Erik Satie - Knowledge

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one telephone call. Although his personal appearance was customarily immaculate, his room at Arcueil was in Orledge's word "squalid", and after his death the scores of several important works believed lost were found among the accumulated rubbish. He was incompetent with money. Having depended to a considerable extent on the generosity of friends in his early years, he was little better off when he began to earn a good income from his compositions, as he spent or gave away money as soon as he received it. He liked children, and they liked him, but his relations with adults were seldom straightforward. One of his last collaborators, Picabia, said of him:

986: 767: 1075: 486: 22: 763:, who became known as the "Arcueil School". In addition to turning against Ravel, Auric and Poulenc in particular, Satie quarrelled with his old friend Debussy in 1917, resentful of the latter's failure to appreciate the more recent Satie compositions. The rupture lasted for the remaining months of Debussy's life, and when he died the following year, Satie refused to attend the funeral. A few of his protégés escaped his displeasure, and Milhaud and Désormière were among those who remained friends with him to the last. 278: 454: 702: 924: 231:, Alfred Satie sold his business and the family moved to Paris, where he eventually set up as a music publisher. In 1872 Jane Satie died and Eric and his brother were sent back to Honfleur to be brought up by Alfred's parents. The boys were rebaptised as Roman Catholics and educated at a local boarding school, where Satie excelled in history and Latin but nothing else. In 1874 he began taking music lessons with a local organist, Gustave Vinot, a former pupil of 6959: 3692: 3704: 6995: 1164: 1031:("Three Pear-shaped Pieces") for piano four-hands (1903), simply-phrased music that Nichols and Griffiths describe as "a résumé of his music since 1890" – reusing some of his earlier work as well as popular songs of the time. He struggled to find his own musical voice. Orledge writes that this was partly because of his "trying to ape his illustrious peers … we find bits of Ravel in his miniature opera 201: 6983: 392:, for whose mystic sect, the Ordre de la Rose-Croix Catholique du Temple et du Graal, he was appointed composer. This gave him scope for experiment, and Péladan's salons at the fashionable Galerie Durand-Ruel gained Satie his first public hearings. Frequently short of money, Satie moved from his lodgings in the 9th arrondissement to a small room in the rue Cortot not far from 7019: 7007: 468:. After their first night together, he proposed marriage. The two did not marry, but Valadon moved to a room next to Satie's at the rue Cortot. Satie became obsessed with her, calling her his Biqui and writing impassioned notes about "her whole being, lovely eyes, gentle hands, and tiny feet". During their relationship Satie composed the 931:

Despite being a musical iconoclast, and encourager of modernism, Satie was uninterested to the point of antipathy about innovations such as the telephone, the gramophone and the radio. He made no recordings, and as far as is known heard only a single radio broadcast (of Milhaud's music) and made only

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Satie became the focus of successive groups of young composers, whom he first encouraged and then distanced himself from, sometimes rancorously, when their popularity threatened to eclipse his or they otherwise displeased him. First were the "jeunes" – those associated with Ravel – and then a group

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In 1895 Satie attempted to change his image once again: this time to that of "the Velvet Gentleman". From the proceeds of a small legacy he bought seven identical dun-coloured suits. Orledge comments that this change "marked the end of his Rose+Croix period and the start of a long search for a new

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puts it, Satie, "free from his restrictive upbringing … enthusiastically embraced the reckless bohemian lifestyle and created for himself a new persona as a long-haired man-about-town in frock coat and top hat". This was the first of several personas that Satie invented for himself over the years.

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Satie's case is extraordinary. He's a mischievous and cunning old artist. At least, that's how he thinks of himself. Myself, I think the opposite! He's a very susceptible man, arrogant, a real sad child, but one who is sometimes made optimistic by alcohol. But he's a good friend, and I like him a

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In 1884 Satie wrote his first known composition, a short Allegro for piano, written while on holiday in Honfleur. He signed himself "Erik" on this and subsequent compositions, though continuing to use "Eric" on other documents until 1906. In 1885, he was readmitted to the Conservatoire, in the

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In his neat, calligraphic hand, Satie would write extensive instructions for his performers, and although his words appear at first sight to be humorous and deliberately nonsensical, Nichols and Griffiths comment, "a sensitive pianist can make much of injunctions such as 'arm yourself with

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as a means of calming his mind, and Valadon painted his portrait, which she gave him. After five months she moved away, leaving him devastated. He said later that he was left with "nothing but an icy loneliness that fills the head with emptiness and the heart with sadness".

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and engaged a tutor to teach Eric Latin and Greek. Before the boys returned to Paris from Honfleur, Alfred had met a piano teacher and salon composer, Eugénie Barnetche, whom he married in January 1879, to the dismay of the twelve-year-old Satie, who did not like her.

274:. In 1880 Satie took his first examinations as a pianist: he was described as "gifted but indolent". The following year Decombes called him "the laziest student in the Conservatoire". In 1882 he was expelled from the Conservatoire for his unsatisfactory performance. 1048:

After concluding his studies at the Schola Cantorum in 1912 Satie composed with greater confidence and more prolifically. Orchestration, despite his studies with d'Indy, was never his strongest suit, but his grasp of counterpoint is evident in the opening bars of

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harmonies". It is possible that their simplicity and originality were influenced by Debussy; it is also possible that it was Satie who influenced Debussy. During the brief spell when Satie was composer to Péladan's sect he adopted a similarly austere manner.

70:, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as 290:. He made little progress: Mathias described his playing as "Insignificant and laborious" and Satie himself "Worthless. Three months just to learn the piece. Cannot sight-read properly". Satie became fascinated by aspects of religion. He spent much time in 3331: 179:, a suburb of Paris. He adopted various images over the years, including a period in quasi-priestly dress, another in which he always wore identically coloured velvet suits, and is known for his last persona, in neat bourgeois costume, with 315:

Keen to leave the Conservatoire, Satie volunteered for military service, and joined the 33rd Infantry Regiment in November 1886. He quickly found army life no more to his liking than the Conservatoire, and deliberately contracted acute

822:, with jazz rhythms and instrumentation including parts for typewriter, steamship whistle and siren. It firmly established Satie's name before the public, and thereafter his career centred on the theatre, writing mainly to commission. 652:

in 1902. He found it "absolutely astounding", and he re-evaluated his own music. In a determined attempt to improve his technique, and against Debussy's advice, he enrolled as a mature student at Paris's second main music academy, the

258:. Satie strongly disliked the Conservatoire, which he described as "a vast, very uncomfortable, and rather ugly building; a sort of district prison with no beauty on the inside – nor on the outside, for that matter". He studied 980:

To have a feeling for harmony is to have a feeling for tonality… the melody is the Idea, the outline; as much as it is the form and the subject matter of a work. The harmony is an illumination, an exhibition of the object, its

380:(1889 and 1890). He earned a modest living as pianist and conductor at the Chat Noir, before falling out with the proprietor and moving to become second pianist at the nearby Auberge du Clou. There he became a close friend of 1096:

soon adopted by Stravinsky. Despite his rancorous falling out with Debussy, Satie commemorated his long-time friend in 1920, two years after Debussy's death, in the anguished "Elégie", the first of the miniature song cycle

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Later he referred to himself at least once as a "phonometrician" (meaning "someone who measures sounds") after being called "a clumsy but subtle technician" in a book about contemporary French composers published in

505:, eight kilometres (five miles) from the centre of Paris. This remained his home for the rest of his life. No visitors were ever admitted. He joined a radical socialist party (he later switched his membership to the 1024:

While Satie was earning his living as a café pianist in Montmartre he contributed songs and little waltzes. After moving to Arcueil he began to write works with quirky titles, such as the seven-movement suite

839:'s Dialogues as a "symphonic drama". Its composition was interrupted in 1917 by a libel suit brought against him by a music critic, Jean Poueigh, which nearly resulted in a jail sentence for Satie. When 1499:, I forbid anyone to read the text aloud during the musical performance. Ignorance of my instructions will incur my righteous indignation against the presumptuous culprit. No exception will be allowed". 893:

lists 25. Satie's habit of embellishing the scores of his compositions with all kinds of written remarks became so established that he had to insist that they must not be read out during performances.

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he did not write primarily as a music critic. Much of his writing is connected to music tangentially if at all. His biographer Caroline Potter describes him as "an experimental creative writer, a

333: 1789: 1997: 1743: 1702: 1053:, and from the outset of his composing career he had original and distinctive ideas about harmony. In his later years he composed sets of short instrumental works with absurd titles, including 688:, conducted them in concert. The publisher Demets asked for new works from Satie, who was finally able to give up his cabaret work and devote himself to composition. Works such as the cycle 684:. Satie was suddenly seen as "the precursor and apostle of the musical revolution now taking place"; he became a focus for young composers. Debussy, having orchestrated the first and third 516:

Satie earned a living as a cabaret pianist, adapting more than a hundred compositions of popular music for piano or piano and voice, adding some of his own. The most popular of these were

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In 1878 Satie's grandmother died, and the two boys returned to Paris to be informally educated by their father. Satie did not attend a school, but his father took him to lectures at the

1208:(Memoirs of an Amnesiac), indicating, as Potter comments, that "these are not autobiographical writings in the conventional manner". He claimed the major influence on his humour was 348:

where he became an habitué and then a resident pianist. The Chat Noir was known as the "temple de la 'convention farfelue'" – the temple of zany convention, and as the biographer

2454: 2378: 2344: 2110: 1197:'s non-existent but "sumptuous" Tenth Symphony, and the family of instruments known as the cephalophones, "which have a compass of thirty octaves and are absolutely unplayable". 576:); and others. In his later years Satie rejected all his cabaret music as vile and against his nature. Only a few compositions that he took seriously remain from this period: 976:

towards a leaner, more epigrammatic style". Debussy christened him "the precursor" because of his early harmonic innovations. Satie summed up his musical philosophy in 1917:

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Rey, p. 11: "Erik Alfred Leslie Satie est né le 17 mai 1866 à Honfleur (Normandie) d'une mère anglaise et protestante, d'un père catholique et anglophobe, courtier maritime"

3373: 224:, was a Roman Catholic anglophobe. A year later, the Saties had a daughter, Olga, and in 1869 a second son, Conrad. The children were baptised in the Anglican church. 434:" project, a "Christian Ballet", in collaboration with Latour. He challenged the musical establishment by proposing himself – unsuccessfully – for the seat in the 3524: 3587: 3517: 254:

Eugénie Satie resolved that her elder stepson should become a professional musician, and in November 1879 enrolled him in the preparatory piano class at the

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Throughout his adult life Satie was a heavy drinker, and in 1925 his health collapsed. He was taken to the Hôpital Saint-Joseph in Paris, diagnosed with

388:, enjoying the same café society and struggling to survive financially. At the Auberge du Clou Satie first encountered the flamboyant, self-styled "Sâr" 2162: 1786: 3296: 1061: 620:), piano music to accompany a lost tale by Cheminot, and a few others that were mostly incomplete. Few were presented, and none published at the time. 144: 1986: 1732: 1185: 3638: 1406:"un vaste bâtiment très inconfortable et assez vilain à voir – une sorte de local pénitencier sans aucun agrément extérieur – ni intérieur du reste". 443: 1189:

claiming to eat dinner in four minutes with a diet of exclusively white food (including bones and fruit mould), or to drink boiled wine mixed with

747:. Satie dissociated himself from the second group in 1918, and in the 1920s he became the focal point of another set of young composers including 672:

It was not until 1911, when he was in his mid-forties, that Satie came to the notice of the musical public in general. In January of that year

136:, and his melodies are generally simple and often reflect his love of old church music. He gave some of his later works absurd titles, such as 368:

In the late 1880s Satie styled himself on at least one occasion "Erik Satie – gymnopédiste", and his works from this period include the three

154:("Bureaucratic Sonatina", 1917). Most of his works are brief, and the majority are for solo piano. Exceptions include his "symphonic drama" 3478: 1055: 138: 3422: 669:

and composition with d'Indy, and was a much more conscientious and successful student than he had been at the Conservatoire in his youth.

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Satie never married, and his home for most of his adult life was a single small room, first in Montmartre and, from 1898 to his death, in

1216:, because the American spirit has occasionally tapped me on the shoulder and I have been delighted to feel its ironically glacial bite". 1139:'s music shows Satie's influence, and Searle and the writer Edward Strickland have used the term "minimalism" in connection with Satie's 877: 7134: 2451: 2367: 2333: 2107: 843:

was premiered, Satie called it "a return to classical simplicity with a modern sensibility", and among those who admired the work was

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by standing in the open, bare-chested, on a winter night. After three months' convalescence he was invalided out of the army.

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restricted concert-giving to some extent, but Orledge comments that the war years brought "Satie's second lucky break", when

336:, whose verse he set in some of his early compositions, which Satie senior published. His lodgings were close to the popular 7174: 887:. As he contributed anonymously or under pen names to some publications it is not certain how many titles he wrote for, but 677: 3097: 497:

In 1898, in search of somewhere cheaper and quieter than Montmartre, Satie moved to a room in the southern suburbs, in the

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after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the

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juice, or to be woken by a servant hourly throughout the night to have his temperature taken; he wrote in praise of

7159: 7114: 3471: 1817: 1124:(1924), is an example of early film music designed to be unconsciously absorbed rather than carefully listened to. 1027: 850:

In his later years Satie became known for his prose. He was in demand as a journalist, making contributions to the

509:), but adopted a thoroughly bourgeois image: the biographer Pierre-Daniel Templier, writes, "With his umbrella and 3658: 7149: 7104: 2999:

The Banquet Years: The Arts in France, 1885–1918: Alfred Jarry, Henri Rousseau, Erik Satie, Guillaume Apollinaire

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of the liver. He died there at 8.00 p.m. on 1 July, at the age of 59. He was buried in the cemetery at Arcueil.

694:(1914) were published in de luxe editions. The press began to write about Satie's music, and a leading pianist, 600: 7199: 7099: 6724: 6717: 6539: 3025: 1582: 396:, so high up the Butte Montmartre that he said he could see from his window all the way to the Belgian border. 6316: 7164: 7154: 2159: 3485: 7089: 5753: 3867: 3695: 3644: 3282: 3056: 2653: 513:, he resembled a quiet school teacher. Although a Bohemian, he looked very dignified, almost ceremonious". 356: 3394: 3275: 6817: 6745: 5801: 5586: 3457: 442:. Between 1893 and 1895, Satie, affecting a quasi-priestly dress, was the founder and only member of the 329: 2140: 7139: 7124: 6973: 6766: 6675: 1565: 3250: 1397:

Her death was mysterious: she was found drowned on the beach at Honfleur in unexplained circumstances.

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In 1893 Satie had what is believed to be his only love affair, a five-month liaison with the painter

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Satie wrote extensively for the press, but unlike his professional colleagues such as Debussy and

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A decisive change in Satie's musical outlook came after he heard the premiere of Debussy's opera

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By mid-1892, Satie had composed the first pieces in a compositional system of his own making (

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After a spell in which he composed little, Satie entered Paris's second music academy, the

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Fête donnée par des Chevaliers Normands en l'honneur d'une jeune demoiselle (XIe siecle)

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towards a sparer, terser style. Among those influenced by him during his lifetime were

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In 1887, at the age of 21, Satie moved from his father's residence to lodgings in the

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in October 1905, continuing his studies there until 1912. The institution was run by

632: 384:, who proved a kindred spirit in his experimental approach to composition. Both were 232: 6002: 4093: 3401: 3176: 2254: 680:, a forward-looking group set up by Ravel and others as a rival to the conservative 661:, who emphasised orthodox technique rather than creative originality. Satie studied 267: 7084: 7011: 6929: 6922: 6661: 6441: 6350: 6343: 6274: 6176: 6086: 5939: 5849: 5741: 5635: 5628: 5461: 5286: 5244: 5063: 4979: 4874: 4783: 4643: 4615: 4230: 4100: 4065: 4058: 4023: 3938: 3831: 3663: 3303: 3137: 1339: 1333: 1289: 902: 801: 162: 6135: 6037: 4881: 4867: 4860: 4685: 4044: 1038: 695: 220:

Anton). Jane Satie was an English Protestant of Scottish descent; Alfred Satie, a

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The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War I

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Correspondence presque complète: Réunie, établie et présentée par Ornella Volta

969: 871: 805: 766: 744: 666: 636: 628: 587: 538: 439: 381: 349: 111: 100: 5489: 5146: 4811: 4421: 4302: 3345: 2925: 1112:– "furniture music" – a kind of background not to be listened to consciously. 998: 370: 49: 7094: 7033: 6894: 6859: 6752: 6434: 6378: 6364: 6211: 6072: 5974: 5967: 5953: 5663: 5544: 5412: 5307: 5265: 5216: 5049: 5042: 5007: 4972: 4923: 4895: 4818: 4414: 4344: 4316: 4288: 4191: 4107: 4051: 4037: 4030: 4016: 3924: 3904: 3822: 3794: 3676: 3359: 3169: 2720: 2665: 2566: 1537: 1151: 1128: 809: 776: 760: 724: 673: 640: 107: 89: 5174: 4079: 3842: 917: 450:" in the rue Cortot, he published scathing attacks on his artistic enemies. 7023: 6999: 6689: 6527: 6420: 6392: 6327: 6295: 6267: 6232: 6225: 6218: 6183: 6149: 6065: 6023: 5881: 5870: 5860: 5607: 5579: 5517: 5510: 5496: 5468: 5440: 5405: 5398: 5370: 5356: 5342: 5321: 5230: 5188: 5181: 5021: 4993: 4944: 4930: 4804: 4769: 4664: 4650: 4587: 4514: 4407: 4365: 4163: 3988: 1074: 1017: 1008:(1889 onwards) for piano. They evoke the ancient world by what the critics 787: 756: 662: 403:

Fête donnée par des Chevaliers Normands en l'honneur d'une jeune demoiselle

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Satie's example guided a new generation of French composers away from post-

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in 1896. Professors from the Conservatoire were elected on both occasions.

698:, took him up, giving celebrated first performances of some Satie pieces. 183:, wing collar, and umbrella. He was a lifelong heavy drinker, and died of 6901: 6782: 6641: 6632: 6448: 6371: 5419: 5384: 5300: 5293: 5035: 4937: 4825: 4755: 4692: 4569: 4435: 4295: 4253: 4205: 4142: 4121: 4114: 4086: 4002: 3945: 3785: 3338: 1577: 1573: 1016:

describe as "pure simplicity, monotonous repetition, and highly original

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Kelly, Barbara L. (2000). "History and Homage". In Deborah Mawer (ed.).

1423:, a condition that can make reading music as difficult as reading words. 6831: 6385: 6156: 6058: 5946: 5614: 5600: 5349: 5335: 5272: 5195: 5084: 4951: 4888: 4748: 4578: 4379: 4337: 4274: 3931: 3545: 3324: 1806: 1176: 706: 520: 510: 453: 345: 317: 235:. Vinot stimulated Satie's love of old church music, and in particular 180: 47:, Paris, and began composing works, mostly for solo piano, such as his 44: 566:, text by Contamine de Latour (lost, but the music later reappears in 216:, Normandy, the first child of Alfred Satie and his wife Jane Leslie ( 6880: 6838: 6703: 6413: 5503: 5258: 5125: 4846: 4797: 4762: 4323: 3750: 3492: 1141: 1136: 942: 701: 583: 422:), had a hoax published (announcing the premiere of his non-existent 408: 259: 184: 119: 4727: 4594: 3952: 3913: 3897: 3883: 3774: 2835: 1420: 829:

that resulted in what Orledge rates as the composer's masterpiece,

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Satie grouped some of these writings under the general headings

923: 35:(17 May 1866 – 1 July 1925), who signed his name 3808: 3387: 304: 3703: 1372: 1354: 1163: 200: 3075: 2465:, Oxford University Press, 2005. Retrieved 18 September 2021 2374:, Oxford University Press, 2011. Retrieved 18 September 2021 2340:, Oxford University Press, 2013. Retrieved 18 September 2021 2332:

Kennedy, Joyce, Michael Kennedy, and Tim Rutherford-Johnson.

1739:, Oxford University Press, 2001. Retrieved 20 September 2021 1363: 1316: 1065:("Sketches and Exasperations of a Big Wooden Man", 1913) and 920:), both provoked headlines with their first night scandals. 836: 606:, a short comic opera to a text by "Lord Cheminot" (Latour); 308:, a set of four piano pieces inspired by Gregorian chant and 286:

intermediate piano class of his stepmother's former teacher,

148:("Sketches and Exasperations of a Big Wooden Man", 1913) and 6994: 3719: 2209:

Kelly, p. 15 (Ravel); and Schmidt, p. 13 (Auric and Poulenc)

1713:, Oxford University Press, 2020. Retrieved 16 September 2021 21: 4281: 3815: 2191:

Gillmor, p. 259; Potter (2017), p. 233; and Whiting, p. 493

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who provoked, mystified and amused his readers". He wrote

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later dubbed him "Esotérik Satie". From this period comes

2121:, edited by Alison Latham, Oxford University Press, 2011. 1805:

Ganschow, Leonore, Jenafer Lloyd-Jones, and T. R. Miles.

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included a specific homage to Satie's music in his 1996

906:(with choreography by Massine and décor by Picasso) and 627:

Musical friends and teachers: from top left clockwise –

2147:, Oxford University Press. Retrieved 17 September 2021 1088:

clairvoyance' and 'with the end of your thought'". His

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Satie's birthplace and childhood home, now a museum in

2677:. Cambridge and New York: Cambridge University Press. 1993:, Oxford University Press. Retrieved 16 September 2021 719:

known at first as the "nouveaux jeunes", later called

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Satie repeated this gesture twice – on the deaths of

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A Mammal's Notebook: Collected Writings of Erik Satie

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Satie is regarded by some writers as an influence on

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In 1920 there was a festival of Satie's music at the

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In October 1916 Satie received a commission from the

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in 1916. This led to the commissioning of the ballet

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A Sunday Afternoon on the Island of La Grande Jatte

3020:. U.S.: Freeport, N.Y., Books for Libraries Press. 1366: 1348: 1310: 1292: 996:Among his earliest compositions were sets of three 298:examining obscure medieval manuscripts. His friend 294:contemplating the stained glass windows and in the 3602:Sonnerie pour réveiller le bon gros Roi des Singes 676:played some early Satie works at a concert by the 3639:Metropolitan Church of Art of Jesus the Conductor 7031: 3518:Choses vues à droite et à gauche (sans lunettes) 3374:Les trois valses distinguées du précieux dégoûté 2954:Satie the Bohemian: From Cabaret to Concert Hall 2880:(second ed.). Paris: Éditions Champ libre. 2735:. Rochester, NY: University of Rochester Press. 1263: 3297:Croquis et agaceries d'un gros bonhomme en bois 3015: 2996: 2675:The Cambridge Introduction to Theatre Directing 1787:"Erik Satie: His music, the vision, his legacy" 1062:Croquis et agaceries d'un gros bonhomme en bois 835:, two years later. Satie set translations from 444:Eglise Métropolitaine d'Art de Jésus Conducteur 145:Croquis et agaceries d'un gros bonhomme en bois 2173:, 14 January 1911, p. 7; and Gillmor, p. xxiii 3735: 3588:Petit prélude de 'La Mort de Monsieur Mouche' 3091: 2798:Erik Satie: A Parisian Composer and his World 2755:The Harlequin Years: Music in Paris 1917–1929 2486:Potter (2016), p. 230; and Strickland, p. 124 1698:Orledge, Robert, revised by Caroline Potter. 1586:(18th ed.). Cambridge University Press. 6650: 6639: 3840: 3829: 3783: 3772: 3525:Cinq grimaces pour Le songe d'une nuit d'été 3479:Veritables Preludes flasques (pour un chien) 2673:Innes, Christopher; Maria Shevtsova (2013). 1238: 1226:(Serpent's Tail; Atlas Arkhive, No 5, 1997) 1059:("True Flabby Preludes (for a Dog)", 1912), 1056:Veritables Preludes flasques (pour un chien) 808:, with music by Satie, sets and costumes by 608: 598: 591: 568: 560: 552: 536: 528: 518: 424: 416: 401: 337: 243: 142:("True Flabby Preludes (for a Dog)", 1912), 139:Veritables Preludes flasques (pour un chien) 88:, with music by Satie, sets and costumes by 7070:20th-century French male classical pianists 7060:19th-century French male classical pianists 3911: 1512:is "a joker or prankster" according to the 1442:"La vu s'étend jusqu'à la frontière belge". 847:, a composer whom Satie regarded with awe. 3742: 3728: 3098: 3084: 2970: 2894: 2053:, ViaMichelin. Retrieved 17 September 2021 1781: 1779: 1777: 1775: 1773: 78:in 1915 led to the creation of the ballet 3047:International Music Score Library Project 2975:. Liverpool: Liverpool University Press. 2899:. Bloomington: Indiana University Press. 2876:Satie, Erik (1981). Ornella Volta (ed.). 2781:. Cambridge: Cambridge University Press. 2696:. Cambridge: Cambridge University Press. 2573: 1694: 1692: 1690: 1688: 1686: 1684: 1682: 1680: 1678: 1676: 890:Grove's Dictionary of Music and Musicians 2913: 2856: 2710: 2592: 2264:, Artic.edu. Retrieved 17 September 2021 1674: 1672: 1670: 1668: 1666: 1664: 1662: 1660: 1658: 1656: 1583:Cambridge English Pronouncing Dictionary 1162: 1073: 984: 922: 765: 700: 622: 484: 452: 355: 276: 199: 20: 2951: 2771: 2749: 2652: 2633: 2556: 2463:The International Encyclopedia of Dance 1770: 1244:(Paris: Fayard/Imes, 2000; 1265 pages) 1167:Satie's grave bearing a white cross in 550:, text by Dominique Bonnaud/Numa Blès; 63:sect to which he was briefly attached. 16:French composer and pianist (1866–1925) 7032: 2814: 2795: 2727: 2611: 2362: 2360: 2358: 2356: 2328: 2326: 2324: 2012: 2010: 1731:Cooper, Martin, and Charles Timbrell. 1619: 1617: 6576:Six Characters in Search of an Author 3723: 3079: 2937:. London: Weidenfeld & Nicolson. 2932: 2875: 2691: 2444: 1987:"Dubois, (François Clément) Théodore" 1653: 1607: 1605: 1603: 1564: 1536: 1384: 912:("Cancelled") (in collaboration with 493:– Satie's home from 1898 to his death 3423:Prélude de la porte héroïque du ciel 3072:– Satie birthplace museum, Honfleur. 2733:Claude Debussy: A Critical Biography 2715:(in French). Lausanne: Age d'homme. 2368:"Satie, Erik (Eric) (Alfred Leslie)" 2366:Griffiths, Paul, and Roger Nichols. 1970: 3500:Vieux sequins et vieilles cuirasses 2956:. Oxford: Oxford University Press. 2834: 2405:Orledge, p. 95; and Gillmor, p. 137 2353: 2321: 2007: 1752: 1700:Satie, Erik (Eric) (Alfred Leslie)" 1644: 1614: 1116:, composed for the René Clair film 13: 5778:Nude Descending a Staircase, No. 2 2990: 2857:Rosinsky, Thérèse Diamand (1994). 2334:"Satie, Erik (Eric) Alfred Leslie" 1600: 960:List of compositions by Erik Satie 875:to the English-language magazines 790:heard Viñes and Satie perform the 775:, 1917 – music by Satie, décor by 480: 407:), provided incidental music to a 190: 14: 7211: 7135:French people of Scottish descent 3430:Préludes flasques (pour un chien) 3353:Heures séculaires et instantanées 3036: 1496:Heures séculaires et instantanées 1493:He wrote in the first edition of 212:Satie was born on 17 May 1866 in 7195:Alcohol-related deaths in France 7065:20th-century classical composers 7050:19th-century classical composers 7017: 7005: 6993: 6981: 6958: 6957: 3702: 3691: 3690: 3472:Trois morceaux en forme de poire 3001:. U.S.: Henry Holt and Company. 2914:Templier, Pierre-Daniel (1969). 2694:The Cambridge Companion to Ravel 2660:. London: Secker & Warburg. 1542:Longman Pronunciation Dictionary 1338: 1288: 1219:His published writings include: 1071:("Bureaucratic Sonata", 1917). 1028:Trois morceaux en forme de poire 866:and other publications from the 344:cabaret on the southern edge of 7185:Schola Cantorum de Paris alumni 7130:French male classical composers 2534: 2525: 2516: 2507: 2498: 2489: 2480: 2471: 2435: 2426: 2417: 2408: 2399: 2387: 2312: 2303: 2294: 2285: 2276: 2267: 2248: 2239: 2230: 2221: 2212: 2203: 2194: 2185: 2176: 2153: 2133: 2124: 2101: 2092: 2083: 2074: 2065: 2056: 2037: 2028: 2019: 1979: 1961: 1952: 1943: 1934: 1925: 1916: 1907: 1898: 1889: 1880: 1871: 1862: 1853: 1844: 1835: 1826: 1807:"Dyslexia and Musical Notation" 1799: 1761: 1725: 1716: 1502: 1487: 1462: 1445: 1436: 1426: 1419:has conjectured that Satie had 1409: 1400: 187:of the liver at the age of 59. 6725:Grosvenor School of Modern Art 6718:Fourth dimension in literature 3290:Chapitres tournés en tous sens 3105: 2952:Whiting, Steven Moore (1999). 2920:. Cambridge, Mass: MIT Press. 2338:The Oxford Dictionary of Music 2300:Potter (2016), pp. 239 and 241 1850:Rey, p. 22; and Gillmor, p. 64 1635: 1626: 1558: 1530: 1391: 1275: 1106:Satie invented what he called 900:in Paris. In 1924 the ballets 195: 1: 7075:20th-century French composers 7055:19th-century French composers 3749: 3032:Revised edition of 1958 book. 2800:. Woodbridge: Boydell Press. 2757:. London: Thames and Hudson. 2578:. Woodbridge: Boydell Press. 2559:A Brief History of Minimalism 2372:The Oxford Companion to Music 2119:The Oxford Companion to Music 1523: 1264:Notes, references and sources 1212:, adding "I also owe much to 713: 678:Société musicale indépendante 323: 3645:The Minimalism of Erik Satie 3191:Trois petites pièces montées 3057:Choral Public Domain Library 2595:A Portrait of Claude Debussy 1120:, shown between the acts of 682:Société nationale de musique 438:made vacant by the death of 160:(1919) and two late ballets 59:. He also wrote music for a 7: 6818:List of avant-garde artists 5802:The Cabinet of Dr. Caligari 2895:Strickland, Edward (2000). 2842:(in French). Paris: Seuil. 1904:Innes and Shevtsova, p. 151 1468:The pieces were the second 1158: 10: 7216: 7120:French classical composers 6676:Classical Hollywood cinema 3659:Musée-Placard d'Erik Satie 3486:Verset laïque et somptueux 3458:Sonneries de la Rose+Croix 2817:French Music Since Berlioz 2711:Lajoinie, Vincent (1985). 2550: 2522:Dickinson, pp. 248 and 249 2504:Potter (2016), pp. 206–207 1516:French-English dictionary. 1257:The Writings of Erik Satie 1204:(A Mammal's Notebook) and 966:Oxford Dictionary of Music 957: 310:Gothic church architecture 270:, who had been a pupil of 7170:Pupils of Georges Mathias 7145:French surrealist artists 6939: 6617: 6458: 6326: 6166: 5922: 5911: 5754:Les Demoiselles d'Avignon 5708: 5534: 5094: 4577: 4568: 4445: 4229: 3971: 3962: 3757: 3685: 3611: 3509: 3465:Sports et divertissements 3395:Petite ouverture à danser 3311:Descriptions automatiques 3260: 3200: 3161: 3122: 3113: 3053:Free scores by Erik Satie 3043:Free scores by Erik Satie 2971:Williamson, John (2005). 2815:Potter, Caroline (2017). 2796:Potter, Caroline (2016). 2593:Dietschy, Marcel (1999). 2574:Dickinson, Peter (2016). 2457:18 September 2021 at the 2381:18 September 2021 at the 2347:18 September 2021 at the 2049:17 September 2021 at the 1820:18 September 2021 at the 1705:18 September 2021 at the 1544:(3rd ed.). Longman. 691:Sports et divertissements 534:, text by Vincent Hyspa; 338: 244: 7175:Pupils of Vincent d'Indy 7080:Ballets Russes composers 4539:The Master and Margarita 3016:Shattuck, Roger (1968). 2997:Shattuck, Roger (1958). 2414:Orledge, pp. 116 and 174 1268: 1043:Nouvelles pièces froides 953: 948: 927:Satie in his later years 884:The Transatlantic Review 526:, text by Henry Pacory; 489:"Les quatre cheminées", 33:Eric Alfred Leslie Satie 7160:Musicians from Normandy 7115:French ballet composers 6825:List of modernist poets 6711:Fourth dimension in art 5894:Meshes of the Afternoon 3451:Sonatine bureaucratique 3283:Avant-dernières pensées 3230:Quatre petites mélodies 3209:Bonjour Biqui, Bonjour! 2467:(subscription required) 2376:(subscription required) 2342:(subscription required) 2149:(subscription required) 1995:(subscription required) 1815:(subscription required) 1741:(subscription required) 1474:, the first prelude to 1206:Mémoires d'un amnésique 1171:, to the south of Paris 1100:Quatre petites mélodies 1090:Sonatine bureaucratique 1068:Sonatine bureaucratique 800:, premiered in 1917 by 705:Satie's final persona, 436:Académie des Beaux-Arts 151:Sonatine bureaucratique 7150:Neoclassical composers 7105:Experimental composers 6909:Second Viennese School 6651: 6640: 4551:The Sound and the Fury 4455:In Search of Lost Time 3912: 3841: 3830: 3784: 3773: 2861:. New York: Universe. 2634:Gillmor, Alan (1988). 2557:Bennett, Mark (1995). 2130:Orledge, pp. 86 and 95 1239: 1202:Cahiers d'un mammifère 1172: 1084: 993: 983: 939: 928: 812:, and choreography by 779: 710: 643: 609: 599: 592: 569: 561: 553: 537: 529: 519: 494: 461: 425: 417: 402: 365: 282: 209: 92:, and choreography by 29: 7200:French Army personnel 7100:Deaths from cirrhosis 6888:Reactionary modernism 6811:List of art movements 2933:Weeks, David (1995). 2819:. London: Routledge. 2597:. Oxford: Clarendon. 2531:Potter (2016), p. 207 2495:Potter (2016), p. 252 1480:and the third of the 1166: 1109:Musique d'ameublement 1077: 988: 978: 934: 926: 827:Princesse de Polignac 769: 704: 626: 562:Légende californienne 488: 477:artistic direction". 456: 374:(1888) and the first 359: 280: 203: 24: 7165:People of Montmartre 7155:People from Honfleur 6732:Hanshinkan Modernism 6588:The Threepenny Opera 6504:Pelléas et Mélisande 3539:Geneviève de Brabant 3276:Aperçus désagréables 3251:Trois poèmes d'amour 3184:La belle excentrique 3116:List of compositions 3068:13 July 2017 at the 2543:in Dickinson, p. 247 2034:Giilmor, pp. 112–113 2004:; and Duchen, p. 120 1746:1 April 2022 at the 1214:Christopher Columbus 1034:Geneviève de Brabant 749:Henri Cliquet-Pleyel 737:Germaine Tailleferre 709:and formally dressed 649:Pelléas et Mélisande 601:Geneviève de Brabant 571:La belle excentrique 426:Le bâtard de Tristan 418:Préludes du Nazaréen 7090:Composers for piano 6790:International Style 6540:Afternoon of a Faun 5826:Battleship Potemkin 5730:Mont Sainte-Victoir 3581:Les Pantins dansent 3567:Le Fils des étoiles 3560:La statue retrouvée 3553:La Diva de l'Empire 2897:Minimalism: Origins 2619:. London: Phaidon. 2273:Orledge, p. xxxviii 2160:"Courrier Musicale" 2000:24 May 2021 at the 1868:Templier, pp. 10–11 1477:Le Fils des étoiles 1415:Satie's biographer 1041:and Debussy in the 1037:and echoes of both 964:In the view of the 547:La Diva de l'Empire 334:Contamine de Latour 292:Notre-Dame de Paris 256:Paris Conservatoire 229:Franco-Prussian War 41:Paris Conservatoire 6669:Buddhist modernism 6626:American modernism 6552:The Rite of Spring 4527:The Sun Also Rises 4503:The Magic Mountain 3574:Le piège de Méduse 3532:En habit de cheval 3510:Other compositions 3416:Prélude d'Eginhard 3318:Embryons desséchés 2778:Satie the Composer 2638:. Boston: Twayne. 2561:. Ann Arbor: UMI. 2282:Williamson, p, 176 2260:2015-02-12 at the 2165:2021-09-17 at the 2145:Grove Music Online 2139:Kelly, Barbara L. 2113:2021-05-16 at the 1991:Grove Music Online 1931:Gillmor, pp. 76–77 1813:1994, pp. 185–202 1811:Annals of Dyslexia 1792:2020-11-25 at the 1737:Grove Music Online 1711:Grove Music Online 1386:[eʁiksati] 1173: 1085: 994: 929: 819:succès de scandale 780: 739:, joined later by 711: 644: 495: 462: 366: 330:9th arrondissement 283: 210: 30: 7140:French socialists 7125:French communists 6969: 6968: 6697:Experimental film 6613: 6612: 6600:Waiting for Godot 5907: 5906: 4564: 4563: 4467:The Metamorphosis 3717: 3716: 3367:Le poisson rêveur 3223:Messe des pauvres 2982:978-0-85323-619-1 2963:978-0-19-816458-6 2944:978-0-297-81447-4 2906:978-0-253-21388-4 2887:978-2-85184-073-8 2868:978-0-87663-777-7 2849:978-2-02-000255-4 2826:978-1-315-09389-5 2807:978-1-78327-083-5 2788:978-0-521-35037-2 2764:978-0-500-51095-7 2742:978-1-58046-903-6 2703:978-0-52-164856-1 2684:978-0-521-84449-9 2645:978-0-8057-9472-4 2626:978-0-7148-3932-5 2604:978-0-19-315469-8 2585:978-1-78327-106-1 2450:Shattuck, Roger. 2396:in Orledge, p. 68 2108:"Schola Cantorum" 1785:Orledge, Robert. 1593:978-0-521-15255-6 1551:978-1-4058-8118-0 611:Le poisson rêveur 246:Collège de France 233:Louis Niedermeyer 74:. A meeting with 25:Satie in 1920 by 7207: 7022: 7021: 7020: 7010: 7009: 7008: 6998: 6997: 6986: 6985: 6984: 6977: 6961: 6960: 6932: 6930:Vulgar modernism 6925: 6923:Underground film 6918: 6911: 6904: 6897: 6890: 6883: 6876: 6869: 6862: 6855: 6848: 6841: 6834: 6827: 6820: 6813: 6806: 6799: 6792: 6785: 6776: 6769: 6762: 6755: 6748: 6746:Hippie modernism 6741: 6734: 6727: 6720: 6713: 6706: 6699: 6692: 6685: 6678: 6671: 6664: 6662:Bloomsbury Group 6657: 6656: 6646: 6645: 6635: 6628: 6606: 6605: 6594: 6593: 6582: 6581: 6570: 6569: 6558: 6557: 6546: 6545: 6534: 6533: 6522: 6521: 6510: 6509: 6498: 6497: 6486: 6485: 6474: 6473: 6451: 6444: 6437: 6430: 6423: 6416: 6409: 6402: 6395: 6388: 6381: 6374: 6367: 6360: 6353: 6346: 6339: 6319: 6312: 6305: 6298: 6291: 6284: 6277: 6270: 6263: 6256: 6249: 6242: 6235: 6228: 6221: 6214: 6207: 6200: 6193: 6186: 6179: 6159: 6152: 6145: 6138: 6131: 6124: 6117: 6110: 6103: 6096: 6089: 6082: 6075: 6068: 6061: 6054: 6047: 6040: 6033: 6026: 6019: 6012: 6005: 5998: 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3737: 3730: 3721: 3720: 3706: 3694: 3693: 3673:(1921 sculpture) 3664:Surrealist music 3612:Related articles 3304:Danses gothiques 3162:Orchestral works 3100: 3093: 3086: 3077: 3076: 3031: 3012: 2986: 2967: 2948: 2929: 2910: 2891: 2872: 2853: 2830: 2811: 2792: 2768: 2746: 2729:Lesure, François 2724: 2707: 2688: 2669: 2649: 2630: 2608: 2589: 2570: 2544: 2538: 2532: 2529: 2523: 2520: 2514: 2513:Weeks, pp. 83–84 2511: 2505: 2502: 2496: 2493: 2487: 2484: 2478: 2475: 2469: 2468: 2448: 2442: 2439: 2433: 2430: 2424: 2421: 2415: 2412: 2406: 2403: 2397: 2391: 2385: 2377: 2364: 2351: 2343: 2330: 2319: 2316: 2310: 2307: 2301: 2298: 2292: 2291:Gillmor, p. xxiv 2289: 2283: 2280: 2274: 2271: 2265: 2252: 2246: 2243: 2237: 2234: 2228: 2227:Dietschy, p. 190 2225: 2219: 2216: 2210: 2207: 2201: 2198: 2192: 2189: 2183: 2180: 2174: 2157: 2151: 2150: 2141:"Ravel, Maurice" 2137: 2131: 2128: 2122: 2105: 2099: 2096: 2090: 2087: 2081: 2080:Gillmor, p. xxix 2078: 2072: 2069: 2063: 2060: 2054: 2041: 2035: 2032: 2026: 2023: 2017: 2014: 2005: 1996: 1983: 1977: 1974: 1968: 1967:Whiting, p. 156. 1965: 1959: 1956: 1950: 1947: 1941: 1938: 1932: 1929: 1923: 1920: 1914: 1911: 1905: 1902: 1896: 1893: 1887: 1884: 1878: 1875: 1869: 1866: 1860: 1857: 1851: 1848: 1842: 1839: 1833: 1830: 1824: 1816: 1803: 1797: 1783: 1768: 1765: 1759: 1756: 1750: 1742: 1733:"Cortot, Alfred" 1729: 1723: 1720: 1714: 1696: 1651: 1648: 1642: 1639: 1633: 1630: 1624: 1621: 1612: 1609: 1598: 1597: 1562: 1556: 1555: 1534: 1517: 1506: 1500: 1491: 1485: 1466: 1460: 1449: 1443: 1440: 1434: 1430: 1424: 1413: 1407: 1404: 1398: 1395: 1389: 1388: 1383: 1379: 1378: 1375: 1374: 1371: 1368: 1365: 1362: 1357: 1356: 1353: 1350: 1347: 1344: 1337: 1329: 1328: 1325: 1324: 1321: 1318: 1315: 1312: 1307: 1306: 1303: 1300: 1297: 1294: 1287: 1279: 1242: 1092:anticipates the 860:L'Esprit nouveau 802:Sergei Diaghilev 753:Roger Désormière 614: 604: 595: 574: 564: 556: 542: 532: 524: 470:Danses gothiques 428: 420: 405: 390:Joséphin Péladan 362:Santiago Rusiñol 343: 342: 296:National Library 249: 248: 7215: 7214: 7210: 7209: 7208: 7206: 7205: 7204: 7030: 7029: 7028: 7018: 7016: 7006: 7004: 6992: 6988:Classical music 6982: 6980: 6972: 6970: 6965: 6956: 6948: 6935: 6928: 6921: 6916:Structural film 6914: 6907: 6900: 6893: 6886: 6879: 6872: 6867:New Objectivity 6865: 6858: 6853:Neo-romanticism 6851: 6846:Neo-primitivism 6844: 6837: 6830: 6823: 6816: 6809: 6802: 6795: 6788: 6781: 6772: 6765: 6758: 6751: 6744: 6737: 6730: 6723: 6716: 6709: 6702: 6695: 6688: 6681: 6674: 6667: 6660: 6649: 6638: 6631: 6624: 6609: 6603: 6597: 6591: 6585: 6579: 6573: 6567: 6561: 6555: 6549: 6543: 6537: 6531: 6525: 6519: 6513: 6507: 6501: 6495: 6492:Verklärte Nacht 6489: 6483: 6477: 6471: 6465: 6454: 6447: 6440: 6433: 6426: 6419: 6412: 6405: 6398: 6391: 6384: 6377: 6370: 6363: 6356: 6349: 6342: 6335: 6322: 6315: 6308: 6301: 6294: 6287: 6280: 6273: 6266: 6259: 6252: 6245: 6238: 6231: 6224: 6217: 6210: 6203: 6196: 6189: 6182: 6175: 6162: 6155: 6148: 6141: 6134: 6127: 6120: 6113: 6106: 6099: 6092: 6085: 6078: 6071: 6064: 6057: 6050: 6043: 6036: 6029: 6022: 6015: 6008: 6001: 5994: 5987: 5980: 5973: 5966: 5959: 5952: 5945: 5938: 5931: 5914: 5903: 5897: 5891: 5885: 5879: 5873: 5869: 5863: 5859: 5853: 5847: 5841: 5835: 5829: 5823: 5817: 5811: 5805: 5799: 5793: 5787: 5781: 5775: 5769: 5763: 5757: 5751: 5745: 5739: 5733: 5727: 5721: 5715: 5704: 5697: 5690: 5683: 5676: 5669: 5662: 5655: 5648: 5641: 5634: 5627: 5620: 5613: 5606: 5599: 5592: 5585: 5578: 5571: 5564: 5557: 5550: 5543: 5530: 5523: 5516: 5509: 5502: 5495: 5488: 5481: 5474: 5467: 5460: 5453: 5446: 5439: 5432: 5425: 5418: 5411: 5404: 5397: 5390: 5383: 5376: 5369: 5362: 5355: 5348: 5341: 5334: 5327: 5320: 5313: 5306: 5299: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5222: 5215: 5208: 5201: 5194: 5187: 5180: 5173: 5166: 5159: 5152: 5145: 5138: 5131: 5124: 5117: 5110: 5103: 5090: 5083: 5076: 5069: 5062: 5055: 5048: 5041: 5034: 5027: 5020: 5013: 5006: 4999: 4992: 4985: 4978: 4971: 4964: 4957: 4950: 4943: 4936: 4929: 4922: 4915: 4908: 4901: 4894: 4887: 4880: 4873: 4866: 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4593: 4586: 4560: 4554: 4548: 4542: 4536: 4530: 4524: 4518: 4512: 4506: 4500: 4494: 4488: 4482: 4476: 4470: 4464: 4458: 4452: 4441: 4434: 4427: 4420: 4413: 4406: 4399: 4392: 4385: 4378: 4371: 4364: 4357: 4350: 4345:Lowell (Robert) 4343: 4336: 4329: 4322: 4315: 4308: 4301: 4294: 4287: 4280: 4273: 4266: 4259: 4252: 4245: 4238: 4225: 4218: 4211: 4204: 4197: 4190: 4183: 4176: 4169: 4162: 4155: 4148: 4141: 4134: 4127: 4120: 4113: 4106: 4099: 4092: 4085: 4078: 4071: 4064: 4057: 4050: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3958: 3951: 3944: 3937: 3930: 3923: 3910: 3903: 3896: 3889: 3882: 3873: 3866: 3859: 3850: 3839: 3828: 3821: 3814: 3807: 3800: 3793: 3782: 3771: 3764: 3753: 3748: 3718: 3713: 3681: 3634:Furniture music 3607: 3505: 3256: 3196: 3157: 3131:Jack in the Box 3118: 3109: 3104: 3070:Wayback Machine 3063:"Maisons Satie" 3039: 3028: 3009: 2993: 2991:Further reading 2983: 2973:Words and Music 2964: 2945: 2907: 2888: 2869: 2859:Suzanne Valadon 2850: 2827: 2808: 2789: 2773:Orledge, Robert 2765: 2743: 2704: 2685: 2646: 2627: 2613:Duchen, Jessica 2605: 2586: 2576:Words and Music 2553: 2548: 2547: 2539: 2535: 2530: 2526: 2521: 2517: 2512: 2508: 2503: 2499: 2494: 2490: 2485: 2481: 2476: 2472: 2466: 2459:Wayback Machine 2449: 2445: 2440: 2436: 2432:Gillmor, p. 208 2431: 2427: 2422: 2418: 2413: 2409: 2404: 2400: 2392: 2388: 2383:Wayback Machine 2375: 2365: 2354: 2349:Wayback Machine 2341: 2331: 2322: 2318:Gillmor, p. 259 2317: 2313: 2309:Gillmor, p. 258 2308: 2304: 2299: 2295: 2290: 2286: 2281: 2277: 2272: 2268: 2262:Wayback Machine 2253: 2249: 2245:Gillmor, p. xxv 2244: 2240: 2236:Orledge, p. 255 2235: 2231: 2226: 2222: 2217: 2213: 2208: 2204: 2200:Nichols, p. 264 2199: 2195: 2190: 2186: 2181: 2177: 2167:Wayback Machine 2158: 2154: 2148: 2138: 2134: 2129: 2125: 2115:Wayback Machine 2106: 2102: 2097: 2093: 2089:Whiting, p. 259 2088: 2084: 2079: 2075: 2071:Templier, p. 56 2070: 2066: 2062:Orledge, p. 233 2061: 2057: 2051:Wayback Machine 2044:Journey planner 2042: 2038: 2033: 2029: 2025:Orledge, p. 157 2024: 2020: 2016:Rosinsky, p. 49 2015: 2008: 2002:Wayback Machine 1994: 1984: 1980: 1976:Whiting, p. 152 1975: 1971: 1966: 1962: 1958:Whiting, p. 151 1957: 1953: 1949:Lajoinie, p. 21 1948: 1944: 1939: 1935: 1930: 1926: 1921: 1917: 1913:Whiting, p. 172 1912: 1908: 1903: 1899: 1894: 1890: 1885: 1881: 1877:Templier, p. 11 1876: 1872: 1867: 1863: 1858: 1854: 1849: 1845: 1840: 1836: 1831: 1827: 1822:Wayback Machine 1814: 1804: 1800: 1794:Wayback Machine 1784: 1771: 1766: 1762: 1757: 1753: 1748:Wayback Machine 1740: 1730: 1726: 1721: 1717: 1707:Wayback Machine 1697: 1654: 1650:Orledge, p. xix 1649: 1645: 1640: 1636: 1631: 1627: 1623:Gillmor, p. xix 1622: 1615: 1610: 1601: 1594: 1563: 1559: 1552: 1535: 1531: 1526: 1521: 1520: 1514:Merriam-Webster 1507: 1503: 1492: 1488: 1467: 1463: 1457:Ambroise Thomas 1450: 1446: 1441: 1437: 1431: 1427: 1414: 1410: 1405: 1401: 1396: 1392: 1381: 1359: 1341: 1332: 1331: 1309: 1291: 1282: 1281: 1280: 1276: 1271: 1266: 1259:, London, 1980. 1255:Nigel Wilkins, 1210:Oliver Cromwell 1161: 1135:have said that 1133:Humphrey Searle 1002:(1888) and his 962: 956: 951: 914:Francis Picabia 845:Igor Stravinsky 814:Léonide Massine 784:First World War 741:Francis Poulenc 733:Arthur Honegger 716: 655:Schola Cantorum 618:The Dreamy Fish 579:Jack in the Box 507:Communist Party 483: 481:Move to Arcueil 466:Suzanne Valadon 458:Suzanne Valadon 326: 300:Alphonse Allais 288:Georges Mathias 272:Frédéric Chopin 266:and piano with 264:Albert Lavignac 237:Gregorian chant 222:shipping broker 198: 193: 191:Life and career 116:Francis Poulenc 94:Léonide Massine 86:Serge Diaghilev 68:Schola Cantorum 17: 12: 11: 5: 7213: 7203: 7202: 7197: 7192: 7190:Surreal comedy 7187: 7182: 7177: 7172: 7167: 7162: 7157: 7152: 7147: 7142: 7137: 7132: 7127: 7122: 7117: 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7072: 7067: 7062: 7057: 7052: 7047: 7042: 7027: 7026: 7014: 7002: 6990: 6967: 6966: 6949: 6941: 6940: 6937: 6936: 6934: 6933: 6926: 6919: 6912: 6905: 6898: 6891: 6884: 6877: 6874:Poetic realism 6870: 6863: 6856: 6849: 6842: 6835: 6828: 6821: 6814: 6807: 6804:Late modernity 6800: 6797:Late modernism 6793: 6786: 6779: 6778: 6777: 6770: 6763: 6749: 6742: 6739:High modernism 6735: 6728: 6721: 6714: 6707: 6700: 6693: 6686: 6683:Degenerate art 6679: 6672: 6665: 6658: 6653:Ballets Russes 6647: 6636: 6629: 6621: 6619: 6615: 6614: 6611: 6610: 6608: 6607: 6595: 6583: 6571: 6559: 6547: 6535: 6523: 6511: 6499: 6487: 6475: 6462: 6460: 6456: 6455: 6453: 6452: 6445: 6438: 6431: 6424: 6417: 6410: 6403: 6396: 6389: 6382: 6375: 6368: 6361: 6354: 6347: 6340: 6332: 6330: 6324: 6323: 6321: 6320: 6313: 6306: 6299: 6292: 6285: 6278: 6271: 6264: 6257: 6250: 6243: 6236: 6229: 6222: 6215: 6208: 6201: 6194: 6187: 6180: 6172: 6170: 6164: 6163: 6161: 6160: 6153: 6146: 6139: 6132: 6125: 6118: 6111: 6104: 6097: 6090: 6083: 6076: 6069: 6062: 6055: 6048: 6041: 6034: 6027: 6020: 6013: 6006: 5999: 5992: 5985: 5978: 5971: 5964: 5957: 5950: 5943: 5936: 5928: 5926: 5917: 5909: 5908: 5905: 5904: 5902: 5901: 5889: 5877: 5867: 5857: 5845: 5833: 5821: 5809: 5797: 5785: 5773: 5761: 5749: 5737: 5725: 5712: 5710: 5706: 5705: 5703: 5702: 5695: 5688: 5681: 5674: 5667: 5660: 5653: 5646: 5639: 5632: 5625: 5618: 5611: 5604: 5597: 5590: 5583: 5576: 5569: 5562: 5555: 5548: 5540: 5538: 5532: 5531: 5529: 5528: 5521: 5514: 5507: 5500: 5493: 5486: 5479: 5472: 5465: 5458: 5451: 5444: 5437: 5430: 5423: 5416: 5409: 5406:Ray (Satyajit) 5402: 5399:Ray (Nicholas) 5395: 5388: 5381: 5374: 5367: 5360: 5353: 5346: 5339: 5332: 5325: 5318: 5311: 5304: 5297: 5290: 5283: 5276: 5269: 5262: 5255: 5248: 5241: 5234: 5227: 5220: 5213: 5206: 5199: 5192: 5185: 5178: 5171: 5164: 5157: 5150: 5143: 5136: 5129: 5122: 5115: 5108: 5100: 5098: 5092: 5091: 5089: 5088: 5081: 5074: 5067: 5060: 5053: 5046: 5039: 5032: 5025: 5018: 5011: 5004: 4997: 4990: 4983: 4976: 4969: 4962: 4955: 4948: 4941: 4934: 4927: 4920: 4913: 4906: 4899: 4892: 4885: 4878: 4871: 4864: 4857: 4850: 4843: 4836: 4829: 4822: 4815: 4808: 4801: 4794: 4787: 4780: 4773: 4766: 4759: 4752: 4745: 4738: 4731: 4724: 4717: 4710: 4703: 4696: 4689: 4682: 4675: 4668: 4661: 4654: 4647: 4640: 4633: 4626: 4619: 4612: 4605: 4598: 4591: 4583: 4581: 4572: 4566: 4565: 4562: 4561: 4559: 4558: 4546: 4534: 4522: 4510: 4498: 4491:The Waste Land 4486: 4474: 4462: 4449: 4447: 4443: 4442: 4440: 4439: 4432: 4425: 4418: 4411: 4404: 4397: 4390: 4383: 4376: 4369: 4362: 4355: 4348: 4341: 4334: 4327: 4320: 4313: 4306: 4299: 4292: 4285: 4278: 4271: 4264: 4257: 4250: 4243: 4235: 4233: 4227: 4226: 4224: 4223: 4216: 4209: 4202: 4195: 4188: 4181: 4174: 4167: 4160: 4153: 4146: 4139: 4132: 4125: 4118: 4111: 4104: 4097: 4090: 4083: 4076: 4069: 4062: 4055: 4048: 4041: 4034: 4027: 4020: 4013: 4006: 3999: 3992: 3985: 3977: 3975: 3966: 3960: 3959: 3957: 3956: 3949: 3942: 3935: 3928: 3921: 3920: 3919: 3901: 3894: 3887: 3880: 3879: 3878: 3864: 3857: 3856: 3855: 3848: 3837: 3819: 3812: 3805: 3802:Constructivism 3798: 3791: 3780: 3769: 3761: 3759: 3755: 3754: 3747: 3746: 3739: 3732: 3724: 3715: 3714: 3712: 3711: 3699: 3686: 3683: 3682: 3680: 3679: 3674: 3666: 3661: 3656: 3648: 3641: 3636: 3631: 3623: 3615: 3613: 3609: 3608: 3606: 3605: 3598: 3595:Salut drapeau! 3591: 3584: 3577: 3570: 3563: 3556: 3549: 3542: 3535: 3528: 3521: 3513: 3511: 3507: 3506: 3504: 3503: 3496: 3489: 3482: 3475: 3468: 3461: 3454: 3447: 3440: 3437:Premier Menuet 3433: 3426: 3419: 3412: 3405: 3402:Pièces froides 3398: 3391: 3384: 3377: 3370: 3363: 3356: 3349: 3342: 3335: 3328: 3321: 3314: 3307: 3300: 3293: 3286: 3279: 3272: 3264: 3262: 3258: 3257: 3255: 3254: 3247: 3244:Trois mélodies 3240: 3233: 3226: 3219: 3212: 3204: 3202: 3198: 3197: 3195: 3194: 3187: 3180: 3177:Le Bœuf Angora 3173: 3165: 3163: 3159: 3158: 3156: 3155: 3148: 3141: 3134: 3126: 3124: 3120: 3119: 3114: 3111: 3110: 3103: 3102: 3095: 3088: 3080: 3074: 3073: 3060: 3050: 3038: 3037:External links 3035: 3034: 3033: 3026: 3013: 3007: 2992: 2989: 2988: 2987: 2981: 2968: 2962: 2949: 2943: 2930: 2911: 2905: 2892: 2886: 2873: 2867: 2854: 2848: 2832: 2825: 2812: 2806: 2793: 2787: 2769: 2763: 2751:Nichols, Roger 2747: 2741: 2725: 2708: 2702: 2689: 2683: 2670: 2654:Harding, James 2650: 2644: 2631: 2625: 2609: 2603: 2590: 2584: 2571: 2552: 2549: 2546: 2545: 2533: 2524: 2515: 2506: 2497: 2488: 2479: 2470: 2443: 2441:Orledge, p. 39 2434: 2425: 2423:Gillmor, p. 37 2416: 2407: 2398: 2386: 2352: 2320: 2311: 2302: 2293: 2284: 2275: 2266: 2247: 2238: 2229: 2220: 2218:Lesure, p. 333 2211: 2202: 2193: 2184: 2175: 2152: 2132: 2123: 2100: 2091: 2082: 2073: 2064: 2055: 2036: 2027: 2018: 2006: 1985:Pasler, Jann. 1978: 1969: 1960: 1951: 1942: 1933: 1924: 1915: 1906: 1897: 1888: 1879: 1870: 1861: 1859:Gillmor, p. 12 1852: 1843: 1841:Harding, p. 35 1834: 1832:Gillmor, p. 33 1825: 1798: 1769: 1767:Gillmor, p. xx 1760: 1758:Orledge, p. xx 1751: 1724: 1715: 1652: 1643: 1634: 1625: 1613: 1599: 1592: 1557: 1550: 1538:Wells, John C. 1528: 1527: 1525: 1522: 1519: 1518: 1501: 1486: 1461: 1453:Charles Gounod 1444: 1435: 1425: 1417:Robert Orledge 1408: 1399: 1390: 1273: 1272: 1270: 1267: 1265: 1262: 1261: 1260: 1253: 1235: 1160: 1157: 1078:Manuscript of 1014:Paul Griffiths 955: 952: 950: 947: 852:Revue musicale 806:Ballets Russes 792:Trois morceaux 745:Darius Milhaud 715: 712: 667:Albert Roussel 659:Vincent d'Indy 588:Jules Depaquit 503:Arcueil-Cachan 482: 479: 440:Ernest Guiraud 382:Claude Debussy 350:Robert Orledge 325: 322: 268:Émile Decombes 197: 194: 192: 189: 112:Claude Debussy 15: 9: 6: 4: 3: 2: 7212: 7201: 7198: 7196: 7193: 7191: 7188: 7186: 7183: 7181: 7178: 7176: 7173: 7171: 7168: 7166: 7163: 7161: 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7110:Fin de siècle 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7078: 7076: 7073: 7071: 7068: 7066: 7063: 7061: 7058: 7056: 7053: 7051: 7048: 7046: 7043: 7041: 7038: 7037: 7035: 7025: 7015: 7013: 7003: 7001: 6996: 6991: 6989: 6979: 6978: 6975: 6964: 6954: 6953: 6952:Postmodernism 6947: 6946: 6938: 6931: 6927: 6924: 6920: 6917: 6913: 6910: 6906: 6903: 6899: 6896: 6895:Metamodernism 6892: 6889: 6885: 6882: 6878: 6875: 6871: 6868: 6864: 6861: 6860:New Hollywood 6857: 6854: 6850: 6847: 6843: 6840: 6836: 6833: 6829: 6826: 6822: 6819: 6815: 6812: 6808: 6805: 6801: 6798: 6794: 6791: 6787: 6784: 6780: 6775: 6771: 6768: 6764: 6761: 6757: 6756: 6754: 6753:Impressionism 6750: 6747: 6743: 6740: 6736: 6733: 6729: 6726: 6722: 6719: 6715: 6712: 6708: 6705: 6701: 6698: 6694: 6691: 6687: 6684: 6680: 6677: 6673: 6670: 6666: 6663: 6659: 6655: 6654: 6648: 6644: 6643: 6637: 6634: 6630: 6627: 6623: 6622: 6620: 6616: 6602: 6601: 6596: 6590: 6589: 6584: 6578: 6577: 6572: 6566: 6565: 6560: 6554: 6553: 6548: 6542: 6541: 6536: 6530: 6529: 6524: 6518: 6517: 6512: 6506: 6505: 6500: 6494: 6493: 6488: 6482: 6481: 6476: 6470: 6469: 6464: 6463: 6461: 6457: 6450: 6446: 6443: 6439: 6436: 6432: 6429: 6425: 6422: 6418: 6415: 6411: 6408: 6404: 6401: 6397: 6394: 6390: 6387: 6383: 6380: 6376: 6373: 6369: 6366: 6362: 6359: 6355: 6352: 6348: 6345: 6341: 6338: 6334: 6333: 6331: 6329: 6325: 6318: 6314: 6311: 6307: 6304: 6300: 6297: 6293: 6290: 6286: 6283: 6279: 6276: 6272: 6269: 6265: 6262: 6258: 6255: 6251: 6248: 6244: 6241: 6237: 6234: 6230: 6227: 6223: 6220: 6216: 6213: 6209: 6206: 6202: 6199: 6195: 6192: 6188: 6185: 6181: 6178: 6174: 6173: 6171: 6169: 6165: 6158: 6154: 6151: 6147: 6144: 6140: 6137: 6133: 6130: 6126: 6123: 6119: 6116: 6112: 6109: 6105: 6102: 6098: 6095: 6091: 6088: 6084: 6081: 6077: 6074: 6070: 6067: 6063: 6060: 6056: 6053: 6049: 6046: 6042: 6039: 6035: 6032: 6028: 6025: 6021: 6018: 6014: 6011: 6007: 6004: 6000: 5997: 5993: 5990: 5986: 5983: 5979: 5976: 5972: 5969: 5965: 5962: 5958: 5955: 5951: 5948: 5944: 5941: 5937: 5934: 5930: 5929: 5927: 5925: 5921: 5918: 5916: 5910: 5896: 5895: 5890: 5884: 5883: 5878: 5872: 5868: 5862: 5858: 5852: 5851: 5846: 5840: 5839: 5834: 5828: 5827: 5822: 5816: 5815: 5810: 5804: 5803: 5798: 5792: 5791: 5786: 5780: 5779: 5774: 5768: 5767: 5762: 5756: 5755: 5750: 5744: 5743: 5738: 5732: 5731: 5726: 5720: 5719: 5714: 5713: 5711: 5707: 5700: 5696: 5693: 5689: 5686: 5682: 5679: 5675: 5672: 5668: 5665: 5661: 5658: 5654: 5651: 5647: 5644: 5640: 5637: 5633: 5630: 5626: 5623: 5619: 5616: 5612: 5609: 5605: 5602: 5598: 5595: 5591: 5588: 5587:Hundertwasser 5584: 5581: 5577: 5574: 5570: 5567: 5563: 5560: 5556: 5553: 5549: 5546: 5542: 5541: 5539: 5537: 5533: 5526: 5522: 5519: 5515: 5512: 5508: 5505: 5501: 5498: 5494: 5491: 5487: 5484: 5480: 5477: 5473: 5470: 5466: 5463: 5459: 5456: 5452: 5449: 5445: 5442: 5438: 5435: 5431: 5428: 5424: 5421: 5417: 5414: 5410: 5407: 5403: 5400: 5396: 5393: 5389: 5386: 5382: 5379: 5375: 5372: 5368: 5365: 5361: 5358: 5354: 5351: 5347: 5344: 5340: 5337: 5333: 5330: 5326: 5323: 5319: 5316: 5312: 5309: 5305: 5302: 5298: 5295: 5291: 5288: 5284: 5281: 5277: 5274: 5270: 5267: 5263: 5260: 5256: 5253: 5249: 5246: 5242: 5239: 5235: 5232: 5228: 5225: 5221: 5218: 5214: 5211: 5207: 5204: 5200: 5197: 5193: 5190: 5186: 5183: 5179: 5176: 5172: 5169: 5165: 5162: 5158: 5155: 5151: 5148: 5144: 5141: 5137: 5134: 5130: 5127: 5123: 5120: 5116: 5113: 5109: 5106: 5102: 5101: 5099: 5097: 5093: 5086: 5082: 5079: 5075: 5072: 5068: 5065: 5061: 5058: 5054: 5051: 5047: 5044: 5040: 5037: 5033: 5030: 5026: 5023: 5019: 5016: 5012: 5009: 5005: 5002: 4998: 4995: 4991: 4988: 4984: 4981: 4977: 4974: 4970: 4967: 4963: 4960: 4956: 4953: 4949: 4946: 4942: 4939: 4935: 4932: 4928: 4925: 4921: 4918: 4914: 4911: 4907: 4904: 4900: 4897: 4893: 4890: 4886: 4883: 4879: 4876: 4872: 4869: 4865: 4862: 4858: 4855: 4851: 4848: 4844: 4841: 4837: 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3709: 3705: 3700: 3698: 3697: 3688: 3687: 3684: 3678: 3677:Ornella Volta 3675: 3672: 3671: 3667: 3665: 3662: 3660: 3657: 3654: 3653: 3649: 3647: 3646: 3642: 3640: 3637: 3635: 3632: 3629: 3628: 3624: 3622: 3621: 3617: 3616: 3614: 3610: 3604: 3603: 3599: 3597: 3596: 3592: 3590: 3589: 3585: 3583: 3582: 3578: 3576: 3575: 3571: 3569: 3568: 3564: 3562: 3561: 3557: 3555: 3554: 3550: 3548: 3547: 3543: 3541: 3540: 3536: 3534: 3533: 3529: 3527: 3526: 3522: 3520: 3519: 3515: 3514: 3512: 3508: 3502: 3501: 3497: 3495: 3494: 3490: 3488: 3487: 3483: 3481: 3480: 3476: 3474: 3473: 3469: 3467: 3466: 3462: 3460: 3459: 3455: 3453: 3452: 3448: 3446: 3445: 3441: 3439: 3438: 3434: 3432: 3431: 3427: 3425: 3424: 3420: 3418: 3417: 3413: 3411: 3410: 3406: 3404: 3403: 3399: 3397: 3396: 3392: 3390: 3389: 3385: 3383: 3382: 3378: 3376: 3375: 3371: 3369: 3368: 3364: 3362: 3361: 3360:Le Piccadilly 3357: 3355: 3354: 3350: 3348: 3347: 3343: 3341: 3340: 3336: 3334: 3333: 3329: 3327: 3326: 3322: 3320: 3319: 3315: 3313: 3312: 3308: 3306: 3305: 3301: 3299: 3298: 3294: 3292: 3291: 3287: 3285: 3284: 3280: 3278: 3277: 3273: 3271: 3270: 3266: 3265: 3263: 3259: 3253: 3252: 3248: 3246: 3245: 3241: 3239: 3238: 3234: 3232: 3231: 3227: 3225: 3224: 3220: 3218: 3217: 3213: 3211: 3210: 3206: 3205: 3203: 3199: 3193: 3192: 3188: 3186: 3185: 3181: 3179: 3178: 3174: 3172: 3171: 3167: 3166: 3164: 3160: 3154: 3153: 3149: 3147: 3146: 3142: 3140: 3139: 3135: 3133: 3132: 3128: 3127: 3125: 3121: 3117: 3112: 3108: 3101: 3096: 3094: 3089: 3087: 3082: 3081: 3078: 3071: 3067: 3064: 3061: 3058: 3054: 3051: 3048: 3044: 3041: 3040: 3029: 3023: 3019: 3014: 3010: 3008:0-394-70415-0 3004: 3000: 2995: 2994: 2984: 2978: 2974: 2969: 2965: 2959: 2955: 2950: 2946: 2940: 2936: 2931: 2927: 2923: 2919: 2918: 2912: 2908: 2902: 2898: 2893: 2889: 2883: 2879: 2874: 2870: 2864: 2860: 2855: 2851: 2845: 2841: 2837: 2833: 2828: 2822: 2818: 2813: 2809: 2803: 2799: 2794: 2790: 2784: 2780: 2779: 2774: 2770: 2766: 2760: 2756: 2752: 2748: 2744: 2738: 2734: 2730: 2726: 2722: 2718: 2714: 2709: 2705: 2699: 2695: 2690: 2686: 2680: 2676: 2671: 2667: 2663: 2659: 2655: 2651: 2647: 2641: 2637: 2632: 2628: 2622: 2618: 2617:Gabriel Fauré 2614: 2610: 2606: 2600: 2596: 2591: 2587: 2581: 2577: 2572: 2568: 2564: 2560: 2555: 2554: 2542: 2537: 2528: 2519: 2510: 2501: 2492: 2483: 2477:Bennett, p. 7 2474: 2464: 2460: 2456: 2453: 2452:"Satie, Erik" 2447: 2438: 2429: 2420: 2411: 2402: 2395: 2390: 2384: 2380: 2373: 2369: 2363: 2361: 2359: 2357: 2350: 2346: 2339: 2335: 2329: 2327: 2325: 2315: 2306: 2297: 2288: 2279: 2270: 2263: 2259: 2256: 2251: 2242: 2233: 2224: 2215: 2206: 2197: 2188: 2182:Orledge, p. 2 2179: 2172: 2168: 2164: 2161: 2156: 2146: 2142: 2136: 2127: 2120: 2116: 2112: 2109: 2104: 2095: 2086: 2077: 2068: 2059: 2052: 2048: 2045: 2040: 2031: 2022: 2013: 2011: 2003: 1999: 1992: 1988: 1982: 1973: 1964: 1955: 1946: 1937: 1928: 1919: 1910: 1901: 1895:Orledge, p. 6 1892: 1883: 1874: 1865: 1856: 1847: 1838: 1829: 1823: 1819: 1812: 1808: 1802: 1795: 1791: 1788: 1782: 1780: 1778: 1776: 1774: 1764: 1755: 1749: 1745: 1738: 1734: 1728: 1719: 1712: 1708: 1704: 1701: 1695: 1693: 1691: 1689: 1687: 1685: 1683: 1681: 1679: 1677: 1675: 1673: 1671: 1669: 1667: 1665: 1663: 1661: 1659: 1657: 1647: 1641:Gillmor, p. 9 1638: 1632:Gillmor, p. 8 1629: 1620: 1618: 1608: 1606: 1604: 1595: 1589: 1585: 1584: 1579: 1575: 1571: 1567: 1566:Jones, Daniel 1561: 1553: 1547: 1543: 1539: 1533: 1529: 1515: 1511: 1505: 1498: 1497: 1490: 1483: 1479: 1478: 1473: 1472: 1465: 1458: 1454: 1448: 1439: 1429: 1422: 1418: 1412: 1403: 1394: 1387: 1377: 1335: 1327: 1285: 1278: 1274: 1258: 1254: 1251: 1250:2-213-60674-9 1247: 1243: 1241: 1236: 1233: 1232:0-947757-92-9 1229: 1225: 1222: 1221: 1220: 1217: 1215: 1211: 1207: 1203: 1198: 1196: 1192: 1188: 1187: 1186:jeux d'esprit 1182: 1178: 1170: 1165: 1156: 1154: 1153: 1152:Century Rolls 1148: 1144: 1143: 1138: 1134: 1130: 1125: 1123: 1119: 1115: 1111: 1110: 1104: 1102: 1101: 1095: 1094:neoclassicism 1091: 1083: 1082: 1076: 1072: 1070: 1069: 1064: 1063: 1058: 1057: 1052: 1046: 1044: 1040: 1036: 1035: 1030: 1029: 1022: 1019: 1015: 1011: 1010:Roger Nichols 1007: 1006: 1001: 1000: 991: 987: 982: 977: 975: 974:impressionism 971: 967: 961: 946: 944: 938: 933: 925: 921: 919: 915: 911: 910: 905: 904: 899: 894: 892: 891: 886: 885: 880: 879: 874: 873: 869: 865: 864:Paris-Journal 861: 857: 853: 848: 846: 842: 838: 834: 833: 828: 823: 821: 820: 816:. This was a 815: 811: 810:Pablo Picasso 807: 803: 799: 798: 793: 789: 785: 778: 774: 773: 768: 764: 762: 761:Henri Sauguet 758: 754: 750: 746: 742: 738: 734: 730: 726: 725:Georges Auric 722: 708: 707:bowler-hatted 703: 699: 697: 696:Ricardo Viñes 693: 692: 687: 683: 679: 675: 674:Maurice Ravel 670: 668: 664: 660: 656: 651: 650: 642: 638: 634: 630: 625: 621: 619: 615: 613: 612: 605: 603: 602: 596:" by Satie); 594: 589: 585: 582:, music to a 581: 580: 575: 573: 572: 565: 563: 557: 555: 549: 548: 543: 541: 540: 533: 531: 525: 523: 522: 514: 512: 508: 504: 500: 492: 487: 478: 474: 471: 467: 459: 455: 451: 449: 445: 441: 437: 433: 429: 427: 421: 419: 413: 410: 406: 404: 397: 395: 391: 387: 383: 379: 378: 373: 372: 363: 358: 354: 351: 347: 341: 335: 331: 321: 319: 313: 311: 307: 306: 301: 297: 293: 289: 281:Satie in 1884 279: 275: 273: 269: 265: 261: 257: 252: 247: 240: 238: 234: 230: 225: 223: 219: 215: 207: 202: 188: 186: 182: 178: 173: 171: 170: 165: 164: 159: 158: 153: 152: 147: 146: 141: 140: 135: 134: 129: 125: 121: 117: 113: 109: 108:Maurice Ravel 105: 104:impressionism 102: 97: 95: 91: 90:Pablo Picasso 87: 83: 82: 77: 73: 69: 64: 62: 58: 57: 52: 51: 46: 42: 38: 34: 28: 23: 19: 7180:Rosicrucians 6950: 6943: 6690:Ecomodernism 6598: 6586: 6574: 6562: 6550: 6538: 6528:The Firebird 6526: 6514: 6502: 6490: 6478: 6466: 6079: 5892: 5882:Citizen Kane 5880: 5871:Fallingwater 5861:Villa Savoye 5848: 5836: 5824: 5812: 5800: 5790:Black Square 5788: 5776: 5764: 5752: 5740: 5728: 5716: 5608:Le Corbusier 5536:Architecture 4549: 4537: 4525: 4515:Mrs Dalloway 4513: 4501: 4489: 4477: 4465: 4453: 4338:Lowell (Amy) 3701: 3689: 3668: 3650: 3643: 3625: 3618: 3600: 3593: 3586: 3579: 3572: 3565: 3558: 3551: 3544: 3537: 3530: 3523: 3516: 3498: 3491: 3484: 3477: 3470: 3463: 3456: 3449: 3442: 3435: 3428: 3421: 3414: 3407: 3400: 3393: 3386: 3379: 3372: 3365: 3358: 3351: 3344: 3337: 3330: 3323: 3316: 3309: 3302: 3295: 3288: 3281: 3274: 3267: 3249: 3242: 3235: 3228: 3221: 3214: 3207: 3189: 3182: 3175: 3168: 3150: 3143: 3136: 3129: 3106: 3059:(ChoralWiki) 3017: 2998: 2972: 2953: 2934: 2916: 2896: 2877: 2858: 2839: 2816: 2797: 2777: 2754: 2732: 2712: 2693: 2674: 2657: 2635: 2616: 2594: 2575: 2558: 2540: 2536: 2527: 2518: 2509: 2500: 2491: 2482: 2473: 2462: 2446: 2437: 2428: 2419: 2410: 2401: 2393: 2389: 2371: 2337: 2314: 2305: 2296: 2287: 2278: 2269: 2250: 2241: 2232: 2223: 2214: 2205: 2196: 2187: 2178: 2170: 2155: 2144: 2135: 2126: 2118: 2103: 2094: 2085: 2076: 2067: 2058: 2039: 2030: 2021: 1990: 1981: 1972: 1963: 1954: 1945: 1936: 1927: 1918: 1909: 1900: 1891: 1882: 1873: 1864: 1855: 1846: 1837: 1828: 1810: 1801: 1763: 1754: 1736: 1727: 1722:Satie, p. 67 1718: 1710: 1646: 1637: 1628: 1581: 1578:Esling, John 1574:Setter, Jane 1570:Roach, Peter 1560: 1541: 1532: 1509: 1504: 1494: 1489: 1481: 1475: 1469: 1464: 1455:in 1894 and 1447: 1438: 1428: 1411: 1402: 1393: 1277: 1256: 1237: 1223: 1218: 1205: 1201: 1199: 1184: 1180: 1174: 1150: 1140: 1126: 1121: 1117: 1113: 1107: 1105: 1098: 1089: 1086: 1079: 1066: 1060: 1054: 1050: 1047: 1042: 1032: 1026: 1023: 1003: 997: 995: 989: 979: 972:‐influenced 965: 963: 940: 935: 930: 907: 901: 895: 888: 882: 876: 870: 863: 859: 855: 851: 849: 840: 830: 824: 817: 795: 791: 788:Jean Cocteau 781: 770: 757:Maxime Jacob 723:, including 717: 689: 685: 671: 663:counterpoint 647: 645: 617: 607: 597: 577: 567: 559: 554:Le Picadilly 551: 545: 535: 527: 517: 515: 496: 475: 469: 463: 447: 446:. From his " 431: 423: 415: 400: 398: 375: 369: 367: 327: 314: 303: 284: 253: 241: 226: 217: 211: 174: 167: 161: 155: 149: 143: 137: 131: 130:, as in his 98: 79: 76:Jean Cocteau 65: 54: 48: 36: 32: 31: 27:Henri Manuel 18: 7045:1925 deaths 7040:1866 births 6945:Romanticism 6902:Remodernism 6783:Incoherents 6642:Avant-garde 6633:Armory Show 6240:Maeterlinck 6143:Villa-Lobos 6129:Szymanowski 6108:Stockhausen 6045:Lutosławski 5770:(1909–1910) 4570:Visual arts 4543:(1928–1940) 4459:(1913–1927) 3982:Apollinaire 3946:Synchromism 3786:Art Nouveau 3630:(1924 film) 3409:Poudre d'or 3346:Gymnopédies 3339:Gnossiennes 3261:Piano music 3201:Vocal music 1482:Gymnopédies 1005:Gnossiennes 999:Gymnopédies 981:reflection. 898:Salle Erard 878:Vanity Fair 729:Louis Durey 686:Gymnopédies 590:(called a " 558:, a march; 544:, a waltz; 539:Poudre d'or 394:Sacre-Coeur 377:Gnossiennes 371:Gymnopédies 196:Early years 133:Gnossiennes 84:(1917) for 61:Rosicrucian 56:Gnossiennes 50:Gymnopédies 7034:Categories 6832:Maximalism 6767:Literature 6442:Wiesenthal 6344:Cunningham 6337:Balanchine 6317:Witkiewicz 6289:Strindberg 6275:Pirandello 6247:Mayakovsky 6122:Stravinsky 6094:Schoenberg 5913:Performing 5838:Metropolis 5629:Mendelsohn 5434:Rossellini 5427:Richardson 5238:Fassbinder 5224:Eisenstein 5161:Cassavetes 4917:Modigliani 4791:Goncharova 4777:Giacometti 4171:Dos Passos 3973:Literature 3932:Surrealism 3843:Die Brücke 3546:Je te veux 3444:Sarabandes 3325:Enfantines 3107:Erik Satie 3027:0836928261 2935:Eccentrics 2926:1034659768 2917:Erik Satie 2840:Erik Satie 2713:Erik Satie 2658:Erik Satie 2636:Erik Satie 2098:Rey, p. 61 1940:Rey, p. 17 1922:Rey, p. 33 1886:Rey, p. 14 1524:References 1147:John Adams 1129:minimalism 1045:of 1907". 990:Gymnopédie 958:See also: 918:René Clair 714:Last years 530:Tendrement 521:Je te veux 511:bowler hat 414:play (two 346:Montmartre 324:Montmartre 318:bronchitis 227:After the 208:, Normandy 181:bowler hat 124:John Adams 45:Montmartre 37:Erik Satie 7012:Biography 6881:Pulp noir 6839:Modernity 6704:Film noir 6428:St. Denis 6351:Diaghilev 6087:Schaeffer 6010:Hindemith 5989:Dutilleux 5961:Boulanger 5766:The Dance 5462:Tarkovsky 5455:Sternberg 5287:Hitchcock 5203:Dovzhenko 5119:Antonioni 5064:Stieglitz 4903:Metzinger 4854:Kokoschka 4833:Kandinsky 4247:Aldington 4240:Akhmatova 4157:Marinetti 4150:Mansfield 4101:Hemingway 3939:Symbolism 3758:Movements 3751:Modernism 3652:Monotones 3627:Entr'acte 3620:A Romance 3493:Vexations 3381:Nocturnes 2836:Rey, Anne 2721:417094292 2666:251432509 2567:964203894 2171:Le Figaro 1471:Sarabande 1195:Beethoven 1142:Vexations 1137:John Cage 1118:Entr'acte 943:cirrhosis 593:clownerie 584:pantomime 448:Abbatiale 409:chivalric 386:bohemians 360:Satie by 340:Chat Noir 260:solfeggio 185:cirrhosis 128:bar-lines 120:John Cage 101:Wagnerian 6963:Category 6564:Fountain 6468:Don Juan 6407:Nijinsky 6303:Wedekind 6282:Piscator 6177:Anderson 6101:Scriabin 6017:Honegger 5678:Sullivan 5664:Saarinen 5657:Rietveld 5650:Niemeyer 5622:Melnikov 5552:Bunshaft 5483:Truffaut 5448:Sjöström 5392:Pudovkin 5364:Minnelli 5329:Kurosawa 5322:Kuleshov 5252:Flaherty 5078:Vuillard 5057:Steichen 5015:Rousseau 4980:Pissarro 4959:O'Keeffe 4924:Mondrian 4875:Malevich 4868:Magritte 4840:Kirchner 4784:van Gogh 4735:Doesburg 4714:Delaunay 4707:Delaunay 4630:Brâncuși 4616:Boccioni 4579:Painting 4429:Williams 4352:Mallarmé 4268:Cendrars 4178:Platonov 4136:Lawrence 4129:Koestler 4066:Flaubert 4059:Faulkner 4024:Bulgakov 3953:Tonalism 3914:De Stijl 3898:Lettrism 3884:Futurism 3775:Art Deco 3696:Category 3670:The Gift 3655:(ballet) 3066:Archived 2838:(1974). 2775:(1990). 2753:(2002). 2731:(2019). 2656:(1975). 2615:(2000). 2455:Archived 2379:Archived 2345:Archived 2258:Archived 2163:Archived 2111:Archived 2047:Archived 1998:Archived 1818:Archived 1790:Archived 1744:Archived 1703:Archived 1580:(eds.). 1568:(2011). 1540:(2008). 1510:blagueur 1421:dyslexia 1181:blagueur 1159:Writings 412:esoteric 214:Honfleur 206:Honfleur 172:(1924). 7085:Cabaret 6974:Portals 6618:Related 6480:Ubu Roi 6435:Tamiris 6421:Sokolow 6400:Massine 6268:Osborne 6261:O'Neill 6254:O'Casey 6212:Chekhov 6198:Beckett 6184:Anouilh 6168:Theatre 6115:Strauss 6073:Russolo 6052:Milhaud 6031:Janáček 6003:Górecki 5996:Feldman 5982:Debussy 5975:Copland 5933:Antheil 5671:Steiner 5594:Johnson 5573:Guimard 5566:Gropius 5413:Resnais 5315:Kubrick 5245:Fellini 5231:Epstein 5217:Edwards 5182:Cocteau 5168:Chaplin 5140:Bresson 5133:Bergman 5112:Aldrich 5105:Akerman 5050:Soutine 5022:Schiele 4973:Picasso 4966:Picabia 4896:Matisse 4770:Gauguin 4742:Duchamp 4700:Kooning 4679:Claudel 4672:Chirico 4665:Chagall 4658:Cézanne 4651:Cassatt 4623:Bonnard 4609:Bellows 4602:Balthus 4479:Ulysses 4401:Stevens 4394:Seferis 4213:Unamuno 4052:Forster 4031:Chekhov 3996:Beckett 3925:Orphism 3891:Imagism 3875:Bauhaus 3861:Fauvism 3766:Acmeism 3269:Allegro 3237:Socrate 3216:Ludions 3152:Relâche 3138:Mercure 3123:Ballets 3055:in the 3049:(IMSLP) 3045:at the 2551:Sources 1382:French: 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