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573:, who painted mostly women, but "remained well within the bounds of propriety in their subject matter" because of their upper-middle-class status in French society. Valadon's marginalized status allowed her to enter the contemporary male dominated domain of art through modeling and her lack of formal academic training may have made her less influenced by academic conventions. She has been noted for that difference in her paintings of the nude women. She resisted typical depictions of women, emphasizing class trappings and their sexual attractiveness, through her realistic depiction of unidealised and self-possessed women who are not overly sexualised. She also painted many nude self-portraits across the span of her career, the later of which displayed her aging body realistically.
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resistance to both academic and avant-garde conventions for representing the female nude have encouraged interest in her work: It has been argued that many of her images of women signal a form of resistance to some of the dominant representations of female sexuality in early twentieth-century
Western art. Many of her nudes painted from the 1910s onward are heavily proportioned and sometimes awkwardly posed. The feminist critics assert that they are conspicuously at odds with the svelte, 'feminine' type to be found in the imagery of both popular and 'high' art. Her self-portrait from 1931, when she was 66, stands out as one of the early examples of a woman painter recording her own physical decline.
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205:(1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a set tradition or style of art. Despite not being confined to any tradition, she shocked the artistic world as the first woman painter to depict a male nude as well as less idealized images of women in comparison to those of her male counterparts.
353:, who was impressed by her bold line drawings and fine paintings. He purchased her work and encouraged her. She remained one of his closest friends until his death in 1917. Art historian Heather Dawkins believed that Valadon's experience as a model added depth to her own images of nude women, which tended to be less idealized than the representations of women by the male post-impressionists.
649:, which was painted that year. She divorced Mousis in 1913. Valadon then married Utter in 1914. Utter managed her career as well as that of her son. Valadon and Utter regularly exhibited work together until the couple divorced in 1934, when Valadon was almost seventy. They continued a relationship until her death, nonetheless, and are buried together in the
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After her marriage to the well-to-do banker Paul Mousis, in 1896 Valadon became a full-time painter. She made a shift from drawing to painting in 1909. Her first large oils for the Salon related to sexual pleasures and they were some of the first examples in modern painting with a man being an object
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She had a series of jobs that included working in a milliner's workshop, at a factory making funeral wreaths, selling vegetables, and as a waitress. At the age of 15, she obtained a job in her most desired field: performing in the circus as an acrobat. She was able to work at the circus because of
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Like many other talented female artists, although she is known to have been an important modern artist, Valadon never had been given a solo exhibition by a U.S. art institution. Her first institutional solo exhibition in the U.S., at the Barnes
Foundation in Philadelphia, was scheduled to open in
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Valadon's self-portraits, portraits, nudes, landscapes, and still lifes remain detached from trends and contemporaneous aspects of academic art. The subjects of
Valadon's paintings often reinvent the old master themes: women bathing, reclining nudes, and interior scenes. She preferred to paint
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Valadon was not confined to a specific style, yet both
Symbolist and Post-Impressionist aesthetics are clearly demonstrated within her work. She worked primarily with oil paint, oil pencils, pastels, and red chalk; she did not use ink or watercolor because these mediums were too fluid for her
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As one of the best documented French artists of the early twentieth century, Valadon's body of work has been of great interest to feminist art historians, especially given her focus on the female form. Her work was candid and occasionally awkward, often characterized by strong lines, and her
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quarter of Paris, she pursued her interest in art, first working as a model and a muse for artists, observing and learning their techniques, as she could not afford art lessons herself. She observed and learned from artists, such as Pierre Puvis de
Chavannes, Henri de Toulouse-Lautrec, and
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Valadon was an acclaimed painter of her time, well-respected and championed by contemporaries such as Edgar Degas and Pierre-Auguste Renoir. She was admitted to professional associations and her works were admitted to juried exhibitions. She lived a bohemian life with rebellious vision.
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that are noted for their strong composition and vibrant colors. She was, however, best known for her candid female nudes. Her work attracted attention partly because, by painting unidealized nudes, she upset the social norms of the time that were created by male artists.
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Suzanne
Valadon’s relationships with Edgar Degas and Toulouse-Lautrec are described in R.w. Meek’s two historical fiction novels, The Dream Collector, Book I “Sabrine & Sigmund Freud” and The Dream Collector, Book II “Sabrine & Vincent van Gogh.”
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Valadon was well known during her lifetime, especially toward the end of her career, in the 1920s more specifically, as she helped to transform the female nude that depicted expression through a woman's experience. Her works are in the collection of the
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Valadon learned and furthered her art by observing the techniques of the artists for whom she posed. She was considered a very focused, ambitious, rebellious, determined, self-confident, and passionate woman. In the early 1890s, she befriended
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working-class models. Art historian
Patricia Mathews suggests that Valadon's working-class status and experience as a model influenced her intimate, familiar observation of these women and their bodies. In this respect she differed from
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Valadon married the stockbroker Paul Mousis in 1895. For 13 years, she lived with him in an apartment in Paris and in a house in the outlying region. In 1909, Valadon began an affair with the painter
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and it is speculated that this was the inspiration for a painting of
Valadon by Morisot. A fall from a trapeze that injured her back is what ultimately ended her circus career after one year.
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in Paris is named Place
Suzanne Valadon. At the top of the funicular, and less than 50 meters to its east, are the steps named rue Maurice Utrillo after her son the artist.
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in Paris. Valadon was the first woman painter accepted as an exhibitor in the Salon de la
Nationale in 1894, which is notable since competition for acceptance was fierce.
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as he felt that she especially preferred modeling for older artists. She was Toulouse-Lautrec's lover for two years, which ended when she attempted suicide in 1888.
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She exhibited in the Salon d'Automne from 1909, in the Salon des Independants from 1911, and in the Salon des Femmes Artistes Modernes during 1933-1938. Notably,
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1565:(2009), traces the relationship between Valadon and Degas. Several have speculated Valadon was the basis for the character Suzanne Rouvier in the
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517:) (1914). In her lifetime, Valadon produced approximately 273 drawings, 478 paintings, and 31 etchings, excluding pieces given away or destroyed.
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264:. She did not know her father. Known to be quite independent and rebellious, she attended primary school until age eleven when she began working.
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Valadon emphasized the importance of the composition of her portraits over techniques such as painting expressive eyes. Her later works, such as
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preference. Valadon's paintings feature rich colors and bold, open brushwork often featuring firm black lines to define and outline her figures.
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Valadon began working as a model in 1880 in Montmartre at age 15. She modeled for more than ten years for many different artists including
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Morisot's 1880 drawing of Valadon as a tightrope walker preceded it, but the most recognizable early image of Valadon is in Renoir's
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Burns, Janet M. C. (1993). "Looking as Women: The Paintings of Suzanne Valadon, Paula Modersohn-Becker and Frida Kahlo".
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of desire by a woman similar to that idealized treatment of women by male artists. These notable Salon paintings include
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Mathews, Patricia (1991). "Returning the Gaze: Diverse Representations of the Nude in the Art of Suzanne Valadon".
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A novel based on the life of Suzanne Valadon was written by Elaine Todd Koren and was published in 2001, titled
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Valadon's painting of an acrobat, L' Acrobate ou La Roue, sold in 2017 for ÂŁ75,000 by Christie's Auction House.
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Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as
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Suzanne Valadon died of a stroke on 7 April 1938, at the age of 72, and was buried in Division 13 of the
582:(1923), are brighter in color and show a new emphasis on decorative backgrounds and patterned materials.
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was the first person to purchase drawings from her, and he introduced her to other collectors, including
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Betterton, Rosemary (Spring 1985). "How Do Women Look? The Female Nude in the Work of Suzanne Valadon".
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by Valadon that show women in various stages of their toilettes. Later, she regularly showed at Galerie
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signed papers recognizing Maurice as his son, although the true paternity was never disclosed.
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She was a model for many renowned artists. Among them, Valadon appeared in such paintings as
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917:, September 26, 2021 to January 9, 2022, first major U.S. solo exhibition of Valadon's work
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2963:"Digital Collection | The Rose Art Museum | Brandeis University - Young Girl (Jeune Fille)"
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It is commonly believed that Valadon taught herself how to draw at the age of nine. In the
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L'almanach de Cocagne pour l'an 1920-1922, Dédié aux vrais Gourmands Et aux Francs Buveurs
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1994:"This rebellious female painter of bold nude portraits has been overlooked for a century"
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Pierre-Auguste Renoir, before becoming a noted and successful painter in her own right.
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2670:"Portrait of Utrillo in profile (Portrait d'Utrillo de Profil) - DMA Collection Online"
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1575:. There were many parallels between Valadon's life and that of the Rouvier character.
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2988:"Works | Suzanne Valadon | People | Smart Museum of Art | The University of Chicago"
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176:(23 September 1865 – 7 April 1938) was a French painter who was born
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1920, Second Exhibition of Young French Painting, Galerie Manzy Joyant, Paris
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Her earliest known female nude was executed in 1892. In 1895, the art dealer
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2595:"La Mère et l'enfant à toilette (Mother and Child at Bath) | Albright-Knox"
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2739:"From the Harvard Art Museums' collections The Hangover (Suzanne Valadon)"
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3097:"Inspired by Art Herstory: Suzanne Valadon's "The Blue Room" (1923)"
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2296:"Passionate Discontent: Creativity, Gender and French Symbolist Art"
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3423:. London Chicago: Fitzroy Dearborn Publishers. pp. 1384–1387.
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1991, Utrillo, Valadon, Utter: la Trilogie Maudite, Acropolis, Nice
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1949, Great Trends in Contemporary Painting from Manet to our Day,
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Suzanne Valadon : [exposition] 26 janvier-27 mai 1996
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2821:"Oeuvre : Précisions - Nu au châle bleu | Musée Unterlinden"
1799:"Suzanne Valadon, la pintora que dio luz a los posimpresionistas"
1555:, was published first in England and later in the United States.
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3825:"Renoir's Art Model Was the Greatest Painter You Never Heard Of"
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1991, Albi: Utrillo, Valadon, Utter, Chateau Constant, Bessines
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2901:"Suzanne Valadon | National Museum of Women in the Arts"
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In the Garden - Under the Arbour at the Moulin de la Galette
2496:"Suzanne Valadon: An Artist on View Webinar | Washington DC"
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The Trouble with Women Artists: Reframing the History of Art
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The Dream Collector, Book II "Sabrine and Vincent van Gogh"
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of the work of Suzanne Valadon, at the Galerie Clovis Sagot
2720:"Toilette de deux enfant dans le jardin - Suzanne Valadon"
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1996, Suzanne Valadon, Pierre Gianada Foundation, Martigny
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In 1893, Valadon began a short-lived affair with composer
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Catalog accompanying exhibition at the Barnes Foundation.
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Valadon grew up in poverty with her mother, an unmarried
3684:. Farnham, Surrey, UK, England Burlington, VT: Ashgate.
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2011:
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1940, 22nd Biennale Internationale des Beaux-Arts, Paris
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Valadon's earliest surviving signed and dated work is a
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The Dream Collector, Book I "Sabrine and Sigmund Freud"
2803:"Women, Suzanne Valadon ^ Minneapolis Institute of Art"
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3783:"Valadon, Suzanne: Painter, Graphical Artist (France)"
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Women Artists in Interwar France: Framing Femininities
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Portraits unmasked : the stories behind the faces
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1940:"At MFA, dancing the night away in the arms of Renoir"
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Valadon began painting full-time in 1896. She painted
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482:(1914), by Suzanne Valadon, Museum of Fine Arts Nancy
3544:. Martigny, Switzerland: Fondation Pierre Gianadda.
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2847:"Marie Coca et sa fille | Musée des Beaux Arts"
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1933-1938, Salon des Femmes Artistes Modernes, Paris
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Renoir's Dancer: The Secret Life of Suzanne Valadon
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Portrait of Valadon, by Pierre-Auguste Renoir, 1885
781:, Lyons; 1961, Maurice Utrillo V. Suzanne Valadon,
4453:Portrait of Irène Cahen d'Anvers (La Petite Irène)
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2865:"Works by Suzanne Valadon in the MFAH Collections"
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630:. Satie became obsessed with her, calling her his
4253:Claude Monet Painting in His Garden at Argenteuil
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3138:Bonazzoli, Francesca; Robecchi, Michele (2020).
3050:. Engraved on wood and unpublished drawings of:
2117:France Since 1870: Culture, Politics and Society
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1278:Still Life with Basket of Apples Vase of Flowers
838:1927, retrospective, Galerie Berthe Weill, Paris
368:. In 1885, Renoir painted her portrait again as
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609:In 1883, aged 18, Valadon gave birth to a son,
3738:The Valadon Drama: The Life Of Suzanne Valadon
3446:Giraudon, Colette (2003). "Valadon, Suzanne".
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1991:
30:"Valadon" redirects here. For other uses, see
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3707:Ireson, Nancy; The Barnes Foundation (2021).
3634:. Translated by Jennings, Shirley. New York.
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3142:. Munich; New York: Prestel. pp. 84–87.
2945:"Suzanne Valadon: The Mistress Of Montmartre"
1901:The Nude in French Art and Culture, 1870-1910
3757:– via Internet Archive and HathiTrust.
3295:. Westport, Conn.: Greenwood Press. p.
2768:Indianapolis Museum of Art Online Collection
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362:from 1883, the same year that she posed for
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5069:Members of the Ligue de la patrie française
4413:Madame Georges Charpentier and Her Children
3603:Suzanne Valadon: The Mistress of Montmartre
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374:. Another of his portraits of her in 1885,
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3662:: CS1 maint: location missing publisher (
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2120:(3rd ed.). London: Palgrave. p.
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4613:Yvonne and Christine Lerolle at the Piano
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3456:10.1093/gao/9781884446054.article.t087579
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2146:– via Google Books partial preview.
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3204:Billington, Michael (24 November 2009).
2551:"Suzanne Valadon: Model, Painter, Rebel"
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800:1979, Maurice Utrillo, Suzanne Valadon,
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3293:A William Somerset Maugham encyclopedia
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2791:. New York: Metropolitan Museum of Art.
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1200:Portrait of the Painter Maurice Utrillo
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3823:Linchong, Victoria (15 October 2021).
3709:Suzanne Valadon: Model, Painter, Rebel
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2943:Michalska, Magda (23 September 2016).
2523:Suzanne Valadon: Model, Painter, Rebel
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1829:"Valadon and her studio in Montmartre"
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862:1932, retrospective with a preface by
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3803:"Suzanne Valadon (1865-1938, French)"
3711:. London: Paul Holberton Publishing.
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1551:. An earlier novel by Sarah Baylis,
1233:Still Life with Tulips and Fruit Bowl
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192:. She was also the mother of painter
4898:Musée de Montmartre, home and studio
4333:Nude woman sitting on a couch (Anna)
4293:Portrait of the Painter Claude Monet
3819:A gallery of her depictions of cats.
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2249:National Museum of Women in the Arts
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1742:National Museum of Women in the Arts
1535:The small square at the base of the
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1037:University of Michigan Museum of Art
1008:National Museum of Women in the Arts
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555:National Museum of Women in the Arts
4663:The Coast at Cagnes, Sea, Mountains
4163:LĂ©onard Renoir, The Artist's Father
3865:
3237:Burke, Desmond T. (20 April 2017).
3103:. 11 September 2013. Archived from
2736:
2424:
1432:by Pierre-Auguste Renoir, 1886-1887
1376:Profile portrait of Suzanne Valadon
856:1931, Galerie Le Centaure, Brussels
847:1929, Galerie Bernheim-Jeune, Paris
835:1923, Galerie Bernheim-Jeune, Paris
832:1922, Galerie Bernheim-Jeune, Paris
813:
791:1969, Fourteenth Salon de Montrouge
24:
3672:
3264:Bertell, Elizabeth (28 May 2014).
3082:, Louis Latapie, Suzanne Valadon,
2568:Naves, Mario (22 September 2017).
1992:Jacqui Palumbo (8 February 2021).
960:Fine Arts Museums of San Francisco
887:1948, Tribute to Suzanne Valadon,
25:
5100:
5049:20th-century French women artists
5039:19th-century French women artists
4690:The Farm at Les Collettes, Cagnes
4433:Lunch at the Restaurant Fournaise
3775:
3505:Jiminez, Jill Berk, ed. (2013) .
3175:. Woodstock, NY: Maverick Books.
1679:. Paris: Flammarion. p. 51.
894:1956, The Lefevre Gallery, London
844:1928, Galerie Berthe Weill, Paris
829:1919, Galerie Berthe Weill, Paris
826:1915, Galerie Berthe Weill, Paris
794:1976, Women Artists (1550-1950),
270:Count Antoine de La Rochefoucauld
27:French painter and artists' model
3607:. New York: St. Martin's Press.
3467:. New York: St. Martin's Press.
3266:"Suzanne Valadon french painter"
2869:The Museum of Fine Arts, Houston
2521:"The Barnes Foundation Presents
1937:
1490:
1471:
1452:
1437:
1420:
1408:
1387:
1368:
1344:
1330:
1315:
1300:
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1270:
1255:
1240:
1225:
1207:
1192:
1177:
1162:
1145:
1130:
1115:
1100:
1085:
1070:
1055:
859:1932, Galerie Le Portique, Paris
853:1931, Galerie Le Portique, Paris
841:1928, Galerie des Archers, Lyons
796:Los Angeles County Museum of Art
697:1907, Galerie Eugène Blot, Paris
690:Société Nationale des Beaux-Arts
585:
323:Pierre-CĂ©cile Puvis de Chavannes
188:Société Nationale des Beaux-Arts
4153:Skaters in the Bois de Boulogne
3798:A concise biography of Valadon.
3346:
3321:
3030:
3005:
2980:
2955:
2936:
2911:
2893:
2875:
2857:
2839:
2813:
2795:
2789:"results for 'Suzanne Valadon'"
2781:
2756:
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2543:
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1957:
1931:
1820:
1792:
1499:, Bertrand Guégan (1892-1943);
1293:Young Girl in Front of a Window
304:Valadon is depicted dancing in
5084:Burials at Saint-Ouen Cemetery
4593:Young Woman with a Blue Ribbon
3982:The Hangover (Suzanne Valadon)
1897:Iskin, Ruth (7 January 2004).
1827:Drees, Della (13 March 2016).
1755:
1730:
1668:
1643:
1445:The Hangover (Suzanne Valadon)
866:, Galerie Georges Petit, Paris
675:
233:The Hangover (Suzanne Valadon)
13:
1:
4751:
4694:
4667:
4463:Luncheon of the Boating Party
4123:Frédéric Bazille at his Easel
3625:– via Internet Archive.
3507:Dictionary of Artists' Models
3441:– via Internet Archive.
3357:. New York: Historium Press.
3332:. New York: Historium Press.
1595:
1543:Depiction in novels and plays
920:2022, Glyptoteket, Copenhagen
900:1962, Galerie Pétridès, Paris
897:1959, Galerie Pétridès, Paris
884:1947, Galerie Pétridès, Paris
878:1942, Galerie Pétridès, Paris
872:1938, Galerie Pétridès, Paris
736:, Galerie Berthe Weill, Paris
243:
5044:20th-century French painters
5034:19th-century French painters
4483:Two Sisters (On the Terrace)
3931:Nude Woman with a Blue Shawl
3759:Reprinted in 2018 and 2017:
3540:Marchesseau, Daniel (1996).
2992:smartcollection.uchicago.edu
2825:Musée Unterlinden - WebMuseo
2724:FAMSF Search the Collections
2114:Sowerwine, Charles (2018) .
1600:
1353:Nude Woman with a Blue Shawl
997:Museum of Fine Arts, Houston
992:Musée des beaux-arts de Lyon
981:Minneapolis Institute of Art
905:Musée National d'Art Moderne
889:Musée National d'Art Moderne
881:1947, Galerie Bernier, Paris
875:1939, Galerie Bernier, Paris
869:1937, Galerie Bernier, Paris
850:1929, Galerie Bernier, Paris
601:, 1891. Suzanne Valadon and
553:(1921), by Suzanne Valadon,
447:exhibited a group of twelve
401:(1911), by Suzanne Valadon,
7:
5089:19th-century women painters
4773:A Studio at Les Batignolles
4323:Bal du moulin de la Galette
3966:Portrait of Suzanne Valadon
3450:. Oxford University Press.
3419:Dictionary of women artists
2967:rosecollection.brandeis.edu
2309:10.3202/caa.reviews.2001.83
1965:"Henri de Toulouse-Lautrec"
1909:. College Art Association.
1801:(in Spanish), Carlos Sala,
1582:
1460:Portrait of Suzanne Valadon
1396:Portrait of Suzanne Valadon
1248:Portrait of Maurice Utrillo
1013:Nelson-Atkins Museum of Art
533:in New York, among others.
60:Museum of Fine Arts Houston
10:
5105:
4633:Gabrielle with Open Blouse
4353:A Girl with a Watering Can
4083:Portrait of William Sisley
3463:Hewitt, Catherine (2018).
3375:
1916:10.3202/caa.reviews.2004.1
1157:, by Suzanne Valadon, 1909
1043:
976:Metropolitan Museum of Art
971:Indianapolis Museum of Art
531:Metropolitan Museum of Art
403:Metropolitan Museum of Art
29:
4992:Pays des Impressionnistes
4889:
4809:
4764:
4738:
4423:Portrait of Jeanne Samary
4213:Bather with a Griffon Dog
4068:
4000:
3941:
3882:
3873:
3291:Rogal, Samuel J. (1997).
3013:"Exchange: Bather Seated"
2764:"untitled (Man with Hat)"
2429:. Akademiska Föreningen,
2378:, pp. 416, 419, 423.
1401:Henri de Toulouse-Lautrec
1078:My son at seven years old
955:Detroit Institute of Arts
688:
387:
339:Henri de Toulouse-Lautrec
238:Henri de Toulouse-Lautrec
186:
166:Henri de Toulouse-Lautrec
157:
138:
124:
116:
108:
92:
66:
48:
41:
5059:French circus performers
4717:Portrait of Adèle Besson
3680:Birnbaum, Paula (2011).
3630:Warnod, Jeanine (1981).
3239:"The Razor's Edge Notes"
3173:Suzanne: of Love and Art
2887:The Museum of Modern Art
2620:"print | British Museum"
1849:Gimferrer, Pere (1990).
1655:The Art Story Foundation
1549:Suzanne: of Love and Art
1532:are named in her honor.
1185:Flowers on a Round Table
770:After her death in 1938
605:in the studio of Rusiñol
539:
295:
252:Valadon as a young woman
178:Marie-Clémentine Valadon
71:Marie-Clémentine Valadon
32:Valadon (disambiguation)
4093:Mother Anthony's Tavern
3017:exchange.umma.umich.edu
2919:"Untitled (Still Life)"
2807:collections.artsmia.org
2645:"Still Life with Fruit"
1767:Encyclopedia Britannica
788:1964, Documenta, Kassel
745:1926, (retrospective),
658:Cimetière de Saint-Ouen
523:Centre Georges Pompidou
5074:French modern painters
5054:French artists' models
4707:Blond Girl with a Rose
4623:Woman Playing a Guitar
4563:Les Grandes Baigneuses
4443:Paysage Bords de Seine
4133:A Couple (Les Fiancés)
3171:Koren, Elaine (2001).
2294:Dolan, Threse (2001).
2274:L' Acrobate ou La Roue
2094:Brooklyn Museum of Art
1557:Timberlake Wertenbaker
1093:Portrait of Erik Satie
943:Carnegie Museum of Art
802:Musée Toulouse-Lautrec
747:Salon des Indépendants
723:Salon des Indépendants
633:
626:
606:
557:
483:
405:
371:Girl Braiding Her Hair
343:Susanna and the Elders
314:
253:
5064:French women painters
4881:(great-granddaughter)
4062:Pierre-Auguste Renoir
3515:10.4324/9781315063119
3509:. London: Routledge.
2923:art.nelson-atkins.org
2743:harvardartmuseums.org
2354:, pp. 1385–1386.
1853:. New York: Rizzoli.
1675:Adler, Laura (2019).
1380:Pierre-Auguste Renoir
925:Permanent collections
718:, Grand Palais, Paris
711:, Grand Palais, Paris
704:, Grand Palais, Paris
593:
547:
476:
395:
331:Pierre-Auguste Renoir
312:Pierre-Auguste Renoir
303:
251:
222:Pierre-Auguste Renoir
182:Bessines-sur-Gartempe
85:Bessines-sur-Gartempe
5079:People of Montmartre
4907:(nanny, later model)
4871:Pierre Roland Renoir
4573:Nature morte: fleurs
4553:Dance in the Country
4493:Young Women in Black
4403:The Cup of Chocolate
4283:The Grand Boulevards
3787:The Androom Archives
3741:. New York: Dutton.
3735:Storm, John (1958).
3068:Jean Émile Laboureur
2599:www.albrightknox.org
2393:Museum of Modern Art
1537:Montmartre funicular
1362:Portraits of Valadon
1002:Museum of Modern Art
949:Dallas Museum of Art
779:Musée des Beaux-Arts
416:from 1883, drawn in
268:her connection with
4849:Claude Renoir (son)
4363:Mother and Children
4223:Woman with Parakeet
4183:A Nymph by a Stream
4113:Lise with a Parasol
3747:2027/uva.x000836363
3353:Meek, R.w. (2024).
3328:Meek, R.w. (2023).
3101:The Closet Feminist
1969:Harvard Art Museums
1903:by Heather Dawkins"
1589:Musée de Montmartre
1567:W. Somerset Maugham
1507:Feminist commentary
1031:Smart Museum of Art
986:Musée d'Unterlinden
965:Harvard Art Museums
761:Salon des Tuileries
754:Salon des Tuileries
721:1911 - continuing,
651:Saint Ouen cemetery
335:Jean-Jacques Henner
4980:(his only student)
4927:Catherine Hessling
4920:Marguerite Legrand
4789:The Impressionists
4603:Girls at the Piano
4516:(1880–81, 1885–86)
3915:The Abandoned Doll
3391:(1&2): 25–46.
3078:, Pierre Laprade,
3062:, Sonia Lewitska,
2624:The British Museum
2020:, pp. 48, 57.
1524:Both an asteroid (
1338:Young Girl Bathing
1263:Bouquet of Flowers
1218:(La chambre bleue)
1049:Artwork by Valadon
607:
558:
550:The Abandoned Doll
527:Museum of Grenoble
515:Lancement du filet
484:
406:
327:Théophile Steinlen
315:
254:
129:Post-Impressionism
5006:
5005:
4955:Henriette Henriot
4543:Dance in the City
4533:Dance at Bougival
4076:List of paintings
4028:
4027:
3958:Dance in the City
3950:Dance at Bougival
3876:List of paintings
3718:978-1-913645-13-7
3524:978-1-135-95914-2
3448:Oxford Art Online
3430:978-1-884964-21-3
3364:978-1-962465-34-2
3339:978-1-962465-13-7
3306:978-1-4294-7631-7
3245:. Suzanne Rouvier
3206:"Theatre review:
3182:978-0-9672355-2-3
3149:978-3-7913-8620-1
2883:"Suzanne Valadon"
2574:The New Criterion
2570:"Exhibition note"
2555:Barnes Foundation
2529:Barnes Foundation
2458:, pp. 17–18.
2437:on 3 October 2010
2427:"Suzanne Valadon"
2425:Fogwall, Niclas.
2389:"Suzanne Valadon"
2342:, pp. 9, 11.
2270:"Suzanne Valadon"
2245:"Suzanne Valadon"
2207:, pp. 18–19.
2135:978-1-137-40611-8
2090:"Suzanne Valadon"
2056:10.1057/fr.1985.2
2032:, pp. 25–46.
1938:Smee, Sebastian.
1860:978-0-8478-1276-9
1763:"Suzanne Valadon"
1738:"Suzanne Valadon"
1686:978-2-08-020370-0
1651:"Suzanne Valadon"
1520:Honors and legacy
1307:Suzanne Valadon,
915:Barnes Foundation
681:Group exhibitions
365:Dance in the City
359:Dance at Bougival
307:Dance at Bougival
236:(1887 - 1889) by
217:Dance in the City
211:Dance at Bougival
171:
170:
81:23 September 1865
16:(Redirected from
5096:
4994:
4987:
4985:Maison Fournaise
4979:
4972:
4964:
4957:
4950:
4943:
4936:
4929:
4922:
4915:
4908:
4905:Gabrielle Renard
4900:
4882:
4874:
4873:(great-grandson)
4866:
4858:
4850:
4845:
4837:
4829:
4821:
4802:
4781:Bazille's Studio
4756:
4753:
4747:Venus Victorious
4731:
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4711:
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4507:
4506:(1881 and 1882)
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4417:
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4317:
4313:Woman with a Cat
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3860:
3853:
3846:
3837:
3836:
3832:
3829:Messy Nessy Chic
3818:
3816:
3814:
3809:. 22 August 2013
3797:
3795:
3793:
3758:
3730:
3703:
3667:
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3117:
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3112:
3093:
3087:
3084:Henriette Tirman
3034:
3028:
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3009:
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2517:
2511:
2510:
2508:
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2492:
2486:
2480:
2474:
2468:
2459:
2456:Marchesseau 1996
2453:
2447:
2446:
2444:
2442:
2433:. Archived from
2422:
2416:
2410:
2404:
2403:
2401:
2399:
2385:
2379:
2373:
2367:
2361:
2355:
2349:
2343:
2340:Marchesseau 1996
2337:
2331:
2328:Marchesseau 1996
2325:
2314:
2313:
2311:
2291:
2285:
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2282:
2280:
2266:
2260:
2259:
2257:
2255:
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2235:
2229:
2220:
2214:
2208:
2205:Marchesseau 1996
2202:
2196:
2193:Marchesseau 1996
2190:
2184:
2178:
2172:
2166:
2160:
2154:
2148:
2147:
2111:
2105:
2104:
2102:
2100:
2086:
2080:
2074:
2068:
2067:
2039:
2033:
2027:
2021:
2015:
2009:
2008:
2006:
2004:
1989:
1980:
1979:
1977:
1975:
1961:
1955:
1954:
1952:
1950:
1944:The Boston Globe
1935:
1929:
1928:
1918:
1894:
1888:
1885:Marchesseau 1996
1882:
1873:
1872:
1851:Toulouse-Lautrec
1846:
1840:
1839:
1837:
1835:
1824:
1818:
1815:Marchesseau 1996
1812:
1806:
1796:
1790:
1784:
1778:
1777:
1775:
1773:
1759:
1753:
1752:
1750:
1748:
1734:
1728:
1722:
1703:
1697:
1691:
1690:
1672:
1666:
1665:
1663:
1661:
1647:
1641:
1635:
1624:
1621:Marchesseau 1996
1618:
1572:The Razor's Edge
1553:Utrillo's Mother
1516:September 2021.
1475:
1456:
1441:
1424:
1412:
1391:
1372:
1348:
1334:
1323:Bouquet de roses
1319:
1304:
1289:
1274:
1259:
1244:
1229:
1211:
1196:
1181:
1166:
1149:
1134:
1119:
1104:
1089:
1074:
1059:
819:1911, the first
814:Solo exhibitions
693:
692:
636:
629:
595:Santiago Rusiñol
505:La Joie de vivre
468:Ambroise Vollard
464:Paul Durand-Ruel
445:Paul Durand-Ruel
191:
190:
99:
80:
78:
53:
39:
38:
21:
5104:
5103:
5099:
5098:
5097:
5095:
5094:
5093:
5019:Suzanne Valadon
5009:
5008:
5007:
5002:
4998:Renoir (crater)
4990:
4983:
4975:
4968:
4960:
4953:
4948:Suzanne Valadon
4946:
4939:
4932:
4925:
4918:
4911:
4903:
4896:
4885:
4877:
4869:
4861:
4853:
4848:
4840:
4832:
4826:Lucienne Bisson
4824:
4816:
4805:
4795:
4784:(1870 painting)
4776:(1870 painting)
4760:
4754:
4734:
4724:
4714:
4704:
4697:
4687:
4677:
4670:
4660:
4650:
4640:
4630:
4620:
4610:
4600:
4590:
4580:
4570:
4560:
4550:
4540:
4530:
4523:By the Seashore
4520:
4510:
4500:
4490:
4480:
4470:
4460:
4450:
4440:
4430:
4420:
4410:
4400:
4390:
4380:
4370:
4360:
4350:
4340:
4330:
4320:
4310:
4300:
4290:
4280:
4270:
4260:
4250:
4240:
4230:
4220:
4210:
4200:
4190:
4180:
4173:La Grenouillère
4170:
4160:
4150:
4140:
4130:
4120:
4110:
4100:
4090:
4080:
4064:
4059:
4029:
4024:
4014:Maurice Utrillo
3996:
3985:(1889 painting)
3977:(1887 painting)
3969:(1885 painting)
3961:(1883 painting)
3953:(1883 painting)
3937:
3907:Casting the Net
3878:
3869:
3867:Suzanne Valadon
3864:
3822:
3812:
3810:
3801:
3791:
3789:
3781:
3778:
3773:
3734:
3719:
3706:
3692:
3679:
3675:
3673:Further reading
3670:
3655:
3654:
3642:
3632:Suzanne Valadon
3615:
3581:10.2307/3045814
3552:
3525:
3475:
3431:
3378:
3373:
3372:
3365:
3351:
3347:
3340:
3326:
3322:
3307:
3289:
3285:
3275:
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3235:
3228:
3218:
3216:
3202:
3198:
3183:
3169:
3165:
3150:
3136:
3132:
3128:, p. 1386.
3124:
3120:
3110:
3108:
3107:on 4 April 2019
3095:
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3090:
3035:
3031:
3021:
3019:
3011:
3010:
3006:
2996:
2994:
2986:
2985:
2981:
2971:
2969:
2961:
2960:
2956:
2941:
2937:
2927:
2925:
2917:
2916:
2912:
2899:
2898:
2894:
2881:
2880:
2876:
2863:
2862:
2858:
2851:www.mba-lyon.fr
2845:
2844:
2840:
2830:
2828:
2819:
2818:
2814:
2801:
2800:
2796:
2787:
2786:
2782:
2772:
2770:
2762:
2761:
2757:
2747:
2745:
2735:
2731:
2718:
2717:
2713:
2703:
2701:
2693:
2692:
2688:
2678:
2676:
2668:
2667:
2663:
2653:
2651:
2649:CMOA Collection
2643:
2642:
2638:
2628:
2626:
2618:
2617:
2613:
2603:
2601:
2593:
2592:
2588:
2578:
2576:
2566:
2562:
2549:
2548:
2544:
2534:
2532:
2519:
2518:
2514:
2504:
2502:
2494:
2493:
2489:
2481:
2477:
2469:
2462:
2454:
2450:
2440:
2438:
2431:Lund University
2423:
2419:
2411:
2407:
2397:
2395:
2387:
2386:
2382:
2374:
2370:
2362:
2358:
2350:
2346:
2338:
2334:
2326:
2317:
2292:
2288:
2278:
2276:
2268:
2267:
2263:
2253:
2251:
2243:
2242:
2238:
2230:
2223:
2215:
2211:
2203:
2199:
2191:
2187:
2179:
2175:
2167:
2163:
2159:, p. 1384.
2155:
2151:
2136:
2112:
2108:
2098:
2096:
2088:
2087:
2083:
2075:
2071:
2044:Feminist Review
2040:
2036:
2028:
2024:
2016:
2012:
2002:
2000:
1990:
1983:
1973:
1971:
1963:
1962:
1958:
1948:
1946:
1936:
1932:
1895:
1891:
1883:
1876:
1861:
1847:
1843:
1833:
1831:
1825:
1821:
1813:
1809:
1797:
1793:
1785:
1781:
1771:
1769:
1761:
1760:
1756:
1746:
1744:
1736:
1735:
1731:
1723:
1706:
1698:
1694:
1687:
1673:
1669:
1659:
1657:
1649:
1648:
1644:
1636:
1627:
1619:
1608:
1603:
1598:
1585:
1545:
1530:crater on Venus
1522:
1509:
1493:
1486:
1476:
1467:
1457:
1448:
1442:
1433:
1425:
1416:
1413:
1404:
1392:
1383:
1373:
1364:
1357:
1349:
1340:
1335:
1326:
1320:
1311:
1305:
1296:
1290:
1281:
1275:
1266:
1260:
1251:
1245:
1236:
1230:
1221:
1212:
1203:
1197:
1188:
1182:
1173:
1167:
1158:
1150:
1141:
1135:
1126:
1120:
1111:
1105:
1096:
1090:
1081:
1075:
1066:
1060:
1051:
1046:
1025:Rose Art Museum
927:
864:Édouard Herriot
821:solo exhibition
816:
716:Salon d'Automne
709:Salon d'Automne
702:Salon d'Automne
683:
678:
611:Maurice Utrillo
588:
542:
510:Casting the Net
479:Casting the Net
435:, flowers, and
390:
377:Suzanne Valadon
298:
246:
227:Suzanne Valadon
194:Maurice Utrillo
174:Suzanne Valadon
153:
104:
101:
97:
88:
82:
76:
74:
73:
72:
62:
44:
43:Suzanne Valadon
35:
28:
23:
22:
15:
12:
11:
5:
5102:
5092:
5091:
5086:
5081:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5004:
5003:
5001:
5000:
4995:
4988:
4981:
4973:
4966:
4958:
4951:
4944:
4937:
4930:
4923:
4916:
4909:
4901:
4893:
4891:
4887:
4886:
4884:
4883:
4875:
4867:
4859:
4851:
4846:
4838:
4830:
4822:
4818:Aline Charigot
4813:
4811:
4807:
4806:
4804:
4803:
4793:
4785:
4777:
4768:
4766:
4762:
4761:
4759:
4758:
4742:
4740:
4736:
4735:
4733:
4732:
4722:
4712:
4702:
4685:
4675:
4658:
4653:After the Bath
4648:
4638:
4628:
4618:
4608:
4598:
4588:
4578:
4568:
4558:
4548:
4538:
4528:
4518:
4508:
4498:
4488:
4478:
4468:
4458:
4448:
4438:
4428:
4418:
4408:
4398:
4388:
4378:
4373:At the Theatre
4368:
4358:
4348:
4338:
4328:
4318:
4308:
4298:
4288:
4278:
4268:
4258:
4248:
4238:
4228:
4218:
4208:
4198:
4188:
4178:
4168:
4158:
4148:
4138:
4128:
4118:
4108:
4098:
4088:
4078:
4072:
4070:
4066:
4065:
4058:
4057:
4050:
4043:
4035:
4026:
4025:
4023:
4022:
4017:
4011:
4004:
4002:
3998:
3997:
3995:
3994:
3986:
3978:
3970:
3962:
3954:
3945:
3943:
3939:
3938:
3936:
3935:
3927:
3919:
3911:
3903:
3895:
3886:
3884:
3880:
3879:
3874:
3871:
3870:
3863:
3862:
3855:
3848:
3840:
3834:
3833:
3820:
3799:
3777:
3776:External links
3774:
3772:
3771:
3732:
3717:
3704:
3690:
3676:
3674:
3671:
3669:
3668:
3640:
3627:
3613:
3593:
3564:
3550:
3537:
3523:
3502:
3473:
3460:
3443:
3429:
3409:
3379:
3377:
3374:
3371:
3370:
3363:
3345:
3338:
3320:
3305:
3283:
3256:
3226:
3196:
3181:
3163:
3148:
3130:
3118:
3088:
3029:
3004:
2979:
2954:
2935:
2910:
2892:
2874:
2856:
2838:
2812:
2794:
2780:
2755:
2729:
2711:
2686:
2661:
2636:
2611:
2586:
2560:
2542:
2512:
2500:washington.org
2487:
2475:
2473:, p. 529.
2460:
2448:
2417:
2405:
2380:
2368:
2366:, p. 418.
2356:
2344:
2332:
2315:
2286:
2261:
2236:
2221:
2219:, p. 388.
2209:
2197:
2185:
2173:
2161:
2149:
2134:
2106:
2081:
2069:
2034:
2022:
2010:
1981:
1956:
1930:
1889:
1874:
1859:
1841:
1819:
1807:
1791:
1779:
1754:
1729:
1704:
1692:
1685:
1667:
1642:
1625:
1605:
1604:
1602:
1599:
1597:
1594:
1593:
1592:
1584:
1581:
1569:'s 1944 novel
1544:
1541:
1521:
1518:
1508:
1505:
1504:
1503:
1492:
1489:
1488:
1487:
1479:Vestal reading
1477:
1470:
1468:
1464:Miquel Utrillo
1458:
1451:
1449:
1443:
1436:
1434:
1426:
1419:
1417:
1414:
1407:
1405:
1393:
1386:
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1254:
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1239:
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1222:
1213:
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1198:
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1010:
1005:
999:
994:
989:
983:
978:
973:
968:
962:
957:
952:
946:
940:
937:British Museum
934:
926:
923:
922:
921:
918:
911:
908:
901:
898:
895:
892:
885:
882:
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870:
867:
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857:
854:
851:
848:
845:
842:
839:
836:
833:
830:
827:
824:
815:
812:
811:
810:
807:
804:
798:
792:
789:
786:
783:Haus der Kunst
775:
768:
767:
764:
757:
750:
743:
740:
737:
726:
719:
712:
705:
698:
695:
682:
679:
677:
674:
670:Georges Braque
615:Miquel Utrillo
603:Miquel Utrillo
587:
584:
567:Berthe Morisot
541:
538:
525:in Paris, the
507:) (1911), and
453:Bernheim-Jeune
389:
386:
319:Berthe Morisot
297:
294:
282:Berthe Morisot
245:
242:
169:
168:
159:
155:
154:
152:
151:
146:
142:
140:
136:
135:
126:
122:
121:
118:
117:Known for
114:
113:
110:
106:
105:
102:
100:(aged 72)
94:
90:
89:
83:
70:
68:
64:
63:
54:
46:
45:
42:
26:
9:
6:
4:
3:
2:
5101:
5090:
5087:
5085:
5082:
5080:
5077:
5075:
5072:
5070:
5067:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5016:
5014:
4999:
4996:
4993:
4989:
4986:
4982:
4978:
4977:Jeanne Baudot
4974:
4971:
4970:Raoul Rigault
4967:
4965:(child model)
4963:
4959:
4956:
4952:
4949:
4945:
4942:
4941:Jeanne Samary
4938:
4935:
4934:Richard Guino
4931:
4928:
4924:
4921:
4917:
4914:
4910:
4906:
4902:
4899:
4895:
4894:
4892:
4888:
4880:
4879:Sophie Renoir
4876:
4872:
4868:
4864:
4860:
4856:
4855:Claude Renoir
4852:
4847:
4843:
4839:
4835:
4834:Pierre Renoir
4831:
4827:
4823:
4819:
4815:
4814:
4812:
4808:
4800:
4799:
4794:
4792:(2006 series)
4791:
4790:
4786:
4783:
4782:
4778:
4775:
4774:
4770:
4769:
4767:
4763:
4749:
4748:
4744:
4743:
4741:
4737:
4729:
4728:
4723:
4719:
4718:
4713:
4709:
4708:
4703:
4692:
4691:
4686:
4682:
4681:
4676:
4665:
4664:
4659:
4655:
4654:
4649:
4645:
4644:
4639:
4635:
4634:
4629:
4625:
4624:
4619:
4615:
4614:
4609:
4605:
4604:
4599:
4595:
4594:
4589:
4585:
4584:
4579:
4575:
4574:
4569:
4565:
4564:
4559:
4555:
4554:
4549:
4545:
4544:
4539:
4535:
4534:
4529:
4525:
4524:
4519:
4515:
4514:
4513:The Umbrellas
4509:
4505:
4504:
4503:Blonde Bather
4499:
4495:
4494:
4489:
4485:
4484:
4479:
4475:
4474:
4473:Pink and Blue
4469:
4465:
4464:
4459:
4455:
4454:
4449:
4445:
4444:
4439:
4435:
4434:
4429:
4425:
4424:
4419:
4415:
4414:
4409:
4405:
4404:
4399:
4395:
4394:
4393:The Day Dream
4389:
4385:
4384:
4379:
4375:
4374:
4369:
4365:
4364:
4359:
4355:
4354:
4349:
4345:
4344:
4339:
4335:
4334:
4329:
4325:
4324:
4319:
4315:
4314:
4309:
4305:
4304:
4299:
4295:
4294:
4289:
4285:
4284:
4279:
4275:
4274:
4269:
4265:
4264:
4263:La Parisienne
4259:
4255:
4254:
4249:
4245:
4244:
4239:
4235:
4234:
4229:
4225:
4224:
4219:
4215:
4214:
4209:
4205:
4204:
4199:
4195:
4194:
4189:
4185:
4184:
4179:
4175:
4174:
4169:
4165:
4164:
4159:
4155:
4154:
4149:
4145:
4144:
4139:
4135:
4134:
4129:
4125:
4124:
4119:
4115:
4114:
4109:
4105:
4104:
4099:
4095:
4094:
4089:
4085:
4084:
4079:
4077:
4074:
4073:
4071:
4067:
4063:
4056:
4051:
4049:
4044:
4042:
4037:
4036:
4033:
4021:
4018:
4015:
4012:
4009:
4006:
4005:
4003:
3999:
3992:
3991:
3987:
3984:
3983:
3979:
3976:
3975:
3971:
3968:
3967:
3963:
3960:
3959:
3955:
3952:
3951:
3947:
3946:
3944:
3940:
3933:
3932:
3928:
3925:
3924:
3923:The Blue Room
3920:
3917:
3916:
3912:
3909:
3908:
3904:
3901:
3900:
3896:
3893:
3892:
3888:
3887:
3885:
3881:
3877:
3872:
3868:
3861:
3856:
3854:
3849:
3847:
3842:
3841:
3838:
3830:
3826:
3821:
3808:
3807:THE GREAT CAT
3804:
3800:
3788:
3784:
3780:
3779:
3770:
3769:9781773230412
3766:
3765:9781388181154
3762:
3756:
3752:
3748:
3744:
3740:
3739:
3733:
3728:
3724:
3720:
3714:
3710:
3705:
3701:
3697:
3693:
3691:9781351536714
3687:
3683:
3678:
3677:
3665:
3659:
3651:
3647:
3643:
3641:9780517544990
3637:
3633:
3628:
3624:
3620:
3616:
3614:9780312199210
3610:
3605:
3604:
3598:
3594:
3590:
3586:
3582:
3578:
3575:(3): 415–30.
3574:
3570:
3565:
3561:
3557:
3553:
3551:9782884430364
3547:
3543:
3538:
3534:
3530:
3526:
3520:
3516:
3512:
3508:
3503:
3499:
3495:
3491:
3488:
3487:9781785782749
3484:
3483:9781250157645
3480:
3476:
3474:9781250157645
3470:
3466:
3461:
3457:
3453:
3449:
3444:
3440:
3436:
3432:
3426:
3421:
3420:
3414:
3410:
3406:
3402:
3398:
3394:
3390:
3386:
3381:
3380:
3366:
3360:
3356:
3349:
3341:
3335:
3331:
3324:
3316:
3312:
3308:
3302:
3298:
3294:
3287:
3271:
3267:
3260:
3244:
3240:
3233:
3231:
3215:
3211:
3209:
3200:
3192:
3188:
3184:
3178:
3174:
3167:
3159:
3155:
3151:
3145:
3141:
3134:
3127:
3122:
3106:
3102:
3098:
3092:
3085:
3081:
3077:
3073:
3069:
3065:
3061:
3057:
3053:
3049:
3045:
3041:
3040:
3033:
3018:
3014:
3008:
2993:
2989:
2983:
2968:
2964:
2958:
2950:
2946:
2939:
2924:
2920:
2914:
2906:
2902:
2896:
2888:
2884:
2878:
2870:
2866:
2860:
2852:
2848:
2842:
2826:
2822:
2816:
2808:
2804:
2798:
2790:
2784:
2769:
2765:
2759:
2744:
2740:
2733:
2726:. 8 May 2015.
2725:
2721:
2715:
2700:
2696:
2690:
2675:
2671:
2665:
2650:
2646:
2640:
2625:
2621:
2615:
2600:
2596:
2590:
2575:
2571:
2564:
2556:
2552:
2546:
2531:. 7 June 2021
2530:
2526:
2524:
2516:
2501:
2497:
2491:
2485:, p. 88.
2484:
2479:
2472:
2467:
2465:
2457:
2452:
2436:
2432:
2428:
2421:
2415:, p. 48.
2414:
2409:
2394:
2390:
2384:
2377:
2372:
2365:
2360:
2353:
2348:
2341:
2336:
2330:, p. 16.
2329:
2324:
2322:
2320:
2310:
2305:
2301:
2297:
2290:
2275:
2271:
2265:
2250:
2246:
2240:
2233:
2228:
2226:
2218:
2213:
2206:
2201:
2195:, p. 17.
2194:
2189:
2183:, p. 55.
2182:
2177:
2171:, p. 51.
2170:
2165:
2158:
2153:
2145:
2141:
2137:
2131:
2127:
2123:
2119:
2118:
2110:
2095:
2091:
2085:
2079:, p. 97.
2078:
2073:
2065:
2061:
2057:
2053:
2049:
2045:
2038:
2031:
2026:
2019:
2014:
1999:
1995:
1988:
1986:
1970:
1966:
1960:
1945:
1941:
1934:
1926:
1922:
1917:
1912:
1908:
1904:
1902:
1893:
1887:, p. 15.
1886:
1881:
1879:
1870:
1866:
1862:
1856:
1852:
1845:
1830:
1823:
1817:, p. 14.
1816:
1811:
1804:
1800:
1795:
1788:
1783:
1768:
1764:
1758:
1743:
1739:
1733:
1726:
1725:Giraudon 2003
1721:
1719:
1717:
1715:
1713:
1711:
1709:
1702:, p. 13.
1701:
1696:
1688:
1682:
1678:
1671:
1656:
1652:
1646:
1640:, p. 40.
1639:
1634:
1632:
1630:
1622:
1617:
1615:
1613:
1611:
1606:
1590:
1587:
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1568:
1564:
1563:
1558:
1554:
1550:
1540:
1538:
1533:
1531:
1527:
1517:
1513:
1502:
1498:
1495:
1494:
1491:Illustrations
1484:
1483:Hector Leroux
1480:
1474:
1469:
1465:
1461:
1455:
1450:
1446:
1440:
1435:
1431:
1430:
1423:
1418:
1411:
1406:
1402:
1398:
1397:
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1385:
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1371:
1366:
1365:
1355:
1354:
1347:
1342:
1339:
1333:
1328:
1324:
1318:
1313:
1310:
1309:Self-portrait
1303:
1298:
1294:
1288:
1283:
1279:
1273:
1268:
1264:
1258:
1253:
1249:
1243:
1238:
1234:
1228:
1223:
1219:
1217:
1216:The Blue Room
1210:
1205:
1201:
1195:
1190:
1186:
1180:
1175:
1171:
1165:
1160:
1156:
1155:
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1143:
1139:
1133:
1128:
1124:
1118:
1113:
1109:
1103:
1098:
1094:
1088:
1083:
1079:
1073:
1068:
1064:
1063:Self-portrait
1058:
1053:
1052:
1038:
1035:
1032:
1029:
1026:
1023:
1020:
1017:
1015:, Kansas City
1014:
1011:
1009:
1006:
1003:
1000:
998:
995:
993:
990:
987:
984:
982:
979:
977:
974:
972:
969:
966:
963:
961:
958:
956:
953:
950:
947:
944:
941:
938:
935:
932:
931:Albright-Knox
929:
928:
919:
916:
912:
909:
906:
902:
899:
896:
893:
890:
886:
883:
880:
877:
874:
871:
868:
865:
861:
858:
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849:
846:
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840:
837:
834:
831:
828:
825:
822:
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817:
808:
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803:
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797:
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790:
787:
784:
780:
776:
773:
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771:
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762:
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755:
751:
748:
744:
741:
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735:
731:
727:
724:
720:
717:
713:
710:
706:
703:
699:
696:
691:
685:
684:
673:
671:
667:
666:Pablo Picasso
663:
659:
654:
652:
648:
644:
639:
637:
635:
628:
623:
618:
616:
612:
604:
600:
599:Summer shower
596:
592:
586:Personal life
583:
581:
580:
574:
572:
568:
562:
556:
552:
551:
546:
537:
534:
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528:
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419:
415:
414:self-portrait
410:
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367:
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150:
147:
144:
143:
141:
137:
134:
130:
127:
123:
119:
115:
111:
107:
103:Paris, France
95:
91:
86:
69:
65:
61:
57:
56:Self-portrait
52:
47:
40:
37:
33:
19:
4962:Jane Henriot
4947:
4863:Alain Renoir
4796:
4787:
4779:
4771:
4745:
4725:
4715:
4705:
4688:
4678:
4661:
4651:
4641:
4631:
4621:
4611:
4601:
4591:
4581:
4571:
4561:
4551:
4541:
4531:
4521:
4511:
4501:
4491:
4481:
4471:
4461:
4451:
4441:
4431:
4421:
4411:
4401:
4391:
4383:Eugène Murer
4381:
4371:
4361:
4351:
4341:
4331:
4321:
4311:
4301:
4291:
4281:
4271:
4261:
4251:
4243:Le Pont-Neuf
4241:
4231:
4221:
4211:
4203:La Promenade
4201:
4193:L'Algérienne
4191:
4181:
4171:
4161:
4151:
4141:
4131:
4121:
4111:
4101:
4091:
4081:
3988:
3980:
3972:
3964:
3956:
3948:
3929:
3921:
3913:
3905:
3897:
3891:Adam and Eve
3889:
3866:
3828:
3811:. Retrieved
3806:
3790:. Retrieved
3786:
3737:
3708:
3681:
3631:
3602:
3572:
3569:Art Bulletin
3568:
3541:
3506:
3464:
3447:
3418:
3388:
3384:
3354:
3348:
3329:
3323:
3292:
3286:
3274:. Retrieved
3272:. p. 67
3269:
3259:
3247:. Retrieved
3243:I WANDERLING
3242:
3217:. Retrieved
3214:the Guardian
3213:
3207:
3199:
3172:
3166:
3139:
3133:
3121:
3109:. Retrieved
3105:the original
3100:
3091:
3086:and others.'
3038:
3032:
3020:. Retrieved
3016:
3007:
2995:. Retrieved
2991:
2982:
2970:. Retrieved
2966:
2957:
2948:
2938:
2926:. Retrieved
2922:
2913:
2904:
2895:
2886:
2877:
2868:
2859:
2850:
2841:
2829:. Retrieved
2824:
2815:
2806:
2797:
2783:
2771:. Retrieved
2767:
2758:
2746:. Retrieved
2742:
2732:
2723:
2714:
2702:. Retrieved
2698:
2689:
2677:. Retrieved
2673:
2664:
2652:. Retrieved
2648:
2639:
2627:. Retrieved
2623:
2614:
2602:. Retrieved
2598:
2589:
2577:. Retrieved
2573:
2563:
2554:
2545:
2533:. Retrieved
2528:
2522:
2515:
2503:. Retrieved
2499:
2490:
2478:
2471:Jiminez 2013
2451:
2439:. Retrieved
2435:the original
2420:
2408:
2396:. Retrieved
2392:
2383:
2376:Mathews 1991
2371:
2364:Mathews 1991
2359:
2347:
2335:
2299:
2289:
2277:. Retrieved
2273:
2264:
2252:. Retrieved
2248:
2239:
2232:Mathews 1991
2212:
2200:
2188:
2176:
2164:
2152:
2116:
2109:
2097:. Retrieved
2093:
2084:
2072:
2047:
2043:
2037:
2025:
2013:
2001:. Retrieved
1997:
1972:. Retrieved
1968:
1959:
1947:. Retrieved
1943:
1933:
1906:
1900:
1892:
1850:
1844:
1832:. Retrieved
1822:
1810:
1802:
1794:
1789:, p. 9.
1782:
1770:. Retrieved
1766:
1757:
1745:. Retrieved
1741:
1732:
1695:
1676:
1670:
1658:. Retrieved
1654:
1645:
1623:, p. 9.
1577:
1570:
1560:
1552:
1548:
1546:
1534:
1526:6937 Valadon
1523:
1514:
1510:
1500:
1497:Jean Cocteau
1481:(study), by
1478:
1459:
1444:
1427:
1394:
1375:
1351:
1337:
1322:
1308:
1292:
1277:
1262:
1247:
1232:
1214:
1199:
1184:
1169:
1154:Adam and Eve
1152:
1137:
1122:
1107:
1092:
1077:
1062:
1019:Petit Palais
945:, Pittsburgh
769:
662:André Derain
655:
646:
640:
631:
619:
608:
598:
577:
575:
571:Mary Cassatt
563:
559:
548:
535:
519:
514:
508:
504:
498:
494:
490:Adam and Eve
488:
485:
477:
457:
442:
426:
411:
407:
396:
382:The Hangover
381:
376:
370:
363:
357:
355:
347:
316:
305:
286:
266:
255:
231:
225:
224:(1883), and
215:
209:
207:
200:
198:
177:
173:
172:
145:Paul Mousis,
98:(1938-04-07)
96:7 April 1938
55:
36:
5029:1938 deaths
5024:1865 births
4913:Lise Tréhot
4842:Jean Renoir
4801:(2012 film)
4755: 1914
4727:The Bathers
4710:(1915–1917)
4698: 1908
4671: 1910
4586:(1886-1887)
4566:(1884–1887)
4496:(1880-1882)
4376:(1876-1877)
4008:André Utter
3993:(2009 play)
3899:Joy of Life
3413:Gaze, Delia
3219:15 November
3111:16 November
3064:de Segonzac
3056:J. Marchand
3022:19 February
2997:19 February
2972:19 February
2928:19 February
2831:19 February
2827:(in French)
2773:19 February
2748:19 February
2704:19 February
2699:www.dia.org
2679:19 February
2674:www.dma.org
2654:15 November
2629:19 February
2604:19 February
2483:Warnod 1981
2413:Warnod 1981
2300:CAA Reviews
2217:Hewitt 2018
2181:Warnod 1981
2169:Warnod 1981
2099:20 December
2018:Warnod 1981
1974:20 December
1907:Caa.reviews
1899:"Review of
1747:20 December
1700:Warnod 1981
1638:Warnod 1981
1039:, Ann Arbor
967:, Cambridge
732:, Valadon,
676:Exhibitions
647:Adam et Eve
643:André Utter
500:Joy of Life
495:Adam et Eve
429:still lifes
398:Joy of Life
351:Edgar Degas
310:(1883), by
274:Thèo Wagner
230:(1885) and
214:(1883) and
202:Joy of Life
149:André Utter
109:Nationality
5013:Categories
4865:(grandson)
4857:(grandson)
4828:(daughter)
4765:Portrayals
4739:Sculptures
3942:Portrayals
3813:8 February
3792:8 February
3727:1263777716
3623:1036881995
3597:Rose, June
3498:1026408741
3494:1006391440
3439:1033656447
3270:SlideShare
3158:1184016102
2695:"The Bath"
2579:21 October
2505:8 February
2279:7 February
2144:1051356006
2030:Burns 1993
2003:9 February
1596:References
1004:, New York
653:in Paris.
627:Rue Cortot
622:Erik Satie
529:, and the
497:) (1909),
437:landscapes
289:Montmartre
262:Montmartre
244:Early life
162:Erik Satie
158:Partner(s)
77:1865-09-23
4730:(1918–19)
4583:The Braid
4343:The Swing
4233:The Harem
4186:(1869-70)
4143:In Summer
4069:Paintings
4010:(husband)
3974:The Braid
3883:Paintings
3755:988270982
3700:994145627
3658:cite book
3599:(1999) .
3533:861081918
3405:936739756
3397:0702-7818
3126:Gaze 1997
2737:Harvard.
2352:Gaze 1997
2157:Gaze 1997
2077:Rose 1999
2064:144064933
2050:: 3–24 .
1925:1543-950X
1834:20 August
1787:Rose 1999
1601:Citations
1559:'s play,
1485:, c. 1892
1429:The Braid
1033:, Chicago
1027:, Waltham
933:, Buffalo
579:Blue Room
433:portraits
258:laundress
133:Symbolism
3990:The Line
3560:34256669
3415:(1997).
3385:Atlantis
3315:70766173
3208:The Line
3191:47894155
3039:WorldCat
2905:nmwa.org
2535:8 August
2254:17 March
1949:10 April
1869:22422605
1803:La RazĂłn
1772:17 March
1660:17 March
1583:See also
1562:The Line
1528:) and a
1138:The Bath
1125:, c.1895
1021:, Geneva
988:, Colmar
951:, Dallas
939:, London
785:, Munich
449:etchings
418:charcoal
125:Movement
87:, France
58:, 1898,
4890:Related
4486:(1881)
4273:La Loge
4001:Related
3650:7573059
3589:3045814
3376:Sources
3276:30 June
3249:30 June
3076:Marquet
3060:R. Dufy
3052:Matisse
3037:Notice
2441:12 June
2398:7 March
1044:Gallery
907:, Paris
891:, Paris
763:, Paris
756:, Paris
749:, Paris
730:Utrillo
725:, Paris
694:, Paris
278:Medrano
139:Spouses
120:Painter
18:Valadon
4820:(wife)
4810:Family
4798:Renoir
4720:(1918)
4700:–1914)
4683:(1911)
4656:(1910)
4646:(1910)
4636:(1907)
4626:(1897)
4616:(1897)
4606:(1892)
4596:(1888)
4576:(1885)
4556:(1883)
4546:(1883)
4536:(1883)
4526:(1883)
4476:(1881)
4466:(1881)
4456:(1880)
4446:(1879)
4436:(1879)
4426:(1878)
4416:(1878)
4406:(1878)
4396:(1877)
4386:(1877)
4366:(1876)
4356:(1876)
4346:(1876)
4336:(1876)
4326:(1876)
4316:(1875)
4306:(1875)
4296:(1875)
4286:(1875)
4276:(1874)
4266:(1874)
4256:(1873)
4246:(1872)
4236:(1872)
4226:(1871)
4216:(1870)
4206:(1870)
4196:(1870)
4176:(1869)
4166:(1869)
4156:(1868)
4146:(1868)
4136:(1868)
4126:(1867)
4116:(1867)
4106:(1867)
4096:(1866)
4086:(1864)
3934:(1930)
3926:(1923)
3918:(1921)
3910:(1914)
3902:(1911)
3894:(1909)
3763:
3753:
3725:
3715:
3698:
3688:
3648:
3638:
3621:
3611:
3587:
3558:
3548:
3531:
3521:
3492:
3481:
3471:
3437:
3427:
3403:
3395:
3361:
3336:
3313:
3303:
3189:
3179:
3156:
3146:
3080:Signac
3072:Friesz
2142:
2132:
2062:
1923:
1867:
1857:
1683:
1466:, 1891
1403:, 1885
1382:, 1885
1356:(1930)
1325:, 1936
1295:, 1930
1280:, 1928
1265:, 1928
1250:, 1925
1235:, 1924
1220:, 1923
1202:, 1921
1187:, 1920
1172:, 1919
1140:, 1908
1110:, 1895
1095:, 1893
1080:, 1890
1065:, 1883
913:2021,
903:1967,
759:1928,
752:1927,
728:1917,
714:1911,
707:1910,
700:1909,
686:1894,
668:, and
422:pastel
388:Artist
337:, and
112:French
4844:(son)
4836:(son)
4103:Diana
4016:(son)
3585:JSTOR
3044:sudoc
2060:S2CID
1462:, by
1399:, by
1378:, by
1170:Nudes
1123:Women
734:Utter
634:Biqui
540:Style
460:Degas
296:Model
4643:Nude
3815:2022
3794:2022
3761:ISBN
3751:OCLC
3723:OCLC
3713:ISBN
3696:OCLC
3686:ISBN
3664:link
3646:OCLC
3636:ISBN
3619:OCLC
3609:ISBN
3556:OCLC
3546:ISBN
3529:OCLC
3519:ISBN
3490:OCLC
3479:ISBN
3469:ISBN
3435:OCLC
3425:ISBN
3401:OCLC
3393:ISSN
3359:ISBN
3334:ISBN
3311:OCLC
3301:ISBN
3278:2024
3251:2024
3221:2021
3187:OCLC
3177:ISBN
3154:OCLC
3144:ISBN
3113:2021
3024:2021
2999:2021
2974:2021
2930:2021
2833:2021
2775:2021
2750:2021
2706:2021
2681:2021
2656:2021
2631:2021
2606:2021
2581:2021
2537:2021
2507:2021
2443:2010
2400:2013
2281:2023
2256:2023
2140:OCLC
2130:ISBN
2101:2012
2005:2021
1976:2012
1951:2013
1921:ISSN
1865:OCLC
1855:ISBN
1836:2018
1774:2023
1749:2012
1681:ISBN
1662:2023
1108:Nude
569:and
466:and
420:and
272:and
93:Died
67:Born
3743:hdl
3577:doi
3511:doi
3452:doi
3297:253
3048:BnF
2304:doi
2052:doi
1998:CNN
1911:doi
260:in
220:by
180:at
5015::
4752:c.
4695:c.
4668:c.
3827:.
3805:.
3785:.
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3749:.
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3694:.
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