473: 1453: 1374: 1254: 1168: 896: 607: 3650: 2983:, for Marcantonio and Adriano Thiene, Vicenza (probably on a project by 1684:, himself an architect. Jefferson organized a competition for the first 1187:

is suspended in the air. This idea would be adopted frequently in later

4953: 4873: 4680: 3333: 2714: 2706:

called "La Malcontenta", for Nicolò and Alvise Foscari, Malcontenta di

2627: 2419: 2336: 2255: 2064: in this section. Unsourced material may be challenged and removed. 1948:(1556–1563), an early use by Palladio of the elements of a Roman temple 1736: 1693: 1677: 1176: 1055: 916: 717: 446: 400: 384: 339: 4503:

Official Website of the 500 Years Exhibition in Vicenza – Italy (2008)

3590:"Andrea Palladio (Italian architect) – Britannica Online Encyclopedia" 4853: 4704: 4041: 3245: 3212:, Vicenza (attributed; with Girolamo Pittoni and Giacomo da Porlezza) 2931: 2760: 2547: 2461: 2290:, accessed by grand steps, and flanked by lower service wings, as at 2258:

buildings in Rome. The elevated main floor level became known as the

2152: 2017: 1925: 1890: 1817: 1640: 1563: 1481: 1334: 1259: 877: 638: 327: 254: 3234:, Vicenza (destroyed in a bombing during World War II, then rebuilt) 2039: 1844:

in Rome (1502), which combined a dome and a central plan based on a

887:, not far from Vicenza, begun in 1566 for Count Paolo Almerico, the 785:(begun 1553), located at Piombino Dese near Padua, was a mixture of 39: 16:

16th-century Italian Renaissance architect of the Republic of Venice

4567: 4140:

De la Croix, Horst; Tansey, Richard G.; Kirkpatrick, Diane (1991).

3260: 3032:(only partially realized; partially destroyed by a bombing in 1945) 2764: 2718: 2668: 2352: 2231: 1902: 1837: 1809: 519: 510:

One of the most important works of his early Vicenza period is the

491: 4588: 4488: 4111:"The US Congress: 'Palladio, the Father of American Architecture'" 5059: 4474:

Online exhibition from the Royal Institute of British Architects

4465:

Online exhibition from the Royal Institute of British Architects

3526: 3326: 2727:

1554 ? (built 1560–1564): Villa Mocenigo "sopra la Brenta",

2497:, Province of Vicenza (probably a re-elaboration of a project by 2239: 1965: 1813: 1805: 1242: 900: 701: 657: 611: 599: 515: 271: 4511:

Quincentenary of Andrea Palladio's birth – Celebration Committee

3357:, Vicenza (project attributed, completed after Palladio's death) 3292:

1564 (built 1564–1565): North portal and Almerico Chapel in the

2319: 1318:

villas and country houses were particularly admired and copied.

4542:

All He Surveyed, Paul Goldberger, The New Yorker, 30 March 2009

3414: 3397: 3029: 2814: 2788:

1560 ? (built after 1563–before 1565; after 1570 ?):

2657: 2561:, Province of Vicenza (main body of the villa later rebuilt by 2530: 2483: 2287: 2137: 1977: 1180: 1008: 883:

The most famous suburban villa constructed by Palladio was the

869: 865: 634: 518:(1546), the palace of the city government. Palladio called it " 487: 456: 355: 279: 3500:, Province of Vicenza (rebuilt in 1748 and after World War II) 1393:

was in the style. Most of the buildings were destroyed during

3441: 3339:

c. 1576 (built 1576–1580): Valmarana Chapel in the Church of

3286: 3046: 1821: 573:

Ground floor and entrance stairway of the Basilica Palladiana

499: 445:

The earliest of his villas is generally considered to be the

295: 194: 70: 4139: 3410:

1536: Portal of the Domus Comestabilis, Vicenza (attributed)

2343:. It also may be seen applied as recently as 1940 in Pope's 3971: 3969: 3429: 3060:, for Gian Luigi Valmarana, Vicenza (uncertain attribution) 2728: 2639:: Villa Ragona Cecchetto, per Girolamo Ragona, Ghizzole di 2278:

landscape paintings that cover the walls of various rooms.

2262:, and is still referred to as the "first floor" in Europe. 1227:

Section of the Tempietto Barbaro, drawn by Scamozzi (1783)

1184: 912: 203: 200: 185: 3840: 1252:

and inaugurated in 1584 with a performance of the tragedy

334:

1546–1547. He also visited and studied the Roman works in

4079: 4022: 4010: 3966: 3954: 3944: 3942: 3900: 3888: 3745: 3743: 3741: 3651:"City of Vicenza and the Palladian Villas of the Veneto" 3112:(or Loggia del Capitanio), for the town council, Vicenza 1167:

at Maser. It unites two classical forms, a circle and a

735:. In 1554, he published the first of a series of books, 322:

at Cricoli. Trissino was deeply engaged in the study of

4236: 4234: 4232: 4217: 4091: 3611: 3609: 3607: 2422:, for Girolamo, Pietro and Marcantonio Godi, Lonedo di 1278:, who completed the theatre after the death of Palladio 1089:. San Georgio Maggiore was later given a new facade by 1081:

followed by the refectory and then the interior of the

856:

was an imposing suburban villa, built for the brothers

5055:

City of Vicenza and the Palladian Villas of the Veneto

3760: 3758: 2864:, for Marcantonio Serègo, Santa Sofia di Pedemonte di 284:

City of Vicenza and the Palladian Villas of the Veneto

3939: 3876: 3864: 3852: 3738: 2997:), Vicenza (completed in 1614 after Palladio's death) 274:, with its 23 buildings designed by Palladio, and 24 212: 4229: 3726: 3604: 2875:, for Paolo Almerico, Vicenza (completed in 1585 by 2482:, for Vettore, Marco and Daniele Pisani, Bagnolo di 2250:

two-story classical colonnade, a motif adapted from

197: 191: 182: 3755: 2471:, for Giuseppe and Antonio Valmarana, Vigardolo di 1668:also admired the style and used it when rebuilding 358:and to a character in a play by Trissino. The word 188: 4141: 4003:Mostra del Palladio: Vicenza / Basilica Palladiana 3466:1562: Wooden theater in the Basilica for the play 1897:and by a small circular window or hole, called an 614:separated the lower level from the more important 4496:website which includes material by the owners of 4489:The Center for Palladian Studies in America, Inc. 3628:The Center for Palladian Studies in America, Inc. 3270:1560: Monument to Giano Fregoso in the church of 2514:degli Scrigni, for Paolo Contarini and brothers, 1783:The Center for Palladian Studies in America, Inc. 590: 442:at Cricoli, built before his first trip to Rome. 237:; 30 November 1508 – 19 August 1580) was an 5082: 4532:David Linley on the influence of Andrea Palladio 4420:Andrea Palladio, 1508–1580: the rules of harmony 2230:). Adapting a new urban palazzo type created by 963:Detail of the Hall of Olympus, with frescoes by 3551:, Vicenza (completed after Palladio's death by 3230:1558 (built 1558–1559; 1564–1566): Dome of the 2660:, Province of Vicenza (only partially realized) 1692:with a design inspired in part by Palladio and 1484:(1616–1635), modelled after Palladio's villas. 641:style, which has considerably deteriorated. 438:His earliest work is held to be an addition to 330:, which had become available in print in 1486. 19:"Palladio" redirects here. For other uses, see 1546:also constructed Palladian houses in England. 781:The type of villa invented by Palladio at the 4604: 4360:Descritione de le chiese…in la città de Roma, 3801:Descritione de le chiese…in la città de Roma, 3070:, for Pietro Cogollo, traditionally known as 2817:, Province of Vicenza (attributed; destroyed) 1680:, the residence of the third U.S. President, 585:Upper level loggia of the Basilica Palladiana 4481:Palladio Centre and Museum in Vicenza, Italy 3823:"How I Spent a Few Days in Palladio's World" 3678:The Houghton Mifflin dictionary of biography 2777:, for Francesco Thiene and sons, Cicogna di 2274:, he invented the complex and sophisticated 289: 4577:Andrea Palladio Architecture on Google Maps 4148:(9th ed.). Thomson/Wadsworth. p. 3241:, Venice (completed after Palladio's death) 3021:, for Vincenzo Pojana, Vicenza (attributed) 1355:Palladio's style inspired several works by 4611: 4597: 4568:Rare Book and Special Collections Division 4439:Andrea Palladio – Les règles de l'harmonie 3582: 3343:, for Isabella Nogarola Valmarana, Vicenza 3119:, for Isabella Nogarola Valmarana, Vicenza 2835:, for Gianfrancesco Valmarana, Lisiera di 2594:, for Giovanni Chiericati, Vancimuglio di 2387: 38: 3074:("Palladio's home"), Vicenza (attributed) 2124:Learn how and when to remove this message 776: 294:Palladio was born on 30 November 1508 in 4399:. intro. by Adolf K. Placzek. New York: 4392: 4297:"Catalog of works [by Palladio]" 3749: 3615: 2873:Villa Almerico Capra called "La Rotonda" 2781:, Province of Padua (unfinished; only a 1698:Congress of the United States of America 1290:Stage and seating of his last work, the 4436: 4417: 4016: 4006:(in Italian). Electa. 1973. p. 46. 3975: 3960: 3948: 3906: 3894: 3882: 3870: 3858: 3846: 3820: 3764: 3732: 3576: 3140:1572 ? (built before 1586–1610s): 282:as part of a World Heritage Site named 5083: 4778:Palazzo Pretorio (Cividale del Friuli) 4328: 4240: 4223: 3918: 3202: 3081:, for Bernardo Schio, Vicenza (façade) 2489:1542 ? (built before 1545–1550): 1864:had made a plan for a central dome at 494:. The interior of the main hall has a 4592: 4373: 4097: 4085: 4028: 3705: 2828:(unfinished, demolished in the 1920s) 2643:, Province of Padua (unbuilt project) 1775:Royal Institute of British Architects 1587:Richard Boyle, 3rd Earl of Burlington 1350: 545:, revised and completed by Palladio) 224: 4265:Andrea Palladio, Caroline Constant. 2792:, for Mario Repeta, Piazza Vecchia, 2493:, for Marcantonio e Adriano Thiene, 2176:, often extending two stories high. 2062:adding citations to reliable sources 2033: 1916:In his later work, particularly the 1840:used these elements together in the 1676:in 1766. Palladio's villas inspired 1514:Other English architects, including 679: 383:One of the first works by Palladio, 4618: 4354:. Translation of Andrea Palladio’s 3795:. Translation of Andrea Palladio’s 3227:(with Girolamo Pittoni, attributed) 3077:1560 (built 1560–1565; 1574–1575): 1237:The final work of Palladio was the 13: 3511:, Province of Vicenza (attributed) 3413:1550 (built 1550–1552): Bridge on 3363:1580 (built 1580–1584): Church of 3353:1578 (built 1588–1590): Church of 3346:1576 (built 1577–1586): Church of 2890:, Province of Vicenza (unfinished) 2731:, Province of Venice) (demolished) 2713:1554 ? (built: 1555 ?): 2671:, Province of Vicenza (attributed) 2533:, Province of Vicenza (unfinished) 2529:, for Vincenzo Arnaldi, Meledo di 2029: 1788: 951:The Nymphaeum of the Villa Barbaro 843: 14: 5157: 5023:I quattro libri dell'architettura 4939:Villa Trissino (Meledo di Sarego) 4633:Convento della Carità (cloisters) 4456: 4212:A History of Western Architecture 3712:. Pasadena, Calif.: Salem Press. 3706:Moose, Christina J., ed. (2005). 3529:, Vicenza (uncertain attribution) 3503:1569 or 1580? (built 1580–1588): 3421:, Province of Vicenza (destroyed) 3237:1559: Façade for the Basilica of 3010:1550 (built 1551–1557; c. 1680): 2886:, for Iseppo da Porto, Molina di 2546:, for Biagio Saraceno, Finale di 2377:I quattro libri dell'architettura 1340:I quattro libri dell'architettura 1203:Plan by Ottavio Bertotti Scamozzi 1087:Venetian Renaissance architecture 1058:on salon ceiling of Villa Foscari 1026:murals on the walls and ceiling. 996:I quattro libri dell'architettura 764:I quattro libri dell'architettura 742:I quattro libri dell'architettura 156:I quattro libri dell'architettura 5126:Italian male non-fiction writers 4904:Villa Porto (Vivaro di Dueville) 4773:Palazzo Porto in Piazza Castello 4694: 4256:(series "Architect and Society") 3381: 3336:, Venice (uncertain attribution) 3187: 3172: 3157: 3131:Palazzo Porto in Piazza Castello 3126:, for Montano Barbarano, Vicenza 3028:, for Giambattista Dalla Torre, 2952: 2938: 2924: 2910: 2896: 2359:of the theological ideas of St. 2211: 2196: 2181: 2038: 2020:decoration on the facade of the 2009: 1992:A variation of the Palladian or 1985: 1953: 1937: 1802:Italian Renaissance architecture 1748: 1729: 1709: 1655: 1633: 1617: 1598: 1575: 1551: 1441: 1422: 1411:Royal Saltworks at Arc-et-Senans 1402: 1361:Royal Saltworks at Arc-et-Senans 1299: 1283: 1267: 1220: 1208: 1196: 1175:in Rome, placed before two tall 1138: 1121: 1105: 1063: 1047: 1031: 993:Palladio's plan of the Villa in 986: 971: 956: 944: 924: 831: 819: 804: 754: 664: 646: 578: 566: 550: 531: 505: 498:ceiling lavishly decorated with 423: 408: 392: 376: 178: 5131:16th-century Italian architects 4563:Quattro libri dell'architettura 4441:(in French). Cologne: Taschen. 4322: 4288: 4276: 4259: 4246: 4204: 4185: 4166: 4133: 4103: 4059: 4034: 3994: 3981: 3912: 3814: 3782: 3770: 3396:viewed from the main island of 3332:1574 or 1579 ?: Church of 3299:1564: Façade for the church of 3208:1531: Portal for the church of 3129:1571 ? (built 1572–1585): 3049:(altered by later arrangements) 2871:1566 – 1567 (built 1567–1605): 2763:, for Leonardo Emo, Fanzolo di 2759:before 1556 (built 1559–1565): 2702:1554 ? (built 1560–1565): 2601:1552 (built 1552; 1569; 1588): 2049:needs additional citations for 1274:Stage with scenery designed by 1215:Facade of the Tempietto Barbaro 1011:where it is located, faces the 769:The Four Books of Architecture) 602:. It was constructed after the 369: 267:, gained him wide recognition. 5096:Italian Renaissance architects 5065:Palladian villas of the Veneto 4522:Andrea Palladio on Empty Canon 4396:The Four Books of Architecture 4378:(in French). Paris: Seghiers. 4173:Collecting Palladio's drawings 4144:Gardner's Art Through the Ages 3821:Pearman, Hugh (3 March 2009). 3699: 3669: 3643: 3621: 3571:Palladian villas of the Veneto 3312:Church of San Giorgio Maggiore 3004:, for Iseppo da Porto, Vicenza 2842:After 1564 (built 1565–1570): 2402:Palladian villas of the Veneto 2382:The Four Books of Architecture 1448:Palladian garden structure at 1345:The Four Books of Architecture 1154: 747:The Four Books of Architecture 591:Variations of the urban palace 318:to rebuild his residence, the 300:Andrea di Pietro della Gondola 276:Palladian villas of the Veneto 264:The Four Books of Architecture 161:The Four Books of Architecture 137:Church of San Giorgio Maggiore 57:Andrea di Pietro della Gondola 1: 5116:Republic of Venice architects 4581:Bertotti Scamozzi, Ottavio, " 4271:Princeton Architectural Press 3432:over the road leading to the 3296:, for Paolo Almerico, Vicenza 2854: 2799: 2735: 2717:, for Marco Zeno, Donegal di 2674: 2667:, for Paolo Porto, Vivaro di 2646: 2633: 2612: 2584: 2536: 2504: 2450: 2428: 2163:surrounded a main court. The 1755:Winning design for the first 1702:American plantation buildings 1503:of Russia for her gardens at 1409:House of the Director of the 1363:, begun in 1775. In Germany, 637:sculptural decoration in the 304:Andrea de Piero de ła Gondoła 5121:Italian architecture writers 4793:Palazzo Thiene Bonin Longare 3989:Dictionniare des Architectes 3655:UNESCO World Heritage Centre 3447:1561: Wooden theater in the 3267:destroyed in 1630 in a fire) 3195:Palazzo Thiene Bonin Longare 3142:Palazzo Thiene Bonin Longare 3000:c. 1546 (built: 1546–1552): 2339:and his arrangement for the 1893:and often topped by a small 1429:La Rotonde customs barrier, 1385:in the style, including the 1312: 1232: 826:The Hall of the Four Columns 455:or main floor opened onto a 226:[anˈdrɛːapalˈlaːdjo] 7: 5111:Architectural theoreticians 4949:Villa Valmarana (Vigardolo) 4899:Villa Porto, Molina di Malo 4648:San Giorgio Maggiore church 4376:Dictionnaire des Architects 4252:Ackerman, Jaaes S. (1994). 3559: 3489:), Venice (unbuilt project) 3041:c. 1556 (built 1556–1595): 1968:, (begun 1546) with arched 1804:, including Doric columns, 1768: 1696:. The One Hundred Eleventh 1337:. His most famous work was 1241:in the Piazza Matteotti in 1075: 326:, particularly the work of 10: 5162: 4393:Palladio, Andrea (1965) . 4331:Caractéristique des Styles 3922:Venice and the Renaissance 2966: 2831:c 1563 (built 1564–1566): 2542:(built 1548–before 1555): 2399: 1465: 1461: 324:ancient Roman architecture 245:. Palladio, influenced by 18: 5049: 5033: 5014: 4993: 4962: 4944:Villa Valmarana (Lisiera) 4806: 4733:Palazzo Barbaran da Porto 4703: 4692: 4642:San Francesco della Vigna 4626: 4494:Palladio's Italian Villas 4437:Wundram, Manfred (2016). 4418:Wundram, Manfred (2009). 4197:26 September 2009 at the 4178:26 September 2009 at the 3919:Tafuri, Manfredo (1995). 3367:(Tempietto Barbaro), for 3301:San Francesco della Vigna 3283:Basilica of Saint Anthony 3124:Palazzo Barbaran da Porto 3045:, for Floriano Antonini, 2805:(built before 1569): Big 2745:called "La Badoera", for 2652:(built 1553–1554; 1575): 2569:are part of the original) 2525:1547 (built 1547, 1565): 2395: 2365:San Francesco della Vigna 2219:San Francesco della Vigna 1647:(1721–1724), inspired by 1495:. Another variation, the 1359:in France, including the 1042:, facing the Brenta Canal 872:and ceiling paintings by 838:Plan of the Villa Cornaro 399:Hall of the Muses of the 290:Biography and major works 167: 150: 120: 116: 108: 100: 81: 52: 37: 30: 21:Palladio (disambiguation) 4934:Villa Trissino (Cricoli) 4889:Villa Pisani, Montagnana 4839:Villa Capra "La Rotonda" 4506:(in English and Italian) 4484:(in English and Italian) 3709:Great lives from history 3637:26 November 2009 at the 3543:1580 (built 1580–1584): 3536:, for the town council, 3404: 3310:1565 (built 1565–1576): 3255:1560 (built 1561–1562): 3244:1560 (built 1560–1563): 3122:1569 (built 1570–1575): 3115:1565 (built 1566–1580): 3108:1565 (built 1571–1572): 3091:, for the town council, 3087:1564 (built 1565–1586): 3066:1559 (built 1559–1562): 2979:1542 (built 1542–1558): 2972:1540 (built 1540–1542): 2882:1570 (built 1572–1580): 2773:1556 (built 1563–1567): 2663:1554 (built 1554–1558): 2576:, for Bonifacio Pojana, 2572:1549 (built 1549–1563): 2557:, for Giacomo Angarano, 2553:1548 (built 1554–1556): 2478:1542 (built 1542–1545): 2467:1542 (built 1542–1560): 2449:Before 1542 (built 1542– 2418:1537 (built 1539–1557): 2407:1534 (built 1534–1538): 2283:Villa Capra "La Rotonda" 2204:Villa Capra "La Rotonda" 1688:building. It was won by 1179:, before an even higher 979:Villa Capra "La Rotonda" 885:Villa Capra "La Rotonda" 502:of mythological themes. 241:architect active in the 129:Villa Capra "La Rotonda" 44:Portrait of Palladio by 5136:Italian Roman Catholics 4472:Palladio and The Veneto 4374:Oudin, Bernard (1994). 4350:, Hicks, Peter (2006), 4329:Ducher, Robert (1988). 3778:Oxford University Press 3180:Palazzo del Capitaniato 3110:Palazzo del Capitaniato 2879:after Palladio's death) 2605:, for Giorgio Cornaro, 2596:Grumolo delle Abbadesse 2460:, for Taddeo Gazzotti, 2446:(uncertain attribution) 2388:Chronology of the works 1922:Palazzo del Capitaniato 1885:The Serlian window, or 1856:in Rome (1530–1580) by 1499:, was made for Empress 1149:Church in Venice (1576) 1133:Church in Venice (1576) 1054:Interior decoration of 915:and Thomas Jefferson's 672:Palazzo del Capitaniato 627:Palazzo del Capitaniato 541:(1542–1558), (begun by 303: 298:and was given the name 259:history of architecture 234: 5141:Palladian architecture 5041:Palladian architecture 4970:Ponte Vecchio, Bassano 4929:Villa Thiene (Cicogna) 4869:Villa Gazzotti Grimani 4666:San Pietro di Castello 4422:. Hong Kong: Taschen. 3685:. 2003. p. 1167. 3566:Palladian architecture 3538:San Daniele del Friuli 3457:Alessandro Piccolomini 3239:San Pietro di Castello 2846:, for Girolamo Forni, 2341:University of Virginia 1866:Saint Peter's Basilica 1834:Medici-Riccardi Palace 1800:The basic elements of 1468:Palladian architecture 1307:church of Santa Corona 777:Rustic-suburban villas 733:classical architecture 5146:Architects from Padua 4884:Villa Pisani, Bagnolo 4738:Palazzo del Capitanio 4463:Palladio and Britain 4333:. Paris: Flammarion. 3525:, for the city as an 3375:, Province of Treviso 3323:San Petronio Basilica 3257:Convento della Carità 3210:Santa Maria dei Servi 3099:(project, attributed) 2866:San Pietro in Cariano 2850:, Province of Vicenza 2848:Montecchio Precalcino 2839:, Province of Vicenza 2741:(built before 1556): 2580:, Province of Vicenza 2550:, Province of Vicenza 2486:, Province of Vicenza 2475:, Province of Vicenza 2473:Monticello Conte Otto 2413:Gian Giorgio Trissino 2022:Palazzo del Capitanio 2016:Late Palladio style, 1944:Clarity and harmony. 1757:United States Capitol 1686:United States Capitol 1435:Claude Nicolas Ledoux 1415:Claude Nicolas Ledoux 1383:Frederick-William III 1357:Claude Nicolas Ledoux 1083:San Giorgio Monastery 604:Palazzo della Ragione 431:Villa Pisani, Bagnolo 316:Gian Giorgio Trissino 4758:Palazzo della Loggia 3577:Notes and references 3472:Giangiorgio Trissino 3394:San Giorgio Maggiore 3250:San Giorgio Maggiore 3248:of the monastery of 3225:Cathedral of Vicenza 2868:, Province of Verona 2794:Campiglia dei Berici 2779:Villafranca Padovana 2710:, Province of Venice 2563:Baldassarre Longhena 2058:improve this article 1930:Baroque architecture 1114:San Giorgio Maggiore 919:in Virginia (1772). 308:Basilica del Carmine 95:, Republic of Venice 4975:Arco delle Scalette 4753:Palazzo Dalla Torre 4713:Basilica Palladiana 4572:Library of Congress 4356:L’Antichita di Roma 4088:, pp. 367–369. 4073:17 May 2012 at the 4031:, pp. 365–369. 3849:, pp. 19–2111. 3827:Wall Street Journal 3797:L’Antichita di Roma 3540:, Province of Udine 3516:Arco delle Scalette 3514:1576 (built 1595): 3509:Torri di Quartesolo 3369:Marcantonio Barbaro 3259:, Venice (only the 3203:Church architecture 3165:Basilica Palladiana 3093:Cividale del Friuli 3026:Palazzo Dalla Torre 2995:Basilica Palladiana 2769:Province of Treviso 2723:Province of Treviso 2698:Province of Treviso 2690:Marcantonio Barbaro 2680:(built 1554–1558): 2630:, Province of Padua 2618:(built 1552–1555): 2609:, Province of Padua 2516:Piazzola sul Brenta 2444:Province of Vicenza 2434:(built 1539–1587): 1962:Basilica Palladiana 1907:Basilica Palladiana 1797:calm and harmony". 1624:Palladio Bridge at 1542:. The Italian-born 1516:Elizabeth Wilbraham 1501:Catherine the Great 1391:Frederick the Great 1327:Antiquities of Rome 1323:L'Antichida di Roma 737:Antiquities of Rome 696:, the aristocratic 559:Basilica Palladiana 512:Basilica Palladiana 239:Italian Renaissance 133:Basilica Palladiana 4859:Villa Forni Cerato 4743:Palazzo Chiericati 4401:Dover Publications 4307:on 30 October 2013 4267:The Palladio Guide 4100:, pp. 255–56. 3549:Accademia Olimpica 3498:Bassano del Grappa 3476:Accademia Olimpica 3461:Accademia Olimpica 3215:1537: Monument to 3012:Palazzo Chiericati 2844:Villa Forni Cerato 2826:Province of Verona 2755:Province of Rovigo 2583:After 1550 (built 2559:Bassano del Grappa 2161:Corinthian columns 2149:Palazzo Chiericati 1850:Baldassare Peruzzi 1718:Harvard University 1674:Harvard University 1351:France and Germany 1333:, a commentary on 761:The front page of 710:Palazzo Chiericati 654:Palazzo Chiericati 596:Palazzo Chiericati 251:Greek architecture 75:Republic of Venice 46:Alessandro Maganza 5076: 5075: 4798:Palazzo Valmarana 4671:Tempietto Barbaro 4448:978-3-8365-5020-8 4385:978-2-2321-0398-8 4226:, pp. 70–73. 4042:"Palladio Museum" 4019:, pp. 84–87. 3978:, pp. 70–71. 3963:, pp. 38–41. 3932:978-0-262-70054-2 3909:, pp. 76–77. 3897:, pp. 36–37. 3719:978-1-58765-211-0 3553:Vincenzo Scamozzi 3419:Cismon del Grappa 3321:1574: Façade for 3316:Vincenzo Scamozzi 3294:Vicenza Cathedral 3135:Vincenzo Scamozzi 3117:Palazzo Valmarana 3097:Province of Udine 3072:Casa del Palladio 3017:c. 1555–c. 1566: 2877:Vincenzo Scamozzi 2853:1565 (built 1565– 2837:Bolzano Vicentino 2520:Province of Padua 2384:, Venice, 1570). 2369:secular humanists 2244:Palazzo Valmarana 2134: 2133: 2126: 2108: 2073:"Andrea Palladio" 1918:Palazzo Valmarana 1365:Johann von Goethe 1276:Vincenzo Scamozzi 1250:Vincenzo Scamozzi 1091:Vincenzo Scamozzi 680:Classical studies 243:Venetian Republic 171: 170: 5153: 5001:Jewel of Vicenza 4963:Other structures 4844:Villa Chiericati 4728:Palazzo Antonini 4723:Loggia Valmarana 4698: 4676:Valmarana Chapel 4656:Santa Maria Nova 4613: 4606: 4599: 4590: 4589: 4517:Year of Palladio 4507: 4485: 4477: 4468: 4452: 4433: 4414: 4389: 4344: 4317: 4316: 4314: 4312: 4303:. Archived from 4292: 4286: 4280: 4274: 4263: 4257: 4250: 4244: 4238: 4227: 4221: 4215: 4208: 4202: 4189: 4183: 4170: 4164: 4163: 4147: 4137: 4131: 4130: 4128: 4126: 4117:. Archived from 4107: 4101: 4095: 4089: 4083: 4077: 4063: 4057: 4056: 4054: 4052: 4038: 4032: 4026: 4020: 4014: 4008: 4007: 3998: 3992: 3985: 3979: 3973: 3964: 3958: 3952: 3946: 3937: 3936: 3916: 3910: 3904: 3898: 3892: 3886: 3880: 3874: 3868: 3862: 3856: 3850: 3844: 3838: 3837: 3835: 3833: 3818: 3812: 3791:, Hicks, Peter, 3786: 3780: 3774: 3768: 3762: 3753: 3747: 3736: 3730: 3724: 3723: 3703: 3697: 3696: 3683:Houghton Mifflin 3673: 3667: 3666: 3664: 3662: 3647: 3641: 3625: 3619: 3613: 3602: 3601: 3599: 3597: 3592:. Britannica.com 3586: 3523:Jewel of Vicenza 3505:Bridge on Tesina 3438:Domenico Bollani 3385: 3355:Santa Maria Nova 3305:Giovanni Grimani 3221:Bishop of Vaison 3191: 3176: 3161: 3089:Palazzo Pretorio 3054:Loggia Valmarana 3043:Palazzo Antonini 2956: 2942: 2928: 2914: 2900: 2859: 2856: 2804: 2801: 2747:Francesco Badoer 2740: 2737: 2679: 2676: 2651: 2648: 2638: 2635: 2624:Francesco Pisani 2617: 2614: 2592:Villa Chiericati 2589: 2588: 1555–1584 2586: 2541: 2538: 2509: 2506: 2495:Quinto Vicentino 2455: 2452: 2433: 2430: 2345:National Gallery 2333:Thomas Jefferson 2325:British colonies 2236:House of Raphael 2215: 2200: 2185: 2165:Palazzo Antonini 2129: 2122: 2118: 2115: 2109: 2107: 2066: 2042: 2034: 2013: 1989: 1970:Palladian window 1957: 1941: 1848:. The architect 1795:High Renaissance 1761:William Thornton 1752: 1741:Thomas Jefferson 1733: 1716:Harvard Hall at 1713: 1690:William Thornton 1682:Thomas Jefferson 1637: 1621: 1602: 1593:(completed 1729) 1579: 1555: 1530:, also known as 1520:Christopher Wren 1509:Saint Petersburg 1445: 1426: 1406: 1287: 1271: 1224: 1212: 1200: 1189:Baroque churches 1161:Tempieto Barbaro 1142: 1125: 1109: 1098:Jacopo Sansovino 1067: 1051: 1038:North facade of 1035: 990: 975: 960: 948: 928: 909:Mereworth Castle 905:Ludovico Dorigny 852:(begun 1557) at 835: 823: 808: 758: 712:in Vicenza, the 668: 650: 610:, while a Doric 582: 570: 554: 535: 427: 412: 396: 380: 228: 223: 216: 210: 209: 206: 205: 202: 199: 196: 193: 190: 187: 184: 88: 67:30 November 1508 66: 64: 42: 28: 27: 5161: 5160: 5156: 5155: 5154: 5152: 5151: 5150: 5091:Andrea Palladio 5081: 5080: 5077: 5072: 5071: 5045: 5029: 5010: 4989: 4985:Teatro Olimpico 4958: 4802: 4699: 4690: 4622: 4620:Andrea Palladio 4617: 4505: 4483: 4475: 4466: 4459: 4449: 4430: 4411: 4386: 4352:Palladio’s Rome 4341: 4325: 4320: 4310: 4308: 4295: 4293: 4289: 4281: 4277: 4264: 4260: 4251: 4247: 4239: 4230: 4222: 4218: 4209: 4205: 4199:Wayback Machine 4190: 4186: 4180:Wayback Machine 4171: 4167: 4160: 4138: 4134: 4124: 4122: 4121:on 4 March 2016 4115:www.marcadoc.it 4109: 4108: 4104: 4096: 4092: 4084: 4080: 4075:Wayback Machine 4064: 4060: 4050: 4048: 4046:Palladio Museum 4040: 4039: 4035: 4027: 4023: 4015: 4011: 4000: 3999: 3995: 3986: 3982: 3974: 3967: 3959: 3955: 3947: 3940: 3933: 3917: 3913: 3905: 3901: 3893: 3889: 3881: 3877: 3869: 3865: 3857: 3853: 3845: 3841: 3831: 3829: 3819: 3815: 3793:Palladio’s Rome 3787: 3783: 3775: 3771: 3763: 3756: 3748: 3739: 3731: 3727: 3720: 3704: 3700: 3693: 3675: 3674: 3670: 3660: 3658: 3649: 3648: 3644: 3639:Wayback Machine 3626: 3622: 3614: 3605: 3595: 3593: 3588: 3587: 3583: 3579: 3562: 3545:Teatro Olimpico 3487:Ponte di Rialto 3453:L'Amor Costante 3407: 3402: 3401: 3400: 3391: 3386: 3276:Danese Cattaneo 3272:Santa Anastasia 3205: 3198: 3192: 3183: 3177: 3168: 3162: 3147:1574: Rooms of 2969: 2962: 2957: 2948: 2943: 2934: 2929: 2920: 2918:Villa Valmarana 2915: 2906: 2901: 2857: 2833:Villa Valmarana 2802: 2751:Fratta Polesine 2738: 2677: 2649: 2636: 2615: 2587: 2578:Pojana Maggiore 2539: 2512:Villa Contarini 2507: 2469:Villa Valmarana 2453: 2440:Lugo di Vicenza 2431: 2424:Lugo di Vicenza 2404: 2398: 2390: 2300:Lord Burlington 2228:Palazzo Strozzi 2222: 2216: 2207: 2206:outside Vicenza 2201: 2192: 2189:Palazzo Strozzi 2186: 2155:. In 1552, the 2130: 2119: 2113: 2110: 2067: 2065: 2055: 2043: 2032: 2030:Characteristics 2025: 2014: 2005: 1994:Venetian window 1990: 1981: 1958: 1949: 1942: 1887:Venetian window 1832:(1420) and the 1791: 1789:Palladian style 1771: 1764: 1753: 1744: 1739:, residence of 1734: 1725: 1714: 1658: 1651: 1638: 1629: 1622: 1613: 1608:south front by 1603: 1594: 1580: 1571: 1556: 1532:Lord Burlington 1470: 1464: 1457: 1446: 1437: 1427: 1418: 1407: 1379:Friedrich Gilly 1370:Italian Journey 1353: 1331:Daniele Barbaro 1315: 1302: 1295: 1292:Teatro Olimpico 1288: 1279: 1272: 1239:Teatro Olimpico 1235: 1228: 1225: 1216: 1213: 1204: 1201: 1157: 1150: 1143: 1134: 1126: 1117: 1116:, Venice (1565) 1110: 1078: 1071: 1068: 1059: 1052: 1043: 1036: 1000: 991: 982: 976: 967: 961: 952: 949: 940: 929: 862:Daniele Barbaro 846: 844:Suburban villas 839: 836: 827: 824: 815: 809: 779: 772: 759: 690:Daniele Barbaro 682: 675: 669: 660: 651: 593: 586: 583: 574: 571: 562: 555: 546: 536: 508: 434: 428: 419: 413: 404: 397: 388: 381: 372: 292: 221: 214: 181: 177: 174:Andrea Palladio 145:Teatro Olimpico 143: 139: 135: 131: 127: 96: 90: 86: 77: 68: 62: 60: 59: 58: 48: 33: 32:Andrea Palladio 24: 17: 12: 11: 5: 5159: 5149: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5108: 5103: 5098: 5093: 5074: 5073: 5070: 5069: 5068: 5067: 5062: 5051: 5050: 5047: 5046: 5044: 5043: 5037: 5035: 5031: 5030: 5028: 5027: 5018: 5016: 5012: 5011: 5009: 5008: 4997: 4995: 4991: 4990: 4988: 4987: 4982: 4972: 4966: 4964: 4960: 4959: 4957: 4956: 4951: 4946: 4941: 4936: 4931: 4926: 4921: 4916: 4914:Villa Saraceno 4911: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4871: 4866: 4861: 4856: 4851: 4846: 4841: 4836: 4834:Villa Caldogno 4831: 4826: 4821: 4816: 4814:Villa Angarano 4810: 4808: 4804: 4803: 4801: 4800: 4795: 4790: 4788:Palazzo Thiene 4785: 4780: 4775: 4770: 4765: 4763:Palazzo Pojana 4760: 4755: 4750: 4748:Palazzo Civena 4745: 4740: 4735: 4730: 4725: 4720: 4715: 4709: 4707: 4701: 4700: 4693: 4691: 4689: 4688: 4678: 4673: 4668: 4663: 4653: 4645: 4639: 4634: 4630: 4628: 4624: 4623: 4616: 4615: 4608: 4601: 4593: 4587: 4586: 4579: 4574: 4559: 4554: 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4514: 4508: 4500: 4491: 4486: 4478: 4469: 4458: 4457:External links 4455: 4454: 4453: 4447: 4434: 4428: 4415: 4409: 4390: 4384: 4371: 4345: 4339: 4324: 4321: 4319: 4318: 4287: 4275: 4273:, 1993. p. 42. 4258: 4245: 4243:, pp. 74. 4228: 4216: 4203: 4184: 4165: 4158: 4132: 4102: 4090: 4078: 4058: 4033: 4021: 4009: 3993: 3991:(1994), p. 368 3980: 3965: 3953: 3938: 3931: 3911: 3899: 3887: 3875: 3863: 3851: 3839: 3813: 3781: 3769: 3754: 3737: 3725: 3718: 3698: 3691: 3668: 3642: 3620: 3603: 3580: 3578: 3575: 3574: 3573: 3568: 3561: 3558: 3557: 3556: 3541: 3530: 3519: 3512: 3501: 3490: 3479: 3464: 3445: 3422: 3411: 3406: 3403: 3388: 3387: 3380: 3379: 3378: 3377: 3376: 3361: 3358: 3351: 3344: 3337: 3330: 3319: 3308: 3297: 3290: 3279: 3268: 3253: 3242: 3235: 3228: 3217:Girolamo Schio 3213: 3204: 3201: 3200: 3199: 3193: 3186: 3184: 3178: 3171: 3169: 3163: 3156: 3153: 3152: 3149:Palazzo Ducale 3145: 3138: 3127: 3120: 3113: 3106: 3103: 3100: 3085: 3082: 3075: 3064: 3061: 3058:Giardini Salvi 3050: 3039: 3036: 3033: 3022: 3019:Palazzo Pojana 3015: 3008: 3005: 2998: 2991: 2988: 2981:Palazzo Thiene 2977: 2974:Palazzo Civena 2968: 2965: 2964: 2963: 2958: 2951: 2949: 2946:Villa Saraceno 2944: 2937: 2935: 2930: 2923: 2921: 2916: 2909: 2907: 2902: 2895: 2892: 2891: 2880: 2869: 2851: 2840: 2829: 2822:Cologna Veneta 2818: 2797: 2786: 2771: 2757: 2732: 2725: 2711: 2700: 2672: 2661: 2654:Villa Trissino 2644: 2631: 2610: 2599: 2581: 2570: 2555:Villa Angarano 2551: 2544:Villa Saraceno 2534: 2523: 2502: 2487: 2476: 2465: 2458:Villa Gazzotti 2447: 2426: 2416: 2409:Villa Trissino 2397: 2394: 2389: 2386: 2361:Thomas Aquinas 2316:Kedleston Hall 2304:Chiswick House 2272:Paolo Veronese 2224: 2223: 2217: 2210: 2208: 2202: 2195: 2193: 2187: 2180: 2170:Palazzo Thiene 2132: 2131: 2046: 2044: 2037: 2031: 2028: 2027: 2026: 2015: 2008: 2006: 1991: 1984: 1982: 1959: 1952: 1950: 1943: 1936: 1854:Farnese Palace 1790: 1787: 1770: 1767: 1766: 1765: 1754: 1747: 1745: 1735: 1728: 1726: 1715: 1708: 1662:Roman Republic 1657: 1654: 1653: 1652: 1645:Colen Campbell 1639: 1632: 1630: 1623: 1616: 1614: 1604: 1597: 1595: 1583:Chiswick House 1581: 1574: 1572: 1557: 1550: 1540:Chiswick House 1466:Main article: 1463: 1460: 1459: 1458: 1447: 1440: 1438: 1428: 1421: 1419: 1408: 1401: 1352: 1349: 1314: 1311: 1301: 1298: 1297: 1296: 1289: 1282: 1280: 1273: 1266: 1234: 1231: 1230: 1229: 1226: 1219: 1217: 1214: 1207: 1205: 1202: 1195: 1156: 1153: 1152: 1151: 1144: 1137: 1135: 1127: 1120: 1118: 1111: 1104: 1077: 1074: 1073: 1072: 1069: 1062: 1060: 1053: 1046: 1044: 1037: 1030: 1002: 1001: 992: 985: 983: 977: 970: 968: 965:Paolo Veronese 962: 955: 953: 950: 943: 941: 930: 923: 874:Paolo Veronese 845: 842: 841: 840: 837: 830: 828: 825: 818: 816: 810: 803: 778: 775: 774: 773: 771:(1642 edition) 760: 753: 681: 678: 677: 676: 670: 663: 661: 652: 645: 592: 589: 588: 587: 584: 577: 575: 572: 565: 563: 557:Facade of the 556: 549: 547: 539:Palazzo Thiene 537: 530: 507: 504: 496:barrel-vaulted 469:Palazzo Thiene 440:Villa Trissino 436: 435: 429: 422: 420: 414: 407: 405: 398: 391: 389: 382: 375: 371: 368: 320:Villa Trissino 291: 288: 278:are listed by 235:Andrea Paładio 169: 168: 165: 164: 152: 148: 147: 122: 118: 117: 114: 113: 110: 106: 105: 102: 98: 97: 91: 89:(aged 71) 85:19 August 1580 83: 79: 78: 69: 56: 54: 50: 49: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 5158: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5102: 5099: 5097: 5094: 5092: 5089: 5088: 5086: 5079: 5066: 5063: 5061: 5058: 5057: 5056: 5053: 5052: 5048: 5042: 5039: 5038: 5036: 5032: 5025: 5024: 5020: 5019: 5017: 5013: 5006: 5002: 4999: 4998: 4996: 4992: 4986: 4983: 4980: 4976: 4973: 4971: 4968: 4967: 4965: 4961: 4955: 4952: 4950: 4947: 4945: 4942: 4940: 4937: 4935: 4932: 4930: 4927: 4925: 4922: 4920: 4917: 4915: 4912: 4910: 4907: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4882: 4880: 4879:Villa Piovene 4877: 4875: 4872: 4870: 4867: 4865: 4864:Villa Foscari 4862: 4860: 4857: 4855: 4852: 4850: 4849:Villa Cornaro 4847: 4845: 4842: 4840: 4837: 4835: 4832: 4830: 4829:Villa Barbaro 4827: 4825: 4822: 4820: 4819:Villa Arnaldi 4817: 4815: 4812: 4811: 4809: 4805: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4783:Palazzo Schio 4781: 4779: 4776: 4774: 4771: 4769: 4768:Palazzo Porto 4766: 4764: 4761: 4759: 4756: 4754: 4751: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4729: 4726: 4724: 4721: 4719: 4716: 4714: 4711: 4710: 4708: 4706: 4702: 4697: 4686: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4664: 4661: 4657: 4654: 4652: 4651:and monastery 4649: 4646: 4643: 4640: 4638: 4635: 4632: 4631: 4629: 4625: 4621: 4614: 4609: 4607: 4602: 4600: 4595: 4594: 4591: 4584: 4580: 4578: 4575: 4573: 4569: 4565: 4564: 4560: 4558: 4555: 4553: 4550: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4528: 4525: 4523: 4520: 4518: 4515: 4512: 4509: 4504: 4501: 4499: 4498:Villa Cornaro 4495: 4492: 4490: 4487: 4482: 4479: 4473: 4470: 4464: 4461: 4460: 4450: 4444: 4440: 4435: 4431: 4429:9783836502894 4425: 4421: 4416: 4412: 4410:0-486-21308-0 4406: 4402: 4398: 4397: 4391: 4387: 4381: 4377: 4372: 4369: 4368:0-300-10909-1 4365: 4361: 4357: 4353: 4349: 4348:Hart, Vaughan 4346: 4342: 4340:2-08-011539-1 4336: 4332: 4327: 4326: 4306: 4302: 4298: 4291: 4285: 4279: 4272: 4268: 4262: 4255: 4249: 4242: 4237: 4235: 4233: 4225: 4220: 4213: 4207: 4200: 4196: 4193: 4188: 4181: 4177: 4174: 4169: 4161: 4159:0-15-503769-2 4155: 4151: 4146: 4145: 4136: 4120: 4116: 4112: 4106: 4099: 4094: 4087: 4082: 4076: 4072: 4069: 4062: 4047: 4043: 4037: 4030: 4025: 4018: 4013: 4005: 4004: 3997: 3990: 3984: 3977: 3972: 3970: 3962: 3957: 3951:, p. 94. 3950: 3945: 3943: 3934: 3928: 3925:. MIT Press. 3924: 3923: 3915: 3908: 3903: 3896: 3891: 3885:, p. 33. 3884: 3879: 3873:, p. 27. 3872: 3867: 3861:, p. 11. 3860: 3855: 3848: 3843: 3828: 3824: 3817: 3810: 3809:0-300-10909-1 3806: 3802: 3798: 3794: 3790: 3789:Hart, Vaughan 3785: 3779: 3773: 3766: 3761: 3759: 3752:, p. vi. 3751: 3750:Palladio 1965 3746: 3744: 3742: 3735:, p. 93. 3734: 3729: 3721: 3715: 3711: 3710: 3702: 3694: 3692:0-618-25210-X 3688: 3684: 3680: 3679: 3672: 3656: 3652: 3646: 3640: 3636: 3633: 3629: 3624: 3617: 3616:Palladio 1965 3612: 3610: 3608: 3591: 3585: 3581: 3572: 3569: 3567: 3564: 3563: 3554: 3550: 3546: 3542: 3539: 3535: 3531: 3528: 3524: 3520: 3517: 3513: 3510: 3506: 3502: 3499: 3495: 3494:Ponte Vecchio 3491: 3488: 3484: 3483:Rialto Bridge 3480: 3477: 3473: 3469: 3465: 3462: 3458: 3454: 3451:for the play 3450: 3446: 3443: 3439: 3435: 3431: 3427: 3423: 3420: 3416: 3412: 3409: 3408: 3399: 3395: 3390: 3384: 3374: 3370: 3366: 3365:Villa Barbaro 3362: 3359: 3356: 3352: 3349: 3345: 3342: 3338: 3335: 3331: 3328: 3324: 3320: 3317: 3313: 3309: 3306: 3302: 3298: 3295: 3291: 3288: 3284: 3280: 3277: 3273: 3269: 3266: 3262: 3258: 3254: 3251: 3247: 3243: 3240: 3236: 3233: 3229: 3226: 3222: 3218: 3214: 3211: 3207: 3206: 3196: 3190: 3185: 3181: 3175: 3170: 3166: 3160: 3155: 3154: 3150: 3146: 3143: 3139: 3136: 3132: 3128: 3125: 3121: 3118: 3114: 3111: 3107: 3104: 3101: 3098: 3094: 3090: 3086: 3083: 3080: 3079:Palazzo Schio 3076: 3073: 3069: 3065: 3062: 3059: 3055: 3051: 3048: 3044: 3040: 3037: 3034: 3031: 3027: 3023: 3020: 3016: 3013: 3009: 3006: 3003: 3002:Palazzo Porto 2999: 2996: 2992: 2989: 2986: 2985:Giulio Romano 2982: 2978: 2975: 2971: 2970: 2961: 2960:Villa Cornaro 2955: 2950: 2947: 2941: 2936: 2933: 2927: 2922: 2919: 2913: 2908: 2905: 2899: 2894: 2893: 2889: 2885: 2881: 2878: 2874: 2870: 2867: 2863: 2852: 2849: 2845: 2841: 2838: 2834: 2830: 2827: 2823: 2819: 2816: 2813:, Bagnolo di 2812: 2808: 2798: 2795: 2791: 2787: 2784: 2780: 2776: 2772: 2770: 2766: 2762: 2758: 2756: 2752: 2748: 2744: 2733: 2730: 2726: 2724: 2720: 2716: 2712: 2709: 2705: 2704:Villa Foscari 2701: 2699: 2695: 2691: 2687: 2683: 2682:Villa Barbaro 2673: 2670: 2666: 2662: 2659: 2655: 2645: 2642: 2641:Montegaldella 2632: 2629: 2625: 2621: 2611: 2608: 2607:Piombino Dese 2604: 2603:Villa Cornaro 2600: 2597: 2593: 2582: 2579: 2575: 2571: 2568: 2564: 2560: 2556: 2552: 2549: 2545: 2535: 2532: 2528: 2527:Villa Arnaldi 2524: 2521: 2517: 2513: 2503: 2500: 2499:Giulio Romano 2496: 2492: 2488: 2485: 2481: 2477: 2474: 2470: 2466: 2463: 2459: 2448: 2445: 2441: 2437: 2436:Villa Piovene 2427: 2425: 2421: 2417: 2414: 2410: 2406: 2405: 2403: 2393: 2385: 2383: 2379: 2378: 2372: 2370: 2366: 2362: 2356: 2354: 2350: 2346: 2342: 2338: 2334: 2328: 2326: 2321: 2317: 2314:, and Adam's 2313: 2312:Houghton Hall 2309: 2306:, Vanbrugh's 2305: 2301: 2297: 2293: 2292:Villa Foscari 2289: 2284: 2279: 2277: 2276:illusionistic 2273: 2269: 2268:Villa Barbaro 2263: 2261: 2257: 2253: 2249: 2245: 2241: 2237: 2233: 2229: 2220: 2214: 2209: 2205: 2199: 2194: 2190: 2184: 2179: 2178: 2177: 2175: 2174:large columns 2171: 2166: 2162: 2158: 2157:Palazzo Porto 2154: 2150: 2145: 2141: 2139: 2128: 2125: 2117: 2114:November 2019 2106: 2103: 2099: 2096: 2092: 2089: 2085: 2082: 2078: 2075: – 2074: 2070: 2069:Find sources: 2063: 2059: 2053: 2052: 2047:This section 2045: 2041: 2036: 2035: 2023: 2019: 2012: 2007: 2004:(1548–1549) 2003: 1999: 1996:, with round 1995: 1988: 1983: 1979: 1975: 1971: 1967: 1963: 1956: 1951: 1947: 1940: 1935: 1934: 1933: 1931: 1927: 1923: 1919: 1914: 1912: 1908: 1904: 1900: 1896: 1892: 1888: 1883: 1879: 1877: 1876: 1869: 1867: 1863: 1859: 1855: 1851: 1847: 1843: 1839: 1835: 1831: 1827: 1823: 1819: 1815: 1811: 1807: 1803: 1798: 1796: 1786: 1784: 1780: 1776: 1762: 1758: 1751: 1746: 1742: 1738: 1732: 1727: 1723: 1719: 1712: 1707: 1706: 1705: 1703: 1699: 1695: 1691: 1687: 1683: 1679: 1675: 1671: 1667: 1663: 1656:United States 1650: 1646: 1642: 1636: 1631: 1627: 1620: 1615: 1611: 1607: 1601: 1596: 1592: 1588: 1584: 1578: 1573: 1569: 1565: 1561: 1560:Queen's House 1554: 1549: 1548: 1547: 1545: 1544:Giacomo Leoni 1541: 1537: 1533: 1529: 1525: 1524:Richard Boyle 1521: 1517: 1512: 1510: 1506: 1505:Tsarskoe Selo 1502: 1498: 1497:Marble Bridge 1494: 1489: 1485: 1483: 1479: 1478:Queen's House 1475: 1469: 1455: 1451: 1444: 1439: 1436: 1432: 1425: 1420: 1416: 1412: 1405: 1400: 1399: 1398: 1396: 1392: 1388: 1387:Paretz Palace 1384: 1380: 1376: 1372: 1371: 1366: 1362: 1358: 1348: 1346: 1342: 1341: 1336: 1332: 1328: 1324: 1319: 1310: 1308: 1300:Personal life 1293: 1286: 1281: 1277: 1270: 1265: 1264: 1263: 1261: 1257: 1256: 1251: 1246: 1244: 1240: 1223: 1218: 1211: 1206: 1199: 1194: 1193: 1192: 1190: 1186: 1182: 1178: 1174: 1170: 1166: 1165:Villa Barbaro 1162: 1148: 1141: 1136: 1132: 1131: 1124: 1119: 1115: 1108: 1103: 1102: 1101: 1099: 1094: 1092: 1088: 1084: 1066: 1061: 1057: 1050: 1045: 1041: 1040:Villa Foscari 1034: 1029: 1028: 1027: 1025: 1024: 1018: 1014: 1010: 1006: 1005:Villa Foscari 998: 997: 989: 984: 980: 974: 969: 966: 959: 954: 947: 942: 938: 934: 933:Villa Barbaro 927: 922: 921: 920: 918: 914: 910: 906: 902: 898: 894: 890: 886: 881: 879: 875: 871: 867: 863: 859: 855: 851: 850:Villa Barbaro 834: 829: 822: 817: 813: 812:Villa Cornaro 807: 802: 801: 800: 798: 794: 790: 789: 788:villa rustica 784: 783:Villa Cornaro 770: 766: 765: 757: 752: 751: 750: 748: 744: 743: 738: 734: 729: 727: 726:Piombino Dese 723: 722:Villa Cornaro 719: 715: 711: 707: 703: 699: 695: 691: 687: 686:Pope Paul III 673: 667: 662: 659: 655: 649: 644: 643: 642: 640: 636: 632: 628: 623: 621: 617: 613: 609: 608:Doric columns 605: 601: 597: 581: 576: 569: 564: 560: 553: 548: 544: 543:Giulio Romano 540: 534: 529: 528: 527: 525: 521: 517: 513: 506:Urban palaces 503: 501: 497: 493: 489: 485: 481: 480:Villa Piovene 476: 474: 470: 466: 465:Giulio Romano 461: 458: 454: 453: 448: 443: 441: 432: 426: 421: 417: 416:Villa Piovene 411: 406: 402: 395: 390: 386: 379: 374: 373: 367: 365: 361: 357: 356:Pallas Athene 353: 352:Greek goddess 347: 345: 341: 337: 331: 329: 325: 321: 317: 312: 309: 305: 301: 297: 287: 285: 281: 277: 273: 268: 266: 265: 260: 256: 252: 248: 244: 240: 236: 232: 227: 219: 218: 208: 175: 166: 162: 158: 157: 153: 149: 146: 142: 138: 134: 130: 126: 125:Villa Barbaro 123: 119: 115: 111: 107: 103: 99: 94: 84: 80: 76: 72: 55: 51: 47: 41: 36: 29: 26: 22: 5078: 5021: 5004: 4978: 4924:Villa Thiene 4919:Villa Serego 4909:Villa Repeta 4894:Villa Pojana 4824:Villa Badoer 4718:Casa Cogollo 4684: 4659: 4637:Il Redentore 4619: 4562: 4476:(in English) 4467:(in English) 4438: 4419: 4395: 4375: 4359: 4355: 4351: 4330: 4323:Bibliography 4309:. Retrieved 4305:the original 4290: 4278: 4266: 4261: 4253: 4248: 4219: 4211: 4210:Watkin, D., 4206: 4187: 4168: 4143: 4135: 4123:. Retrieved 4119:the original 4114: 4105: 4093: 4081: 4061: 4049:. Retrieved 4045: 4036: 4024: 4017:Wundram 2009 4012: 4002: 3996: 3988: 3983: 3976:Wundram 2009 3961:Wundram 2009 3956: 3949:Wundram 2009 3921: 3914: 3907:Wundram 2009 3902: 3895:Wundram 2009 3890: 3883:Wundram 2009 3878: 3871:Wundram 2009 3866: 3859:Wundram 2009 3854: 3847:Wundram 2009 3842: 3830:. Retrieved 3826: 3816: 3800: 3796: 3792: 3784: 3772: 3767:, p. 8. 3765:Wundram 2009 3733:Wundram 2016 3728: 3708: 3701: 3677: 3671: 3659:. Retrieved 3654: 3645: 3623: 3618:, p. v. 3594:. Retrieved 3584: 3534:Porta Gemona 3492:1567; 1569: 3486: 3467: 3452: 3444:(attributed) 3434:Udine Castle 3426:Arco Bollani 3392:Panorama of 3348:Il Redentore 3341:Santa Corona 3289:(attributed) 3071: 3068:Casa Cogollo 3052:After 1556: 2862:Villa Serego 2811:villa Pisani 2806: 2790:Villa Repeta 2782: 2775:Villa Thiene 2743:Villa Badoer 2656:, Meledo di 2620:Villa Pisani 2574:Villa Pojana 2566: 2522:(attributed) 2491:Villa Thiene 2480:Villa Pisani 2438:, Lonedo di 2391: 2381: 2375: 2373: 2357: 2329: 2320:Paxton House 2310:, Walpole's 2296:Villa Badoer 2280: 2264: 2260:piano nobile 2259: 2252:Michelangelo 2225: 2146: 2142: 2135: 2120: 2111: 2101: 2094: 2087: 2080: 2068: 2056:Please help 2051:verification 2048: 2002:Villa Pojana 1946:Villa Badoer 1915: 1911:Villa Pojana 1884: 1880: 1875:piano nobile 1873: 1870: 1862:Michelangelo 1830:Pazzi Chapel 1826:Brunelleschi 1799: 1792: 1779:Henry Wotton 1772: 1722:Thomas Dawes 1670:Harvard Hall 1666:Thomas Dawes 1659: 1626:Wilton House 1606:Wilton House 1591:William Kent 1536:William Kent 1534:, who, with 1528:Earl of Cork 1513: 1488:Wilton House 1486: 1471: 1431:Parc Monceau 1395:World War II 1377:and his son 1368: 1354: 1344: 1338: 1326: 1322: 1320: 1316: 1303: 1253: 1247: 1236: 1158: 1147:Il Redentore 1146: 1145:Interior of 1130:Il Redentore 1128: 1095: 1079: 1023:trompe-l'œil 1021: 1017:piano nobile 1016: 1013:Brenta Canal 1003: 994: 981:(begun 1566) 939:(begun 1557) 893:Pope Pius IV 882: 847: 793:piano nobile 792: 786: 780: 768: 762: 746: 740: 736: 730: 714:Villa Pisani 683: 631:piano nobile 630: 624: 620:piano nobile 619: 616:piano nobile 615: 594: 561:(begun 1546) 523: 509: 490:, beneath a 484:Villa Pisani 477: 472: 462: 452:piano nobile 450: 444: 437: 387:(begun 1537) 370:Early villas 363: 359: 348: 332: 313: 299: 293: 270:The city of 269: 262: 253:, primarily 173: 172: 160: 154: 141:Il Redentore 87:(1580-08-19) 25: 5106:1580 deaths 5101:1508 births 4311:11 November 4241:Ducher 1988 4224:Ducher 1988 4192:Inigo Jones 4125:12 November 2904:Villa Porto 2884:Villa Porto 2858: 1585 2803: 1561 2739: 1555 2678: 1554 2665:Villa Porto 2650: 1553 2637: 1553 2616: 1552 2540: 1548 2508: 1546 2454: 1550 2432: 1539 2351:of exposed 2349:rustication 2024:(1565–1572) 1909:and in the 1895:entablature 1846:Greek Cross 1649:Villa Capra 1628:(1736–1737) 1610:Inigo Jones 1570:(1616–1635) 1568:Inigo Jones 1538:, designed 1493:Stowe House 1474:Inigo Jones 1454:David Gilly 1375:David Gilly 1255:Oedipus Rex 1177:bell towers 1169:Greek cross 1155:Last church 897:Pope Pius V 858:Marcantonio 674:(1565–1572) 482:(1539) and 403:(1537–1542) 302:(Venetian: 101:Nationality 5085:Categories 5005:attributed 4979:attributed 4954:Villa Zeno 4874:Villa Godi 4685:attributed 4681:Le Zitelle 4660:attributed 4098:Oudin 1994 4086:Oudin 1994 4029:Oudin 1994 3547:, for the 3474:, for the 3459:, for the 3334:Le Zitelle 2785:remaining) 2715:Villa Zeno 2628:Montagnana 2420:Villa Godi 2400:See also: 2337:Monticello 2256:Capitoline 2153:colonnades 2084:newspapers 1972:and round 1737:Monticello 1694:La Rotonda 1678:Monticello 1511:, Russia. 1450:Steinhöfel 1056:grotesques 917:Monticello 911:(1724) in 720:, and the 718:Montagnana 656:(1550) in 447:Villa Godi 401:Villa Godi 385:Villa Godi 354:of wisdom 340:Palestrina 109:Occupation 63:1508-11-30 4854:Villa Emo 4566:From the 4068:ISPRS.org 3478:, Vicenza 3468:Sofonisba 3463:, Vicenza 3329:(studies) 3252:, Venezia 3246:Refectory 3232:Cathedral 3197:, Vicenza 3182:, Vicenza 3167:, Vicenza 3024:c. 1555: 2932:Villa Emo 2807:barchesse 2783:barchessa 2761:Villa Emo 2567:barchesse 2548:Agugliaro 2464:, Vicenza 2462:Bertesina 2323:into the 2221:in Venice 2191:courtyard 2018:Mannerist 1926:Mannerism 1891:pilasters 1842:Tempietto 1818:pediments 1643:House by 1641:Stourhead 1564:Greenwich 1482:Greenwich 1335:Vitruvius 1313:Influence 1260:Sophocles 1233:Last work 878:nymphaeum 639:Mannerist 328:Vitruvius 255:Vitruvius 121:Buildings 112:Architect 4644:(façade) 4627:Churches 4294:Source: 4254:Palladio 4195:Archived 4176:Archived 4071:Archived 4051:30 April 3832:30 April 3635:Archived 3596:25 March 3560:See also 3449:Basilica 3350:, Venice 3307:, Venice 3263:and the 3261:cloister 3151:, Venice 2765:Vedelago 2719:Cessalto 2669:Dueville 2353:basement 2308:Blenheim 2232:Bramante 1920:and the 1903:Bramante 1858:Sangallo 1838:Bramante 1810:cornices 1769:Archives 1173:Pantheon 1112:Nave of 1076:Churches 901:porticos 694:Barbaros 520:Basilica 492:pediment 473:corbeaux 364:Wise one 360:Palladio 231:Venetian 222:Italian: 151:Projects 5060:Vicenza 5034:Related 4994:Jewelry 4705:Palazzi 4570:at the 3987:Oudin, 3661:6 March 3527:ex-voto 3436:), for 3327:Bologna 3223:in the 3056:in the 2967:Palaces 2734:1554 – 2686:Daniele 2240:portico 2234:in the 2098:scholar 1976:to the 1966:Vicenza 1828:in the 1814:loggias 1806:lintels 1612:(1650) 1462:England 1367:in his 1243:Vicenza 870:frescos 702:Foscari 698:Cornaro 658:Vicenza 612:cornice 600:Vicenza 516:Vicenza 460:1550s. 272:Vicenza 217:-dee-oh 104:Italian 5026:(1570) 4807:Villas 4445: 4426: 4407: 4382: 4366: 4337: 4156: 3929: 3807: 3716: 3689: 3657:. 2019 3532:1579: 3521:1578: 3481:1566: 3424:1556: 3415:Cismon 3398:Venice 3303:, for 3265:atrium 3030:Verona 2815:Lonigo 2684:, for 2658:Sarego 2622:, for 2565:; the 2531:Sarego 2484:Lonigo 2396:Villas 2288:podium 2138:stucco 2100: 2093: 2086: 2079: 2071: 1978:loggia 1899:oculus 1763:(1793) 1743:(1772) 1724:(1766) 1526:, 4th 1518:, and 1456:(1798) 1417:(1775) 1294:(1584) 1181:cupola 1009:Venice 999:, 1570 866:Veneto 797:niches 706:Pisani 704:, and 635:stucco 500:murals 488:frieze 457:loggia 433:(1542) 418:(1539) 362:means 344:Albano 336:Tivoli 280:UNESCO 5015:Books 3442:Udine 3405:Other 3373:Maser 3287:Padua 3047:Udine 2694:Maser 2248:giant 2105:JSTOR 2091:books 2000:, at 1998:oculi 1974:oculi 1822:domes 1507:near 1433:, by 1413:, by 937:Maser 889:canon 854:Maser 524:oculi 296:Padua 247:Roman 93:Maser 71:Padua 4585:1776 4443:ISBN 4424:ISBN 4405:ISBN 4380:ISBN 4364:ISBN 4358:and 4335:ISBN 4313:2013 4301:CISA 4154:ISBN 4127:2013 4053:2023 3927:ISBN 3834:2023 3805:ISBN 3799:and 3714:ISBN 3687:ISBN 3663:2019 3598:2013 3430:arch 3428:(an 2888:Malo 2729:Dolo 2708:Mira 2688:and 2318:and 2294:and 2281:The 2077:news 1960:The 1820:and 1589:and 1558:The 1185:dome 1159:The 931:The 913:Kent 895:and 860:and 625:The 342:and 249:and 82:Died 53:Born 4150:677 3470:by 3455:by 2860:): 2809:of 2590:): 2456:): 2335:'s 2302:'s 2254:'s 2060:by 1759:by 1720:by 1704:. 1672:at 1585:by 1566:by 1480:at 1452:by 1258:by 935:in 891:of 724:in 716:in 514:in 215:LAH 213:pə- 5087:: 4403:. 4299:. 4269:. 4231:^ 4152:. 4113:. 4044:. 3968:^ 3941:^ 3825:. 3757:^ 3740:^ 3681:. 3653:. 3630:, 3606:^ 3507:, 3496:, 3440:, 3417:, 3371:, 3325:, 3285:, 3219:, 3095:, 2855:c. 2824:, 2800:c. 2767:, 2753:, 2749:, 2736:c. 2721:, 2696:, 2692:, 2675:c. 2647:c. 2634:c. 2626:, 2613:c. 2585:c. 2537:c. 2518:, 2510:: 2505:c. 2451:c. 2442:, 2429:c. 2327:. 1964:, 1932:. 1816:, 1812:, 1808:, 1781:. 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