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Willard Van Dyke

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fellow documentary photographers and was credited with enhancing photography's position as a serious art form. While director of the Department of Film, Mr. Van Dyke served as president of the Robert Flaherty International Film Seminars, as chairman of the faculty at the first cinema session of the Salzburg Seminar in American Studies, and as vice-president of the International Federation of Film Archives (FIAF). From 1976 he was a trustee and chairman of the Film Advisory Committee of the American Federation of Arts.
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Van Dyke's photographs were marked by a tendency to address social issues, as in portraits of migrant workers, as well as purely formal subjects. This interest apparently led him to documentary films. "The effects of the Depression were very disturbing to me, and I felt anxious to promote change," he
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After leaving the Museum of Modern Art in 1977, he became a professor at the State University of New York at Purchase, and founded its film program and remained there until 1981. In 1978, Van Dyke was awarded the George Eastman Award, given by George Eastman House for distinguished contribution to
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Van Dyke was director of the Department of Film at the Museum of Modern Art from 1965 to 1974, overseeing the expansion of the department's archives and exhibitions, and he started two programs for showing the work of avant-garde and documentary film makers. He introduced the work of modern and
301:, of a heart attack, driving from his home in Santa Fe, N.M. to Cambridge, Massachusetts, where he had recently been named laureate artist in residence at Harvard. He and his wife stopped for the night when he became ill, was taken to a hospital, and died. He was 79 years old. 207:
During World War II Van Dyke was Chief of Technical Production for the Office of War Information's Overseas Motion Picture Board and Liaison Officer between OWI and Hollywood script writers. In 1945, Van Dyke was commissioned to make an official film called
1539: 138:, and Weston. The group’s approach emphasized both sharp and deep focus (sometimes called straight photography) in contrast with the painterly approach of many other photographers. 1078: 1181: 1544: 213: 86:(December 5, 1906 – January 23, 1986) was an American filmmaker, photographer, arts administrator, teacher, and former director of the film department at the 152:
Van Dyke soon abandoned still photography, saying in a 1982 documentary based on his life that he did not want to compete with his closest friend, Weston.
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Van Dyke was survived by his wife, Barbara (née Millikin), a daughter, Alison, three sons, Peter, Murray, and Neil, and grandchildren.
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From 1946 to 1965, he was a producer/director of films for television and in the field of adult education. He directed films for the
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in San Francisco, where he not only saw some Edward Weston’s work but met him. It was a life-changing experience.
1464: 1331:. Archive 30. The Center for Creative Photography, Tucson, 67 pp., a few black-and-white illustrations, 8½x11". 1350: 1047: 116: 172:
In 1935, Van Dyke moved to New York City and began making documentary films. He served as a cameraman on
146: 1127:"Photographer Willard Van Dyke Dies : Worked With Adams, Weston in Founding Influential f.64 Group" 1126: 102:, circa 1927 dropping out for a time to avoid taking an ROTC course, left in 1929 and did not graduate. 1439: 106:"I had been playing around with a camera and developing my own pictures since I was 12 years of age" 1043: 251: 1473: 1468: 268: 191: 174: 1534: 1529: 1152: 1022: 259: 196: 87: 75: 1343: 1001: 899: 8: 165:
would more effectively communicate issues to more people than would still photography." (
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once said to an interviewer. "I was young and impatient, and felt that the
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Willard Van Dyke: Changing the World Through Photography and Film
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Willard Van Dyke: Changing the World Through Photography and Film
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People associated with the Museum of Modern Art (New York City)
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has preserved a few of Willard Van Dyke's films, including
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In 1928, he went to see a photographic exhibition at the
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The Letters between Edward Weston & Willard Van Dyke
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South Ferry Area – With Milling People (MC.199, ref598)
698:(documentary) (supervisor: International Film Seminars) 951:"Willard Van Dyke, Ex-Head Of Films At Modern Museum" 874:
University of California Alumni Association (1937).
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about Edward Weston. In 1960, he was nominated with
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Street Scenes in Chinatown (MC.199, ref654, ref655)
279: 1545:State University of New York at Purchase faculty 1511: 1259:People to U.N. (MC.199, (MC.199, ref545, ref526) 1214:Polish & Sweep (MC.199, ref578 & ref680) 820: 818: 816: 16:American filmmaker and photographer (1906-1986) 1402:"The Interpretive Camera in Documentary Films" 1338:. Albuquerque, University of New Mexico Press. 944: 942: 940: 237:. In 1948, Van Dyke made the documentary film 200:(1939) with Steiner, ran for two years at the 1366: 1187:Fruit Market (MC.199, ref678, ref680, ref684) 938: 936: 934: 932: 930: 928: 926: 924: 922: 920: 813: 1379:(2). Film Society of Lincoln Center: 24–35. 1367:Van Dyke, Willard; Engle, Harrison (1965). 1277:Ferry – People at Bus Stop (MC.199, ref604) 977:"Oakland Tribune 29 Apr 1934, page Page 34" 264:The 21st Century/The Shape of Films To Come 1341: 999: 917: 29: 145:exhibited 70 photos taken by Van Dyke of 1476:Center for Creative Photography Archives 1399: 852:Register of the University of California 1360:, vol. 3, no. 2, 1965, pp. 35–37. 1035: 274:The American Scene Number 6: Steel Town 1512: 948: 1344:"Conversations With Willard Van Dyke" 1241:Construction Workers (MC.199, ref285) 1002:"Conversations With Willard Van Dyke" 796:"Van Dyke, Willard (Ames) 1906-1986" 559:(TV series documentary – 5 episodes) 1525:20th-century American photographers 1327:Calmes, Leslie Squyres (text) 1992 297:Van Dyke died, 23 January 1986, in 13: 1205:Night Pedestrians (MC.199, ref629) 100:University of California, Berkeley 14: 1556: 1433: 1400:van Dyke, Willard (1 July 1946). 949:Mcgill, Douglas C. (1986-01-24). 849:University of California (1927). 608:Pop Buell: Hoosier Farmer in Laos 1295:"Farmer: Feast or Famine (1965)" 1223:Spaghetti Joint (MC.199, ref642) 292: 1465:Center for Creative Photography 1354:FILMOGRAPHY OF WILLARD VAN DYKE 1232:Office Workers (MC.199, ref589) 1173: 1159: 1145: 1071: 1029: 545:Ireland: The Tear and the Smile 307: 249:for the short documentary film 1351:Film Society of Lincoln Center 1048:University of New Mexico Press 1008: 993: 969: 677:(documentary short) (producer) 280:Arts administrator and teacher 110: 1: 877:The Golden Book of California 702: 473:Working and Playing to Health 202:New York World's Fair of 1939 122:In 1928, he apprenticed with 117:Palace of the Legion of Honor 93: 1520:Film directors from Colorado 1268:Pedestrians (MC.199, ref563) 400:(official film, founding of 7: 1342:Rothschild, Amalie (1981). 1182:New York City Street Scenes 1000:Rothschild, Amalie (1981). 620:The Farmer: Feast of Famine 218:United Nations Organization 147:Public Works of Art Project 10: 1561: 1321: 831:. The Museum of Modern Art 602:Frontline Camera 1935-1965 418:(documentary short) about 1153:"The Children Must Learn" 518:(short, co-directed with 245:and Irving Jacoby for an 71: 60: 48: 40: 28: 21: 1474:Willard Van Dyke archive 1461:Willard Van Dyke archive 691:(documentary) (producer) 597:(With Wheaton Galentine) 492:Recollections of Boyhood 235:The Twenty-First Century 1334:Enyeart, James L. 2008 1044:Albuquerque, New Mexico 1036:Enyeart, James (2008). 668:To Hear Your Banjo Play 426:To Hear Your Banjo Play 368:To Hear Your Banjo Play 347:The Children Must Learn 155: 126:and by 1932 co-founded 627:Shape of Films to Come 446:Choosing for Happiness 108: 1469:University of Arizona 670:(short) (co-producer) 557:The Twentieth Century 510:Mountains of the Moon 409:Journey Into Medicine 269:Journey Into Medicine 230:The Twentieth Century 192:Henri Cartier-Bresson 104: 98:Van Dyke went to the 84:Willard Ames Van Dyke 1083:Academy Film Archive 1079:"Preserved Projects" 1023:Museum of Modern Art 582:So That Men Are Free 570:So That Men Are Free 439:This Charming Couple 334:Design for Education 260:Academy Film Archive 88:Museum of Modern Art 76:George Eastman Award 1406:Hollywood Quarterly 696:Nanook of the North 649:(documentary short) 642:(documentary short) 622:(With Roger Barlow) 533:Land of White Alice 527:Tiger Hunt in Assam 481:(With Angel Rivera) 459:New York University 363:(documentary short) 329:(documentary short) 178:(1938) directed by 141:In April 1934, the 1497:"Willard van Dyke" 1481:"Willard Van Dyke" 1097:"Willard Van Dyke" 956:The New York Times 900:"Willard Van Dyke" 826:"WILLARD VAN DYKE" 684:(short) (producer) 299:Jackson, Tennessee 1491:on June 28, 2023. 1133:. 1 February 1986 1131:Los Angeles Times 682:American Frontier 614:Taming the Mekong 589:Frontiers of News 504:Life of the Molds 498:There Is a Season 466:American Frontier 392:Pacific Northwest 289:the art of film. 216:that created the 132:Imogen Cunningham 81: 80: 1552: 1506: 1492: 1487:. Archived from 1449:Willard Van Dyke 1440:Willard van Dyke 1429: 1396: 1347: 1346:. New Day Films. 1315: 1314: 1312: 1310: 1305:on June 28, 2023 1301:. Archived from 1291: 1285: 1177: 1171: 1170: 1163: 1157: 1156: 1149: 1143: 1142: 1140: 1138: 1123: 1117: 1116: 1114: 1112: 1107:on June 28, 2023 1103:. Archived from 1093: 1087: 1086: 1075: 1069: 1068: 1066: 1064: 1033: 1027: 1026: 1020: 1012: 1006: 1005: 1004:. 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Index


Photography
George Eastman Award
Museum of Modern Art
University of California, Berkeley
Palace of the Legion of Honor
Edward Weston
Group f/64
Imogen Cunningham
Ansel Adams
DeYoung Museum
Public Works of Art Project
documentary film
The River
Pare Lorentz
Paul Strand
Ralph Steiner
Henri Cartier-Bresson
The City
New York World's Fair of 1939
conference
United Nations Organization
CBS Television
The Twentieth Century
Shirley Clarke
Academy Award
Skyscraper
Academy Film Archive
Journey Into Medicine
Jackson, Tennessee

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