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Viennese waltz

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bring both their bodies under one cover. This action also required the dancers' bodies to be very close together, and this closeness attracted moral disparagement. In 1797, Wolf published a pamphlet against the dance entitled "Proof that Waltzing is the Main Source of Weakness of the Body and Mind of our Generation". But even when faced with all this negativity, it became very popular in Vienna. Large dance halls like the Zum Sperl in 1807 and the Apollo in 1808 were opened to provide space for thousands of dancers. The dance reached and spread to England sometime before 1812. It was introduced as the German waltz and became a huge hit. It gained ground through the
203:. The hold was at times semi-closed and at times side by side. Arms were intertwined and circling movements were made under raised arms. No couple in Wilson's plate are shown in close embrace, but some are in closed hold facing each other. Another significant difference from the present technique was that the feet were turned out and the rise of foot during the dance was much more pronounced. This can be seen quite clearly in the figure, and such a style imposes its limitations on how the dance can be performed. 42: 182: 161:
and was both popular and subject to criticism. At that time, the waltz, as described in a magazine from 1799, was performed by dancers who held on to their long gowns to prevent them from dragging or being stepped on. The dancers would lift their dresses and hold them high like cloaks, and this would
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The Viennese waltz is a rotary dance where the dancers are constantly turning either in a clockwise ("natural") or counter-clockwise ("reverse") direction interspersed with non-rotating change steps to switch between the direction of rotation. A true Viennese waltz consists only of turns and change
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To understand why Quirey says "The advent of the Waltz in polite society was quite simply the greatest change in dance form and dancing manners that has happened in our history" we need to realize that all European social dances before the waltz were communal sequence dances – communal, because all
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Initially, the waltz was significantly different from its form today. In the first place, the couples did not dance in the closed position as today. The illustrations and descriptions make it clear that the couples danced with arm positions similar to that of the precursor dances, the
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As the waltz evolved, some of the versions that were done at about the original fast tempo came to be called specifically "Viennese waltz" to distinguish them from the slower waltzes. In the modern ballroom dance, two versions of Viennese waltz are recognized:
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or "waltz" position. The dance that is popularly known as the waltz is actually the English or slow waltz, danced at approximately 90 beats per minute with 3 beats to the bar (the international standard of 30
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division of contemporary ballroom dance. The Waltz Series is a New York membership society devoted to preserving the pre-World War I tradition of Viennese waltz. It organizes a program of dances.
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The Viennese waltz is a rotary dance where the dancers are constantly turning either toward the leader's right (natural) or toward the leader's left (reverse), interspersed with non-rotating
211:). Dancers separately, and as couples, faced outwards to the spectators as much as they faced inwards. Thus all present took part as dancers or as onlookers. This was the way with the 80:), while the Viennese waltz is danced at about 180 beats (58-60 measures) per minute. To this day however, in Germany, Austria, Scandinavia, and France, the words 215:
and all previous popular dances. With the waltz, couples were independent of each other and were turned towards each other (though not in close contact).
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wrote a furious letter, which precedes his poem "The Waltz", in which he decries the anti-social nature of the dance, with the couple "like two
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The competitive styles of Viennese waltz has a reduced number of steps, depending on the style and competition level or medal exam level.
125: 77: 64:. At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the 455: 71:
What is now called the Viennese waltz is the original form of the waltz. It was the first ballroom dance performed in the
443: 1291: 497: 17: 1228: 991: 149:, is the oldest of the current ballroom dances. It emerged in the second half of the 18th century from the 1372: 1256: 925: 247: 110: 1377: 1233: 1206: 1096: 915: 1367: 1296: 775: 255: 292: 114: 845: 68:, including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz. 1362: 1161: 956: 940: 888: 517: 259: 1211: 695: 267: 835: 760: 309: 35: 1266: 1126: 1121: 1086: 858: 720: 8: 1301: 1218: 1046: 981: 971: 490: 451: 281: 1223: 1186: 1181: 1171: 1156: 1141: 1091: 1071: 986: 976: 863: 770: 208: 163: 1238: 1191: 1116: 1101: 1036: 1011: 1006: 623: 175: 31: 1331: 1316: 1261: 1151: 1136: 996: 961: 920: 900: 873: 853: 820: 790: 648: 618: 522: 171: 1276: 1201: 1146: 1061: 1041: 1031: 1026: 1016: 878: 743: 653: 563: 532: 251: 72: 53: 236:, American-style figures and side sway or underarm turns are modern inventions. 1357: 1336: 1306: 1281: 1248: 1176: 1131: 1076: 1066: 1051: 1021: 966: 910: 738: 633: 527: 483: 314: 61: 364:"A Brief Outline Regarding the Origin of the Waltz in Relation to Piano Music" 98:(French) still implicitly refer to the original dance and not the slow waltz. 1351: 1326: 1311: 1286: 1271: 1196: 1111: 1001: 951: 825: 805: 785: 663: 628: 568: 558: 553: 212: 121: 363: 295:
Viennese waltz has much more freedom, both in dance positions and syllabus.
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the dancers on the floor took part in a preset pattern (often chosen by a
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at the beginning of the 19th century and by the famous compositions by
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For the figure skating compulsory dance of the same name, see
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The Viennese waltz, so called to distinguish it from the
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May I have the pleasure? The story of popular dancing
242: 1349: 287: 491: 105:to switch between the direction of rotation. 431:Social dances of the 19th century in England 389:Social dances of the 19th century in England 93: 87: 81: 120:Today the Viennese waltz is a ballroom and 498: 484: 284:competition, canter pivots are excluded. 180: 40: 226: 14: 1350: 412: 410: 92:(Danish, Norwegian, and Swedish), and 479: 407: 24: 243:International-style Viennese waltz 25: 1389: 420:. p. 66; "The Century of Waltz". 136: 1292:Dance in mythology and religion 232:steps. Other moves such as the 436: 423: 394: 381: 356: 340:"Viennese Waltz Dinner Dances" 332: 13: 1: 325: 288:American-style Viennese waltz 254:. The syllabus is limited to 223:spitted on the same bodkin." 250:Viennese waltz is danced in 7: 298: 10: 1394: 402:World History of the Dance 131: 29: 1247: 934: 844: 719: 609: 541: 513: 505: 256:natural and reverse turns 429:Richardson P.J.S. 1960. 387:Richardson P.J.S. 1960. 368:www.amsinternational.org 260:closed and open changes 185:Early waltz steps, 1816 27:Genre of ballroom dance 416:Quirey, Belinda 1976. 191: 126:International Standard 94: 88: 82: 57: 46: 310:Austrian folk dancing 184: 44: 36:Viennese Waltz (film) 1257:Dance and disability 227:Technique and styles 189:Treatise on Waltzing 124:that is part of the 34:. For the film, see 1302:Dance on television 452:World Dance Council 444:"Competition Rules" 400:Sachs, Curt. 1937. 282:World Dance Council 248:International-style 187:from Thomas Wilson 111:International Style 78:measures per minute 1373:Triple time dances 209:master of ceremony 192: 164:Congress of Vienna 47: 1378:Culture in Vienna 1345: 1344: 1297:Dance occupations 1234:Wallis and Futuna 344:A New York Series 277:(canter pivots). 176:Johann Strauss II 32:Compulsory dances 16:(Redirected from 1385: 1368:Dance in Austria 1332:History of dance 1317:Dance technology 1262:Dance and health 1212:African-American 500: 493: 486: 477: 476: 470: 469: 467: 466: 460: 454:. 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Retrieved 456:the original 448:DanceWDC.org 447: 438: 430: 425: 417: 401: 396: 388: 383: 371:. Retrieved 367: 358: 347:. Retrieved 343: 334: 291: 279: 246: 238: 230: 205: 193: 188: 168:Josef Lanner 151:German dance 147:French waltz 140: 119: 107: 103:change steps 102: 100: 70: 49: 48: 1152:Philippines 1137:Netherlands 1127:Middle East 679:Table dance 644:Go go dance 624:Competitive 275:pivot turns 272:canter-time 221:cockchafers 73:closed hold 1352:Categories 1219:Uzbekistan 987:Azerbaijan 896:Musicality 864:Connection 821:Postmodern 791:Historical 674:Striptease 669:Pole dance 619:Ceremonial 574:slow dance 465:2015-10-26 349:2023-04-08 326:References 320:Palm court 268:left whisk 217:Lord Byron 86:(German), 1224:Venezuela 1187:Sri Lanka 1182:Singapore 1142:Nicaragua 1072:Indonesia 977:Australia 846:Technique 744:formation 659:Lap dance 404:. 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Index

Viennese Waltz
Compulsory dances
Viennese Waltz (film)

German
ballroom dance
waltz
closed hold
measures per minute
International Style
American Style
partner dance
International Standard
waltz
French waltz
German dance
Ländler
Austria
Congress of Vienna
Josef Lanner
Johann Strauss I
Johann Strauss II

Ländler
Allemande
master of ceremony
country dance
Lord Byron
cockchafers
fleckerls

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