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38:
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321:, the 25-year-old Widor was appointed as "provisional" organist of Saint-Sulpice in Paris, the most prominent position for a French organist. The organ at St-Sulpice was Cavaillé-Coll's masterwork; the instrument's spectacular capabilities proved an inspiration to Widor. Despite his job's ostensibly "provisional" nature, Widor remained as organist at St-Sulpice for nearly 64 years until the end of 1933. He was succeeded in 1934 by his former student and assistant,
106:
640:, Vierne and Dupré. Widor was pleased with the worldwide renown this single piece afforded him, but he was unhappy with how fast many other organists played it. Widor himself always played the Toccata rather deliberately. Many organists play it at a very fast tempo whereas Widor preferred a more controlled articulation to be involved. He recorded the piece, at St. Sulpice in his eighty-ninth year; the tempo used for the Toccata is quite slow.
560:, with the new Cavaillé-Coll organs installed in each. The second movement of the Symphonie Gothique, entitled "Andante sostenuto", is one of Widor's most-beloved pieces. Dating from this same period, and also based on a plainsong theme, is the "Salve Regina" movement, a late addition to the much earlier second symphony.
449:
On 31 December 1933, at age 89, Widor retired from his position at Saint-Sulpice. Three years later, he suffered a stroke which paralysed the right side of his body, although he remained mentally alert to the last. He died at his home in Paris on 12 March 1937 at the age of 93, and his remains were
237:
Widor was a prolific composer, writing music for organ, piano, voice and ensembles. Apart from his ten organ symphonies, he also wrote three symphonies for orchestra and organ, several songs for piano and voice, four operas and a ballet. He was one of the first composers to use the term "symphony"
524:
Widor's symphonies can be divided into three groups. The first four symphonies comprise Op. 13 (1872) and are more properly termed "suites". (Widor himself called them "collections".) They represent Widor's early style. Widor made later revisions to the earlier symphonies. Some of these revisions
528:
With the Opus 42 symphonies, Widor shows his mastery and refinement of contrapuntal technique, while exploring to the fullest the capabilities of the
Cavaillé-Coll organs for which these works were written. The Fifth Symphony has five movements, the last of which is the famous Toccata. The Sixth
504:
of the instrument. This new style of organ, with a truly orchestral range of voicing and unprecedented abilities for smooth crescendos and diminuendos, encouraged composers to write music that was fully symphonic in scope. This trend was not limited to France, and was reflected in
Germany by the
340:'s organ works as prerequisites to effective improvisation. In 1896 he gave up this post to become composition professor at the same institution. Widor had several students in Paris who were to become famous composers and organists in their own right, most notably the aforementioned Dupré,
376:
Among the leading organ recitalists of his time, Widor visited many different nations in this capacity, including Russia, England, Germany, the
Netherlands, Portugal, Italy, Poland, and Switzerland. In addition, he participated in the inaugural concerts of many of Cavaillé-Coll's greatest
647:
Over his long career, Widor returned again and again to edit his earlier music, even after publication. His biographer, John Near, reports: "Ultimately, it was discovered that over a period of about sixty years, as many as eight different editions were issued for some of the symphonies."
372:
also studied with Widor, mainly from 1899; master and pupil later collaborated on an annotated edition of J. S. Bach's organ works, published in 1912 – 1914. Widor, whose own master
Lemmens was an important Bach exponent, encouraged Schweitzer's theological exploration of Bach's music.
270:
to a family of organ builders, and initially studied music there with his father, Hungarian-born François-Charles Widor, who was the titular organist of Saint-François-de-Sales from 1838 to 1889. His mother was Françoise-Elisabeth Peiron. The French organ builder
578:
498:" in style. The organ of the Baroque and Classical periods was designed to project a clear and crisp sound capable of handling contrapuntal writing. Cavaillé-Coll's organs, on the other hand, had a much warmer sound and a vast array of stops that extended the
533:. The Seventh and Eighth Symphonies are the longest and least performed of Widor's Symphonies. The Seventh Symphony contains six movements, and the first version of the Eighth Symphony had seven. (Widor subsequently removed the Prélude for the 1901 edition.)
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It is unusual for a work written for one instrument to be assigned the term "symphony". However, Widor was at the forefront of a revival in French organ music, which utilized a new organ design pioneered by
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The ninth and tenth symphonies, respectively termed "Gothique" (Op. 70, of 1895) and "Romane" (Op. 73, of 1900), are much more introspective. They both derive thematic material from
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291:, for composition. After this term of study, Widor moved to Paris where he resided for the rest of his life. At the age of 24, he was appointed assistant to
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Widor wrote music for a wide variety of instruments and ensembles (some of his songs for voice and piano are especially notable) and composed four
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446:. The 36-year-old Mathilde was a member of one of the oldest and most prominent families of Europe. They had no children; she died in 1960.
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336:. The class he inherited was initially stunned by this new teacher, who suddenly demanded a formidable technique and a knowledge of
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624:. Although the Fourth Symphony also opens with a Toccata, it is in a dramatically different (and earlier) style. The Toccata from
275:, reviver of the art of organ building, was a friend of the Widor family; he arranged for the talented young organist to study in
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3179:
Hobbs, Alain (1988). Charles-Marie Widor (1844–1937). L’Orgue, Cahiers et mémoires, No. 40. L’Association des Amis de l’Orgue.
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is the first of the toccatas characteristic of French
Romantic organ music, and served as a model for later works by
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interred in the crypt of Saint-Sulpice four days later. His tomb bears an incorrect birth year (1845).
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in 1892, and reached the rank of a Grand-Officier de la LĂ©gion d'honneur in 1933. He was named to the
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Rough dates of composition/publication are in brackets, along with the original publisher, if known.
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222:, a role he held for 63 years (January 1870 – 31 December 1933). He also was organ professor at the
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544:"Puer natus est" in the third and fourth movements, while the Symphonie Romane has the Easter
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486:(1925). The organ symphonies are his most significant contribution to the organ repertoire.
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era. As a composer he is known for his ten organ symphonies, especially the toccata of his
8:
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Series: Eastman
Studies in Music, v. 83. Rochester, NY: University of Rochester Press (
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Technique de l'orchestre moderne faisant suite au Traité d'instrumentation de H. Berlioz
466:, but only his works for organ are played with any regularity today. These include: ten
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Well-known as a man of great culture and learning, Widor was made a
Chevalier de la
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552:" woven throughout all four movements. They also honored, respectively, the Gothic
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230:) and then he became professor of composition at the same institution, following
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Vieilles
Chansons pour les Petits Enfants: avec Accompagnements de Ch. M. Widor
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In
January 1870, with the combined lobbying of Cavaillé-Coll, Saint-Saëns, and
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in 1910, and was elected "Secrétaire perpetuel" (permanent secretary) of the
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for some of his organ compositions, helped in this by the organs built by
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587:, Op. 42, No. 1 – V. Toccata (conclusion), performed by Hans-Eberhard Roß
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Performances of organ works by
Charles-Marie Widor in MIDI format at
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Widor's best-known piece for the organ is the final movement of his
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Charles-Marie Widor, Volume 3: Violin Concerto and Symphony No. 1
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Charles-Marie Widor . La Francia organistica tra Otto e Novecento
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Classic FM – Charles-Marie Widor: Organ Symphony No.5 in F minor
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organ and orchestra (arr. by Widor of movements from Op. 42)
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L'Orgue moderne, la décadence dans la facture contemporaine
423:. He was the director until 1934, when he was succeeded by
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interactive hypermedia (Shockwave Player required) at the
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Final (the 1872 version has a Fugue instead of the Final)
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3062:. New York: Routledge/Taylor&Francis. p. 1154.
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at the Swiss Reformed Church of Saint Martin, in Vevey,
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3192:
The Complete Organ Symphonies of Charles-Marie Widor
3113:
The life and times of Charles-Marie Widor: 1844-1937
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Charles-Marie Widor : Vater der Orgelsymphonie
1416:Regnier-Canaux/Renaud/Pérégally & Parvy/Schott
3331:Honorary members of the Royal Philharmonic Society
3096:(in German). Paderborn : Verlag Peter Ewers.
214:As of 2022, he is the longest-serving organist of
529:Symphony is also famous for its opening movement
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332:, Widor succeeded him as organ professor at the
191:(21 February 1844 – 12 March 1937) was a French
2199:contralto or baritone, violin, cello and organ
435:taught an entire generation of new composers.
540:: Symphonie Gothique uses the Christmas Day
3301:Academic staff of the Conservatoire de Paris
2437:baritone chorus, SATB chorus and two organs
604:, which is often played as a recessional at
3366:Academic staff of the American Conservatory
3111:Thomson, Andrew; Aprahamian, Felix (1989).
1760:Variations de concert sur un thème original
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1450:flute, violin, cello, piano and harmonium
757:Symphonie pour orgue et orchestre, Op. 42
104:
3217:International Music Score Library Project
3029:, and its premiere recording was made by
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283:for organ technique and with the elderly
82:Learn how and when to remove this message
2998:The Life and Work of Charles-Marie Widor
1661:3 trumpets, 3 trombones, drum and organ
644:transcribed the Toccata for two pianos.
301:
249:
45:This article includes a list of general
29:French organist and composer (1844–1937)
14:
3341:Members of the Académie des beaux-arts
3253:
3146:"Dreilaenderkatalog im Gateway Bayern"
3091:
2991:
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2972:(in Italian). Varese : Zecchini.
2605:baritone, chorus, organ and orchestra
1120:(transc. by Marcel Dupré: No. 11 from
932:soloists, chorus, organ and orchestra
3242:Works by or about Charles-Marie Widor
3059:Chronology of Western Classical Music
3025:The concerto was edited by conductor
2870:Titular Organist, Saint Sulpice Paris
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3009:
3007:
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2726:piano reduction published by Heugel
1492:Julien Hamelle (1870) Heugel (1898)
31:
3115:. Oxford: Oxford University Press.
3000:. Boston University. OCLC:15132821.
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1109:1872 (revised 1887, 1901 and 1920)
1075:1872 (revised 1887, 1901 and 1918)
1002:1872 (revised 1887, 1901 and 1918)
783:soprano solo, chorus and orchestra
692:organ, wind ensemble and orchestra
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608:ceremonies and at the close of the
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377:instruments, notably the organs at
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3321:French people of Hungarian descent
3296:20th-century French male musicians
3281:19th-century French male musicians
3213:Free scores by Charles-Marie Widor
3166:"Opera Composers site at Stanford"
1829:Le Corricolo (Fantaisie italienne)
51:it lacks sufficient corresponding
25:
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3078:Widor: A Life Beyond the Toccata.
3035:Royal Scottish National Orchestra
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991:Marche pontificale (revised 1887)
3286:20th-century classical composers
3271:19th-century classical composers
3202:BinAural Collaborative Hypertext
3198:Toccata in F from Symphony No. 5
3190:(Embellishments), John R. Near,
2863:Louis James Alfred Lefébure-Wély
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1941:Variations sur un thème original
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558:Basilica of St. Sernin, Toulouse
440:Mathilde de Montesquiou-FĂ©zensac
438:At the age of 76, Widor married
207:, which is frequently played as
36:
3361:French male classical organists
3356:Pupils of François-Joseph Fétis
2852:the three symphonies on YouTube
2844:3, 6 et 10 symphonies for organ
2840:organs - Solstice SOCD 181-185.
2556:voice, violin, cello and organ
1815:La Barque (Fantaisie italienne)
1388:
1275:, Op. 64 (1892) (transc., from
1227:1887 (revised 1900-1 and 1918)
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189:Charles-Marie-Jean-Albert Widor
124:Charles-Marie-Jean-Albert Widor
3019:
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2638:SATB choir and organ or piano
1776:, Op. 3 No. 4 (arr. Leistner)
1731:Salvum fac populum tuum Op. 84
1291:Symphonie gothique pour orgue
431:gave piano lessons there, and
381:, Saint-Germain-des-Près, the
13:
1:
3291:20th-century French composers
3276:19th-century French composers
3131:"Library of Congress Catalog"
2968:Clericetti, Giuseppe (2010).
2929:
2814:
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2471:soprano, contralto and piano
2389:soprano, contralto and piano
1943:, Op. 29 (revision of op. 1)
1740:
1733:is also known in english as "
1160:1879 (revised 1901 and 1918)
954:
889:Piano Concerto No. 2, Op. 77
713:Piano Concerto No. 1, Op. 39
689:Crescendo Music Publications
259:
254:Widor as a young organist at
226:from 1890 to 1896 (following
209:recessional music at weddings
111:
3233:Works by Charles-Marie Widor
2807:From the Collections at the
2273:Quam dilecta tabernacula tua
1576:Piano Quintet No. 2, Op. 68
1319:Symphonie romane pour orgue
7:
3336:French male opera composers
3148:(in German). Archived from
3016:. Accessed 26 December 2013
2996:Near, John Richard (1985).
2830:The 10 symphonies for organ
2784:
2301:baritone, chorus and organ
2284:baritone, chorus and organ
2250:baritone, chorus and organ
2233:baritone, chorus and organ
1424:Piano Quintet No. 1, Op. 7
411:In 1921, Widor founded the
328:In 1890, upon the death of
10:
3382:
3311:French classical organists
2907:2nd arrondissement of Lyon
2752:Les PĂŞcheurs de Saint-Jean
1236:Symphonie pour orgue No. 8
1202:Symphonie pour orgue No. 7
1170:Symphonie pour orgue No. 6
1149:Andantino quasi allegretto
1137:Symphonie pour orgue No. 5
1084:Symphonie pour orgue No. 4
1053:Symphonie pour orgue No. 3
1011:Symphonie pour orgue No. 2
974:Symphonie pour orgue No. 1
585:Symphonie pour orgue No. 5
507:Eberhard Friedrich Walcker
474:for orchestra with organ,
3326:French Romantic composers
3056:Hall, Charles J. (2002).
2918:Born 20 December 1817 in
2876:
2867:
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1927:6 Valses caractéristiques
1899:Prélude, andante et final
994:MĂ©ditation (revised 1887)
554:Church of St. Ouen, Rouen
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145:
119:
103:
96:
3306:Composers for pipe organ
3092:Oosten, Ben van (1997).
2888:
1677:violin, cello and piano
1599:Éditions Alphonse Leduc
1540:violin, cello and piano
597:Symphony for Organ No. 5
211:and other celebrations.
199:and teacher of the late
2905:; died 7 April 1899 in
1650:Salvum fac populum tuum
1250:Prélude (later removed)
880:Éditions Alphonse Leduc
856:Symphony No. 3, Op. 69
788:Symphony No. 2, Op. 54
743:Cello Concerto, Op. 41
697:Symphony No. 1, Op. 16
402:Académie des Beaux-Arts
281:Jacques-Nicolas Lemmens
245:
66:more precise citations.
3316:French opera composers
2793:(1904, Paris: Lemoine)
2579:Ecce Joanna, Alleluia!
2539:voice, harp and organ
2341:mezzo, harp and organ
2149:Mass Op. 36, Agnus Dei
2119:Songs and choral works
1562:Piano Quartet, Op. 66
1374:Trois Nouvelles pièces
1025:Scherzo (version 1872
618:Saint Peter's Basilica
525:were quite extensive.
492:Aristide Cavaillé-Coll
480:Trois Nouvelles Pièces
314:
297:Église de la Madeleine
289:Brussels Conservatoire
273:Aristide Cavaillé-Coll
263:
240:Aristide Cavaillé-Coll
3208:Logos Virtual Library
3044:26 April 2015 at the
2944:"Charles-Marie Widor"
2799:(1928, Paris: Durand)
2589:SATB choir and organ
2412:3 MĂ©lodies italiennes
2395:3 MĂ©lodies italiennes
1788:Airs de ballet, Op. 4
1735:Lord, Save Thy People
1591:Introduction et rondo
1514:Sonate No. 1, Op. 50
1216:Allegro ma non troppo
816:chorus and orchestra
738:violin and orchestra
413:American Conservatory
305:
285:François-Joseph Fétis
253:
3226:has compositions by
2901:Born 28 May 1811 in
2821:Complete organ works
2313:Sacerdos et pontifex
1955:12 Feuillets d'album
1419:piano and harmonium
1122:12 Feuillets d'album
1044:1872 (revised 1901)
915:organ and orchestra
898:piano and orchestra
871:Choral et variations
865:organ and orchestra
833:piano and orchestra
805:La Nuit de Walpurgis
752:cello and orchestra
724:piano and orchestra
682:Ouverture portugaise
442:on 26 April 1920 at
427:. His close friend,
404:in 1914, succeeding
312:Saint-Sulpice, Paris
256:Saint-Sulpice, Paris
205:fifth organ symphony
3351:Musicians from Lyon
3228:Charles-Marie Widor
2809:Library of Congress
2346:3 Choruses, Op. 25
2128:Mass Op. 36, Gloria
2036:Carnaval, 12 pièces
1885:6 Morceaux de salon
1602:clarinet and piano
1455:Piano Trio, Op. 19
1016:præludium circulare
938:Ouverture espagnole
884:harp and orchestra
763:repr. A-R Editions
556:and the Romanesque
419:with Francis-Louis
387:Saint-Ouen de Rouen
379:Notre-Dame de Paris
364:, and the Canadian
354:Alexander Schreiner
334:Paris Conservatoire
293:Camille Saint-Saëns
98:Charles-Marie Widor
2834:Pierre Pincemaille
2308:Surrexit a mortuis
1244:Moderato cantabile
398:Institut de France
346:Charles Tournemire
315:
287:, director of the
266:Widor was born in
264:
224:Paris Conservatory
3346:Organ improvisers
3237:Project Gutenberg
3152:on 1 January 2016
3086:978-1-580-46369-0
2979:978-88-6540-006-7
2886:
2885:
2877:Succeeded by
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2746:incidental music
2683:Le Capitaine Loys
2677:Stage Music Type
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2324:chorus and organ
2163:Duration is 3:43.
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2142:Duration is 6:33.
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1727:
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1723:violin and piano
1630:violin and piano
1616:violin and piano
1557:violin and piano
1531:(4 Duos), Op. 52
1523:violin and piano
1509:violin and piano
1386:
1385:
1299:Andante sostenuto
1146:Allegro cantabile
1118:Marche américaine
1095:Andante cantabile
952:
951:
921:Symphonie antique
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509:and the works of
370:Albert Schweitzer
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16:(Redirected from
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3246:Internet Archive
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2874:1870–1934
2860:Preceded by
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2654:voice and piano
2586:Schola Cantorum
2573:voice and piano
2522:voice and piano
2505:voice and piano
2488:voice and piano
2454:voice and piano
2423:voice and piano
2406:voice and piano
2372:voice and piano
2315:), Op. 23 No. 3
2267:voice and piano
2216:voice and piano
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2090:Joseph Williams
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1713:Suite florentine
1707:cello and piano
1644:cello and piano
1500:Romance, Op. 46
1495:flute and piano
1481:cello and piano
1393:
1392:
1305:Moderato (Final)
1241:Allegro risoluto
1029:– revision 1901
959:
958:
729:Violin Concerto
664:
663:
660:Orchestral works
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580:
505:organs built by
468:organ symphonies
454:Organ symphonies
394:LĂ©gion d'honneur
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134:21 February 1844
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3046:Wayback Machine
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2651:Auguste Durand
2635:Auguste Durand
2611:Chansons de mer
2602:Julien Hamelle
2570:Auguste Durand
2553:Julien Hamelle
2536:Julien Hamelle
2519:Julien Hamelle
2502:Julien Hamelle
2485:Julien Hamelle
2468:Julien Hamelle
2451:Julien Hamelle
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2420:Julien Hamelle
2403:Julien Hamelle
2386:Julien Hamelle
2369:Julien Hamelle
2352:Julien Hamelle
2338:Julien Hamelle
2321:Julien Hamelle
2298:Julien Hamelle
2292:, Op. 23 No. 2
2281:Julien Hamelle
2275:, Op. 23 No. 1
2264:Julien Hamelle
2247:Julien Hamelle
2241:, Op. 18 No. 2
2230:Julien Hamelle
2224:, Op. 18 No. 1
2213:Julien Hamelle
2196:Julien Hamelle
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2101:Julien Hamelle
2082:Suite Ă©cossaise
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2044:Julien Hamelle
2030:Julien Hamelle
2019:Julien Hamelle
2011:Suite polonaise
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1851:Julien Hamelle
1837:Auguste Durand
1823:Auguste Durand
1809:Julien Hamelle
1795:Julien Hamelle
1782:Julien Hamelle
1743:
1693:oboe and piano
1635:Sonate, Op. 80
1621:Sonate, Op. 79
1613:Julien Hamelle
1582:Auguste Durand
1568:Auguste Durand
1554:Julien Hamelle
1537:Julien Hamelle
1520:Julien Hamelle
1478:Julien Hamelle
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1447:Julien Hamelle
1430:Julien Hamelle
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1368:Auguste Durand
1354:Julien Hamelle
1341:Julien Hamelle
1273:Marche nuptiale
1267:Julien Hamelle
1238:, Op. 42 No. 4
1230:Julien Hamelle
1204:, Op. 42 No. 3
1196:Julien Hamelle
1173:, Op. 42 No. 2
1163:Julien Hamelle
1140:, Op. 42 No. 1
1130:Julien Hamelle
1112:Julien Hamelle
1086:, Op. 13 No. 4
1078:Julien Hamelle
1055:, Op. 13 No. 3
1047:Julien Hamelle
1013:, Op. 13 No. 2
1005:Julien Hamelle
976:, Op. 13 No. 1
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1123:
1119:
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1111:
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1077:
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1009:
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987:
984:
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978:
977:
975:
972:
971:
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964:
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960:
947:
944:
941:
939:
936:
935:
931:
928:
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922:
919:
918:
914:
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908:
905:
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901:
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894:
891:
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878:
875:
872:
869:
868:
864:
861:
858:
855:
854:
850:
847:
844:
841:
840:Conte d'avril
837:
836:
832:
829:
826:
823:
820:
819:
815:
812:
809:
806:
803:
802:
798:
796:
793:
790:
787:
786:
782:
779:
776:
773:
770:
769:
765:
762:
759:
756:
755:
751:
748:
745:
742:
741:
737:
734:
731:
728:
727:
723:
721:
718:
715:
712:
711:
707:
705:
702:
699:
696:
695:
691:
688:
685:
683:
680:
679:
675:
672:
669:
666:
665:
657:
649:
645:
643:
639:
635:
631:
627:
623:
619:
615:
611:
607:
603:
599:
598:
586:
571:
570:
561:
559:
555:
551:
547:
543:
539:
534:
532:
526:
522:
520:
516:
515:Julius Reubke
512:
508:
503:
502:
497:
493:
487:
485:
481:
477:
473:
469:
465:
461:
451:
447:
445:
441:
436:
434:
430:
426:
425:Maurice Ravel
422:
418:
417:Fontainebleau
414:
409:
407:
403:
399:
395:
390:
388:
384:
380:
374:
371:
367:
363:
359:
358:Edgard Varèse
355:
351:
347:
343:
339:
335:
331:
326:
324:
320:
313:
309:
308:Cavaillé-Coll
304:
300:
298:
294:
290:
286:
282:
279:in 1863 with
278:
274:
269:
257:
252:
243:
241:
235:
233:
229:
225:
221:
217:
216:Saint-Sulpice
212:
210:
206:
202:
198:
194:
190:
182:
178:
175:
173:Occupation(s)
171:
167:
163:
158:
149:12 March 1937
148:
144:
139:
122:
118:
107:
102:
95:
86:
83:
75:
65:
61:
55:
54:
48:
43:
34:
33:
27:
19:
3191:
3169:. Retrieved
3154:. Retrieved
3150:the original
3134:. Retrieved
3112:
3093:
3077:
3058:
3027:Martin Yates
3021:
2997:
2969:
2963:
2951:. Retrieved
2947:
2938:
2914:
2897:
2880:Marcel Dupré
2868:
2843:
2829:
2820:
2803:
2796:
2790:
2767:
2751:
2734:
2717:
2702:La Korrigane
2701:
2696:comic opera
2693:unpublished
2682:
2668:Composition
2643:
2627:
2610:
2594:
2578:
2561:
2544:
2527:
2510:
2493:
2476:
2459:
2442:
2411:
2394:
2377:
2360:
2329:
2312:
2306:
2290:Tu es Petrus
2289:
2272:
2255:
2239:Regina coeli
2238:
2221:
2204:
2187:
2182:Instruments
2173:Composition
2081:
2067:
2053:
2049:
2035:
2010:
1996:
1982:
1968:
1954:
1940:
1926:
1912:
1898:
1884:
1870:
1856:
1842:
1828:
1814:
1800:
1787:
1773:
1759:
1748:Composition
1734:
1730:
1728:
1712:
1682:
1666:
1649:
1590:
1545:
1528:
1469:
1438:
1405:Instruments
1396:Composition
1389:Chamber work
1373:
1360:Suite latine
1359:
1346:
1318:
1290:
1276:
1272:
1235:
1201:
1168:
1135:
1121:
1117:
1083:
1052:
1031:Salve Regina
1030:
1026:
1010:
973:
962:Composition
937:
920:
903:
870:
839:
838:Suite, from
821:
804:
771:
681:
676:Instruments
667:Composition
655:
652:Compositions
646:
625:
622:Vatican City
596:
593:
568:
535:
530:
527:
523:
499:
488:
483:
479:
476:Suite Latine
475:
457:
448:
437:
410:
406:Henry Roujon
391:
375:
366:Henri Gagnon
342:Louis Vierne
330:CĂ©sar Franck
327:
323:Marcel Dupré
316:
265:
236:
228:CĂ©sar Franck
213:
188:
187:
151:(1937-03-12)
78:
69:
50:
26:
3266:1937 deaths
3261:1844 births
2756:1895; 1904
2740:1885; 1891
2661:Stage music
2562:Soirs d'été
2545:O salutaris
2355:SATB choir
2222:Tantum ergo
2188:O Salutaris
2106:Intermezzo
1489:1877; 1898
912:Otto Junne
511:Franz Liszt
165:Nationality
64:introducing
3255:Categories
2930:References
2815:Recordings
2674:Publisher
2511:6 MĂ©lodies
2494:6 MĂ©lodies
2477:6 MĂ©lodies
2443:6 MĂ©lodies
2361:3 MĂ©lodies
2256:6 MĂ©lodies
2205:6 MĂ©lodies
2179:Publisher
1754:Publisher
1741:Piano solo
1402:Publisher
1279:, Schott)
1253:Variations
1182:Intermezzo
988:Intermezzo
982:Allegretto
968:Publisher
955:Organ solo
948:orchestra
851:orchestra
799:orchestra
708:orchestra
673:Publisher
538:plainchant
494:that was "
472:symphonies
444:Charchigné
362:Hans Klotz
338:J. S. Bach
306:The great
130:1844-02-21
47:references
3171:3 January
3156:3 January
3136:3 January
3037:in 2015.
2737:, Op. 64
2720:, Op. 56
2644:Non credo
2613:, Op. 75
2595:Psalm 112
2564:, Op. 63
2547:, Op. 63
2530:, Op. 59
2528:Ave Maria
2513:, Op. 53
2496:, Op. 47
2479:, Op. 43
2462:, Op. 40
2445:, Op. 37
2414:, Op. 35
2397:, Op. 32
2380:, Op. 30
2363:, Op. 28
2332:, Op. 24
2330:Ave Maria
2258:, Op. 22
2207:, Op. 14
2084:, Op. 78
2070:, Op. 71
2056:, Op. 64
2038:, Op. 61
2013:, Op. 51
1999:, Op. 48
1985:, Op. 44
1971:, Op. 33
1957:, Op. 31
1929:, Op. 26
1915:, Op. 20
1901:, Op. 17
1887:, Op. 15
1873:, Op. 12
1871:Impromptu
1859:, Op. 11
1652:, Op. 84
1593:, Op. 72
1548:, Op. 57
1472:, Op. 21
1441:, Op. 10
1376:, Op. 87
1362:, Op. 86
1330:Cantilène
1321:, Op. 73
1293:, Op. 70
1185:Cantabile
1124:, Op. 31
1027:La Chasse
1019:Pastorale
923:, Op. 83
906:, Op. 81
873:, Op. 74
842:, Op. 64
824:, Op. 62
822:Fantaisie
807:, Op. 60
774:, Op. 49
634:Boëllmann
612:Midnight
610:Christmas
550:Haec dies
519:Max Reger
496:symphonic
421:Casadesus
383:Trocadéro
310:organ at
3042:Archived
3033:and the
2903:Rouffach
2836:, on 10
2785:Writings
2628:Da pacem
2190:, Op. 8
2068:5 Valses
2050:Nocturne
1969:5 Valses
1857:3 Valses
1845:, Op. 9
1831:, Op. 6
1817:, Op. 6
1803:, Op. 5
1774:Sérénade
1762:, Op. 1
1683:3 Pièces
1667:4 Pièces
1546:Cavatine
1470:3 Pièces
1439:Sérénade
1324:Moderato
1296:Moderato
1207:Moderato
1061:Minuetto
470:, three
277:Brussels
201:Romantic
197:composer
193:organist
181:organist
177:composer
159:, France
140:, France
72:May 2016
3244:at the
3219:(IMSLP)
3215:at the
2953:14 June
2920:Annonay
2775:Heugel
2759:Heugel
2743:Heugel
2712:ballet
2052:, from
1843:Caprice
1768:Heugel
1658:Heugel
1641:Heugel
1627:Heugel
1313:Schott
1302:Allegro
1247:Allegro
1213:Andante
1176:Allegro
1155:Toccata
1098:Scherzo
1089:Toccata
1058:Prélude
1022:Andante
979:Prélude
945:Heugel
929:Heugel
895:Heugel
862:Schott
848:Heugel
606:wedding
602:toccata
546:Gradual
542:Introit
531:Allegro
110:Widor,
60:improve
3119:
3100:
3084:
3066:
2976:
2778:opera
2762:opera
2729:opera
2460:2 Duos
2378:2 Duos
1698:Suite
1585:piano
1571:piano
1464:piano
1433:piano
1327:Choral
1256:Adagio
1210:Choral
1179:Adagio
1152:Adagio
1101:Adagio
1067:Adagio
1064:Marcia
1036:Adagio
985:Adagio
795:Heugel
630:Gigout
517:, and
501:timbre
464:ballet
462:and a
460:operas
385:, and
168:French
49:, but
2889:Notes
2832:, by
2772:1924
2768:Nerto
2723:1886
2706:1880
2690:1878
2671:Year
2648:1930
2632:1930
2616:1902
2599:1879
2567:1889
2550:1889
2533:1884
2516:1881
2499:1879
2482:1878
2465:1876
2448:1877
2431:1878
2417:1878
2400:1877
2383:1876
2366:1876
2349:1876
2335:1877
2318:1876
2295:1876
2278:1876
2261:1875
2244:1874
2227:1874
2210:1872
2193:1868
2176:Year
2087:1905
2073:1894
2041:1889
2027:1887
2016:1881
2002:1879
1988:1880
1960:1877
1946:1877
1932:1877
1918:1875
1904:1874
1890:1872
1876:1871
1862:1871
1848:1868
1834:1877
1820:1877
1806:1868
1792:1868
1765:1867
1751:Year
1717:1920
1701:1912
1687:1891
1671:1890
1655:1916
1638:1907
1624:1906
1610:1903
1596:1898
1579:1894
1565:1891
1551:1887
1534:1881
1517:1881
1475:1875
1458:1875
1444:1870
1427:1868
1413:1867
1399:Year
1379:1934
1365:1927
1351:1925
1338:1900
1333:Final
1310:1895
1282:1892
1264:1887
1259:Final
1222:Final
1219:Lento
1193:1879
1188:Final
1104:Final
1092:Fugue
1039:Final
997:Final
965:Year
942:1897
926:1911
909:1908
892:1906
876:1900
859:1894
845:1892
827:1889
810:1887
791:1882
777:1881
760:1882
746:1882
732:1877
716:1876
700:1870
686:1865
670:Year
638:Mulet
220:Paris
157:Paris
18:Widor
3222:The
3173:2007
3158:2007
3138:2007
3117:ISBN
3098:ISBN
3082:ISBN
3064:ISBN
2974:ISBN
2955:2023
2622:???
2619:???
2583:???
2109:???
2098:???
2062:???
2059:???
1974:???
1779:???
1720:???
1704:???
1690:???
1674:???
1506:???
1503:???
1285:???
1127:???
735:???
614:Mass
600:, a
268:Lyon
262:1870
246:Life
146:Died
138:Lyon
120:Born
114:1900
3235:at
2823:by
1737:")
616:at
415:at
295:at
218:in
3257::
3006:^
2988:^
2946:.
2688:c.
636:,
632:,
620:,
521:.
513:,
478:,
408:.
389:.
368:.
360:,
356:,
352:,
348:,
344:,
325:.
299:.
260:c.
258:,
242:.
234:.
195:,
179:,
112:c.
3175:.
3160:.
3140:.
3125:.
3106:.
3088:)
3072:.
2982:.
2957:.
2922:.
2909:.
2311:(
1729:(
1033:)
548:"
132:)
128:(
85:)
79:(
74:)
70:(
56:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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