665:(2015): Yu Hua's most recent novel takes the deceased as the protagonist and depicts what the deceased saw and heard within seven days after death. Yu Hua portrays an absurd and desperate real world and an afterlife opposite to it. The protagonist Yang Fei died at the age of forty-one without adequate money for a burial plot, is left to aimlessly roam the afterworld as a ghost. Over the course of seven days, he encounters the souls of friends, family and acquaintances who died before him. Through the narrative and experience of the deceased, the novel exposes the cruel and corrupt realities, such as men disguised in females in prostitution, violent demolition, post-disaster concealment of the death toll, the hospital disposes of dead babies as medical wastes, etc. While other facets of human rights that are encroached during Yang Fei's exploration of limbo are police brutality, the violence of the sex industry, suicide, and the forced evictions of those suffering from poverty by the government. Yu Hua "got the idea that death is not the end of life but just a turning point" from living close to a mortuary as a child.
705:(2011): In a collection of ten essays, titled after a word he has deemed representative of the culture and politics of modern China, Yu Hua describes a "morally compromised nation," contrasting the Cultural Revolution events with post-Mao China's rapid developments and even discussing the origins of current events and the 1989 pro-democracy protest; Yu Hua did not publish the Chinese version of the essays novel in China. The ten words are "People", "Leader", "Reading", "Writing", "Lu Xun", "Revolution", "Disparity", "Grassroots", "Copycat", and "Bamboozle". Using these words, Yu Hua conducts a recollection of historical and cultural events that have made China what it is today, intermixed with autobiographical accounts of growing up during the Cultural Revolution. Each essay explains why the titular term is particular in order to further understand a controversial China. Yu Hua states that this work is "to bring together observation, analysis, and personal anecdote" for a critique of contemporary China.
466:'s style. He constantly draws from musical works when he composes his novels, using the characteristics of musical language to enrich his writing, thus making his fictional language full of musical rhythms, which is closely related to Yu Hua's musical literacy and musical hobbies. He also gained inspiration for his literary creation from musical pieces. For example, repetition of words is a narrative style Yu Hua favours. It is an important method for him to portray his characters' character traits and psychological changes, achieving a focused and concise language expression through the clever use of repetitive language techniques.
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586:(1992): In Yu Hua's first published novel, which is a first-person reminiscence of the protagonist Sun Guanglin in China under the reign of Mao. As a black sheep in society and his own family, he observes the consequences of Communist rule from a unique perspective of a resentful teenager. Readers are given a chance to revisit the meanings of family, friendship, marriage, fate, sex and birth through a child's perspective. The formatting and style of Yu Hua's first published level can be described as a "serpentine, episodic collection of anecdotes forming a kind of Maoist-era
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that he also has “milder stories” like “The Boy in
Twilight.” One of the key aspects of his writing is in dealing with the absurd. In an interview, he stated that “I am a realistic writer, and if my stories are often absurd, that’s simply because they are a projection of absurd realities.” As China has changed, he has started writing about the absurdities that come with it. In answering the criticisms that his writing is too violent, he responds that he is reflecting what he sees in reality, stating that “violence has long existed in my subconscious.”
381:, a small town that has been thought to be fairly monotonous, but much of Yu Hua's writing uses it as the setting behind his characters. Yu Hua has stated that writing makes him feel like he is going back to Haiyan; thus, many of Yu Hua's writing uses Haiyan as a story setting. After failing to enter the university, Yu Hua took a one-year program to become a dentist. He was a dentist for 6 years but then started writing more seriously when he grew bored of that lifestyle.
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are often set in small towns during historical periods that he experienced including China under
Chairman Mao's rule, the Civil War and Cultural Revolution, and post Mao capitalist China. Childhood is also a theme which appears often in his stories, but does not consequently lighten the subject matter. Yu Hua is known for his brutal descriptions of violence, cruelty and death as well as themes surrounding "the plight of China's underclasses" as seen in
598:(1993): An exaggerated realist fiction depicts the protagonist Xu Fugui has been constantly suffering in his life. Yu Hua's breakthrough novel follows the transformation of a landlord's spoiled son witnessing the brutality and hardships of the Civil War and Cultural Revolution. The body of the book is formatted by the main character, Fugui, recounting his story to an unnamed narrator in the 1980s, while the story itself takes place between the
501:. He is known for his delicacy and sharpness. As a pioneer writer, Yu Hua's thinking in the face of reality and life is not to stay in some public imaginary happiness state, but to consciously pass through all kinds of ordinary happiness appearance, and to enter the more secret soul level to torture and question the original state of life. Thus, his novels rebel against the traditional writing mode and aesthetic style to a new height.
392:, among others. He stated that by reading Kawabata's work, he understood that the point of writing was to show human feelings. However, there is also a deep connection that Yu Hua has with his country and its history. His writing reflects that. In an interview with The New Yorker, he stated that, “My writing is always changing, because my country is always changing, and this inevitably affects my views and feelings about things.”
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441:'s novels, "the essential nature of writing was to free yourself. If the great masters can unfetter themselves, why can't we?" In this same work, he prides himself on his simultaneous expression of tragedy and comedy. Yu Hua also frequently engages in diverse attitudes of aesthetic modernity in his works, earning him the reputation of being a catalyst.
653:, that only virgins can participate in. Over the many decades of the novel, Baldy Li begins an affair with Song Gang's wife, Lin Hong, who he has admired for years. Later, the brothers are united to resolve their differences. The book was inspired by Yu Hua's trip to the United States in 2003, during which he observed China prepare for hosting the
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1980s, Yu Hua was regarded as one of the most promising avant-garde or post-trendy writers, and many critics considered him perhaps the best example of
Chinese yuan novels or post-modern writing. In the late 1990s, he plowed through a series of short stories, novellas and novels in which his style seemed to shift slightly toward the traditional "
620:, partakes in the illicit act of selling his blood to support his dysfunctional family during a period of famine from the Cultural Revolution. As the story develops, Xu Sanguan must put aside his bitterness towards his wife Xu Yulan and the illegitimate son she gave birth to, Yile, under the guise that he was Xu Sanguan's child. The title
1043:"By the time I began to read him, he had two late 20th-century novels under his belt that had each earned critical raves. The first of these, To Live, was made into an acclaimed film directed by Zhang Yimou, while the second, Chronicle of a Blood Merchant, was hailed by many as one of the best novels published in China in the 1990s."
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Most of Yu Hua's novels are centred around the
Cultural Revolution, either as the setting, a contextual reference, or as a literary device. Yu Hua was born in 1960, and his childhood memories are the Cultural Revolution. Yu Hua said, "My novel creation is closely related to childhood and juveniles."
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serves as a criticism to the class disparity in China, a disparity that is so severe it continues to exist even in the afterlife, as a result of government corruption and a "country's headlong affair with consumerism". Other facets of human rights that are encroached during Yang Fei's exploration of
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Yu Hua's novels in this period make a deep and detailed analysis of human evil and violence, instinct and desire, tradition and history. It mainly reveals the evil of human nature and a series of cruel, violent and bloody events caused by the evil of human nature. "1986", "One Kind of
Reality", "The
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Yu Hua is a contemporary avant-garde writer formally introduced to the literary world with the publication of "On the Road at
Eighteen". This short story takes pains to highlight what the narrator sees, thinks and feels in moments of confusion and cruelty. It describes the feeling that the world has
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Heavily inspired and affected by the
Cultural Revolution, the theme of modern Chinese history is prevalent in Yu Hua's writing. Yu Hua's work is very traditional, with psychologized storylines that investigate and illustrate the challenges of cultural disintegration and identity loss and his stories
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Yu Hua's personal life was heavily influenced by the changes that China has gone through, which is perhaps why many of his early texts often portray the world as cold and ruthless, marked by graphic descriptions of physical violence and bodily mutilation. He stated in an interview that he grew up in
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took place from the ages of seven to seventeen. It is for this reason that many of his works include the violence and chaos that were prevalent at the time. In his own words, “a calm, orderly society cannot produce such great works,” which is why one of the distinctive characteristics of his work is
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in which he describes issues about China. Many of his writings have been known for their violence, but he is also known for some of his more intimate style. For example, the book, he stated in an interview that the book “To Live,” addresses “the cruelty and violence of the
Cultural Revolution,” but
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Yu Hua is interested in the interplay of diverse meaning constructions, particularly between imagination and reality. Yu Hua's personal life is deeply reflected in his writing as a direct influence from the socio-economic challenges throughout his youth. There are many elements in Yu Hua's writings
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consists of two volumes following the childhood of two step-brothers during the
Cultural Revolution and life in post-Mao, capitalist China. Baldy Li is the protagonist, a town scoundrel that evolves into the nation's top entrepreneur. His rags to riches story opposes that of his step-brother Song
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Yu Hua has deepened the rational reflection of human beings on the situation of their lives in the form of novels, which has caused a lot of shock and attention in the literary world and among the readers. Therefore, he has become the representative of the avant-garde novels in China. In the late
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In the beginning of his career, he was not successful at gaining traction with readers due to the complexity of his work. He aimed to demonstrate the dark side of human psychology and society in a non-traditional way. He changed his style after he started to gain traction in the writing world and
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until the death of his last remaining relative. In order of appearance, his relatives are his parents, his wife
Jiazhen, daughter Fengxia, son Youqing, son-in-law Erxi, and his only grandchild Kugen who is the last to die. Over the events of the book that follows the historical timeline of China
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elements into his work. He is known to use dark humour and strange modes of perception and description in his writing. The linguistic humour of Yu Hua's novels is gray humour in extreme contrast, a kind of zero-degree emotional narration, and this humour often receives a surprisingly effective
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that could have been influenced by his life. He is considered to belong to the “generation of the 60s,” which refers to writers that spend their whole childhood and teenage years during the Cultural Revolution. He was born in Hangzhou, but he spent his formative years in the Wuyuan Township in
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in 2003, named after the protagonist "Fu Gui". The movie and novel emphasize two ways of "living" through exposing harsh realities underneath the facade of life and pondering the significance of existing. The television adaptation followed the tragedies in the original storyline more closely,
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and the Cultural Revolution, which lead to the many deaths in Fu Gui's family as they experience poverty, illness, and the malpractice of medicine. The novel was originally banned in China due to its exaggerated realism writing style but was later named one of that nation's most influential
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styles, his style of writing and communication breaks the everyday rule of linguistics to form, in a sense, its own linguistic system. With its complex foundations, Yu Hua's work has been successful at constructing mysterious and rich literary universes in both fiction and non-fiction.
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adjusted his work away from over-complexity due to readers finding his work difficult to understand. After his adjustments, he focused on injecting the right amount of modern ideologies into his work, which is primarily constructed on the narration of "realistic societies".
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expression. He creates humour mainly through the context, the situation, the context of the times, and the national cultural tradition. He has been influenced by music, with a particular interest in classical, and the narrative structure of music; in fact,
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of France in 2004. That same year, Yu Hua was awarded the Barnes & Noble Discovery Great New Writers Award (2004) and in 2005, took home the Special Book Award of China. Since then, he has also won the Prix Courrier International (2008) for his novel
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and the economy’s explosive takeoff in the 90s, and then came the fantastic wildness of the new century and our worldview and our value system were both turned upside down.” He has also said that childhood experiences will impact the life of a writer.
728:, Yu Hua directly talks about what happened to a family during the Cultural Revolution. In these books, we can understand the harm of the Cultural Revolution to human nature and clearly understand the mistakes made during the Cultural Revolution.
552:", "Classical Love", "World Like Mist", "The Past and the Punishments", "1986", "Blood and Plum Blossoms", "The Death of a Landlord", and "Boy in the Twilight" along with 13 other works. Other anthologies with these works include
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Inevitable" and other early works are his almost brutal indifference tone of the real and detailed fictional violence, blood and death, so as to show the human nature of violence, desire and the desire of the impulse.
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avoiding the casting of big names in order to effectively portray the simplicity of civilian life in revolution era China. Each have their own virtues, but the public seems to prefer the movie. In 2015,
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Yu Hua has written five novels, six collections of stories, and three collections of essays. His works have sold around a total of nine million copies and have been translated into over 20 languages.
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Yu Hua is to remove the modification of this kind of human nature, for the reader to open a pry human blood dripping window, to let the reader understand this is not in the meaning of the vacancy.
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Gang, who although is known for being so similar to his chivalrous and smart father, gets hit by the brunt of the Cultural Revolution and suffers as a wandering man who partakes in unlicensed
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rather than farming. Another great contrast is the death of Youqing being from a car accident involving himself and the Magistrate Chunsheng. The same novel was adapted by Zhu Zheng as a
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Among avant-garde novelists, Yu Hua is exemplary in that he is able to combine the ludicrous together with poetic violence to challenge the philosophical idea of
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912:. Yuhua District, Changsha, Hunan: Integrated Media Center of the Hunan Provincial Committee of the Chinese People's Political Consultative Conference: 64–65.
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Anne Wedell-Wedellsborg, “One Kind of Chinese Reality: Reading Yu Hua. ”Chinese Literature: Essays, Articles, Reviews, Vol. 18 (Dec., 1996), pp. 129- 143.
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a time when China went through many different changes in a relatively short period of time. He said, “I grew up during the Cultural Revolution. Then came
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for five years before turning to fiction writing in 1983 because he didn't like "looking into people’s mouths the whole day." For Yu Hua, the
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Yu Hua's description of the Cultural Revolution is indifferent, no matter whether it is describing violence or death. For example, the novel
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568:(2014), translated by Allan H. Barr; On the Road at Eighteen (1991); Summer Typhoon (1993); Shudder (1995); and the three volumes of
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In recent years, Yu Hua has dedicated many of his works about China itself, both aimed at China and East Asia, and then also the
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616:(1995) follows a struggling cart-pusher and portrays the hardships of life under the leadership of Mao's China. Xu Sanguan, the
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wrote, "When people ask me to suggest a novel dealing with the rise and rule of China's Communist Party, I point them toward
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Originally published in literary journals, these stories were subsequently anthologized in different collections in both
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Yu Hua's work has been successful at constructing mysterious and rich literary universes in both fiction and
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1731:"Doing things right with Communist Party language: An analysis of Yu Hua's exploitation of Mao-era rhetoric"
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Moen, M. O. (1993). Blurring the lines : postmodernism and the use of tradition in the works of Yu Hua.
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shredded its own integrity, and thus unveils a broken traditional view of reality based on surrealism.
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Wang, Xiao xia (2009). "ook from the "xu through selling blood, yu hua the change of writing style".
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practices in South China. These cosmetic surgeries eventually influence Baldy Li's newly established
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1029:"The Odd Couple: On Political Dissent and the Remarkable Similarities Between Mark Twain and Yu Hua"
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Yu Hua is regarded as one of the greatest living Chinese writers. Jeffrey Wasserstrom of the
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Yu Hua's writing style focuses on quality over quantity. Known by its complexity and unique
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uses an objective narrative style to describe the suffering of the Cultural Revolution. In
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Zhang, Xiaoran. “Stranger than Fiction: A Q & A with Yu Hua.” China File (02/21/2014)
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Turturici, Armando. “The Writer Yu Hua: His Life and Most Important Works.” (01/04/2019)
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writer in 1983, his first breakthrough came in 1987, when he released the short story "
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Leung, Laifong. Contemporary Chinese Fiction Writers. New York: Routledge (2017) 284.
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Leung, Laifong. Contemporary Chinese Fiction Writers. New York: Routledge (2017) 283.
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289:; born April 3, 1960) is a Chinese author, widely considered the foremost writer of
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548:(2017), including 21 stories. It features his most notable short stories such as "
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Treisman, Deborah. “The Week in Fiction: Yu Hua.” The New Yorker (08/18/2013)
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was adapted into a Korean language film, both directed by and starring actor
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1846:"Ghosts and their contemporary return: the case of Yu Hua's The Seventh Day"
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330:(2005–06) received mixed reviews domestically, but positive reviews abroad.
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and Mainland China. The most complete collection of his stories to date is
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that took place in the years that Yu Hua was writing his sophomore novel.
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Four years later, Yu Hua became the first Chinese writer to receive the
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Yu, Hua; Chow, Eileen Cheng-yin (trans); Rojas, Carlos (trans) (2009).
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https://www.newyorker.com/books/page-turner/this-week-in-fiction-yu-hua
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Yu Hua has stated that his writing has been heavily influenced by both
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2042:""An Analysis of the "Cultural Revolution Memory" in Yu Hua's Works"
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2137:"Prix courrier international. Yu Hua lauréat 2008 avec "Brothers""
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Cries in the Drizzle by Yu Hua , Allan H. Barr | Kirkus Reviews
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1068:"On Brothers and Chaotic Aesthetics: An Interview with Yu Hua"
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Zhao, Yiheng (Summer 1991). "Yu Hua: Fiction as Subversion".
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GoodReads. “Interview With Yu Hua.” GoodReads (01/06/2015).
904:[Yu Hua: A "Comedian" Who Gives Sorrow to Readers].
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his penchant for detailed descriptions of brutal violence.
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and won the Best Foreign Language Works Award of the 2022
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was then published in English in 2003 and earned him the
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1895:(reprint ed.). Knopf Doubleday Publishing Group.
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https://www.goodreads.com/interviews/show/1001.Yu_Hua
324:(1995) were widely acclaimed. While other works like
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2289:Shouhuo 收获 1992, No. 6 (zhongpian xiaoshuo) 中篇小说 .
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690:of those suffering from poverty by the government.
636:(2005): Described as "an epic and wildly unhinged
293:fiction and one of the greatest living authors in
2286:Shouhuo 收获 1991, No. 6 (changpian xiaoshuo) 长篇小说.
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2576:Boy in the Twilight: Stories of the Hidden China
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1604:Guo, Yuan (2004). "On the vanguard of yu hua".
1214:(Interview). Interviewed by Michael Standaert.
2803:"Stranger Than Fiction: A Q&A with Yu Hua"
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2777:(Interview). Interviewed by Michael Standaert
2570:"Huhan yu xi yu" 呼喊与细雨 (Shouts and Fine Rain)
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805:(1994) was directed by the highly esteemed
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2293:Yu, Hua; Jones, Andrew F. (trans) (1996).
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2707:"How My Books Have Roamed the World", in
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762:as his first award in 1998 for his novel
640:of modern Chinese society running amok",
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2928:21st-century Chinese short story writers
2616:Yu, Hua; Barr, Allan H. (trans) (2015).
2574:Yu, Hua; Barr, Allan H. (trans) (2014).
2514:Yu, Hua; Barr, Allan H. (trans) (2011).
2423:Yu, Hua; Barr, Allan H. (trans) (2003).
2359:Yu, Hua; Berry, Michael (trans) (2003).
2266:"Only the River Flows - Rotten Tomatoes"
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562:(1996), translated by Andrew F. Jones;
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2824:"EAA Interview with Yu Hua, author of
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1430:Yu, Hua (2003). Berry, Michael (ed.).
770:(2002). Originally published in 1993,
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408:. He also writes a monthly column for
2020:. Toronto: Anchor Books. pp. x.
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1954:Mishan, Ligaya (November 10, 2011).
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1027:Wasserstrom, Jeffrey (2015-08-21).
783:which was also shortlisted for the
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2790:A conversation with Yu Hua at UCLA
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2948:Short story writers from Zhejiang
2938:20th-century Chinese male writers
2715:
1218:from the original on 2 April 2015
1107:"余华《活着》十年销量近600万 获作家出版社超级畅销奖-新华网"
1046:
999:
957:
875:from the original on 2 April 2015
836:. A film adaptation of Yun Hua's
453:and also incorporates pre-modern
2908:Chinese male short story writers
2750:
2736:
2722:
2052:from the original on 2019-11-05.
863:Johnson, Ian (11 October 2012).
53:
2855:
2258:
2226:
2199:
2173:
2155:
2128:
2034:
2009:
1970:
1947:
1936:from the original on 2019-11-05
1909:
1821:
1796:
1785:from the original on 2019-11-05
1769:
1722:
1711:from the original on 2018-03-22
1693:
1682:from the original on 2018-03-22
1667:
1651:. University of Hawai'i Press.
1616:
1581:from the original on 2018-03-22
1563:
1552:from the original on 2018-03-22
1534:
1523:from the original on 2018-09-02
1486:"先锋作家余华小说的语言艺术分析--《芒种》2013年19期"
1466:
1448:
1341:
1278:
1269:
1260:
1196:
1185:from the original on 2018-03-21
1104:
2693:
2689:World Like Mist: Eight Stories
2679:
2674:
2655:
2650:
2608:
2603:
2556:
2551:
2547:
2492:
2487:
2349:
2344:
2328:
2323:
1979:"China Through Yu Hua's Prism"
1918:"'The Seventh Day,' by Yu Hua"
1098:
1084:10.1080/21514399.2011.11833938
887:
829:Chronicles of a Blood Merchant
789:Yasnaya Polyana Literary Award
488:
462:uses techniques borrowed from
449:Yu Hua has been influenced by
285:
276:
268:
250:
242:
73:
1:
2775:International Writing Program
2394:Chronicle of a Blood Merchant
2205:
1829:Chronicle of a Blood Merchant
1673:
1606:Journal of Xingtai University
1372:Chronicle of a Blood Merchant
1212:International Writing Program
849:
776:Ordre des Arts et des Lettres
748:Chronicle of a Blood Merchant
622:Chronicle of a Blood Merchant
613:Chronicle of a Blood Merchant
460:Chronicle of a Blood Merchant
429:Chronicle of a Blood Merchant
336:
321:Chronicle of a Blood Merchant
300:Shortly after his debut as a
228:Ordre des Arts et des Lettres
195:Chronicle of a Blood Merchant
2801:Yu, Hua (21 February 2014).
2711:(Chinese 2016, English 2017)
2295:The Past and the Punishments
2135:Bao, Xinjing (11 Nov 2003).
1827:Jones, Andrew F. Afterword.
1648:The Past and the Punishments
1625:Era Literature (Second Half)
1150:(1 ed.). Anchor Books.
869:The New York Review of Books
731:
560:The Past and the Punishments
7:
2557:Shí Gè Cíhuì Lǐ De Zhōngguó
2550:; traditional Chinese:
943:Contemporary Authors Online
739:Los Angeles Review of Books
306:On the Road at Age Eighteen
10:
2969:
2766:Yu, Hua (30 August 2003).
2500:Chinese Writers on Writing
2434:. New York: Anchor Books.
2368:. New York: Anchor Books.
2139:. Courrier International.
1916:Kalfus, Ken (2015-03-20).
1844:Huang, Yiju (2016-06-01).
1571:"资料介绍：话剧《活着》原著余华_影音娱乐_新浪网"
1203:Yu, Hua (30 August 2003).
906:Culture and History Vision
345:Yu Hua speaks at the 2023
61:Singapore Writers Festival
25:
18:
16:Chinese author (born 1960)
2943:21st-century male writers
2656:Shíbā Suì Chūmén Yuǎnxíng
2546:(simplified Chinese:
2329:Shíbā Suì Chūmén Yuǎnxíng
2169:(in Chinese). 2022-09-26.
1956:"China as Paper Republic"
1862:10.1007/s11059-016-0330-4
1807:. Toronto: Anchor Books.
896:
813:swept awards at the 1994
753:
694:
575:
421:
236:
213:
182:
172:
158:
150:
140:
132:
122:
108:
81:
67:
52:
45:
2647:Leaving Home at Eighteen
2620:
2578:
2520:
2508:Trinity University Press
2463:
2429:
2397:
2365:
2320:Leaving Home at Eighteen
2075:Man Asian Literary Prize
1747:10.1177/0920203X11432536
1072:Chinese Literature Today
901:
846:, was released in 2023.
840:directed by Wei Shujun,
785:Man Asian Literary Prize
600:Second-Sino Japanese War
570:Yu Hua's Collected Works
550:Leaving Home at Eighteen
546:I Don't Have My Own Name
519:
444:
145:Lu Xun Literature School
71:
2863:"我的书游荡世界的经历 | Specimen"
2822:Yu, Hua (Winter 2003).
2768:"Interview with Yu Hua"
2671:Blood and Plum Blossoms
2341:Blood and Plum Blossoms
1205:"Interview with Yu Hua"
1175:"Interview with Yu Hua"
795:TV and film adaptations
536:Short story collections
2923:Chinese male novelists
2623:. New York: Pantheon.
2581:. New York: Pantheon.
2525:. New York: Pantheon.
2502:featuring Yu Hua. Ed.
2466:. New York: Pantheon.
2400:. New York: Pantheon.
2270:www.rottentomatoes.com
1729:Li, Hua (2012-03-01).
1370:Yu, Hua (9 Nov 2004).
1242:World Literature Today
678:, the violence of the
657:competition from afar.
572:(1994), among others.
555:The April 3rd Incident
349:
231:2004
225:2002
219:1992
2913:Writers from Hangzhou
2609:Huánghūn lǐ de nánhái
973:Rocky Mountain Review
838:Mistakes by the River
760:Grinzane Cavour Prize
344:
2839:Education About ASIA
2427:Cries in the Drizzle
1676:"迄今收入余华短篇篇目最全的小说集出版"
1402:Cries in the Drizzle
843:Only the River Flows
815:Cannes Film Festival
758:Yu Hua received the
583:Cries in the Drizzle
312:writing. His novels
208:Cries in the Drizzle
2163:"余华长篇小说《兄弟》 在俄罗斯得奖"
715:Cultural Revolution
565:Boy in the Twilight
370:Cultural Revolution
347:Hong Kong Book Fair
273:traditional Chinese
248:Mother: Yu Peiwen (
240:Father: Hua Zizhi (
59:Yu Hua at the 2005
19:For the rower, see
2773:University of Iowa
2518:China in Ten Words
2110:The New York Times
2018:China in Ten Words
1977:Wu, Yenna (2012).
1922:The New York Times
1354:2018-03-21 at the
1335:2015-02-24 at the
1313:2017-06-01 at the
1291:2019-11-05 at the
1210:University of Iowa
1033:LA Review of Books
702:China in Ten Words
624:refers to China's
528:from the original
410:The New York Times
398:Reform and Opening
350:
265:simplified Chinese
2807:ChinaFile Culture
2630:978-0-804-19786-1
2588:978-0-307-37936-8
2566:978-986-120-477-2
2532:978-0-307-37935-1
2473:978-0-375-42499-1
2441:978-0-307-27999-6
2407:978-0-375-42220-1
2375:978-1-400-03186-3
2071:, 2008 Shortlist"
2027:978-0-307-73979-7
1735:China Information
1157:978-0-307-38606-9
768:James Joyce Award
390:Yasunari Kawabata
258:
257:
222:James Joyce Award
173:Literary movement
2960:
2903:Chinese dentists
2878:
2877:
2875:
2874:
2859:
2850:
2848:
2846:
2836:
2818:
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2784:
2782:
2760:
2755:
2754:
2746:
2744:Biography portal
2741:
2740:
2739:
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2727:
2726:
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2695:
2681:
2676:
2673:" (Chinese:
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2346:
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2316:
2274:
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2256:
2255:
2253:
2251:
2242:. Archived from
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2016:Hua, Yu (2012).
2013:
2007:
2006:
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1968:
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1891:Yu, Hua (2016).
1888:
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1803:Hua, Yu (1993).
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1645:Yu, Hua (1996).
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1406:. Anchor Books.
1405:
1398:Yu, Hua (2007).
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1190:
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1161:
1146:Yu, Hua (2010).
1143:
1126:
1125:
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1122:
1113:. Archived from
1102:
1096:
1095:
1063:
1044:
1042:
1040:
1039:
1024:
1015:
1012:
997:
996:
967:Li, Hua (2013).
964:
955:
954:
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935:
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902:余华：将悲伤送给读者的“喜剧人”
899:
898:
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884:
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823:television drama
688:forced evictions
676:police brutality
647:cosmetic surgery
530:Mandarin Chinese
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2281:Further reading
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2010:
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1971:
1952:
1948:
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1893:The Seventh Day
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1701:"Kirkus Review"
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1546:ent.sina.com.cn
1540:
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1513:"Writer Yu Hua"
1511:
1510:
1503:
1494:
1492:
1490:www.cnki.com.cn
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1356:Wayback Machine
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1315:Wayback Machine
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1293:Wayback Machine
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819:shadow puppetry
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710:Political views
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667:The Seventh Day
662:The Seventh Day
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455:Chinese fiction
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352:Yu was born in
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2694:Shi shi ru yan
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2680:Xiānxuè Méihuā
2677:; pinyin:
2667:
2664:Classical Love
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2653:; pinyin:
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2606:; pinyin:
2602:(Chinese:
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2350:Xiānxuè Méihuā
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2343:(Chinese:
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2336:Classical Love
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1248:(1): 415–420.
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1181:. 2015-01-06.
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2618:Seventh Day
2208:"存在之思与现实之痛"
2046:Wenku Baidu
1542:"论余华小说创作特点"
1222:15 November
900:) (2022).
834:Ha Jung-woo
807:Zhang Yimou
618:cart-pusher
489:Avant-garde
471:non-fiction
386:Franz Kafka
318:(1993) and
291:avant-garde
205:(2005–2006)
177:Avant-garde
133:Nationality
68:Native name
32:family name
2887:Categories
2873:2018-10-20
2504:Arthur Sze
2234:"许三观.韩语中字"
1940:2019-11-05
1850:Neohelicon
1789:2019-11-05
1715:2018-03-22
1686:2018-03-22
1585:2018-03-21
1556:2018-03-21
1527:2018-03-21
1495:2021-12-06
1381:1400031850
1189:2018-03-21
1121:2023-11-17
1038:2020-08-06
850:References
686:, and the
655:Miss World
605:Mao Zedong
482:linguistic
337:Background
109:Occupation
88:1960-04-03
2639:883747924
2597:841899112
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1930:0362-4331
1878:163335788
1870:1588-2810
1763:145613438
1755:0920-203X
1678:. 中华读书报.
1179:Goodreads
1092:194818301
985:1948-2825
918:1672-8653
732:Reception
464:Yue opera
366:dentistry
237:Relatives
2867:Specimen
2845:12 March
2813:12 March
2552:十個詞彙裡的中國
2548:十个词汇里的中国
2521:十个词汇里的中国
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2493:Xiōng Dì
2460:Brothers
2416:51978096
2384:51752247
2313:45727784
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2218:21 March
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2191:21 March
2185:Archived
2147:20 March
2141:Archived
2120:12 March
2114:Archived
2112:. 2014.
2106:"Yu Hua"
2079:Archived
2077:. 2011.
2069:Brothers
2050:Archived
2003:44288977
1964:Archived
1934:Archived
1783:Archived
1709:Archived
1680:Archived
1659:22 March
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1550:Archived
1521:Archived
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879:12 March
873:Archived
781:Brothers
764:To Live.
726:Brothers
642:Brothers
633:Brothers
499:humanism
434:Brothers
362:mortuary
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354:Hangzhou
327:Brothers
202:Brothers
123:Language
117:essayist
113:Novelist
102:Zhejiang
98:Hangzhou
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2826:To Live
2795:Profile
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2324:十八岁出门远行
2239:YouTube
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744:To Live
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315:To Live
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608:books.
576:Novels
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286:Yú Huá
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191:(1993)
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1759:S2CID
1250:JSTOR
1105:陈凯茵.
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439:Kafka
295:China
167:prose
163:Novel
159:Genre
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2783:2011
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2675:鮮血梅花
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