Works of Rabindranath Tagore

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art and there are several references to this in his early letters and reminiscence. In 1900 for instance, when he was nearing forty and already a celebrated writer, he wrote to Jagadishchandra Bose, "You will be surprised to hear that I am sitting with a sketchbook drawing. Needless to say, the pictures are not intended for any salon in Paris, they cause me not the least suspicion that the national gallery of any country will suddenly decide to raise taxes to acquire them. But, just as a mother lavishes most affection on her ugliest son, so I feel secretly drawn to the very skill that comes to me least easily.‟ He also realized that he was using the eraser more than the pencil, and dissatisfied with the results he finally withdrew, deciding it was not for him to become a painter.

3516: 1304: 1519: 1495: 64: 2831: 1306: 1286: 1305: 1279:," it is believed that on December 27, 1931, Dhurjatiprasad Mukhopadhyay wrote an essay titled “রবীন্দ্রনাথের সংগীত” (Rabindranath’s Music) for Tagore’s 70th birth anniversary, where the term “Rabindrasangeet” was used for the first time. In January 1935, Kanak Das’s recording P11792, featuring “মনে রবে কিনা রবে আমারে” (“Whether or not I remain in your recollection”) and “কাছে যবে ছিল পাশে হল না যাওয়া” (“When you were near, I couldn’t reach you”), first used “Rabindrasangeet” on the label. 670: 686: 946: 1303: 20: 216:, an earlier novella of his. "A forthright denunciation of a meaningless cruel superstitious rite", the Bengali originals feature intricate subplots and prolonged monologues that give play to historical events in seventeenth-century Udaipur. The devout Maharaja of Tripura is pitted against the wicked head priest Raghupati. His latter dramas were more philosophical and allegorical in nature; these included 170:

on the bank and walks on through the rye; then comes the sugarcane field and he disappears into the narrow lane cutting through the tall stems of sugarcanes; then he reaches the open meadow where the cricket chirps and where there is not a single man to be seen, only the snipe wagging their tails and poking at the mud with their bills. I can feel him coming nearer and nearer and my heart becomes glad.

1295: 433:(The letter from the wife) was one of the earliest depictions in Bengali literature of bold emancipation of women. Mrinal is the wife of a typical Bengali middle-class man. The letter, written while she is traveling (which constitutes the whole story), describes her petty life and struggles. She finally declares that she will not return to her 320:; "Bunch of Stories"), which itself is a collection of eighty-four stories. Such stories usually showcase Tagore's reflections upon his surroundings, on modern and fashionable ideas, and on interesting mind puzzles (which Tagore was fond of testing his intellect with). Tagore typically associated his earliest stories (such as those of the " 312:" ("The Beggar Woman"). With this, Tagore effectively invented the Bengali-language short story genre. The four years from 1891 to 1895 are known as Tagore's "Sadhana" period (named for one of Tagore's magazines). This period was among Tagore's most fecund, yielding more than half the stories contained in the three-volume 1605:, for the first time makes the paintings of Tagore accessible to art historians and scholars of Rabindranth with critical annotations and comments It also brings together a selection of Rabindranath's own statements and documents relating to the presentation and reception of his paintings during his lifetime. 1443:" initiative, launched on May 9, 2023. This project promotes Rabindranath Tagore's cultural heritage by releasing 100 selected songs, translated and sung by Mookhopadhayay, along with detailed anecdotes, appreciations, blogs, critical essays, and research papers, making Tagore’s works accessible globally. 186:

village song, "Ferryman, take me to the other shore of the river." It may come at any moment of life, though the child discovers it in death, for it always comes at the moment when the "I", seeking no longer for gains that cannot be "assimilated with its spirit", is able to say, "All my work is thine".

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has produced an impressive 16,000 renditions of Rabindrasangeet. Among these, there are over ten cherished recordings where Tagore himself lent his voice to classics such as "Tobu Mone Rekho" and "Jana Gana Mana." The collection also showcases performances by renowned singers from the past, including

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seller. He attempts to distill the sense of longing felt by those long trapped in the mundane and hardscrabble confines of Indian urban life, giving play to dreams of a different existence in the distant and wild mountains: "There were autumn mornings, the time of year when kings of old went forth to

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Tagore's literary reputation is disproportionately influenced by regard for his poetry; however, he also wrote novels, essays, short stories, travelogues, dramas, and thousands of songs. Of Tagore's prose, his short stories are perhaps most highly regarded; indeed, he is credited with originating the

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Surrounded by several painters Rabindranath had always wanted to paint. Writing and music, play writing and acting came to him naturally and almost without training, as it did to several others in his family, and in even greater measure. But painting eluded him. Yet he tried repeatedly to master the

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was an exhibition of Rabindranath Tagore's paintings to mark the 150th birth anniversary of Rabindranath Tagore. It was commissioned by the Ministry of Culture, India and organized with NGMA Delhi as the nodal agency. It consisted of 208 paintings drawn from the collections of Visva Bharati and the

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marriage. He describes the dismal lifelessness of Bengali women after they are married off, hypocrisies plaguing the Indian middle class, and how Haimanti, a sensitive young woman, must — due to her sensitiveness and free spirit — sacrifice her life. In the last passage, Tagore directly attacks the

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n days long gone by I can see the King's postman coming down the hillside alone, a lantern in his left hand and on his back a bag of letters climbing down for ever so long, for days and nights, and where at the foot of the mountain the waterfall becomes a stream he takes to the footpath

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has said that these songs transcend the mundane to the aesthetic and express all ranges and categories of human emotion. The poet gave voice to all—big or small, rich or poor. The poor Ganges boatman and the rich landlord air their emotions in them. They birthed a distinctive school of music whose

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while managing the Tagore family's vast landholdings. There, he beheld the lives of India's poor and common people; Tagore thereby took to examining their lives with a penetrative depth and feeling that was singular in Indian literature up to that point. In particular, such stories as "Kabuliwala"

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but the meaning is less intellectual, more emotional and simple. The deliverance sought and won by the dying child is the same deliverance which rose before his imagination, when once in the early dawn he heard, amid the noise of a crowd returning from some festival, this line out of an old

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The year 1893 AD was the turn of the century in the Bangla calendar. It was the Bangla year 1300. Tagore wrote a poem then. Its name was ‘The year 1400’. In that poem, Tagore was appealing to a new future poet, yet to be born. He urged in that poem to remember Tagore while he was reading it. He

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remains among the most popular fictional works in Bengali literature. Its continuing influence on Bengali art and culture cannot be overstated; to this day, it remains a point of cultural reference, and has furnished subject matter for numerous successful films and theatrical plays, and its

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conquest; and I, never stirring from my little corner in Calcutta, would let my mind wander over the whole world. At the very name of another country, my heart would go out to it ... I would fall to weaving a network of dreams: the mountains, the glens, the forest .... ".

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exhibits Tagore's self-consciousness, describing a young man harboring literary ambitions. Though he loves his wife, he wishes to stifle her literary career, deeming it unfeminine. Tagore himself, in his youth, seems to have harbored similar ideas about women.

1422:. His songs are widely popular and undergird the Bengali ethos to an extent perhaps rivalling Shakespeare's impact on the English-speaking world. It is said that his songs are the outcome of five centuries of Bengali literary churning and communal yearning. 1543:

At age sixty, Tagore took up drawing and painting; successful exhibitions of his many works — which made a debut appearance in Paris upon encouragement by artists he met in the south of France — were held throughout Europe. Tagore — who likely exhibited

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Bengali-language version of the genre. His works are frequently noted for their rhythmic, optimistic, and lyrical nature. However, such stories mostly borrow from deceptively simple subject matter — the lives of ordinary people and children.

1548:("color blindness"), or partial lack of (red-green, in Tagore's case) colour discernment — painted in a style characterised by peculiarities in aesthetic and colouring style. Nevertheless, Tagore took to emulating numerous styles, including 258:. He and his retainers exploit his subjects—who are benumbed by alcohol and numbered like inventory—by forcing them to mine gold for him. The naive maiden-heroine Nandini rallies her subject-compatriots to defeat the greed of the realm's 2654: 203:

His other works fuse lyrical flow and emotional rhythm into a tight focus on a core idea, a break from prior Bengali drama. Tagore sought "the play of feeling and not of action". In 1890 he released what is regarded as his finest drama:

387:("The Broken Nest"). This famous story has an autobiographical element to it, modelled to some extent on the relationship between Tagore and his sister-in-law, Kadambari Devi. Ray has also made memorable films of other stories from 754:

Tagore's poetic style, which proceeds from a lineage established by 15th- and 16th-century Vaishnava poets, ranges from classical formalism to the comic, visionary, and ecstatic. He was influenced by the atavistic mysticism of

427:. It turns out that he has run away from his home and has been wandering around ever since. The zamindar adopts him, and finally arranges a marriage to his own daughter. The night before the wedding Tarapada runs away again. 938:'s "One Evening" (1994) sets an excerpt beginning "As I was watching the sunrise ..." from a letter of Tagore's, this composer having previously chosen a text by the poet for his piece "Song Offerings" (1985). 803:—the demiurge or the "living God within". This figure connected with divinity through appeal to nature and the emotional interplay of human drama. Such tools saw use in his Bhānusiṃha poems chronicling the 1302: 579:, 1984) examines rising nationalistic feeling among Indians while warning of its dangers, clearly displaying Tagore's distrust of nationalism — especially when associated with a religious element. 1369:

and was adopted in 1950 by the Constituent Assembly of the Republic of India as its national anthem. Tagore thus became the only person ever to have written the national anthems of two nations.

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along communal lines: cutting off the Muslim-majority East Bengal from Hindu-dominated West Bengal was to avert a regional bloodbath. Tagore saw the partition as a cunning plan to stop the

136:), describes the child Amal defying his stuffy and puerile confines by ultimately "fall asleep", hinting his physical death. A story with borderless appeal—gleaning rave reviews in Europe— 280:. The original, though prized in Bengal, long failed to spawn a "free and comprehensible" translation, and its archaic and sonorous didacticism failed to attract interest from abroad. 3896: 1670: 1616:. Within the 150th birth anniversary year it was conceived as three separate but similar exhibitions, and travelled simultaneously in three circuits. The first selection was shown at 1460: 2471: 2278: 1220:, they ran the entire gamut of human emotion, ranging from his early dirge-like Brahmo devotional hymns to quasi-erotic compositions. They emulated the tonal colour of classical 160:

suspected that Korczak, agonising over whether one should determine when and how to die, was easing the children into accepting death. In mid-October, the Nazis sent them to

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observed that "here is in Bengal no cultured home where Rabindranath's songs are not sung or at least attempted to be sung ... Even illiterate villagers sing his songs".

3515: 324:" period) with an exuberance of vitality and spontaneity; these characteristics were intimately connected with Tagore's life in the common villages of, among others, 4111: 337:", published in 1892), "Kshudita Pashan" ("The Hungry Stones") (August 1895), and "Atottju"("The Runaway", 1895) typified this analytic focus on the downtrodden. 735:

The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end.

1401:, calling it a "vehicle of a personality ... go behind this or that system of music to that beauty of sound which all systems put out their hands to seize." 1379:

For Bengalis, the songs' appeal, stemming from the combination of emotive strength and beauty described as surpassing even Tagore's poetry, was such that the

1210:("Tagore Song"), which merges fluidly into his literature, most of which—poems or parts of novels, stories, or plays alike—were lyricised. Influenced by the 1524:

Tagore's Bengali-language initials are worked into this "Ro-Tho" (of RAbindranath THAkur) wooden seal, stylistically similar to designs used in traditional

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Tagore reacted to the uptake of modernist and realist techniques in Bengali literature by making his own experiments in writing in the 1930s. These include

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I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet.

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At the time of his death, Tagore was both the most prolific composer and songwriter in history, with 2,230 songs to his credit. His songs are known as

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It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune.

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Though his novels remain under-appreciated, they have recently been given new attention through many movie adaptations by such film directors as

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in 1913. Tagore was the first person (excepting Roosevelt) outside Europe to get the Nobel Prize. It was originally published in India in 1910.

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Tagore also had an artist's eye for his own handwriting, embellishing the cross-outs and word layouts in his manuscripts with simple artistic

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dealt with death as, in Tagore's words, "spiritual freedom" from "the world of hoarded wealth and certified creeds". In the Nazi-besieged

910:") for soprano, tenor, baritone, and male chorus—JW 4/43—inspired by Tagore's 1922 lecture in Czechoslovakia which Janáček attended, and 739:

The question and the cry 'Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance 'I am!'

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to varying extents. Some songs mimicked a given raga's melody and rhythm faithfully; others newly blended elements of different

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practitioners can be fiercely traditional: novel interpretations have drawn severe censure in both West Bengal and Bangladesh.

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is another poignantly lyrical Tagore story which was made into a film of the same name by another noted Indian film director

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s most famous poem, dealing with the fleeting endurance of life and achievement, goes by the same name; hauntingly it ends:

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class—with the morally roused king's belated help. Skirting the "good-vs-evil" trope, the work pits a vital and joyous

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against the monotonous fealty of the king's varletry, giving rise to an allegorical struggle akin to that found in

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and adaptation of traditional English and Irish folk melodies as drinking songs. Another play, written in 1912,

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period from 1914 to 1917, also named after one of the magazines that Tagore edited and heavily contributed to.

2701:"Art Institute Showcases Paintings and Drawings By Eminent Indian Poet and Nobel Laureate Rabindranath Tagore" 4012: 697:(The Hero), an English-language translation of which appeared in the 1913 Macmillan publication of Tagore's 4125: 3669: 3458: 1633: 1344: 799:, the Bāuls' "man within the heart" and Tagore's "life force of his deep recesses", or meditating upon the 161: 4017: 1612:

NGMA and presented Tagore's art in a very comprehensive way. The exhibition was curated by Art Historian

930:'s 2008 viral video. In 1917 his words were translated adeptly and set to music by Anglo-Dutch composer 493:, as with many other Tagore stories, provides the Bengalis with one of their more widely used epigrams: 3954: 2985: 2318: 1686: 1629: 1217: 935: 891: 120:. Through it Tagore explores a wide range of dramatic styles and emotions, including usage of revamped 63: 795:

religious and social orthodoxy. During his Shelaidaha years, his poems took on a lyrical voice of the

3585: 531: 3076: 4032: 3912: 3635: 2161: 1704: 1625: 1565: 1525: 1440: 1366: 1340: 621: 341: 91: 1312:"Tabu Mone Rekho", a song by Tagore, sung in his own voice. The song was written in 1887 CE (1294 4007: 3860: 3759: 2308: 895: 74: 2966: 2804: 2700: 2454:"Rabindranath Tagore biography : A Journey through the Life and Legacy of a Visionary Poet" 2429:"Rabindranath Tagore biography : A Journey through the Life and Legacy of a Visionary Poet" 2404:"Rabindranath Tagore biography : A Journey through the Life and Legacy of a Visionary Poet" 4078: 3926: 3821: 3743: 3577: 2899: 899: 537: 128: 3343: 2946: 1451:

Pankaj Mallick, Debabrata Biswas, Suchitra Mitra, Hemanta Mukherjee, and Chinmoy Chatterjee.

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tensions, which in many ways embodies the essence of Tagore's humanism. On the other hand,

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J. R. Jayewardene of Sri Lanka: a Political Biography - Volume One: The First Fifty Years

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became the national anthem of Bangladesh. It was written — ironically — to protest the

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consist of poems, novels, short stories, dramas, paintings, drawings, and music that

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to produce a highly regarded art song: "Do Not Go, My Love". The second movement of

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are other key plays that have dance-drama adaptations, which together are known as

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Among Tagore's works, his novels are among the least-acknowledged. These include

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shares the same theme, raising questions regarding the Indian identity. As with

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depicts the final humbling of the man via his acceptance of his wife's talents.

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Tagore began his career in short stories in 1877—when he was only sixteen—with "

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was the confused realization of a nocturnal wanderer who had lost his way. In

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that Tagore composed. It was first sung in 1911 at a Calcutta session of the

1355: 956: 911: 780: 690: 141: 3191: 2995: 1115: দিনের তাপে রৌদ্রজ্বালায় শুকায় মালা পূজার থালায়, 875:) is Tagore's best-known collection internationally, earning him his Nobel. 719:) is Tagore's best-known collection of poetry, for which he was awarded the 249:("Red" or "Blood Oleanders"), a kleptocrat king rules over the residents of 3569: 1693: 1637: 1621: 1409: 1389: 927: 608: 570: 525: 372: 669: 3813: 3219: 3053: 811:

romance, which were repeatedly revised over the course of seventy years.

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My eyes strayed far and wide before I shut them and said 'Here art thou!'

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National Commemoration of 150th Birth Anniversary of Rabindranath Tagore

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addressed it to that unknown poet who was reading it a century later.

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he seemed to hear a voice in the wind saying 'stop and come hither'.

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Songs of Ecstasy: Tantric and Devotional Songs from Colonial Bengal

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conveyed to him the deep slumber that overtook one at night's end.

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At sixteen, Tagore led his brother Jyotirindranath's adaptation of

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Adaptations of works of Rabindranath Tagore in film and television

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Shunno nodir tire rohinu poŗi / Jaha chhilo loe gêlo shonar tori

1729: 1212: 772: 768: 475: 260: 251: 229: 122: 104: 44: 2747:"Welcome to High Commission of India, Kuala Lumpur (Malaysia)" 2255:"History of Harmony: Unravelling the Roots of Rabindrasangeet" 1852: 1816: 1804: 1792: 1347:, and he aimed to rekindle Bengali unity and tar communalism. 1246:

reminded Tagore of the evening tears of a lonely widow, while

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The time that my journey takes is long and the way of it long.

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Tagore, Rabindranath (1997), Dutta, K.; Robinson, A. (eds.),

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between thee and me; their jingling would drown thy whispers.

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Current Exhibitions Upcoming Exhibitions Past Exhibitions.

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Popular Rabindrasangeet has been digitized and featured on

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The King of Children: The Life and Death of Janusz Korczak

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The Last Harvest : Paintings of Rabindranath Tagore

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Novelist Tagore: Gender and Modernity in Selected Texts

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Celebrating Tagore - The Man, The Poet and The Musician

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Celebrating Tagore - The Man, The Poet and The Musician

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characters are among the most well known to Bengalis.

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Tagore Web: The Complete Works of Rabindranath Tagore

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For its dull pallor, forgive me, forgive me O Lord.

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Tagore's poetry has been set to music by composers:

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YouTube channel as part of Brainware University’s "

1117:সেই ম্লানতা ক্ষমা করো, ক্ষমা করো, ক্ষমা করো প্রভু॥ 4106:The Last Harvest: Paintings of Rabindranath Tagore 3271: 3016:The Last Harvest: Paintings of Rabindranath Tagore 2923: 2876: 1991: 1430: 1083:like a flute of reed for thee to fill with music. 3296: 2556: 2520: 2367:"How Tagore inspired Sri Lanka's national anthem" 2235: 2051: 1882: 1774: 1738: 1717: 1178:And for this pain, forgive me, forgive me, O Lord 4138: 3201:Collected Poems and Plays of Rabindranath Tagore 2994:, University of California Press, archived from 2303: 1150:Diner tape roudrojalae shukae mala pujar thalae, 1077:My poet's vanity dies in shame before thy sight. 3245:, translated by Mukerjea, D., London: Macmillan 2271: 2162:"A Private Dance? Four Million Web Fans Say No" 1184:And in the day's heat and under the burning sun 1109:এই বেদনা ক্ষমা করো, ক্ষমা করো, ক্ষমা করো প্রভু॥ 3344:"Rabindranath Tagore and his World of Colours" 3240: 2947:"Rabindranath Tagore and His World of Colours" 2532: 1931: 1858: 1846: 1500:Primitivism: a pastel-coloured rendition of a 1073:Ornaments would mar our union; they would come 3466: 3105:Critical Response To Indian Poetry in English 3074: 2921: 2137:International Encyclopedia of Women Composers 2110: 2098: 1906: 1750: 1186:The garland on the platter of offering wilts, 1089: 1081:Only let me make my life simple and straight, 870: 653:Among Tagore's notable non-fiction books are 3367: 3174:Rabindranath Tagore: The Singer and His Song 3102: 3051: 1985: 1834: 1822: 1810: 1798: 1786: 1268:Rabindranath Tagore: The Singer and His Song 1230:. Yet about nine-tenths of his work was not 1051:Jibon loe jôton kori jodi shôrol bãshi goŗi, 886:'s triptych for soprano and string quartet, 95:. At twenty he wrote his first drama-opera: 3388: 3152:Rabindranath Tagore: The Man and His Poetry 2874: 1973: 1961: 1949: 1925: 1193: 1154:Shei mlanota khôma kôro khôma kôro, probhu. 1079:O master poet, I have sat down at thy feet. 1043:Tomar kachhe khaţe na mor kobir gôrbo kôra, 850:, a name redolent of migrating souls), and 495:Kadombini moriya proman korilo she more nai 3473: 3459: 3411:The Dramatic World of Rabindranath Tagore. 3374:. New Delhi: Viking, Penguin Books India. 2926:Rabindranath Tagore: The Myriad-Minded Man 2544: 2343:"Man of the series: Nobel laureate Tagore" 1039:Tomar kôtha đhake je tar mukhôro jhôngkar. 1035:Ôlongkar je majhe pôŗe milônete aŗal kôre, 3226:, Harvard University Press, p. 323, 2812:National Gallery of Modern Art, New Delhi 1071:She has no pride of dress and decoration. 1027:Amar e gan chheŗechhe tar shôkol ôlongkar 619:. The recent among these is a version of 569:, which was also released as the film by 2897: 2229: 1176:For this heart that this day trembles so 1134:Ei je hia thôro thôro kãpe aji êmontôro, 1055:Apon shure dibe bhori sôkol chhidro tar. 1047:Môhakobi, tomar paee dite chai je dhôra. 1031:Tomar kachhe rakhe ni ar shajer ôhongkar 955: 944: 684: 668: 423:boy, catches a boat ride with a village 62: 18: 3480: 2676:"Rabindranath Tagore: Poet and Painter" 2623:"Rabindranath Tagore: The Last Harvest" 2159: 1646:National Visual Arts Gallery (Malaysia) 1467:Sarat Chandra Chattopadhyay filmography 1138:Ei bedona khôma kôro khôma kôro probhu. 650:in the film adaptations' soundtracks. 4139: 3371:Rabindranath Tagore: an interpretation 3198: 2984: 2451: 2401: 2190: 2178: 1700:Political views of Rabindranath Tagore 3454: 3319: 3010: 2991:In Quest of Spirit: Thoughts on Music 2964: 2944: 2857: 2562: 2550: 2526: 2134: 2062: 2045: 2033: 2021: 1870: 1180:For this weakness, forgive me O Lord, 906:'s famous chorus "Potulný šílenec" (" 448:, Tagore takes on the institution of 3032: 2967:"Inside the World of Tagore's Music" 1723: 1666:List of works by Rabindranath Tagore 960:Part of a poem written by Tagore in 457:'s attempt of appeasing her husband 441:("And I shall live. Here, I live"). 67:Tagore performing the title role in 16:Notable works of Rabindranath Tagore 3341: 3168: 3149: 3121: 2241: 2203:Tagore, Alam & Chakravarty 2011 2123:Tagore, Stewart & Twichell 2003 2087:Tagore, Stewart & Twichell 2003 2075:Tagore, Stewart & Twichell 2003 2010:Tagore, Stewart & Twichell 2003 1997: 1894: 1069:My song has put off her adornments. 461:'s doubts (as depicted in the epic 13: 3361: 3103:Prasad, A. N.; Sarkar, B. (2008), 1284: 787:ballads such as those of the bard 110:overcomes his sins, is blessed by 14: 4163: 3424: 3368:Bhattacharya, Sabyasachi (2011). 3274:Rabindranath Tagore: Lover of God 3253:Rabindranath Tagore: An Anthology 2780:McMichael Canadian Art Collection 2722:"Rabindranath Tagore (1861-1941)" 2539:Tagore, Dutta & Robinson 1997 2390:Tagore, Dutta & Robinson 1997 2215:Tagore, Dutta & Robinson 1997 1938:Tagore, Dutta & Robinson 1997 1763:Tagore, Dutta & Robinson 1997 1650:McMichael Canadian Art Collection 1642:Galleria Nazionale d'Arte Moderna 1182:If perchance I cast a look behind 1064:Tagore's free-verse translation: 356:stories were written in Tagore's 4152:Bibliographies of Indian writers 3514: 3441:Wiki Livres: Rabindranath Tagore 3431:Bichitra: Online Tagore Variorum 2922:Dutta, K.; Robinson, A. (1995), 2829: 2160:McGrath, Charles (8 July 2008). 1692:— a biographical documentary by 1517: 1493: 1324:Problems playing this file? See 1300: 926:to accompany Internet celebrity 303: 2797: 2768: 2751:Indian High Commission Malaysia 2739: 2714: 2693: 2668: 2639: 2614: 2590: 2568: 2488: 2464: 2452:mishra, kishan (May 22, 2023). 2445: 2421: 2402:mishra, kishan (May 22, 2023). 2395: 2359: 2335: 2297: 2247: 2153: 2128: 1461:Rabindranath Tagore filmography 1431:Digitization of Rabindrasangeet 3976:Stories by Rabindranath Tagore 3125:Studies on Rabindranath Tagore 1654:National Gallery of Modern Art 1454: 1275:Regarding the terminology of " 1172:Forgive me my weariness O Lord 1146:Pichhon-pane takai jodi kobhu. 1130:Pôthe jodi pichhie poŗi kobhu. 1126:Klanti amar khôma kôro probhu, 1103:ক্লান্তি আমার ক্ষমা করো প্রভু, 148:had orphans in his care stage 1: 4013:Shilaidaha Rabindra Kuthibari 3409:Kulkarni, Prafull D. (2010). 3297:Tagore, Rabindranath (1961), 3270:Tagore, Rabindranath (2003), 3241:Tagore, Rabindranath (1914), 3218:Tagore, Rabindranath (2011), 3199:Tagore, Rabindranath (1952), 3154:, Folcroft Library Editions, 3037:, Boston: Twayne Publishers, 2822: 1883:Tagore & Chakravarty 1961 1775:Tagore & Chakravarty 1961 1739:Tagore & Chakravarty 1961 1576:, and woodcuts by the German 474:, Tagore also examines Hindu- 4147:Works by Rabindranath Tagore 4126:Tagore sculpture controversy 3670:Bhanusimha Thakurer Padabali 2782:. 2012-07-15. Archived from 2708:The Art Institute of Chicago 2375:. 8 May 2012. Archived from 1710: 1634:The Art Institute of Chicago 1484: 1142:Ei dinota khôma kôro probhu, 693:illustrating Tagore's poem " 657:("Letters from Europe") and 403:, bundling them together as 371:The acclaimed film director 37:works of Rabindranath Tagore 7: 4018:Rabindra Bharati University 3389:Chakravarty, Radha (2016). 3327:, Oxford University Press, 2602:Staatliche Museen zu Berlin 1659: 1393:introduced non-Bengalis to 1374:Sri Lanka's National Anthem 453:Hindu custom of glorifying 51:created over his lifetime. 10: 4168: 3222:; Chakravarty, R. (eds.), 2680:Victoria and Albert Museum 2319:University of Hawaii Press 1859:Tagore & Mukerjea 1914 1847:Tagore & Mukerjea 1914 1630:Victoria and Albert Museum 1464: 1458: 1376:was inspired by his work. 1197: 212:). It is an adaptation of 4087: 4041: 3990: 3895: 3840: 3797: 3704: 3645: 3620: 3537: 3523: 3512: 3488: 3446:Complete Gitobitan online 3128:, vol. 1, Atlantic, 3075:O'Connell, K. M. (2008), 2111:Dutta & Robinson 1995 2099:Dutta & Robinson 1995 1751:Dutta & Robinson 1995 1437:Phalguni Mookhopadhayay’s 1090: 871: 716: 664: 661:("The Religion of Man"). 500: 144:, Polish doctor-educator 4033:Visva-Bharati University 3203:, Macmillan Publishing, 3060:, St. Martin's Griffin, 2875:Chakravarty, A. (1961), 2651:National Museum of Korea 1986:Prasad & Sarkar 2008 1835:Lifton & Wiesel 1997 1823:Lifton & Wiesel 1997 1811:Lifton & Wiesel 1997 1799:Lifton & Wiesel 1997 1787:Lifton & Wiesel 1997 1626:National Museum of Korea 1367:Indian National Congress 1341:1905 Partition of Bengal 1194:Songs (Rabindra Sangeet) 1174:Should I ever lag behind 1163:Gloss by Tagore scholar 898:'s cycle of love songs, 92:Le Bourgeois Gentilhomme 58: 4008:Shahjadpur Kachharibari 3861:The Cult of the Charkha 3760:Chitto Jetha Bhayshunyo 3413:Creative Publications. 3282:, Copper Canyon Press, 2849:question marks or boxes 1418:Buddhadev Dasgupta and 896:Josef Bohuslav Foerster 673:Title page of the 1913 439:Amio bachbo. Ei bachlum 381:("The Lonely Wife") on 333:("The Fruitseller from 3744:Bharoto Bhagyo Bidhata 3255:, St. Martin's Press, 2930:, St. Martin's Press, 2837:This article contains 1587: 1399:The Music of Hindostan 1289: 1273: 1191: 1086: 1003:তোমার কাছে খাটে না মোর 986:আমার এ গান ছেড়েছে তার 965: 949: 900:Gertrude Price Wollner 830:. Other works include 742: 702: 682: 596:(translated twice, as 567:The Home and the World 220:. Another is Tagore's 201: 172: 82: 73:(1881) with his niece 32: 3998:Jorasanko Thakur Bari 3848:Rabindra Nritya Natya 2945:Dyson, K. K. (2001), 2898:Dasgupta, A. (2001), 2858:Ayyub, A. S. (1980), 2647:"Special Exhibitions" 2576:"Rabindra Chitravali" 2135:Cohen, Aaron (1987). 1582: 1465:Further information: 1362:Bharot Bhagyo Bidhata 1345:independence movement 1288: 1240: 1169: 1066: 998:তোমার কথা ঢাকে যে তার 990:তোমার কাছে রাখে নি আর 959: 948: 726: 688: 672: 629:Noukadubi (2011 film) 409:("Three Daughters"). 297:Rabindra Nritya Natya 183: 167: 101:The Genius of Valmiki 66: 22: 3882:The Essential Tagore 3224:The Essential Tagore 3018:, Mapin Publishing, 1385:A. H. Fox Strangways 994:অলংকার যে মাঝে প'ড়ে 908:The Wandering Madman 677:edition of Tagore's 419:. Tarapada, a young 236:'s disciple, asks a 154:The King of Children 4120:Rabindra Chitravali 3982:Robi Thakurer Golpo 3955:Rabindranath Tagore 3854:The Religion of Man 3482:Rabindranath Tagore 3150:Roy, B. K. (1977), 3122:Ray, M. K. (2007), 3035:Rabindranath Tagore 2586:on 4 December 2019. 1897:, pp. 147–148. 1825:, pp. 385–386. 1813:, pp. 318–321. 1801:, pp. 416–417. 1777:, pp. 123–124. 1688:Rabindranath Tagore 1618:Museum of Asian Art 1598:Rabindra Chitravali 1556:people of northern 1504:mask from northern 1478:Nijere Haraye Khuji 1013:যদি সরল বাঁশি গড়ি, 1007:মহাকবি, তোমার পায়ে 888:Alexander Zemlinsky 655:Europe Jatrir Patro 114:, and compiles the 49:Rabindranath Tagore 3107:, Sarup and Sons, 2965:Ghosh, B. (2011), 2805:"The Last Harvest" 2500:The Times of India 2353:Times News Network 2348:The Times of India 2181:, pp. 59, 90. 2166:The New York Times 1705:Celebrating Tagore 1441:Celebrating Tagore 1424:Dhan Gopal Mukerji 1404:Tagore influenced 1336:Amar Shonar Bangla 1290: 1242:The pathos of the 996:মিলনেতে আড়াল করে, 966: 950: 703: 683: 352:Many of the other 277:Gulliver's Travels 83: 33: 23:Tagore's house in 4134: 4133: 3891: 3890: 3730:Amar Sonar Bangla 3419:978-81-906717-2-9 3402:978-1-134-92885-9 3334:978-0-19-513901-3 3312:978-0-8070-5971-5 3289:978-1-55659-196-9 3233:978-0-674-05790-6 3210:978-0-02-615920-3 3183:978-0-670-08248-3 3161:978-0-8414-7330-0 3135:978-81-269-0308-5 3114:978-81-7625-825-8 3067:978-0-312-15560-5 3044:978-0-8057-6242-6 3033:Lago, M. (1977), 2845:rendering support 2279:"Tabu mone rekho" 2125:, pp. 95–96. 1765:, pp. 21–23. 1753:, pp. 79–80. 1677:An Artist in Life 1570:Pacific Northwest 1530:Pacific Northwest 1307: 1161: 1160: 1062: 1061: 1015:আপন সুরে দিবে ভরি 1011:জীবন লয়ে যতন করি 970: 969: 924:Palbasha Siddique 705:Internationally, 699:The Crescent Moon 636:, which features 328:, Shajadpur, and 158:Betty Jean Lifton 152:in July 1942. In 4159: 4100:Rabindra Jayanti 4095:Adi Brahmo Samaj 3806:Valmiki-Pratibha 3717:Rabindra Sangeet 3535: 3534: 3518: 3475: 3468: 3461: 3452: 3451: 3406: 3385: 3356: 3355: 3354: 3342:Som, KK (2001), 3337: 3315: 3305:, Beacon Press, 3292: 3277: 3265: 3246: 3236: 3213: 3194: 3164: 3145: 3144: 3142: 3117: 3098: 3097: 3095: 3070: 3047: 3028: 3006: 3005: 3003: 2980: 2979: 2977: 2960: 2959: 2957: 2940: 2929: 2917: 2916: 2914: 2893: 2883:, Beacon Press, 2882: 2870: 2833: 2832: 2816: 2815: 2809: 2801: 2795: 2794: 2792: 2791: 2772: 2766: 2765: 2763: 2762: 2753:. 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J.; 3045: 3026: 3001: 2999: 2975: 2973: 2955: 2953: 2938: 2912: 2910: 2891: 2879:A Tagore Reader 2854: 2853: 2852: 2843:Without proper 2834: 2830: 2825: 2820: 2819: 2807: 2803: 2802: 2798: 2789: 2787: 2774: 2773: 2769: 2760: 2758: 2745: 2744: 2740: 2731: 2729: 2726:Le Petit Palais 2720: 2719: 2715: 2703: 2699: 2698: 2694: 2685: 2683: 2674: 2673: 2669: 2660: 2658: 2645: 2644: 2640: 2631: 2629: 2619: 2615: 2606: 2604: 2596: 2595: 2591: 2574: 2573: 2569: 2561: 2557: 2549: 2545: 2537: 2533: 2525: 2521: 2512: 2510: 2494: 2493: 2489: 2480: 2478: 2470: 2469: 2465: 2450: 2446: 2437: 2435: 2427: 2426: 2422: 2412: 2410: 2400: 2396: 2388: 2384: 2379:on 10 May 2012. 2365: 2364: 2360: 2355:. 3 April 2011. 2341: 2340: 2336: 2329: 2321:. p. 368. 2305:de Silva, K. M. 2302: 2298: 2288: 2286: 2277: 2276: 2272: 2263: 2261: 2253: 2252: 2248: 2240: 2236: 2228: 2221: 2213: 2209: 2201: 2197: 2189: 2185: 2177: 2173: 2158: 2154: 2147: 2133: 2129: 2121: 2117: 2109: 2105: 2097: 2093: 2085: 2081: 2073: 2069: 2061: 2052: 2044: 2040: 2036:, pp. 6–7. 2032: 2028: 2020: 2016: 2008: 2004: 1996: 1992: 1984: 1980: 1972: 1968: 1960: 1956: 1948: 1944: 1936: 1932: 1924: 1913: 1905: 1901: 1893: 1889: 1881: 1877: 1869: 1865: 1857: 1853: 1845: 1841: 1833: 1829: 1821: 1817: 1809: 1805: 1797: 1793: 1785: 1781: 1773: 1769: 1761: 1757: 1749: 1745: 1737: 1730: 1722: 1718: 1713: 1682:Niharranjan Ray 1680:— biography by 1662: 1541: 1540: 1539: 1538: 1537: 1522: 1514: 1513: 1498: 1487: 1469: 1463: 1457: 1433: 1353:was written in 1331: 1330: 1322: 1320: 1319: 1318: 1317: 1310: 1301: 1298: 1291: 1285: 1277:Rabindrasangeet 1272: 1262: 1202: 1196: 1190: 1187: 1185: 1183: 1181: 1179: 1177: 1175: 1173: 1157: 1152: 1148: 1144: 1140: 1136: 1132: 1128: 1120: 1119: 1116: 1114: 1112: 1110: 1108: 1106: 1104: 1085: 1082: 1080: 1078: 1076: 1074: 1072: 1070: 1058: 1053: 1049: 1045: 1041: 1037: 1033: 1029: 1021: 1020: 1019: 1017:সকল ছিদ্র তার। 1016: 1014: 1012: 1010: 1008: 1006: 1004: 1002: 1001: 999: 997: 995: 993: 991: 989: 987: 936:Jonathan Harvey 932:Richard Hageman 884:Arthur Shepherd 857: 752: 744: 741: 738: 736: 734: 732: 730: 667: 659:Manusher Dhormo 634:Rituparno Ghosh 582:In some sense, 503: 375:based his film 306: 200: 196:The Post Office 190: 182: 177:The Post Office 174: 150:The Post Office 134:The Post Office 77:as the goddess 61: 17: 12: 11: 5: 4165: 4155: 4154: 4149: 4132: 4131: 4129: 4128: 4123: 4116: 4115: 4114: 4102: 4097: 4091: 4089: 4085: 4084: 4082: 4081: 4076: 4071: 4069:Mrinalini Devi 4066: 4061: 4056: 4051: 4045: 4043: 4039: 4038: 4036: 4035: 4030: 4025: 4023:Rabindra Sadan 4020: 4015: 4010: 4005: 4000: 3994: 3992: 3988: 3987: 3985: 3984: 3979: 3972: 3965: 3958: 3951: 3944: 3937: 3930: 3923: 3916: 3909: 3901: 3899: 3893: 3892: 3889: 3888: 3886: 3885: 3878: 3871: 3868:Songs of Kabir 3864: 3857: 3850: 3844: 3842: 3838: 3837: 3835: 3834: 3826: 3818: 3810: 3801: 3799: 3795: 3794: 3792: 3791: 3784: 3781:Jete Nahi Dibo 3777: 3770: 3767:Dui Bigha Jomi 3763: 3756: 3755: 3754: 3751:Jana Gana Mana 3740: 3733: 3726: 3719: 3713: 3711: 3702: 3701: 3699: 3698: 3694:Song Offerings 3690: 3682: 3674: 3666: 3658: 3649: 3647: 3643: 3642: 3640: 3639: 3632: 3624: 3622: 3618: 3617: 3615: 3614: 3606: 3602:Shesher Kabita 3598: 3590: 3582: 3574: 3566: 3558: 3550: 3541: 3539: 3532: 3521: 3520: 3513: 3511: 3509: 3508: 3503: 3498: 3492: 3490: 3486: 3485: 3478: 3477: 3470: 3463: 3455: 3449: 3448: 3443: 3438: 3433: 3426: 3425:External links 3423: 3422: 3421: 3407: 3401: 3386: 3381:978-0670084555 3380: 3363: 3360: 3359: 3358: 3339: 3333: 3317: 3311: 3294: 3288: 3267: 3261: 3248: 3238: 3232: 3215: 3209: 3196: 3182: 3166: 3160: 3147: 3134: 3119: 3113: 3100: 3072: 3066: 3049: 3043: 3030: 3025:978-8189995614 3024: 3012:Kumar, R. Siva 3008: 2982: 2962: 2942: 2936: 2919: 2895: 2889: 2872: 2860:Tagore's Quest 2847:, you may see 2835: 2828: 2827: 2826: 2824: 2821: 2818: 2817: 2796: 2767: 2738: 2713: 2692: 2682:. 6 March 2012 2667: 2638: 2613: 2589: 2567: 2555: 2543: 2541:, p. 222. 2531: 2519: 2502:. 2016-06-03. 2487: 2463: 2444: 2433:kishan diaries 2420: 2394: 2392:, p. 359. 2382: 2358: 2334: 2327: 2296: 2270: 2246: 2234: 2219: 2207: 2205:, p. 323. 2195: 2183: 2171: 2152: 2145: 2127: 2115: 2113:, p. 192. 2103: 2101:, p. 281. 2091: 2079: 2067: 2050: 2038: 2026: 2014: 2002: 2000:, p. 201. 1990: 1988:, p. 125. 1978: 1966: 1954: 1942: 1940:, p. 265. 1930: 1911: 1907:O'Connell 2008 1899: 1887: 1885:, p. 124. 1875: 1863: 1851: 1839: 1837:, p. 349. 1827: 1815: 1803: 1791: 1789:, p. 321. 1779: 1767: 1755: 1743: 1741:, p. 123. 1728: 1715: 1714: 1712: 1709: 1708: 1707: 1702: 1697: 1684: 1673: 1668: 1661: 1658: 1566:Haida carvings 1526:Haida carvings 1523: 1516: 1515: 1499: 1492: 1491: 1490: 1489: 1488: 1486: 1483: 1482: 1481: 1474: 1473: 1459:Main article: 1456: 1453: 1432: 1429: 1420:Amjad Ali Khan 1395:rabindrasangit 1350:Jana Gana Mana 1321: 1311: 1299: 1294: 1293: 1292: 1283: 1282: 1281: 1260: 1207:rabindrasangit 1198:Main article: 1195: 1192: 1170: 1159: 1158: 1123: 1121: 1101: 1100: 1067: 1060: 1059: 1024: 1022: 984: 983: 982: 968: 967: 952: 951: 892:Lyric Symphony 727: 725: 666: 663: 638:Aishwariya Rai 617:Tarun Majumdar 594:Shesher Kobita 544:Shesher Kobita 502: 499: 491:Jibito o Mrito 437:home, stating 305: 302: 234:Gautama Buddha 188: 166: 146:Janusz Korczak 60: 57: 15: 9: 6: 4: 3: 2: 4164: 4153: 4150: 4148: 4145: 4144: 4142: 4127: 4124: 4122: 4121: 4117: 4113: 4110: 4109: 4108: 4107: 4103: 4101: 4098: 4096: 4093: 4092: 4090: 4086: 4080: 4077: 4075: 4074:Rathindranath 4072: 4070: 4067: 4065: 4062: 4060: 4057: 4055: 4052: 4050: 4049:Tagore family 4047: 4046: 4044: 4040: 4034: 4031: 4029: 4026: 4024: 4021: 4019: 4016: 4014: 4011: 4009: 4006: 4004: 4003:Shantiniketan 4001: 3999: 3996: 3995: 3993: 3989: 3983: 3980: 3978: 3977: 3973: 3971: 3970: 3966: 3964: 3963: 3959: 3957: 3956: 3952: 3950: 3949: 3945: 3943: 3942: 3938: 3936: 3935: 3931: 3929: 3928: 3924: 3922: 3921: 3917: 3915: 3914: 3910: 3908: 3907: 3903: 3902: 3900: 3898: 3894: 3884: 3883: 3879: 3877: 3876: 3872: 3870: 3869: 3865: 3863: 3862: 3858: 3856: 3855: 3851: 3849: 3846: 3845: 3843: 3839: 3832: 3831: 3827: 3824: 3823: 3819: 3816: 3815: 3811: 3808: 3807: 3803: 3802: 3800: 3796: 3790: 3789: 3785: 3783: 3782: 3778: 3776: 3775: 3774:Ekla Chalo Re 3771: 3769: 3768: 3764: 3762: 3761: 3757: 3753: 3752: 3748: 3747: 3746: 3745: 3741: 3739: 3738: 3734: 3732: 3731: 3727: 3725: 3724: 3720: 3718: 3715: 3714: 3712: 3710: 3703: 3696: 3695: 3691: 3688: 3687: 3683: 3680: 3679: 3675: 3672: 3671: 3667: 3664: 3663: 3659: 3656: 3655: 3651: 3650: 3648: 3644: 3638: 3637: 3633: 3631: 3630: 3629:Hungry Stones 3626: 3625: 3623: 3619: 3612: 3611: 3607: 3604: 3603: 3599: 3596: 3595: 3591: 3588: 3587: 3583: 3580: 3579: 3575: 3572: 3571: 3567: 3564: 3563: 3559: 3556: 3555: 3551: 3548: 3547: 3543: 3542: 3540: 3536: 3533: 3530: 3526: 3522: 3517: 3507: 3504: 3502: 3499: 3497: 3494: 3493: 3491: 3487: 3483: 3476: 3471: 3469: 3464: 3462: 3457: 3456: 3453: 3447: 3444: 3442: 3439: 3437: 3434: 3432: 3429: 3428: 3420: 3416: 3412: 3408: 3404: 3398: 3395:. Routledge. 3394: 3393: 3387: 3383: 3377: 3373: 3372: 3366: 3365: 3349: 3345: 3340: 3336: 3330: 3326: 3322: 3318: 3314: 3308: 3304: 3300: 3295: 3291: 3285: 3281: 3276: 3275: 3268: 3264: 3262:0-312-16973-6 3258: 3254: 3249: 3244: 3239: 3235: 3229: 3225: 3221: 3216: 3212: 3206: 3202: 3197: 3193: 3189: 3185: 3179: 3175: 3171: 3167: 3163: 3157: 3153: 3148: 3137: 3131: 3127: 3126: 3120: 3116: 3110: 3106: 3101: 3090: 3086: 3084: 3080: 3079:Red Oleanders 3073: 3069: 3063: 3059: 3055: 3050: 3046: 3040: 3036: 3031: 3027: 3021: 3017: 3013: 3009: 2998:on 6 May 2001 2997: 2993: 2992: 2987: 2983: 2972: 2968: 2963: 2952: 2948: 2943: 2939: 2937:0-312-14030-4 2933: 2928: 2927: 2920: 2909: 2905: 2903: 2896: 2892: 2890:0-8070-5971-4 2886: 2881: 2880: 2873: 2869: 2865: 2861: 2856: 2855: 2850: 2846: 2842: 2840: 2813: 2806: 2800: 2786:on 2012-12-08 2785: 2781: 2777: 2771: 2757:on 2013-01-14 2756: 2752: 2748: 2742: 2727: 2723: 2717: 2709: 2702: 2696: 2681: 2677: 2671: 2657:on 2013-05-08 2656: 2652: 2648: 2642: 2628: 2624: 2617: 2603: 2599: 2593: 2585: 2581: 2577: 2571: 2564: 2559: 2552: 2547: 2540: 2535: 2528: 2523: 2509: 2505: 2501: 2497: 2491: 2477: 2473: 2467: 2459: 2458:kishandiaries 2455: 2448: 2434: 2430: 2424: 2409: 2408:kishandiaries 2405: 2398: 2391: 2386: 2378: 2374: 2373: 2368: 2362: 2354: 2350: 2349: 2344: 2338: 2330: 2328:0-8248-1183-6 2324: 2320: 2316: 2315: 2310: 2306: 2300: 2284: 2280: 2274: 2260: 2256: 2250: 2244:, p. 38. 2243: 2238: 2231: 2230:Dasgupta 2001 2226: 2224: 2217:, p. 94. 2216: 2211: 2204: 2199: 2192: 2187: 2180: 2175: 2167: 2163: 2156: 2148: 2142: 2138: 2131: 2124: 2119: 2112: 2107: 2100: 2095: 2088: 2083: 2077:, p. 95. 2076: 2071: 2064: 2059: 2057: 2055: 2048:, p. 16. 2047: 2042: 2035: 2030: 2024:, p. 18. 2023: 2018: 2012:, p. 94. 2011: 2006: 1999: 1994: 1987: 1982: 1975: 1970: 1963: 1958: 1951: 1946: 1939: 1934: 1928:, p. 45. 1927: 1922: 1920: 1918: 1916: 1908: 1903: 1896: 1891: 1884: 1879: 1873:, p. 48. 1872: 1867: 1860: 1855: 1849:, p. 68. 1848: 1843: 1836: 1831: 1824: 1819: 1812: 1807: 1800: 1795: 1788: 1783: 1776: 1771: 1764: 1759: 1752: 1747: 1740: 1735: 1733: 1726:, p. 15. 1725: 1720: 1716: 1706: 1703: 1701: 1698: 1695: 1691: 1689: 1685: 1683: 1679: 1678: 1674: 1672: 1669: 1667: 1664: 1663: 1657: 1656:, New Delhi. 1655: 1651: 1647: 1643: 1639: 1635: 1631: 1627: 1623: 1619: 1615: 1614:R. Siva Kumar 1610: 1606: 1604: 1603:R. Siva Kumar 1600: 1599: 1594: 1592: 1586: 1581: 1579: 1578:Max Pechstein 1575: 1574:North America 1571: 1567: 1563: 1559: 1555: 1551: 1547: 1535: 1534:North America 1531: 1527: 1520: 1511: 1507: 1503: 1496: 1479: 1476: 1475: 1471: 1470: 1468: 1462: 1452: 1449: 1446:Furthermore, 1444: 1442: 1438: 1428: 1425: 1421: 1417: 1416: 1411: 1407: 1402: 1400: 1396: 1392: 1391: 1386: 1382: 1381:Modern Review 1377: 1375: 1370: 1368: 1364: 1363: 1358: 1357: 1356:shadhu-bhasha 1352: 1351: 1346: 1342: 1338: 1337: 1329: 1327: 1315: 1297: 1280: 1278: 1269: 1265: 1259: 1257: 1253: 1249: 1245: 1239: 1237: 1233: 1229: 1225: 1224: 1219: 1215: 1214: 1209: 1208: 1201: 1189: 1168: 1166: 1156: 1155: 1151: 1147: 1143: 1139: 1135: 1131: 1127: 1122: 1118: 1099: 1098: 1095: 1084: 1065: 1057: 1056: 1052: 1048: 1044: 1040: 1036: 1032: 1028: 1023: 1018: 1005:কবির গরব করা- 992:সাজের অহংকার। 981: 980: 977: 975: 963: 958: 954: 953: 947: 943: 942: 939: 937: 933: 929: 925: 921: 917: 913: 912:Garry Schyman 909: 905: 901: 897: 893: 889: 885: 880: 876: 868: 864: 860: 853: 849: 845: 841: 837: 833: 829: 828:Cholti Bhasha 825: 824:Shadhu Bhasha 821: 817: 812: 810: 806: 802: 801:jeevan devata 798: 794: 790: 786: 782: 781:Ramprasad Sen 778: 774: 770: 766: 762: 758: 751: 748: 740: 724: 722: 714: 710: 709: 700: 696: 692: 691:Nandalal Bose 689:A drawing by 687: 680: 676: 671: 662: 660: 656: 651: 649: 648: 643: 639: 635: 631: 630: 625: 623: 618: 614: 610: 605: 603: 602:Farewell Song 599: 595: 591: 589: 585: 580: 578: 577: 572: 568: 564: 560: 558: 557: 552: 551: 546: 545: 540: 539: 534: 533: 528: 527: 522: 521: 516: 515: 510: 509: 498: 496: 492: 488: 486: 481: 477: 473: 468: 466: 465: 460: 456: 451: 447: 442: 440: 436: 435:patriarchical 432: 428: 426: 422: 418: 414: 410: 408: 407: 402: 398: 394: 390: 389:Galpaguchchha 386: 385: 380: 379: 374: 369: 366: 365:Galpaguchchha 361: 359: 355: 354:Galpaguchchha 350: 347: 343: 338: 336: 331: 327: 323: 319: 318:Golpoguchchho 315: 314:Galpaguchchha 311: 304:Short stories 301: 299: 298: 293: 289: 285: 281: 279: 278: 273: 272: 267: 263: 262: 257: 256: 253: 248: 247: 241: 239: 235: 231: 227: 223: 219: 215: 211: 207: 197: 193: 187: 181: 178: 171: 165: 163: 159: 156:, biographer 155: 151: 147: 143: 142:Warsaw Ghetto 139: 135: 131: 130: 125: 124: 119: 118: 113: 109: 106: 103:). In it the 102: 98: 94: 93: 88: 80: 76: 72: 71: 65: 56: 52: 50: 46: 42: 38: 30: 26: 21: 4118: 4104: 4064:Debendranath 3981: 3974: 3967: 3960: 3953: 3946: 3939: 3932: 3925: 3918: 3913:Chokher Bali 3911: 3904: 3880: 3873: 3866: 3859: 3852: 3828: 3820: 3812: 3804: 3786: 3779: 3772: 3765: 3758: 3749: 3742: 3735: 3728: 3721: 3692: 3684: 3676: 3668: 3660: 3652: 3634: 3627: 3608: 3600: 3592: 3584: 3576: 3568: 3560: 3554:Chokher Bali 3552: 3544: 3524: 3501:Middle years 3410: 3391: 3370: 3351:, retrieved 3347: 3324: 3321:Urban, H. B. 3302: 3280:Twichell, C. 3273: 3252: 3242: 3223: 3200: 3173: 3151: 3141:16 September 3139:, retrieved 3124: 3104: 3094:28 September 3092:, retrieved 3088: 3082: 3078: 3057: 3034: 3015: 3002:10 September 3000:, retrieved 2996:the original 2990: 2976:17 September 2974:, retrieved 2970: 2954:, retrieved 2950: 2925: 2913:17 September 2911:, retrieved 2907: 2901: 2878: 2859: 2836: 2811: 2799: 2788:. Retrieved 2784:the original 2779: 2770: 2759:. Retrieved 2755:the original 2750: 2741: 2730:. Retrieved 2728:. 2012-03-11 2725: 2716: 2707: 2695: 2684:. Retrieved 2679: 2670: 2659:. Retrieved 2655:the original 2650: 2641: 2630:. Retrieved 2627:Asia Society 2626: 2616: 2605:. Retrieved 2601: 2592: 2584:the original 2579: 2570: 2558: 2546: 2534: 2522: 2511:. Retrieved 2499: 2490: 2479:. Retrieved 2475: 2466: 2457: 2447: 2436:. Retrieved 2432: 2423: 2411:. Retrieved 2407: 2397: 2385: 2377:the original 2370: 2361: 2346: 2337: 2313: 2299: 2287:. Retrieved 2285:(in Bengali) 2283:tagoreweb.in 2282: 2273: 2262:. Retrieved 2258: 2249: 2237: 2210: 2198: 2193:, p. 5. 2186: 2174: 2165: 2155: 2136: 2130: 2118: 2106: 2094: 2089:, p. 7. 2082: 2070: 2041: 2029: 2017: 2005: 1993: 1981: 1969: 1964:, p. 46 1957: 1945: 1933: 1902: 1890: 1878: 1866: 1854: 1842: 1830: 1818: 1806: 1794: 1782: 1770: 1758: 1746: 1719: 1694:Satyajit Ray 1687: 1675: 1638:Petit Palais 1624:, New York, 1622:Asia Society 1607: 1596: 1595: 1588: 1583: 1542: 1477: 1445: 1434: 1413: 1410:Vilayat Khan 1405: 1403: 1398: 1394: 1390:The Observer 1388: 1380: 1378: 1371: 1360: 1354: 1348: 1334: 1332: 1323: 1314:Bengali year 1274: 1267: 1255: 1251: 1247: 1243: 1241: 1235: 1231: 1227: 1221: 1211: 1205: 1203: 1171: 1162: 1153: 1149: 1145: 1141: 1137: 1133: 1129: 1125: 1124: 1102: 1087: 1068: 1063: 1054: 1050: 1046: 1042: 1038: 1034: 1030: 1026: 1025: 985: 973: 972:Song VII of 971: 928:Matt Harding 919: 904:Leoš Janáček 881: 877: 866: 862: 855: 851: 847: 843: 839: 835: 831: 827: 823: 819: 815: 813: 800: 797:moner manush 796: 792: 760: 753: 746: 745:— Song XII, 743: 728: 706: 704: 698: 678: 658: 654: 652: 645: 642:Chokher Bali 641: 627: 622:Chokher Bali 620: 609:Satyajit Ray 606: 601: 597: 593: 592: 587: 583: 581: 574: 571:Satyajit Ray 566: 562: 561: 554: 548: 542: 536: 530: 524: 518: 514:Chokher Bali 512: 506: 504: 494: 490: 489: 484: 479: 471: 469: 462: 445: 443: 438: 430: 429: 412: 411: 404: 400: 396: 392: 391:, including 388: 382: 376: 373:Satyajit Ray 370: 364: 362: 357: 353: 351: 339: 321: 317: 313: 307: 295: 291: 287: 283: 282: 275: 269: 266:lèse majesté 259: 250: 244: 242: 225: 221: 217: 213: 209: 205: 202: 195: 184: 176: 173: 168: 153: 149: 137: 133: 127: 121: 115: 100: 96: 90: 84: 68: 53: 47:philosopher 36: 34: 3948:Ghare Baire 3897:Adaptations 3610:Char Adhyay 3578:Ghare Baire 3557:(1902-1903) 3083:Raktakarabi 2956:26 November 2862:, Papyrus, 2191:Tagore 1952 2179:Harvey 1999 1652:, Ontario, 1636:, Chicago, 1558:New Ireland 1506:New Ireland 1455:Filmography 1244:purabi raga 1232:bhanga gaan 1000:মুখর ঝংকার। 840:Golden Boat 721:Nobel Prize 613:Tapan Sinha 588:Ghare Baire 576:Ghare Baire 563:Ghare Baire 556:Char Adhyay 553:(1929) and 538:Ghare Baire 431:Strir Patra 417:Tapan Sinha 358:Sabuj Patra 284:Chitrangada 271:Animal Farm 246:Raktakarabi 194:, Preface, 192:W. B. 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Works of Rabindranath Tagore

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