597:
33:
580:
1133:
1119:
531:, the film that resulted, played to "capacity audiences" in Germany for two years. However, it was not released in the United States until 1979. This film was produced for the Civil Affairs Division of the Government of Military Occupation (OMGUS). Lorentz's role and contributions to this production are not entirely clear because he prematurely resigned and the Hollywood director
460:
When
Republicans gained seats in Congress in 1938, and the congressional balance of power shifted in a more conservative direction, the pipeline of federal commissions for projects like Lorentz's were halted along with the short-lived existence of the US Film Service, which Lorentz headed. In 1940,
543:
In the prosperity of the post–War period, there was no revival of partnerships with the federal government. He had ambitious plans to make documentaries about the New Deal and the United
Nations, but funding was not available from government or private sources. His final film was
523:, and filmed over 2,500 hours of bombing raids. (Note: Lorentz's name is not associated with any OWI or USIA films; his son Pare Lorentz, Jr., may have worked on a USIA film though most of his work was for USAID.) In 1946, Lorentz made a federally funded movie about the
338:, Lorentz was the leading American advocate for government-sponsored documentary films. His service as a filmmaker for the U.S. Army Air Corps during World War II was formidable, including technical films, documentation of bombing raids, and synthesizing raw footage of
566:, as well as the Pare Lorentz Film Festival and its grand prize in honor of Lorentz, granted to individuals whose work best represents the "democratic sensibility, activist spirit and lyrical vision" of Lorentz."
527:, intended to help educate the German people as to what had happened during the war. In the process of compiling material, Lorentz reviewed over 1 million hours of footage about the Nazis and their atrocities.
412:, a film that showed the natural and man–made devastation caused by the Dust Bowl. Though the tight budget and his inexperience occasionally showed through in the film, Lorentz's script, combined with
515:, who became an outstanding cinematographer during World War II. He was promoted to the rank of colonel. While serving, he made 275 pilot navigational films and minor documentaries for the
331:, West Virginia Wesleyan College, and West Virginia University. As a young film critic in both New York City and Hollywood, Lorentz spoke out against censorship in the film industry.
428:. Roosevelt was impressed and, after his re-election in 1936, gave Lorentz the opportunity to make a film about one of the president's favorite subjects: conservation. Lorentz made
391:′s presidency. Roosevelt was impressed with the articles and the book, and in 1936, as president of the United States, invited Lorentz to make a government-sponsored film about the
1736:
1721:
358:
Lorentz left West
Virginia University, in 1925, to begin a career as a writer and film critic in New York City. He contributed articles to leading magazines such as
708:
in Hyde Park, New York, but with its separate online presence, has links on its website to three films which were posted to YouTube by the FDR Library's account:
681:. This is a theatrical projection print acquired as part of the library's preservation program for films which were honored by being selected for listing on the
1208:
705:
563:
300:
1290:
1731:
1716:
1701:
1177:
1696:
482:(1940), a semi-documentary on the struggle to provide adequate natal (obstetric) care at the Chicago Maternity Center, based on a book by
420:′s score, made the 30-minute movie powerful and moving. The film, which had its first public showing on May 10, 1936 at Washington, D.C′s
1511:
1340:
1054:
Lorentz, Pare; Thomson, Virgil; Chalmers, Thomas; Gruenberg, Louis; McCormick, Myron; Haynes, Storris; Geer, Will; et al. (2000).
970:
1462:
1741:
1686:
516:
167:
596:
551:
Lorentz lived a quiet life among the country gentry 37 miles (59.55 kilometres) north of New York City in the upscale town of
1711:
1061:
1029:
861:
842:
764:
559:
335:
899:
1726:
933:
446:
291:
1625:
1604:
1231:
1226:
1163:
736:
445:
by providing cheap, readily available hydro–electric power to a wide area. This film won the Best
Documentary at the
328:
520:
1218:
1075:
633:
609:
408:
94:
441:
The TVA mitigated flooding but, more importantly to
Lorentz and to Roosevelt, it put a stop to the prodigious
466:
1561:
1110:
1021:
131:
399:
120:
1342:
Reaping the Golden
Harvest: Pare Lorentz, Poet and Filmmaker : Pare Lorentz and the Films of Merit
756:
435:
1393:
347:
324:
60:
1545:
1496:
1447:
1374:
1320:
1202:
1004:
961:
579:
1159:
495:
99:
1464:
Reaping the Golden
Harvest: Pare Lorentz, Poet and Filmmaker : The Plow that Broke the Plains
383:
His work as a film critic led him to
Hollywood, where he wrote several articles on censorship and
1706:
614:
135:
1578:
315:(December 11, 1905 – March 4, 1992) was an American filmmaker known for his film work about the
682:
413:
927:
1114:
1080:
716:– part of the FDR Library's description reads, "The script for the film was nominated for a
641:
587:
508:
430:
388:
32:
1517:
976:
1681:
1676:
1468:
803:
1346:
8:
1647:
1167:
1132:
1118:
670:
1691:
1609:
1533:
1484:
1435:
1362:
1308:
1190:
1143:
992:
949:
649:
478:
1215:
Pare
Lorentz Motion Picture, Sound Recording, and Photographic Collection, 1936 – 1949
1105:
1065:
1035:
1025:
1014:
881:
857:
838:
817:
778:
770:
760:
813:
809:
552:
524:
343:
162:
79:
1629:
1565:
1222:
1055:
786:
750:
421:
678:
1171:
915:. Eds. Brian Railsback and Michael J. Meyer. Westport: Greenwood, 2005. 216–17.
717:
532:
487:
454:
417:
1417:
1262:
473:, the prolific Dutch filmmaker best known for his anti–fascist documentaries.
1670:
1513:
Reaping the Golden
Harvest: Pare Lorentz, Poet and Filmmaker : The River
1069:
821:
782:
483:
457:
in poetry the same year. It generally is considered his most masterful work.
442:
1153:
1622:
880:. Literary digest books. New York and London: Funk & Wagnalls Company.
794:
790:
512:
1516:. The American Studies Group at the University of Virginia. Archived from
1467:. The American Studies Group at the University of Virginia. Archived from
1345:. The American Studies Group at the University of Virginia. Archived from
1124:
1039:
975:. The American Studies Group at the University of Virginia. Archived from
885:
721:
694:
470:
425:
1388:
875:
1642:
1144:
173 works in 418 publications in 3 languages and 7,316 library holdings
1101:
825:
604:
339:
1213:
1558:
1267:
Pare Lorentz Center at the Franklin D. Roosevelt Presidential Library
698:
469:. The REA took over its own production, and the film was directed by
392:
157:
929:
Pare Lorentz: a bibliography of materials in the UC Berkeley Library
1147:
1128:
690:
316:
152:
398:
Despite not having any film credits, Lorentz was appointed to the
507:
Lorentz served in the U.S. Army Air Corps, more specifically the
1138:
774:
1053:
1225:
at the Motion Picture, Sound, and Video Research Room of the
972:
Reaping the Golden Harvest: Pare Lorentz, Poet and Filmmaker
1389:"Pare Lorentz Dedication at the Theatre Today at 2:00 p.m."
673:
has made available on its website a full-length version of
476:
Before the U.S. involvement in World War II, Lorentz made
346:. Nonetheless, Lorentz perennially will be known best as "
724:
as ‘the most beautiful prose I have heard in ten years’.”
686:
502:
1737:
United States Army Air Forces personnel of World War II
677:, open for public viewing at the print's digital ID of
1155:
Pare Lorentz Papers, 1914–1994 (Bulk Dates: 1932–1960)
1722:
People of the United States Office of War Information
1209:
Franklin D. Roosevelt Presidential Library and Museum
334:
As the most influential documentary filmmaker of the
1292:Great Depression, the Movies of Pre-Code Hollywood
1256:
1254:
1252:
1250:
1248:
1013:
208: 1931; divorced before 1943)
16:American filmmaker known for his New Deal-era work
453:appeared in book form, and was nominated for the
1668:
712:The aforementioned film (but a different print)
1285:
1283:
1245:
1334:
1332:
1330:
802:Ernst, Morris Leopold; Lorentz, Pare (1970) .
1381:
353:
1280:
1234:of the International Documentary Association
801:
752:FDR's movie maker : memoirs and scripts
720:for poetry and was also described by author
1327:
1605:"'Fahrenheit,' 'Born' share top IDA kudos"
1131:
1117:
706:Franklin D. Roosevelt Presidential Library
424:, had a preview screening in March at the
387:, a pictorial review of the first year of
342:atrocities for an educational film on the
31:
1260:
877:The Roosevelt year; a photographic record
735:Part 1 – a historical recording from the
434:, a film celebrating the exploits of the
229: 1943; Lorentz's death
1635:
1632:. International Documentary Association.
704:The Pare Lorentz Center, located at the
538:
379:Censored: the private life of the movie.
1597:
1415:
873:
851:
832:
805:Censored: the private life of the movie
748:
569:
548:, which he wrote and directed in 1947.
1732:United States Army Air Forces officers
1669:
1011:
679:hdl.loc.gov/loc.mbrsmi/ntscrm.00101008
503:U.S. Army Air Corps World War II films
377:Lorentz also co-authored a 1929 book,
1717:People from Clarksburg, West Virginia
1702:Military personnel from West Virginia
1509:
1460:
1338:
1062:International Documentary Association
1016:Pare Lorentz and the documentary film
968:
560:International Documentary Association
301:International Documentary Association
230:
1419:e-WV, The West Virginia Encyclopedia
900:Film censorship in the United States
835:Lorentz on film: movies 1927 to 1941
517:U.S. Office of War Information (OWI)
490:worked on the project with Lorentz.
1697:First Motion Picture Unit personnel
1047:
925:
603:Pare Lorentz & cinematographer
535:is given credit for completing it.
402:as a film consultant. He was given
13:
1603:McNary, Dave (November 18, 2004).
1422:. West Virginia Humanities Council
1164:Rare Book & Manuscript Library
934:University of California, Berkeley
918:Renshaw, Patrick. "Pare Lorentz."
911:Meyer, Michael J. "Pare Lorentz."
905:
447:Venice International Film Festival
292:Venice International Film Festival
14:
1753:
1571:
1416:Drennan, Bill (October 7, 2010).
1261:Lorentz, Pare; Snyder, Robert L.
1227:National Archives at College Park
1095:
1060:(Online and DVD-R). Los Angeles:
837:. New York: Hopkinson and Blake.
808:. New York: J Cape and H. Smith.
737:National Archives at College Park
595:
578:
1742:West Virginia University alumni
1687:American documentary filmmakers
1616:
1020:(1st ed.). Norman, Okla.:
226:
205:
1583:Encyclopædia Britannica Online
1552:
1503:
1454:
1409:
1146:by and about Pare Lorentz, at
1076:The Plow That Broke The Plains
728:The Plow That Broke the Plains
634:The Plow That Broke the Plains
610:The Plow That Broke the Plains
521:U.S. Information Agency (USIA)
409:The Plow That Broke the Plains
168:U.S. Office of War Information
95:West Virginia Wesleyan College
63:, West Virginia, United States
1:
1238:
913:A John Steinbeck Encyclopedia
564:Pare Lorentz Documentary Fund
467:Rural Electric Administration
406:to make a film, which became
1712:People from Armonk, New York
1650:, Washington, D.C. 20540 USA
1022:University of Oklahoma Press
273:Alma MacTaggart Ruttencutter
7:
1510:Hogan, Kathleen M. (1998).
1461:Hogan, Kathleen M. (1998).
1339:Hogan, Kathleen M. (1998).
1263:"Biography of Pare Lorentz"
969:Hogan, Kathleen M. (1998).
893:
400:Resettlement Administration
121:Resettlement Administration
10:
1758:
1727:Tennessee Valley Authority
1628:December 22, 2010, at the
1623:Pare Lorentz Film Festival
1232:Pare Lorentz Film Festival
1221:December 15, 2018, at the
757:University of Nevada Press
699:lccn.loc.gov/2007640253/dc
689:page contains the print's
499:that was never completed.
436:Tennessee Valley Authority
354:New Deal documentary films
321:Leonard MacTaggart Lorentz
297:Pare Lorentz Film Festival
47:Leonard MacTaggart Lorentz
1394:Buckhannon, West Virginia
1057:The films of Pare Lorentz
1012:Snyder, Robert L (1968).
555:until his death in 1992.
325:Clarksburg, West Virginia
280:
263:
243:
186:
178:
142:
126:
116:
108:
87:
68:
42:
30:
23:
1179:Pare Lorentz Finding Aid
868:Stackpole Sons, 1st pub.
856:. New York: Nabu Press.
742:
496:Name, Age and Occupation
443:pillaging of the forests
385:The Roosevelt Year: 1933
132:WWII U.S. Army Air Corps
100:West Virginia University
1559:Power for the Parkinson
852:Lorentz, Pare (2014) .
814:2027/mdp.39015011025742
493:He made a film for RKO
256:(both with Sally Bates)
37:Pare Lorentz, 1935—1942
1564:June 23, 2013, at the
874:Lorentz, Pare (1934).
833:Lorentz, Pare (1975).
749:Lorentz, Pare (1992).
683:National Film Registry
511:(ATC), accompanied by
414:Thomas Hardie Chalmers
329:Buckhannon High School
922:(UK). March 20, 1992.
539:Later life and legacy
509:Air Transport Command
389:Franklin D. Roosevelt
1471:on November 24, 2015
570:Selected filmography
303:, named in his honor
253:Matilda Lorentz Grey
112:Filmmaker and critic
1648:Library of Congress
1168:Columbia University
1139:PARE LORENTZ Center
979:on November 5, 2018
671:Library of Congress
327:he was educated at
270:Pare Hanson Lorentz
1520:on October 7, 1999
1349:on October 7, 1999
1115:TCM Movie Database
1087:The Fight for Life
733:The Fight for Life
650:The Fight for Life
627:The Roosevelt Year
615:Bakersfield, Calif
479:The Fight for Life
463:Power and the Land
393:Oklahoma Dust Bowl
1031:978-0-87417-231-7
863:978-1-293501-03-0
844:978-0-911974-10-2
766:978-0-87417-186-0
618:
416:′s narration and
310:
309:
250:Pare Lorentz, Jr.
138:
57:December 11, 1905
1749:
1661:
1660:
1658:
1656:
1639:
1633:
1620:
1614:
1601:
1595:
1594:
1592:
1590:
1575:
1569:
1556:
1550:
1549:
1543:
1539:
1537:
1529:
1527:
1525:
1507:
1501:
1500:
1494:
1490:
1488:
1480:
1478:
1476:
1458:
1452:
1451:
1445:
1441:
1439:
1431:
1429:
1427:
1413:
1407:
1406:
1404:
1402:
1385:
1379:
1378:
1372:
1368:
1366:
1358:
1356:
1354:
1336:
1325:
1324:
1318:
1314:
1312:
1304:
1302:
1300:
1287:
1278:
1277:
1275:
1273:
1258:
1206:
1200:
1196:
1194:
1186:
1184:
1135:
1121:
1091:
1048:Selected viewing
1043:
1019:
1008:
1002:
998:
996:
988:
986:
984:
965:
959:
955:
953:
945:
943:
941:
889:
870:
848:
829:
798:
685:. The following
602:
599:
585:Film poster for
582:
553:Armonk, New York
525:Nuremberg trials
405:
372:Town and Country
344:Nuremberg Trials
336:Great Depression
288:Best Documentary
234:
232:
228:
209:
207:
163:Nuremberg trials
130:
75:
56:
54:
35:
21:
20:
1757:
1756:
1752:
1751:
1750:
1748:
1747:
1746:
1667:
1666:
1665:
1664:
1654:
1652:
1641:
1640:
1636:
1630:Wayback Machine
1621:
1617:
1602:
1598:
1588:
1586:
1577:
1576:
1572:
1568:Horthy Electric
1566:Wayback Machine
1557:
1553:
1541:
1540:
1531:
1530:
1523:
1521:
1508:
1504:
1492:
1491:
1482:
1481:
1474:
1472:
1459:
1455:
1443:
1442:
1433:
1432:
1425:
1423:
1414:
1410:
1400:
1398:
1397:. March 5, 2018
1387:
1386:
1382:
1370:
1369:
1360:
1359:
1352:
1350:
1337:
1328:
1316:
1315:
1306:
1305:
1298:
1296:
1289:
1288:
1281:
1271:
1269:
1259:
1246:
1241:
1223:Wayback Machine
1198:
1197:
1188:
1187:
1182:
1176:
1098:
1050:
1032:
1000:
999:
990:
989:
982:
980:
957:
956:
947:
946:
939:
937:
926:Handman, Gary.
920:The Independent
908:
906:Further reading
896:
864:
845:
767:
745:
623:
622:
621:
620:
619:
600:
592:
591:
583:
572:
541:
505:
422:Mayflower Hotel
403:
356:
350:′s filmmaker."
306:
276:
259:
239:
236:
224:
220:
217:
216:Elizabeth Meyer
211:
203:
199:
196:
174:
149:Documentaries:
127:Organization(s)
104:
88:Alma mater
83:
77:
73:
64:
58:
52:
50:
49:
48:
38:
26:
17:
12:
11:
5:
1755:
1745:
1744:
1739:
1734:
1729:
1724:
1719:
1714:
1709:
1707:Newmark family
1704:
1699:
1694:
1689:
1684:
1679:
1663:
1662:
1634:
1615:
1596:
1579:"Pare Lorentz"
1570:
1551:
1502:
1453:
1408:
1380:
1326:
1279:
1243:
1242:
1240:
1237:
1236:
1235:
1229:
1211:
1174:
1172:Butler Library
1151:
1141:
1136:
1122:
1108:
1097:
1096:External links
1094:
1093:
1092:
1049:
1046:
1045:
1044:
1030:
1009:
966:
923:
916:
907:
904:
903:
902:
895:
892:
891:
890:
871:
862:
849:
843:
830:
799:
765:
759:. p. 41.
755:. Reno, Nev.:
744:
741:
740:
739:
730:
725:
718:Pulitzer Prize
667:
666:
660:
654:
646:
638:
630:
601:
594:
593:
584:
577:
576:
575:
574:
573:
571:
568:
540:
537:
533:Budd Schulberg
504:
501:
488:John Steinbeck
465:promoting the
455:Pulitzer Prize
449:. The text of
418:Virgil Thomson
355:
352:
308:
307:
305:
304:
294:
284:
282:
278:
277:
275:
274:
271:
267:
265:
261:
260:
258:
257:
254:
251:
247:
245:
241:
240:
238:
237:
222:
218:
215:
214:
212:
201:
197:
194:
193:
190:
188:
184:
183:
180:
176:
175:
173:
172:
171:
170:
165:
160:
155:
146:
144:
143:Known for
140:
139:
128:
124:
123:
118:
114:
113:
110:
106:
105:
103:
102:
97:
91:
89:
85:
84:
78:
76:(aged 86)
70:
66:
65:
59:
46:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1754:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1688:
1685:
1683:
1680:
1678:
1675:
1674:
1672:
1651:
1649:
1644:
1638:
1631:
1627:
1624:
1619:
1612:
1611:
1606:
1600:
1584:
1580:
1574:
1567:
1563:
1560:
1555:
1547:
1535:
1519:
1515:
1514:
1506:
1498:
1486:
1470:
1466:
1465:
1457:
1449:
1437:
1421:
1420:
1412:
1396:
1395:
1390:
1384:
1376:
1364:
1348:
1344:
1343:
1335:
1333:
1331:
1322:
1310:
1294:
1293:
1286:
1284:
1268:
1264:
1257:
1255:
1253:
1251:
1249:
1244:
1233:
1230:
1228:
1224:
1220:
1217:
1216:
1212:
1210:
1204:
1192:
1181:
1180:
1175:
1173:
1169:
1165:
1161:
1157:
1156:
1152:
1149:
1145:
1142:
1140:
1137:
1134:
1130:
1126:
1123:
1120:
1116:
1112:
1109:
1107:
1103:
1100:
1099:
1090:
1088:
1084:
1083:
1078:
1077:
1071:
1067:
1063:
1059:
1058:
1052:
1051:
1041:
1037:
1033:
1027:
1023:
1018:
1017:
1010:
1006:
994:
978:
974:
973:
967:
963:
951:
935:
931:
930:
924:
921:
917:
914:
910:
909:
901:
898:
897:
887:
883:
879:
878:
872:
869:
865:
859:
855:
850:
846:
840:
836:
831:
827:
823:
819:
815:
811:
807:
806:
800:
796:
792:
788:
784:
780:
776:
772:
768:
762:
758:
754:
753:
747:
746:
738:
734:
731:
729:
726:
723:
719:
715:
711:
710:
709:
707:
702:
700:
696:
692:
688:
684:
680:
676:
672:
664:
661:
658:
655:
652:
651:
647:
644:
643:
639:
636:
635:
631:
628:
625:
624:
616:
612:
611:
606:
598:
590:
589:
581:
567:
565:
561:
556:
554:
549:
547:
536:
534:
530:
526:
522:
518:
514:
510:
500:
498:
497:
491:
489:
485:
484:Paul de Kruif
481:
480:
474:
472:
468:
464:
458:
456:
452:
448:
444:
439:
437:
433:
432:
427:
423:
419:
415:
411:
410:
401:
396:
394:
390:
386:
381:
380:
375:
373:
369:
365:
361:
351:
349:
345:
341:
337:
332:
330:
326:
322:
318:
314:
302:
298:
295:
293:
289:
286:
285:
283:
279:
272:
269:
268:
266:
262:
255:
252:
249:
248:
246:
242:
213:
192:
191:
189:
185:
181:
177:
169:
166:
164:
161:
159:
156:
154:
151:
150:
148:
147:
145:
141:
137:
133:
129:
125:
122:
119:
115:
111:
109:Occupation(s)
107:
101:
98:
96:
93:
92:
90:
86:
81:
72:March 4, 1992
71:
67:
62:
45:
41:
34:
29:
22:
19:
1655:December 27,
1653:. Retrieved
1646:
1637:
1618:
1608:
1599:
1587:. Retrieved
1582:
1573:
1554:
1522:. Retrieved
1518:the original
1512:
1505:
1473:. Retrieved
1469:the original
1463:
1456:
1424:. Retrieved
1418:
1411:
1401:December 15,
1399:. Retrieved
1391:
1383:
1351:. Retrieved
1347:the original
1341:
1297:. Retrieved
1291:
1272:December 15,
1270:. Retrieved
1266:
1214:
1178:
1154:
1125:Pare Lorentz
1111:Pare Lorentz
1102:Pare Lorentz
1086:
1085:(1938), and
1081:
1074:
1073:
1056:
1015:
981:. Retrieved
977:the original
971:
938:. Retrieved
928:
919:
912:
876:
867:
853:
834:
824:– via
804:
795:Google Books
793:– via
751:
732:
727:
713:
703:
674:
668:
662:
656:
648:
640:
632:
626:
608:
586:
557:
550:
545:
542:
528:
513:Floyd Crosby
506:
494:
492:
477:
475:
462:
461:he produced
459:
450:
440:
429:
407:
397:
384:
382:
378:
376:
371:
367:
363:
359:
357:
333:
320:
313:Pare Lorentz
312:
311:
296:
287:
74:(1992-03-04)
25:Pare Lorentz
18:
1682:1992 deaths
1677:1905 births
1643:"The river"
1542:|work=
1524:January 12,
1493:|work=
1444:|work=
1371:|work=
1317:|work=
1199:|work=
1160:finding aid
1001:|work=
983:January 12,
958:|work=
722:James Joyce
695:Dublin Core
663:Rural Co-op
546:Rural Co-op
471:Joris Ivens
426:White House
364:Vanity Fair
195:Sally Bates
1671:Categories
1585:. May 2011
1239:References
1150:Identities
826:HathiTrust
605:Paul Ivano
562:named its
360:Scribner's
82:, New York
61:Clarksburg
53:1905-12-11
1692:Dust Bowl
1544:ignored (
1534:cite book
1495:ignored (
1485:cite book
1446:ignored (
1436:cite book
1373:ignored (
1363:cite book
1319:ignored (
1309:cite book
1201:ignored (
1191:cite book
1082:The River
1070:526749000
1003:ignored (
993:cite book
960:ignored (
950:cite book
936:. Library
854:The River
822:446645561
783:910219456
714:The River
675:The River
657:Nuremberg
642:The River
588:The River
529:Nuremberg
451:The River
431:The River
404:US$ 6,000
158:Dust Bowl
1626:Archived
1562:Archived
1392:City of
1219:Archived
1148:WorldCat
1129:AllMovie
1079:(1936),
894:See also
791:1557742M
775:91038493
697:record:
691:metadata
519:and the
368:McCall's
319:. Born
317:New Deal
244:Children
182:New Deal
179:Movement
153:New Deal
117:Employer
1610:Variety
1589:May 23,
1475:May 22,
1426:May 23,
1353:May 22,
1299:May 23,
1207:At the
1162:at the
1113:at the
1089:(1940).
940:May 22,
613:, near
607:making
299:of the
264:Parents
235:
223:
219:
210:
202:
198:
187:Spouses
136:Colonel
1295:. 2011
1068:
1040:362155
1038:
1028:
886:974368
884:
860:
841:
820:
789:
781:
773:
763:
665:(1947)
659:(1946)
653:(1940)
645:(1938)
637:(1936)
629:(1933)
370:, and
281:Awards
80:Armonk
1183:(PDF)
743:Works
693:as a
233:)
225:(
221:
204:(
200:
1657:2018
1591:2011
1546:help
1526:2019
1497:help
1477:2011
1448:help
1428:2011
1403:2018
1375:help
1355:2011
1321:help
1301:2011
1274:2018
1203:help
1158:and
1106:IMDb
1066:OCLC
1036:OCLC
1026:ISBN
1005:help
985:2019
962:help
942:2011
882:OCLC
858:ISBN
839:ISBN
818:OCLC
779:OCLC
771:LCCN
761:ISBN
669:The
558:The
340:Nazi
231:1992
69:Died
43:Born
1170:'s
1166:of
1127:at
1104:at
810:hdl
687:XML
348:FDR
323:in
1673::
1645:.
1607:.
1581:.
1538::
1536:}}
1532:{{
1489::
1487:}}
1483:{{
1440::
1438:}}
1434:{{
1367::
1365:}}
1361:{{
1329:^
1313::
1311:}}
1307:{{
1282:^
1265:.
1247:^
1195::
1193:}}
1189:{{
1072:.
1064:.
1034:.
1024:.
997::
995:}}
991:{{
954::
952:}}
948:{{
932:.
866:.
816:.
787:OL
785:.
777:.
769:.
701:.
486:.
438:.
395:.
374:.
366:,
362:,
290:,
227:m.
206:m.
134:,
1659:.
1613:.
1593:.
1548:)
1528:.
1499:)
1479:.
1450:)
1430:.
1405:.
1377:)
1357:.
1323:)
1303:.
1276:.
1205:)
1185:.
1042:.
1007:)
987:.
964:)
944:.
888:.
847:.
828:.
812::
797:.
617:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_Pare_Lorentz.,_(1935_-_1942).jpg)