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66:
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650:, the waltz was taught by travelling dancing masters to those who could afford their lessons during the 19th century. By the end of that century, the dance spread to the middle and lower classes of Irish society and traditional triple-tune tunes and songs were altered to fit the waltz rhythm. During the 20th century, the waltz found a distinctively Irish playing style in the hands of
501:
861:(also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6/8 metres. This form and metre (usul in Turkish) is often confused with the completely different Saz Semaisi, an instrumental form consisting of three to four sections, in 10/8 metre, or usul aksak semai (broken semai in Turkish). Semai is one of the most important forms in Ottoman Turkish Sufi music.
318:, a high-minded character complains about the newly introduced waltz among aristocrats thus: "But when he put his arm around her, pressed her to his breast, cavorted with her in the shameless, indecent whirling-dance of the Germans and engaged in a familiarity that broke all the bounds of good breedingâthen my silent misery turned into burning rage."
197:
626:
In
California, the waltz was banned by Mission priests until 1834 because of the "closed" dance position. Thereafter a Spanish Waltz was danced. This Spanish Waltz was a combination of dancing around the room in closed position, and a "formation" dance of two couples facing each other and performing
618:
The
Country Western Waltz is mostly progressive, moving counter clock wise around the dance floor. Both the posture and frame are relaxed, with posture bordering on a slouch. The exaggerated hand and arm gestures of some ballroom styles are not part of this style. Couples may frequently dance in the
386:
later recounted that "No event ever produced so great a sensation in
English society as the introduction of the waltz in 1813." In the same year, a sardonic tribute to the dance by Lord Byron was anonymously published (written the previous autumn). Influential dance master and author of instruction
124:
to Thomas Wilson
Correct Method of German and French Waltzing (1816), showing nine positions of the waltz, clockwise from the left (the musicians are at far left). At that time, the waltz was a relatively new dance in England, and the fact that it was a couples dance (as opposed to the traditional
242:." "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, the lower classes in the regions of
623:, depending on local preferences. Within Country Western waltz, there is the Spanish Waltz and the more modern (for the late 1930s- early 1950s) Pursuit Waltz. At one time it was considered ill treatment for a man to make the woman walk backwards in some locations.
325:(dated at either 1776 or 1786), Don Curzio wrote, "The people were dancing mad ... The ladies of Vienna are particularly celebrated for their grace and movements of waltzing of which they never tire." There is a waltz in the second act finale of the 1786 opera
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683:, in which the follower alternates between the lead's left and right sides, with the lead's left or right arm (alone) providing the lead. Waltzes were the staple of many American musicals and films, including "Waltz in Swing Time" sung by
411:, in a scene set in 1827, the local vicar Reverend Milward tolerates quadrilles and country dances but intervenes decisively when a waltz is called for, declaring "No, no, I don't allow that! Come, it's time to be going home."
599:. It incorporated "hesitations" and was danced to fast music. A hesitation is basically a halt on the standing foot during the full waltz bar, with the moving foot suspended in the air or slowly dragged. Similar figures (
202:
414:
The waltz, especially its closed position, became the example for the creation of many other ballroom dances. Subsequently, new types of waltz have developed, including many folk and several ballroom dances.
679:
Waltz, involves breaking contact almost entirely in some figures. For example, the
Syncopated Side-by-Side with Spin includes a free spin for both partners. Open rolls are another good example of an
731:
is danced progressively around the floor, and is characterised by the subtle swaying of the hips and step very close to ordinary walking. It is danced entirely in the closed position.
200:
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around the 1780s, spreading to many other countries in the years to follow. According to contemporary singer
Michael Kelly, it reached England in 1791. During the
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234:, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless
1164:
A Portion of the
Journal Kept by Thomas Raikes from 1831 to 1847: Comprising Reminiscences of Social and Political Life in London and Paris During that Period
48:
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291:, and Bavaria, and spread from the countryside to the suburbs of the city. While the eighteenth-century upper classes continued to dance the
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716:) follows the same basic rhythmic pattern as the standard waltz, but the melodies reflect a strong Spanish influence. Mexico's
760:. Basically the dancers progress around the dance floor with a waltz step, but with no constraints on what moves they can use.
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a sequence of steps. "Valse a Trois Temps" was the "earliest" waltz step, and the Rye Waltz was preferred as a couple dance.
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774:(French Valse Boston) developed in France in the early 20th century and is popular in social waltz groups today.
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Scroll to "Five Step Waltz" for notes about probable 1847 origin and associated music published the same year.
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group dances), and that the gentleman clasped his arm around the lady's waist, gave it a dubious moral status.
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In the 19th century, the word primarily indicated that the dance was a turning one; one would "waltz" in the
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In the 19th and early 20th century, numerous different waltz forms existed, including versions performed in
219:, that would evolve into the waltz that date from 16th-century Europe, including the representations of the
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Cliff Eisen (2001). "German Dance (Ger. Deutsche, Deutscher Tanz, Teutsche; Fr. allemande; It. tedesco)".
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1375:"Information on Styles of Waltz include American, International, C&W, Viennese Waltz and others!"
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337:, or "at a walking pace with motion", but the flow of the dance was sped-up in Vienna leading to the
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evenings, uses both open and closed positions, and incorporates moves from other dances such as
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The Cuban (or
Tropical) Waltz follows the pattern of the standard waltz throughout the song.
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Sir George Grove, John
Alexander Fuller-Maitland, Adela Harriet Sophia (Bagot) Wodehouse.
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1235:(1st Frances Lincoln ed.). London, England: Frances Lincoln Ltd. pp. 110â111.
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Music regarding: Waltz within traditional dances of the County of Nice (France)
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29:"Waltzing" redirects here. For the Luxembourgian trumpeter and composer, see
20:
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1233:
A dance with Jane Austen: how a novelist and her characters went to the ball
1204:
Childers, William (1969). "Byron's "Waltz": The
Germans and Their Georges".
990:
vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211
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Shocking many when it was first introduced, the waltz became fashionable in
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to indicate rotating rather than going straight forward without turning.
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shows that it was considered "riotous and indecent" as late as 1825. In
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453: in this section. Unsourced material may be challenged and removed.
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The Waltz Emperors: The Life and Times and Music of the Strauss Family
767:, a form of waltz popular in France, started in the late 19th century.
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has only closed figures; that is, the couple never breaks the embrace.
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In the 1910s, a form called the Hesitation Waltz was introduced by
231:
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There are many references to a sliding or gliding dance, including
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introduced the dance to the people of Bexhill, Sussex, from 1804.
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307:), bored noblemen slipped away to the balls of their servants.
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in publications during the late 18th and early 19th centuries.
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provided a basis for distinctive regional musical composition.
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1939:
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694:, can be fast or slow, but the dancers are always rotating.
500:
184:, the waltz was sometimes referred to by the generic term
2803:
1415:"Rhythm Definitions - Irish Traditional Music Tune Index"
1599:
1403:. New York: New York University Press. pp. 431â433.
19:"Valzer" redirects here. For the 2007 Italian film, see
1054:
Johann Strauss: Father and Son a Century of Light Music
982:
980:
830:, waltzes in even higher metres are played and danced.
1590:
Waltzes under CreativeCommons licence on BalLibre.org
1212:. Keats-Shelley Association of America, Inc.: 81â95.
378:, having been made respectable by the endorsement of
1028:
A Dictionary of Music and Musicians (A.D. 1450â1880)
744:
The Contra Waltz (Freeform Waltz), included in most
51:, "Waltz #2 (XO)" redirects here. For the song, see
1145:
A Mad, Bad, and Dangerous People? England 1783â1846
977:
2983:
1459:Friedlander, Shems; Uzel, Nezih (January 1992).
1272:Revisiting music theory: a guide to the practice
1458:
690:The Scandinavian Waltz, performed as a part of
389:A Description of the Correct Method of Waltzing
36:For the music made to accompany the waltz, see
1179:
2487:
1615:
1352:
1080:1973. C. Tinling & Company. page 49, 50)
675:ballroom dance syllabus, in contrast to the
635:, the fast versions of the waltz are called
956:
2494:
2480:
1622:
1608:
1302:"The History of Ballroom Dance in America"
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382:, wife of the Russian ambassador. Diarist
64:
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469:Learn how and when to remove this message
1401:The Companion to Traditional Irish Music
1330:. The Caxton Printers. pp. 101â103.
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971:10.1093/gmo/9781561592630.article.10937
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986:Nettl, Paul. "Birth of the Waltz." In
840:(flat of the foot waltz) performed in
781:region, waltzes in odd metres such as
312:Geschichte des FrÀuleins von Sternheim
146:), meaning "to roll or revolve") is a
2475:
1603:
1051:
254:began dancing a couples dance called
141:
1325:
1045:
1040:The History of Lady Sophia Sternheim
950:
701:is called and recognised in Peru as
451:adding citations to reliable sources
422:
230:wrote of a dance he saw in 1580 in
13:
1494:"AllMusic Review by James Manheim"
14:
3038:
1581:(1877 Book critical of the Waltz)
1564:Thomas Wilson's 1816 Waltz Manual
1542:
930:Man and woman dancing a waltz by
387:manuals, Thomas Wilson published
3012:Forms of Ottoman classical music
1276:. Taylor & Francis. p.
427:
2501:
2416:Dance in mythology and religion
1513:
1486:
1452:
1428:
1407:
1367:
1361:Dances of Early California Days
1346:Dances of Early California Days
1319:
1249:
1123:
1110:
1095:
438:needs additional citations for
3027:Dance forms in classical music
2868:which exist in various meters.
1118:The Oxford Companion to Music.
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1070:
1033:
1020:
993:
939:
1:
1363:. Pacific Books. p. 121.
1255:Penguin edition 1964, page 42
1187:"Introduction to 'The Waltz'"
1120:10th edition, 1991. page 1110
921:
1417:. Irishtune.info. 2012-07-11
1359:Czarnoski, Lucile K (1950).
1348:. Pacific Books. p. 44.
1344:Czarnoski, Lucile K (1950).
1231:Fullerton, Susannah (2012).
1104:Mozart: A Cultural Biography
892:) is a popular traditional
662:International Standard Waltz
7:
1106:. Harcourt. pp. 44â45.
418:
404:The Tenant of Wildfell Hall
363:, infantry soldiers of the
333:. Soler's waltz was marked
10:
3043:
1147:. Oxford University Press.
1102:Gutman, Robert W. (1999).
1000:Wechsberg, Joseph (1973).
611:) are incorporated in the
191:
172:), performed primarily in
46:
35:
28:
18:
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2945:Fleadh Cheoil na hĂireann
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2563:Traditional Irish singing
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1440:Common Ground on the Hill
1030:Published 1889. Macmillan
889:
873:
398:Oxford English Dictionary
370:It became fashionable in
310:In the 1771 German novel
226:. The French philosopher
93:
83:
63:
1268:Blatter, Alfred (2007).
2971:RTĂ Radio 1 Folk Awards
2522:Irish traditional music
963:Oxford University Press
777:In folk dance from the
692:Scandinavian folk dance
648:traditional Irish music
597:Vernon and Irene Castle
592:waltz, half and half).
78:demonstrating the waltz
16:Ballroom and folk dance
2804:Single and double jigs
1462:The Whirling Dervishes
1006:. Putnam. p. 49.
935:
724:" or "Over the Waves".
677:International Standard
613:International Standard
514:
497:
486:
210:
126:
42:Waltz (disambiguation)
40:. For other uses, see
2950:Oireachtas na Gaeilge
1206:Keats-Shelley Journal
1143:Hilton, Boyd (2006).
929:
826:are found. In modern
503:
492:
484:
283:time, was popular in
268:, a country dance in
208:
119:
2997:Austrian folk dances
2919:Cape Breton fiddling
2381:Dance and disability
1399:Vallely, F. (1999).
1326:Shaw, Lloyd (1939).
1052:Jacob, H.E. (2005).
669:American Style Waltz
447:improve this article
365:King's German Legion
264:, also known as the
2929:Scottish folk music
2426:Dance on television
1078:The Waltz Emperors.
900:, done to music of
321:Describing life in
316:Sophie von La Roche
228:Michel de Montaigne
143:[ËvaltÍĄsÉÌŻ]
60:
3007:Triple time dances
3002:German folk dances
2924:English folk music
1573:The Dance of Death
1191:Readbookonline.org
1167:. pp. 240â243
1090:Grove's Dictionary
1056:. pp. 24â25.
959:Grove Music Online
936:
932:Eadweard Muybridge
639:as opposed to the
621:promenade position
515:
498:
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295:(such as those by
211:
127:
76:Eadweard Muybridge
58:
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2828:Hop and slip jigs
2619:Hammered dulcimer
2469:
2468:
2421:Dance occupations
2358:Wallis and Futuna
1585:The Regency Waltz
1578:Project Gutenberg
1549:Waltz basic steps
1527:on 1 January 2017
1521:"yamahamusicsoft"
1287:978-0-415-97440-0
1242:978-0-7112-3245-7
1133:, 21 January 1805
1131:Weekly Advertiser
1013:978-0-399-11167-9
681:open dance figure
601:Hesitation Change
479:
478:
471:
224:Hans Sebald Beham
206:
176:. Along with the
114:
113:
49:technical reasons
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3017:Greek folk music
2966:Gradam Ceoil TG4
2903:Pentatonic scale
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2532:Music of Ireland
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2456:History of dance
2441:Dance technology
2386:Dance and health
2336:African-American
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772:cross-step waltz
739:Venezuelan waltz
631:In contemporary
615:Waltz Syllabus.
609:Cross Hesitation
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562:(sauteuse), and
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2003:Lead and follow
1964:
1900:Countryâwestern
1839:
1820:Novelty and fad
1778:Hoochie coochie
1729:
1688:closed position
1661:
1657:List of dancers
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605:Drag Hesitation
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361:Napoleonic Wars
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174:closed position
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2537:Sean-nĂłs dance
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2431:Dance research
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1985:
1980:
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1652:List of dances
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1627:
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1619:
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1604:
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1597:
1592:
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1544:
1543:External links
1541:
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1471:
1465:. SUNY Press.
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1159:Raikes, Thomas
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831:
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735:
732:
725:
722:Sobre las Olas
706:
699:Peruvian Waltz
695:
688:
671:, part of the
665:
659:
644:
637:Viennese waltz
633:ballroom dance
583:
568:
553:
538:
523:
513:(cast in 1905)
477:
476:
435:
433:
426:
420:
417:
376:Regency period
331:Martin y Soler
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190:
161:
112:
111:
102:
95:
94:Time signature
91:
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88:Ballroom dance
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69:
15:
9:
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2:
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2411:Dance in film
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2171:Faroe Islands
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1788:Neo-Burlesque
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1693:open position
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1683:close embrace
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1666:Participation
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1595:Wedding Waltz
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1379:Dancetime.com
1376:
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1329:
1328:Cowboy Dances
1322:
1308:on 2011-03-06
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1063:1-4179-9311-1
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838:Labajalavalss
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765:Valse Musette
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710:Mexican Waltz
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436:This section
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394:
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385:
384:Thomas Raikes
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343:Galloppwalzer
340:
336:
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327:Una Cosa Rara
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154:, in triple (
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74:animation by
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62:
54:
50:
43:
39:
38:Waltz (music)
32:
31:Gast Waltzing
25:
23:
3022:Greek dances
2959:Music Awards
2938:Competitions
2883:Aeolian mode
2840:
2816:
2792:
2779:
2763:
2709:
2694:
2670:
2446:Dance troupe
2391:Dance awards
2286:Pontic Greek
1993:Dance theory
1983:Choreography
1895:Contemporary
1872:
1571:
1529:. Retrieved
1525:the original
1515:
1503:. Retrieved
1497:
1488:
1476:. Retrieved
1461:
1454:
1443:. Retrieved
1439:
1430:
1419:. Retrieved
1409:
1400:
1394:
1383:. Retrieved
1381:. 2012-09-09
1378:
1369:
1360:
1354:
1345:
1327:
1321:
1310:. Retrieved
1306:the original
1296:
1271:
1251:
1232:
1226:
1209:
1205:
1199:
1190:
1181:
1171:20 September
1169:. Retrieved
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746:contra dance
713:
703:vals criollo
702:
685:Fred Astaire
625:
617:
594:
584:
569:
554:
539:
524:
516:
504:
485:Waltz rhythm
465:
456:
445:Please help
440:verification
437:
413:
402:
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275:
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214:
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186:German Dance
162:
138:
130:
128:
122:frontispiece
120:Detail from
103:
53:Waltz 2 (XO)
21:
2893:Ionian mode
2888:Dorian mode
2751:Schottische
2644:Tin whistle
2639:Tenor banjo
2577:Instruments
2527:Irish dance
2503:Irish music
2276:Philippines
2261:Netherlands
2251:Middle East
1803:Table dance
1768:Go go dance
1748:Competitive
1505:30 December
1478:30 December
1076:Wechsberg.
988:Dance Index
836:folk dance
754:modern jive
729:Cajun Waltz
409:Anne Brontë
374:during the
2986:Categories
2746:Strathspey
2721:Barn dance
2658:Tune types
2604:Concertina
2343:Uzbekistan
2111:Azerbaijan
2020:Musicality
1988:Connection
1945:Postmodern
1915:Historical
1798:Striptease
1793:Pole dance
1743:Ceremonial
1698:slow dance
1445:2020-05-17
1436:"Estonian"
1421:2012-11-07
1385:2017-10-02
1312:2010-12-13
1092:, page 385
922:References
894:folk dance
641:Slow waltz
494:Jazz waltz
341:, and the
221:printmaker
152:folk dance
133:(from
2912:Relations
2584:Accordion
2551:Folk song
2542:Set dance
2348:Venezuela
2311:Sri Lanka
2306:Singapore
2266:Nicaragua
2196:Indonesia
2101:Australia
1970:Technique
1868:formation
1783:Lap dance
1531:1 January
890:ÎλÎÏÏÎčÎșÎżÏ
882:Kleftikos
506:The Waltz
391:in 1816.
266:Schleifer
182:allemande
2736:Hornpipe
2731:Highland
2634:Melodeon
2599:Bouzouki
2363:Zimbabwe
2316:Thailand
2241:Malaysia
2226:Kiribati
2136:Cameroon
2131:Cambodia
2121:Bulgaria
2096:Assyrian
2065:national
2060:Regional
2040:Spotting
2035:Sequence
2013:glossary
1960:Two-step
1905:Flamenco
1890:Breaking
1885:Boogaloo
1863:Ballroom
1808:Twerking
1773:Grinding
1758:Ecstatic
1499:AllMusic
1218:30212687
1161:(1856).
878:Tsamikos
874:΀ÏÎŹÎŒÎčÎșÎżÏ
866:Tsamikos
834:Estonian
828:bal folk
459:May 2019
419:Variants
393:Almack's
232:Augsburg
148:ballroom
2862:Marches
2775:Mazurka
2589:BodhrĂĄn
2568:Lilting
2517:CĂšilidh
2510:General
2373:Related
2353:Vietnam
2326:Ukraine
2236:Kurdish
2206:Ireland
2186:Hungary
2176:Georgia
2161:Denmark
2151:Croatia
2116:Belarus
2106:Austria
2091:Armenia
2081:Albania
2045:Turnout
1930:Lyrical
1910:Hip-hop
1753:Concert
1678:Partner
1647:Outline
1129:Sussex
720:wrote "
652:CĂ©ilidh
372:Britain
293:minuets
289:Austria
285:Bohemia
261:LĂ€ndler
244:Bavaria
240:Spinner
192:History
178:lÀndler
2876:Scales
2848:dances
2824:dances
2800:dances
2771:dances
2717:dances
2678:dances
2629:Lambeg
2609:Fiddle
2321:Turkey
2301:Serbia
2296:Russia
2291:Romani
2281:Poland
2246:Mexico
2211:Israel
2181:Greece
2166:Europe
2141:Canada
2076:Africa
2067:dances
2025:Pointe
1998:Graham
1978:Ballet
1935:Modern
1858:Ballet
1845:Styles
1830:Street
1825:Sacred
1763:Erotic
1735:Social
1723:square
1708:contra
1703:circle
1469:
1284:
1239:
1216:
1060:
1010:
934:. 1887
917:metre.
898:Greece
880:) or
859:Sama'i
779:Alsace
656:dances
607:, and
577:time (
496:rhythm
357:Vienna
323:Vienna
305:Handel
297:Mozart
258:. The
256:Walzer
252:Styria
250:, and
236:Weller
139:Walzer
135:German
24:(film)
22:Valzer
2992:Waltz
2852:Slide
2780:Waltz
2726:Fling
2682:Polka
2614:Flute
2594:Bones
2256:Nepal
2231:Korea
2221:Japan
2216:Italy
2191:India
2146:China
2050:Turns
2008:Moves
1950:Swing
1940:Polka
1925:Latin
1880:Belly
1873:waltz
1718:round
1642:Index
1631:Dance
1214:JSTOR
886:Greek
870:Greek
855:time.
758:salsa
750:swing
509:, by
407:, by
350:polka
301:Haydn
248:Tyrol
216:volte
209:Waltz
137:
131:waltz
84:Genre
59:Waltz
2866:airs
2864:and
2741:Reel
2702:and
2624:Harp
2271:Peru
2201:Iran
2156:Cuba
2086:Arab
2030:Pole
1920:Jazz
1853:Acro
1815:Folk
1713:line
1673:Solo
1533:2017
1507:2016
1480:2016
1467:ISBN
1282:ISBN
1237:ISBN
1173:2015
1058:ISBN
1008:ISBN
864:The
811:and
770:The
763:The
756:and
737:The
727:The
708:The
697:The
667:The
303:and
180:and
170:time
150:and
129:The
47:For
1955:Tap
1835:War
1576:at
967:doi
896:of
646:In
547:or
449:by
329:by
314:by
238:or
2988::
1496:.
1438:.
1377:.
1336:^
1280:.
1278:28
1260:^
1210:18
1208:.
1189:.
979:^
965:.
961:.
888::
876:,
872::
796:,
752:,
603:,
532:,
345:.
299:,
287:,
246:,
70:A
2841:8
2817:8
2793:8
2764:4
2710:4
2695:2
2671:4
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2488:t
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2069:)
2063:(
1623:e
1616:t
1609:v
1535:.
1509:.
1482:.
1448:.
1424:.
1388:.
1315:.
1290:.
1245:.
1220:.
1193:.
1175:.
1066:.
1016:.
973:.
969::
909:4
884:(
868:(
848:4
819:4
804:4
789:4
712:(
705:.
687:.
658:.
643:.
585:4
570:4
555:8
540:8
525:4
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466:(
461:)
457:(
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276:4
163:4
104:4
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44:.
33:.
26:.
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