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Even after the departure of its founder the orchestra championed new music, with 22 premieres in the 1923–24 season. State subsidies for orchestras had begun in France in 1897; by 1929 the
Concerts Colonne were receiving 75,000 francs a year, the same as the Lamoureux, with other Parisian formations
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at the
Chatelet it became a permanent part of the orchestra's repertoire, played 117 times by the time of the composer's centenary in 1903, as well as other works by him. Under Colonne the orchestra mainly played French and German works; Colonne conducted the large majority of concerts with
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to lead a series of popular concerts which he founded under the title of ‘Concert
National’ in March 1873. While at first a great success, the financial burden forced Hartmann to withdraw from the enterprise.
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in Paris into the 1920s. A second period of recording for the orchestra occurred from 1928 to 1931 under Pierné amounting to 148 78 sides, encompassing French, Russian and German repertoire. In 1938
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The
Colonne orchestra was one of the first orchestras to embark on a series of sound recordings when from 1908-09 Colonne himself went into the studio, leading to 20 discs with the orchestra for
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engaged an orchestra in each city his company was visiting; in Paris it was the
Colonne, which thus after the death of its founder played for the premieres of ballets such as
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126:. Colonne and his orchestra were central to reviving and sustaining interest in the music of Berlioz after his death; following a 1877 concert performance of
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Morin, Philippe. L'orchestre
Colonne et le disque 78 tours. Essay in booklet accompanying Cascavelle CD Vel 3066, 2003.
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However, Colonne then decided to form his own orchestra, ‘l’Association artistique des
Concerts Colonne’ based at the
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Morin, Philippe. Une nouvelle politique discographique pour la France. In : Myriam Chimènes (ed.) :
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in
November 1873. The Concerts Colonne placed particular emphasis on contemporary music of the time such as (
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440:. Berlioz ; Vol.2 Servitude and Greatness. Allen Lane, The Penguin Press, London, 1999, p777.
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551:, No.46, Autumn 2006, p80-81. These are dated 1906, whereas Morin gives 1908 and 1909.
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Foreman, Lewis. Review of
Symposium and Tahra CD collections of Colonne recordings,
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is a French symphony orchestra, founded in 1873 by the violinist and conductor
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from Paray in 1949 and 1951, the main conductor of the remaining records was
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Dictionnaire des interprètes et de l'interprétation musicale au XXe siècle.
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University of
California Press, Berkeley and Los Angeles, 2004, p428.
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at the Théâtre du Châtelet. Among the principals under Colonne was
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Les Éditions Musicales de la Librairie de France, Paris, 1925.
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Notable premieres given by the Colonne include Saint-Saëns
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conducted their music with the orchestra over the years.
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orchestra, Édouard Colonne was engaged by the publisher
34:"Colonne conducting." 1905. Lithograph by Hector Dumas.
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Amadeus Press, Pompton Plains, New Jersey, 2003, p23.
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conducting the Colonne Orchestra, and during the war
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The Société des Concerts du Conservatoire 1828–1967.
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486:The Harlequin Years; Music in Paris 1917–1929.
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562:La vie musicale sous Vichy
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623:Musical groups from Paris
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548:Classic Record Collector
297:Symphonie chorégraphique
258:Jour d'été à la montagne
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263:Une barque sur l'océan
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404:Symphonie fantastique
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536:. p1052-53
414:References
352:Recordings
321:Paul Paray
294:Bondeville
287:Mihalovici
482:Nichols R
266:1907 and
204:Petrushka
194:Diaghilev
183:Prokofiev
402:and the
396:. After
394:Delannoy
382:Messaien
241:Chausson
226:(1913).
216:(1912),
212:(1912),
206:(1911),
202:(1910),
188:For his
116:Chabrier
80:Massenet
399:La Péri
390:Barraud
96:Debussy
58:of the
50:History
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374:Enescu
299:1965.
292:1937,
285:1924,
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272:1908,
255:d'Indy
248:Enesco
246:1898,
239:1875,
181:, and
147:Mahler
141:, and
120:Wagner
108:Enescu
92:d'Indy
56:leader
54:While
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358:Pathé
274:Ibert
112:Dukas
104:Widor
100:Ravel
88:Fauré
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392:and
368:and
218:Jeux
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