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435:, in Orledge's view "a celebration of traditional Catholic regionalism as opposed to modern liberal democracy and capitalist values". After the war he increased his activities as a conductor, giving concert tours throughout Europe and the US. 1920 he married the much younger Caroline Janson; Orledge writes that this "brought a true creative rebirth, witnessed in the serene Mediterranean-inspired compositions of his final decade".
396:, the death of d'Indy's first wife in 1905 removed the stabilising influence in the composer's life, and he became "increasingly vulnerable to politically motivated attacks on the Schola Cantorum and apprehensive of dangerously decadent trends in contemporary music in both France and Germany". His aesthetic ideas, Orledge argues, became "increasingly reactionary and dogmatic" and his political views right-wing and
364:, of which his teacher, Franck, had been a founding member in 1871. Like Franck, d'Indy revered German music, and he resented the society's exclusion of non-French music and composers. He became the society's joint secretary in 1885, and succeeded in overturning its French-only rule the following year. The founders of the society,
517:
says of his chamber works: "D'Indy's somewhat academic corpus of chamber music (including three completed string quartets) is generally less interesting than his orchestral works". He also wrote piano music (including a Sonata in E minor), songs and a number of operas, including
315:
says, "A solid grounding in technique was encouraged, rather than originality", and comments that few graduates could stand comparison with the best
Conservatoire students. D'Indy later taught at the Conservatoire and privately, while retaining his post at the Schola Cantorum.
510:
said of his music that the influence of
Berlioz, Franck, and Wagner is strong in almost all his work, "that of Franck showing itself chiefly in the shapes of his tunes, that of Wagner in their development, and that of Berlioz in their orchestration".
460:
comments that his famed veneration for
Beethoven and Franck "has unfortunately obscured the individual character of his own compositions, particularly his fine orchestral pieces descriptive of southern France". Among his best known pieces are the
577:
commented that his study of the former was "one of the most vivid and individual of modern French biographies", and the latter, published in 1912, showed "the closeness of the lifelong study which he devoted to that master".
372:
resigned in protest. Franck refused the formal title of president of the society, but when he died in 1890, d'Indy took the post. His regime, however, alienated a younger generation of French composers, who, led by
351:, who studied there for three years and later wrote, "Why on earth had I gone to d'Indy? The things I had written before were so full of charm. And now? What nonsense! What dullness!" Nonetheless, according to
1199:
D'Indy Trio for
Clarinet, Cello & Piano, Op. 29, Piano Quartet Op. 7, String Quartet No. 1 and String Sextet, Op. 92 soundbites and discussion of works
59:; 27 March 1851 – 2 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the
267:
came from around this time. In 1887 appeared his Suite in D for trumpet, 2 flutes and string quartet. That same year he was involved in
Lamoureux's production of Wagner's
357:, d'Indy's influence as a teacher was "enormous and wide-ranging, with benefits for French music far outweighing the charges of dogmatism and political intolerance".
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381:
in 1910, which attracted leading young composers from France and other countries. In an attempt to further a proposed merger of the two organisations during the
2339:
916:"La musique française pendant la Guerre 1914–1918: Autour de la tentative de fusion de la Société Nationale de Musique et de la Société Musicale Indépendante"
887:
2299:
763:
2127:
152:, d'Indy enlisted in the National Guard, but returned to musical life as soon as the hostilities were over. He entered Franck's organ class at the
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102:, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the
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Inspired by his studies with Franck and yet dissatisfied with the standard of teaching at the
Conservatoire, d'Indy, together with
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145:, who was the teacher of a friend. Franck recognised his talent and recommended that d'Indy pursue a career as a composer.
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of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence.
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in 1894. D'Indy taught there until his death, becoming principal in 1904. Of the teaching at the Schola
Cantorum,
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treatise on orchestration, which inspired him to become a composer. He wrote a piano quartet which he sent to
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D'Indy helped revive a number of then largely forgotten
Baroque works, for example making his own edition of
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217:. Around this time he married Isabelle de Pampelonne, one of his cousins. In 1875 his symphony dedicated to
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was performed. That same year he played a minor role – the prompter – at the premiere of Bizet's opera
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persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to
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in 1871 remaining there until 1875, when he joined the percussion section of the orchestra at the
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d'Indy stepped down as president of the Société nationale to make way for the more "progressive"
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1987:
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2018:
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904:"Maurice Ravel et la Société Musicale Indépendante: 'Projet Mirifique de Concerts Scandaleux'"
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d'Indy served on cultural missions to allied countries, and completed his third music drama,
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1977:
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Vincent d'Indy: Ma Vie. Journal de jeunesse. Correspondance familiale et intime, 1851–1931
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Paul Marie Théodore
Vincent d'Indy was born in Paris into an aristocratic family of
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D'Indy died on 2 December 1931 in his native Paris, aged 80, and was buried in the
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Vincent d'Indy and Moral Order' and 'Fervaal': French Opera at the Fin de Siècle
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Among d'Indy's other works are more orchestral pieces, including a
Symphony in B
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1120:, 'D'Indy's "Fervaal": Reconstructing French Identity at the Fin-de-Siècle',
995:, International Astronomical Union Minor Planet Center. Retrieved 15 May 2021
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242:. This made a great impression on him and he became a fervent Wagnerian.
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92:
888:"150ème anniversaire de la naissance de la Société nationale de musique"
482:
30:"d'Indy" redirects here. For the asteroid named after the composer, see
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Few of d'Indy's works are performed regularly in concert halls today.
1992:
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to gain practical experience. He also served as chorus-master to the
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591:
553:. D'Indy also contributed to the incipient revival of the works of
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was premiered. His piano suite ("symphonic poem for piano") called
251:
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was performed at a Pasdeloup concert, sandwiched between works by
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983:, École de musique Vincent-d'Indy, 2021. Retrieved 15 May 2021
420:
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821:(Second edition, revised and enlarged ed.). New York.
561:) were edited by d'Indy as cello concerti and published by
197:
During the summer of 1873 he visited Germany, where he met
594:, Canada, is named after the composer, as is the asteroid
805:, edited by Alison Latham, Oxford University Press, 2011.
565:
in 1922. His musical writings include the three-volume
360:
D'Indy played an important part in the history of the
227:. In 1876 he was present at the first production of
1165:French Opera at the Fin de Siècle: Vincent d'Indy
2251:
601:
178:The first of his works he heard performed was a
1013:(fifth ed.). New York: St Martin's Press.
194:, with whom he had already become acquainted.
133:From the age of 14 d'Indy studied harmony with
2360:Academic staff of the Schola Cantorum de Paris
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756:
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557:, whose sonatas for cello and basso continuo (
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818:International encyclopedia of women composers
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732:
404:(League of the French Fatherland) during the
2300:Academic staff of the Conservatoire de Paris
1168:. Oxford Univ. Press, US. pp. 301–350.
1101:
479:in which the theme appears only at the end.
137:. When he was 16 an uncle introduced him to
2340:Members of the Ligue de la patrie française
1225:Performance of Lied for cello and orchestra
1156:Vincent d'Indy: His Greatness and Integrity
890:, Concertclassic.com. Retrieved 13 May 2021
1269:
1255:
1096:(Oxford, 1999), pp. 301–08 and 317–50
849:: CS1 maint: location missing publisher (
729:
504:, written on the death of his first wife.
1208:International Music Score Library Project
1011:Grove's Dictionary of Music and Musicians
695:Grove's Dictionary of Music and Musicians
486:d'Indy and a harmonium (11 February 1913)
354:Grove's Dictionary of Music and Musicians
249:was performed. In 1882 he heard Wagner's
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764:"Indy, (Paul Marie Théodore) Vincent d'"
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1087:Vincent d'Indy: Champion of Classicism
1025:
452:List of compositions by Vincent d'Indy
331:(who later wrote d'Indy's biography),
1250:
1030:. New York: Oxford University Press.
898:
896:
882:
880:
878:
814:
762:Orledge, Robert, and Andrew Thomson.
259:appeared. In 1884 his symphonic poem
54:
2350:Pupils of Antoine François Marmontel
1099:Vincent d'Indy (Marie d'Indy, ed.),
1008:
910:, vol. 80, no. 2, 1994, pp. 251–281
718:
716:
714:
712:
710:
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677:
467:for piano and orchestra (1886), and
319:Among d'Indy's renowned pupils were
279:occupied him between 1889 and 1895.
2128:Tchaikovsky and the Belyayev circle
205:. On 25 January 1874, his overture
182:, at an orchestral rehearsal under
24:
2295:20th-century French male musicians
2280:19th-century French male musicians
1276:
1079:
893:
875:
245:In 1878 d'Indy's symphonic ballad
48:Paul Marie Théodore Vincent d'Indy
25:
2371:
1214:Free scores by Vincent d'Indy
1183:
705:
581:
569:as well as studies of Franck and
464:Symphony on a French Mountain Air
2305:Burials at Montparnasse Cemetery
2285:20th-century classical composers
2270:19th-century classical composers
2233:
2224:
2223:
1190:Works by or about Vincent d'Indy
1124:84/2 (May 2003), pp. 209–40
1062:Templier, Pierre-Daniel (1969).
1028:Noël and Cole: The Sophisticates
935:"Les obsèques de Vincent d'Indy"
863:McBrien, p 94; and Citron, p. 56
770:, Oxford University Press, 2001
389:, but the plan came to nothing.
273:as choirmaster. His music drama
2320:French male non-fiction writers
2315:French male classical composers
986:
974:
944:
928:
698:, 5th edition, 1954, volume V,
588:École de musique Vincent-d'Indy
1066:. Cambridge, Mass: MIT Press.
866:
857:
808:
792:
776:
613:
530:Le Légende de Saint Christophe
433:La Légende de Saint-Christophe
98:D'Indy studied under composer
13:
1:
2310:Conservatoire de Paris alumni
2290:20th-century French composers
2275:19th-century French composers
1204:Free scores by Vincent d'Indy
922:, 1996, T. 82, No. 1, p. 148
803:The Oxford Companion to Music
670:
602:Notes, references and sources
567:Cours de composition musicale
379:Société musicale indépendante
343:. Two atypical students were
313:The Oxford Companion to Music
148:At the age of 19, during the
1218:Choral Public Domain Library
1146:Vincent d'Indy and his World
953:Sonates en concert: Sonate 5
402:Ligue de la patrie française
392:According to the biographer
362:Société nationale de musique
7:
2171:Gothic Revival architecture
1132:Vincent d'Indy et son temps
27:French composer (1851–1931)
10:
2376:
2112:Neue Zeitschrift für Musik
1287:List of Romantic composers
1002:
586:The private music college
449:
255:. In 1883 his choral work
186:; the work was admired by
124:Antoine François Marmontel
29:
2330:French Romantic composers
2203:
2148:
2093:
2027:
2006:
1293:
1284:
1238:English Chamber Orchestra
1045:McBrien, William (1998).
550:L'incoronazione di Poppea
496:, a vast symphonic poem,
2133:Tchaikovsky and The Five
1162:Huebner, Steven (2006).
1026:Citron, Stephen (1993).
815:Cohen, Aaron I. (1987).
726:, 4 December 1931, p. 16
619:Other students included
606:
528:(1902). His music drama
498:Jour d'été à la montagne
475:in the form of a set of
445:
377:, founded the breakaway
309:Schola Cantorum de Paris
67:. His students included
61:Schola Cantorum de Paris
956:, Paris: Senart, 1922,
941:, 5 December 1931, p. 2
924:(subscription required)
912:(subscription required)
783:"Courrier des théâtres"
772:(subscription required)
536:, was premiered at the
532:, based on themes from
109:
63:and also taught at the
2355:Pupils of César Franck
2325:French Roman Catholics
2156:Common practice period
1102:
653:Anne Terrier Laffaille
598:, discovered in 1992.
487:
424:
417:Cimetière Montparnasse
296:
175:
154:Conservatoire de Paris
44:
789:, 22 March 1878, p. 3
722:"M. Vincent d'Indy",
485:
440:Montparnasse Cemetery
414:
285:
257:Le Chant de la cloche
170:
56:[vɛ̃sɑ̃dɛ̃di]
42:
2345:Musicians from Paris
2193:Romantic nationalism
2139:War of the Romantics
1242:Yan Pascal Tortelier
920:Revue de Musicologie
908:Revue de Musicologie
902:Duchesneau, Michel.
657:Emiliana de Zubeldia
625:Léon Destroismaisons
2335:Composers for piano
2188:Musical nationalism
2106:Musical nationalism
1234:Julian Lloyd Webber
1049:. New York: Knopf.
1009:Blom, Eric (1954).
692:"Indy, Vincent d'",
370:Camille Saint-Saëns
265:Poème des montagnes
180:Symphonie italienne
150:Franco-Prussian War
104:Franco-Prussian War
65:Paris Conservatoire
18:Vincent D'Indy
2101:Indianist movement
2019:Romantic orchestra
1134:(Sprimont, 2006).
768:Grove Music Online
649:Ahmet Adnan Saygun
621:Pierre Capdevielle
488:
425:
415:d'Indy's grave in
305:Alexandre Guilmant
297:
247:La Forêt enchantée
176:
171:Bust of d'Indy by
45:
2247:
2246:
2118:New German School
1713:Felix Mendelssohn
1708:Fanny Mendelssohn
1175:978-0-19-518954-4
1158:(Melbourne, 1994)
1122:Music and Letters
1037:978-0-19-508385-9
799:"Schola Cantorum"
629:Déodat de Séverac
329:Joseph Canteloube
173:Antoine Bourdelle
16:(Redirected from
2367:
2237:
2227:
2226:
2123:Post-romanticism
1988:Vaughan Williams
1271:
1264:
1257:
1248:
1247:
1226:
1194:Internet Archive
1179:
1144:Andrew Thomson,
1128:Manuela Schwartz
1105:
1092:Steven Huebner,
1075:
1058:
1041:
1022:
996:
993:"(11530) d'Indy"
990:
984:
978:
972:
971:
970:
968:
948:
942:
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925:
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886:Cochard, Alain.
884:
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540:on 6 June 1920.
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400:. He joined the
286:Illustration by
162:Concerts Colonne
158:Châtelet Theatre
58:
53:
21:
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2216:Modernist music
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2209:Classical music
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2144:
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2070:Romantic ballet
2065:Orchestral song
2045:Chorale prelude
2040:Character piece
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2014:Romantic guitar
2007:Instrumentation
2002:
1838:Rimsky-Korsakov
1458:Ferdinand David
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1289:
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1107:(Paris, 2001).
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1080:Further reading
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555:Antonio Vivaldi
534:Gregorian chant
500:, and another,
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429:First World War
383:First World War
337:Arthur Honegger
321:Albéric Magnard
207:Les Piccolomini
203:Johannes Brahms
184:Jules Pasdeloup
135:Albert Lavignac
112:
77:Arthur Honegger
69:Albéric Magnard
51:
43:d'Indy, c. 1895
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366:Romain Bussine
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325:Albert Roussel
307:, founded the
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132:
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113:
100:César Franck
97:
47:
46:
36:
32:11530 d'Indy
2265:1931 deaths
2260:1851 births
2161:Romanticism
1943:Tchaikovsky
1878:R. Schumann
1873:C. Schumann
1858:Saint-Saëns
1753:Niedermeyer
1643:Leoncavallo
1613:Kalkbrenner
1388:Bortkiewicz
1047:Cole Porter
538:Paris Opéra
524:(1897) and
427:During the
345:Cole Porter
333:Celia Torra
199:Franz Liszt
93:Cole Porter
2254:Categories
2149:Background
2050:Intermezzo
1983:Wieniawski
1963:Vieuxtemps
1928:R. Strauss
1853:Rubinstein
1778:Paderewski
1748:Mussorgsky
1743:Moszkowski
1718:Mercadante
1118:James Ross
1072:1034659768
1064:Erik Satie
1055:1148597196
962:1114800864
671:References
545:Monteverdi
526:L'Étranger
477:variations
471:(1896), a
349:Erik Satie
89:Erik Satie
1763:Offenbach
1738:Moscheles
1733:Moniuszko
1728:Meyerbeer
1683:Marschner
1668:MacDowell
1483:Donizetti
1428:Cherubini
1418:Chaminade
1343:Beethoven
1328:Balakirev
1318:Atterberg
1296:musicians
845:cite book
787:Le Figaro
724:The Times
700:Eric Blom
575:The Times
571:Beethoven
547:'s opera
507:The Times
502:Souvenirs
270:Lohengrin
215:Beethoven
139:Berlioz's
2229:Category
2206: ←
2085:Symphony
1948:Thalberg
1913:Spontini
1888:Sibelius
1883:Scriabin
1868:Schubert
1863:Sarasate
1828:Respighi
1823:Reinecke
1783:Paganini
1693:Massenet
1688:Masarnau
1673:Madetoja
1618:Kreisler
1608:Kalivoda
1553:J. Gomis
1538:Glazunov
1533:Giuliani
1423:Chausson
1413:Chadwick
1403:Bruckner
1236:and the
939:Comoedia
837:16714846
592:Montreal
493:♭
252:Parsifal
240:Bayreuth
120:Catholic
116:royalist
2219:→
2181:Science
2060:Mazurka
2035:Ballade
1968:Voříšek
1938:Tárrega
1933:Taneyev
1893:Smetana
1848:Rossini
1803:Puccini
1798:Prudent
1758:Nielsen
1723:Méreaux
1698:Medtner
1663:Lysenko
1633:Lachner
1598:Joachim
1578:Herbert
1498:Farrenc
1463:Delibes
1438:Crusell
1383:Borodin
1373:Berwald
1363:Berlioz
1353:Bennett
1348:Bellini
1333:Bazzini
1313:Arensky
1230:YouTube
1216:in the
1210:(IMSLP)
1206:at the
1192:at the
1130:(ed.),
1019:1192249
1003:Sources
967:18 July
521:Fervaal
293:Fervaal
276:Fervaal
52:French:
2239:Portal
2176:Poetry
2028:Genres
1973:Wagner
1953:Tobias
1818:Reicha
1793:Popper
1773:Pacini
1768:Onslow
1678:Mahler
1658:Lumbye
1623:Kuhlau
1603:Joplin
1593:Hummel
1583:Hérold
1573:Halévy
1558:Gounod
1543:Glinka
1523:Franck
1518:Foster
1488:Dvořák
1478:d'Indy
1468:Delius
1448:Czerny
1433:Chopin
1408:Busoni
1393:Brahms
1368:Bertin
1358:Bériot
1172:
1138:
1111:
1070:
1053:
1034:
1017:
960:
914:; and
835:
825:
559:op. 14
224:Carmen
87:, and
2166:Chess
1998:Ysaÿe
1978:Weber
1958:Verdi
1908:Spohr
1903:Sousa
1788:Paine
1703:Méhul
1653:Loewe
1648:Liszt
1628:Kuula
1588:Holst
1568:Grieg
1548:Gomes
1528:Franz
1513:Foote
1508:Field
1503:Fauré
1493:Elgar
1473:Denza
1398:Bruch
1378:Bizet
1338:Beach
1323:Auber
1308:Alkan
607:Notes
515:Grove
469:Istar
458:Grove
446:Works
421:Paris
236:cycle
2055:Lied
1993:Wolf
1843:Rode
1833:Ries
1813:Raff
1638:Lalo
1303:Adam
1170:ISBN
1136:ISBN
1109:ISBN
1068:OCLC
1051:OCLC
1032:ISBN
1015:OCLC
969:2022
958:OCLC
851:link
833:OCLC
823:ISBN
659:and
368:and
339:and
303:and
290:for
234:Ring
213:and
211:Bach
201:and
190:and
126:and
118:and
110:Life
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1443:Cui
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419:(
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20:)
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