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220:, and many others in the same vein. Besides his "symphonic ballets," Massine choreographed many other popular works during his long career, some of which were serious and dramatic, and others lighthearted and romantic. He created some of his most famous roles in his own comic works, among them the Can-Can Dancer in
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was one of
Massine's most celebrated works during this time. Instead of a whole, singular composition for the score, Offenbach created a series of divertissements. This allowed Massine to use a wide variety of dancers and tempi, all while conveying a single narrative. Massine revived the piece for
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is about a group of circus performers trying to lure a reluctant audience into the tent before the show begins. The sets and costume designs were by Pablo
Picasso, who designed large cubist structures for the dancers to wear. The score was composed by Erik Satie, who used sounds from an airplane's
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In his youth, Massine was the protégé and lover of
Diaghilev. In later life he enjoyed numerous love affairs with beautiful women and had four wives. His first two wives, Vera Savina (née Vera Clark) and Eugenia Delarova, were both ballet dancers. With his third wife, Tatiana Orlova, he had two
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Chorus and his father played the French horn in the
Bolshoi Theater Orchestra. Leonid was one of five children. He had three brothers, Mikhail, Gregori, and Konstantin — as well as one sister — Raissa. Due to their small age difference, Leonid and Konstantin were very close during childhood.
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left de Basil's company in 1933, Massine replaced him as resident choreographer. Massine's ballets during this period were reminiscent of Fyodor
Lopukhov's Tanzsymphonia, in that an emphasis on the music drove the choreography. He continued to use symphonic music by well-known composers.
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which was to be performed by
Natalia Makarova. However, Makarova began to suspect her part was originated on another dancer and pulled out of the project. Massine was appointed resident choreographer of the Marin Ballet. He began work on a new production of
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children, a son, Leonide
Massine II (who later changed his name to "Lorca Massine"), and a daughter, Tatiania. He and Orlova divorced in 1968. He subsequently married Hannelore Holtwick, with whom he had two sons, Peter and Theodor, and made his home in
468:'s World Art, Inc. to create a new ballet company, with Massine as the resident choreographer. Massine soon discovered that the ballets he had choreographed while under contract with Col. de Basil were owned by his company. Massine sued Col. de Basil in
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and
Susanna della Pietra mounted an additional revival for ABT in 1988. In this production, the costumes were designed by Christian Lacroix, who created animated and eccentric costumes based on his own 1987 haute couture collection.
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Leonid was selected for the role. This performance and rehearsal period ignited his lifelong passion for acting. Leonid was selected for three more professional roles at the
Bolshoi and Maly Theaters through the 1908–1909 season.
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1191:, edited by Martha Bremser (Detroit: St. James Press, 1993), vol. 2, pp. 918–22. Includes biographical facts, an interpretive essay, and extensive chronologies of roles performed and works created.
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name. The jury decided that Col. de Basil owned
Massine's ballets created between 1932 and 1937, but not those created before 1932. It also ruled that both successor companies could use the name
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The attempt was not well received, partly due to the fact that the signature role, played by Alexandra Danilova in the original work, was recast on a lesser dancer, Milada Mladova.
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415:. This caused a furor amongst musical purists, who objected to a serious symphonic work being used as the basis of a ballet. Undeterred, Massine continued work on
301:. Diaghilev was attracted to Massine's onstage presence and acting, and invited him to audition for the choreographer, Mikhail Fokine. After the audition in
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In August 1913, Massine graduated from the Moscow Imperial Theater School and almost immediately joined the Bolshoi Ballet. In December of the same year,
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In 1909, Konstantin was killed during a hunting accident. Leonid never seemed to fully recover from the shock and devastation of this personal tragedy.
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373:. In order to authentically depict the Spanish character dances, Massine carefully studied the authentic Spanish character dance style.
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designed the sets and costumes. Massine's collaborators, all Spanish, helped to make this ballet more authentic to its subject matter.
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In 1977 Massine moved to the San Francisco Bay Area to begin a series of choreographic workshops, as well as revive his work
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270:. At only eight years old, he began his formal dance training. The next year, the director of the Bolshoi Theater,
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premiered at the Theatre du Chatelet in Paris, on 18 May 1917. The ballet is based on a libretto by Jean Cocteau.
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Norton, Leslie (2004). Jefferson, North Carolina: McFarland & Company Inc, Publishers (pgs 1–3)
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236:(1938). Today his oeuvre is represented by his son Lorca Massine, who stages his works around the world.
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had originally been cast in the role, but Diaghilev terminated Nijinsky's contract upon his marriage to
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Norton, Leslie (2004). Jefferson, North Carolina: McFarland & Company Inc, Publishers (pgs 229-331)
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Norton, Leslie (2004). Jefferson, North Carolina: McFarland & Company Inc, Publishers (pgs 198-204)
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Au, Susan (1988). Ballet and Modern Dance (2nd ed.). London: Thames & Hudson LTD (pg 110–111)
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Au, Susan (1988). Ballet and Modern Dance (2nd ed.). London: Thames & Hudson LTD (pg 106–108)
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Frederic Franklin, interviewed by John Mueller, Cincinnati, Ohio, October 2004; bonus material on
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to regain the intellectual property rights to his own works. He also sued to claim the
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Beginning when Leonid was seven, the Massine family spent most summers at their summer
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for the Marin Ballet. At the same time, Massine was working on plans for
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Guide to Ballet Russe de Monte Carlo records concerning Leonide Massine
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and ballet dancer. Massine created the world's first symphonic ballet,
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Massine appeared in two feature-length films by the British directors
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to Beethoven's score. It premiered on 5 May 1938 in Monte Carlo, with
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28 July] 1896 – 15 March 1979), was a Russian
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Who's who in Gay and Lesbian History: From Antiquity to World War II
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engine, pistol shots, and a ship's siren to accompany the music.
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Aldrich, Robert; Aldrich, Robert F.; Wotherspoon, Garry (2001).
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403:. In 1933, Massine created the world's first symphonic ballet,
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592:(1951). He also had a cameo appearance in Powell's later film
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was a triumphant success. The story was inspired by the novel
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premiered at the Alhambra Theater in London, on 22 July 1919.
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From 1915 to 1921 Massine was the principal choreographer of
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came to Moscow in search of a dancer for a new production of
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204:), better known in the West by the French transliteration as
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Leonide Massine watches a rehearsal of Parade - with images
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Massine was born into a musical family on 9 August 1896 in
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In 1968 Massine published his autobiography, entitled
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Leaving Col. de Basil's company, in 1937 Massine and
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598:(1959). Massine starred in several films of ballet
305:, Massine joined Diaghilev and his Ballets Russes.
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Russian choreographer and ballet dancer (1896–1979)
547:Massine left Ballet Russe de Monte Carlo in 1943.
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614:(1942). He choreographed and danced in the 1947
456:Massine & Blum's Ballet Russe de Monte-Carlo
266:In 1904, Leonid successfully auditioned for the
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1239:(New York: Oxford University Press, 1989).
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1603:Choreographers of American Ballet Theatre
1362:(New York: Dance Horizons, 1981), p. 281.
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673:National Museum of Dance and Hall of Fame
568:which was never seen outside the studio.
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1187:Janet Sinclair, "Massine, Léonide," in
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578:Michael Powell and Emeric Pressburger
1302:"Blum Ballet Sold to Company Here,"
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1618:White Russian emigrants to Germany
1320:Andros, Gus Dick (February 1997).
1189:International Dictionary of Ballet
656:, where he died on 15 March 1979.
440:as The Beloved at its premiere at
252:. His mother was a soprano in the
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1457:Martin, John (16 December 1944).
1205:(in Russian). The Ballet Magazine
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1628:20th-century Russian LGBT people
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1583:Ballets Russes choreographers
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1349:through the Internet Archive
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1598:Russian male ballet dancers
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482:Ballet Russe de Monte Carlo
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324:Following the departure of
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1279:(London: Macmillan, 1968).
1237:Diaghilev's Ballets Russes
544:as the principal dancers.
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520:A month after premiering
366:El sombrero de tres picos
263:in Zvenigorod-Moskovsky.
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240:Early life and education
202:Леони́д Фёдорович Мя́син
940:Nikolai Rimsky-Korsakov
696:Nikolai Rimsky-Korsakov
466:Julius Fleischmann, Jr.
399:, scenic design was by
355:composed the score and
349:The Three Cornered Hat,
1578:Ballets Russes dancers
1063:Carnival in Costa Rica
766:The Three-Cornered Hat
698:, set and costumes by
621:Carnival in Costa Rica
551:San Francisco Bay Area
226:(1919), the Hussar in
71:Moscow, Russian Empire
1098:The Tales of Hoffmann
883:Symphonie fantastique
877:Symphonie fantastique
830:Le Sacre du printemps
749:La Boutique fantasque
589:The Tales of Hoffmann
487:Original Ballet Russe
433:Symphonie Fantastique
291:The Legend of Joseph.
223:La Boutique fantasque
99:Dancer, choreographer
1623:Russian LGBT dancers
1549:, Harvard University
1510:on Australia Dancing
1409:. Psychology Press.
916:Ludwig van Beethoven
626:Carosello Napoletano
276:Ruslan and Ludmilla.
208:(9 August [
1573:Dancers from Moscow
1132:Neapolitan Carousel
1011:, filmed for TV by
924:Nobilissima Visione
389:In 1932 he created
1613:Russian Christians
1588:Ballet librettists
1528:Massine-Ballet.com
1463:The New York Times
1203:"Артисты Дягилева"
936:Capriccio Espagnol
754:Gioacchino Rossini
728:Vincenzo Tommasini
724:Domenico Scarlatti
694:, to the music of
608:Capriccio Espagnol
503:, set to music by
168:Hannelore Holtwick
1486:. Profile Books.
1483:Diaghilev: A Life
1416:978-0-415-15982-1
1277:My Life in Ballet
1275:Léonide Massine,
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961:Pyotr Tchaikovsky
901:Jacques Offenbach
880:(to the music of
863:(to the music of
852:Pyotr Tchaikovsky
846:(to the music of
822:Pavel Tchelitchew
758:Ottorino Respighi
661:My Life in Ballet
630:Gaîté Parisienne,
538:Frederic Franklin
526:Seventh Symphony,
524:Massine produced
505:Jacques Offenbach
383:George Balanchine
330:Le Soleil de Nuit
299:Romola de Pulszky
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616:20th Century Fox
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82:(1979-03-15)
44:Portrait by
32:Леонид Мясин
18:
1568:1979 deaths
1563:1896 births
1209:27 December
1122:Uncredited
1071:Uncredited
1020:Filmography
981:Mad Tristan
860:Choreartium
707:Las Meninas
679:Major works
618:color film
610:, entitled
586:(1948) and
409:Tchaikovsky
345:Le Tricorn,
117:Vera Savina
1557:Categories
1533:Grave site
1175:References
1007:(music by
994:(music by
959:(music by
938:(music by
927:(music by
914:(music by
899:(music by
833:(music by
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795:(music by
782:(music by
779:Pulcinella
769:(music by
752:(music by
741:Erik Satie
739:(music by
722:(music by
709:(music by
369:(1874) by
361:Le Tricorn
64:1896-08-09
46:Léon Bakst
1149:Honeymoon
1015:in 1961).
992:Capriccio
675:in 2002.
632:entitled
595:Honeymoon
572:Film work
561:Parisina,
462:René Blum
401:Joan Miró
112:Spouse(s)
107:1915–1948
1163:See also
972:(music,
493:The new
430:'s 1830
407:, using
173:Children
149:(d.1990)
131:(d.1987)
1474:Sources
1445:Massine
1068:Roberto
903:, arr.
799:, arr.
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726:, arr.
421:Brahms'
419:set to
198:Russian
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1332:5 June
1086:Ljubov
1051:Dancer
1036:Notes
1030:Title
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934:1939:
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789:1924:
776:1920:
763:1919:
746:1919:
736:Parade
733:1917:
716:1917:
705:1916:
684:1915:
667:Awards
650:Borken
602:. For
540:, and
470:London
340:Parade
335:Parade
250:Russia
246:Moscow
187:(2002)
181:Awards
88:Borken
48:, 1914
1033:Role
1027:Year
956:Aleko
381:When
260:dacha
159:(
155:
141:(
137:
123:(
119:
1518:IMDb
1488:ISBN
1411:ISBN
1334:2010
1211:2022
1144:1959
1127:1954
1115:Aida
1110:1953
1093:1951
1076:1948
1058:1947
1041:1932
210:O.S.
161:div.
143:div.
125:div.
77:Died
54:Born
1545:at
1516:at
886:by
867:by
850:by
809:Ode
448:'s
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317:'s
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62:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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