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the horrors of war. "I loved the sun all my life, and wanted to paint sunshine. When I happened to see warfare and say what I thought about it, I rejoiced that I would be able to devote myself to the sun once again. But the fury of war continued to pursue me". Vereshchagin wrote. One day, in 1882, Vereshchagin's exhibition in Berlin was visited by German field marshal
1292:. The picture evoked a sort of confusion in the field marshal. After his visit to the exhibition, Moltke issued an order forbidding German soldiers to visit it. The Austrian war minister did the same. He also declined the artist's offer to let Austrian officers see his pictures free of charge at the 1881 exhibition in Vienna.
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By the late 19th century, Vereshchagin had gained popularity, not only in Russia, but also abroad and his name never left the pages of the
European and American press. From his earliest works, unlike most contemporary battle pieces depicting war as a kind of parade, Vereshchagin graphically depicted
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In Russia, a ban on exhibitions of
Vereshchagin's work was also enforced, as well as a ban on reproductions of them in books and periodicals amidst accusations of slandering the Russian army. The artist took these unjust accusations badly and burned three of his paintings,
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1323:. Vereshchagin's paintings caused controversy over his portrayal of the figure of Christ with what was thought at the time to be an unseemly realism. His depiction of Jesus's features was thought to be excessively vulgar and over-emphatically
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and sank, taking with it most of the crew, including both
Admiral Makarov and Vereshchagin. Vereshchagin's last work, a picture of a council of war presided over by Admiral Makarov, was recovered almost undamaged.
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Vereshchagin graduated first in his list at the naval school, but left the service immediately to begin the study of drawing in earnest. Two years later, in 1863, he won a medal from the
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323:(4th class). He was an indefatigable traveller, returning to St Petersburg in late 1868, to Paris in 1869, back to St Petersburg later in the year, and then back to Turkestan via
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Vereshchagin Street in
Cherepovets is named after Vasily Vereshchagin, also there are a historic house museum and a monument to Vereshchagin in Cherepovets.
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Works of
Vassili Verestchagin: an Illustrated, descriptive catalogue and two appendixes to the catalogue Realism and Progress in Art by Verestchagin
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2205:"War Painter: Russia attacks Ukraine: time to remember a 19th century Russian artist Vasily Vasilyevich Vereshchagin"
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in 1873. He gave another exhibition of his works in St
Petersburg in 1874, where two of his paintings, namely,
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believed to be the second-largest oil painting in the world. He traveled again to India in 1882–1883.
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Tracing the
Turkestan Series – Vasily Vereshchagin's Representations of Late-19th-century Central Asia
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Pleshakov, Constantine. "The Tsar's Last Armada-The Epic Voyage to the Battle of
Tsushima." (2002).
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He aroused much controversy by his series of three pictures: firstly, of a Roman execution (the
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by saying that if there were another rebellion then the
British would use this method again.
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2278:"State Historical Museum Opens 'The Year 1812 in the Paintings by Vasily Vereshchagin',"
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and the city's notables watch how the heads of
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2180:"The 'Jaipur Procession' that inspired the world's second largest oil painting"
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1860s; Vereshchagin during the period of graduation from the Naval Cadet Corps
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2376:(2006). "Historical Dictionary of the Russo-Japanese War". Scarecrow. 620pp.
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2018:. Vol. 2. Translated by Peters, F. H. London: Richard Bentley & Son
2000:. Vol. 1. Translated by Peters, F. H. London: Richard Bentley & Son
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2015:
Vassili Verestchagin, Painter, soldier, Traveler; Autobiographical Sketches
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Vassili Verestchagin, Painter, soldier, Traveler; Autobiographical Sketches
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2369:. Vol. 27 (11th ed.). Cambridge University Press. p. 1021.
2141:. Vol. 27 (11th ed.). Cambridge University Press. p. 1021.
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in 1884 furnished him with an equally discussed set of subjects from the
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to enter the Alexander Cadet Corps. Three years later, he entered the
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Mullah Rahim and Mullah Kerim on his way to the bazaar are quarreling
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2232:"Art in December: M. Verestchagin on his Critics – Art and Politics"
334:. He gave a solo exhibition of his works (later referred to as his "
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This article incorporates text from a publication now in the
2041:. Special Exhibition; Inter-state Industrial Exposition of Chicago
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In late 1874, Vereshchagin departed for an extensive tour of the
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2256:"1812" Napoleon I in Russia; with an Introduction by R. Whiteing
2057:"1812" Napoleon I in Russia; with an Introduction by R. Whiteing
352:, dedicated "to all conquerors, past, present and to come," and
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Russian military personnel of the Russo-Turkish War (1877–1878)
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The State Procession of the Prince of Wales into Jaipur in 1876
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Russian military personnel killed in the Russo-Japanese War
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The Russian Gérôme? Vereshchagin as a Painter of Turkestan
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Vasily Vereshchagin: horrors of war through artist’s eyes
2390:(New York), vol. 1, no. 7 (April 1902), pp. 155–156.
1164:. At the conclusion of the war, he acted as secretary to
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Vereshchagin painted several scenes of imperial rule in
315:. He was granted the rank of ensign. His heroism at the
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280:, though he dissented widely from his master's methods.
196:; 26 October 1842 – 13 April 1904) was a
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W. T. Stead, "Vassili Verestchagin: Character Sketch,"
2316:"Василий Васильевич Верещагин, цикл полотен «1812 год»"
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Vereshchagin with his wife Lydia and son Vasily at the
2404:(London), vol. 19 (January 1899), frontispiece, 22–33.
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led to many of them never being printed or exhibited.
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240:, making his first voyage in 1858. He served on the
2386:Leonard D. Abbott, "Verestchagin, Painter of War."
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carried out by tying victims to the barrels of guns
228:roots. When he was eight years old, he was sent to
2283:"War Lasted 18 Months ... Russian Miscalculation,"
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330:In 1871, Vereshchagin established an atelier in
2539:People from the Russian Empire of Tatar descent
2155:, University of Wisconsin-Madison (2003), p. 18
2091:Historical Dictionary of the Russo-Japanese War
1276:Suppression of the Indian Revolt by the English
1248:Suppression of the Indian Revolt by the English
1239:Suppression of the Indian Revolt by the English
1753:The battlefield at Shipka (Skobelev at Shipka)
1288:. Vereshchagin brought Moltke to his painting
300:of 1866, Vereshchagin exhibited a drawing of
2509:Orientalist painters from the Russian Empire
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2242:. Cassell: ix (following p. 430). 1878–1904.
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2011:
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1391:Vereshchagin was in the Far East during the
319:from 2–8 June 1868 resulted an award of the
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2132:"Vereshchagin, Vassili Vassilievich"
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1383:(1901) from the series dedicated to the
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1180:After the war, Vereshchagin settled in
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1096:By the Fortress Wall. "Let Them Enter"
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650:(1874–1876). A painting of an Indian
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1440:struck two mines while returning to
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1129:. "Surrender!" — "Get the hell out!"
972:Nomadic road in the Alatau Mountains
2519:War artists from the Russian Empire
2438:Vereshchagin page at Olga's Gallery
2031:Verestchagin, Vassili (1889–1890).
1496:was used by Czech heavy metal band
420:Portrait of a man in a white turban
13:
2361:Vereshchagin, Vassili Vassilievich
1987:
1359:Vereshchagin in his atelier; 1890s
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1656:On the high road. Retreat, flight
1462:is named after him, as well as a
1407:of 1900. In 1901, he visited the
897:Inside the Tent of a Rich Kirghiz
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2238:. November 1887 – October 1888.
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1234:Crucifixion by the Romans (1887)
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1500:as the cover art for the album
186:Vasily Vasilyevich Vereshchagin
2514:Painters from Saint Petersburg
2301:Directory of Minor Plant Names
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2253:Verestchagin, Vassili (1899).
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2054:Verestchagin, Vassili (1899).
2012:Verestchagin, Vassili (1887).
1994:Verestchagin, Vassili (1887).
1556:Before Moscow waiting for the
1246:in St Petersburg. His picture
134:St. Petersburg Academy of Arts
1:
2448:Vereshchagin's lost paintings
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2267:– via Internet Archive.
2166:Portraits of Russian Painters
2068:– via Internet Archive.
2049:– via Internet Archive.
2026:– via Internet Archive.
2008:– via Internet Archive.
1670:Fix Bayonets! Hooray! Hooray!
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1348:, and was painted in 1893 in
1208:The Road of the War Prisoners
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1142:Russo-Turkish War (1877–1878)
21:Eastern Slavic naming customs
2460:Works by Vasily Vereshchagin
2203:Basu, Anasuya (2022-09-04).
1884:Eagles (A forgotten soldier)
1725:Before the attack. At Plevna
1426:, he was invited by Admiral
1286:Helmuth von Moltke the Elder
633:Presentation of the trophies
200:. The graphic nature of his
194:Василий Васильевич Верещагин
16:19th-century Russian painter
7:
2281:Art Daily, March 11, 2010;
2259:. London: William Heinemann
2060:. London: William Heinemann
1977:List of Orientalist artists
1970:
1917:Interrogation of a deserter
1372:Vasily Vereshchagin in 1902
1150:crossing of the Shipka Pass
1078:Polititians in opium shop.
272:. In 1864, he proceeded to
270:Ulysses Slaying the Suitors
10:
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2393:Art Institute of Chicago,
2178:Chitralekha (2020-06-02).
1866:The Moscow Cathedrals and
1542:The end of Borodino battle
1508:
923:wearing a ritual headdress
740:A Garden gate in Chuguchak
19:In this name that follows
18:
2168:, V. Visson (1987), p. 72
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276:, where he studied under
212:Vereshchagin was born at
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2544:Naval Cadet Corps alumni
2534:19th-century war artists
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1259:Indian Rebellion of 1857
1221:. His epic portrayal of
1148:. He was present at the
2499:People from Cherepovets
2366:Encyclopædia Britannica
2138:Encyclopædia Britannica
1397:with the Russian troops
1393:First Sino-Japanese War
1385:Philippine–American War
1306:Pursue and They Entered
1250:depicted executions of
957:In the Alatau Mountains
292:Travels in Central Asia
208:Years of apprenticeship
1932:Shinto shrine in Nikkō
1527:Napoleon near Borodino
1436:. On April 13, 1904,
1395:of 1894–1895, and was
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1140:With the start of the
1048:'s (Tamerlane's) doors
722:Ruins of a Theater in
555:Mausoleum in Samarkand
288:
112:, Russian Empire (now
1830:In a Turkish mortuary
1642:(Peace at all costs!)
1494:The Apotheosis of War
1379:
1371:
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1330:The "1812" series on
1298:The Forgotten Soldier
1290:The Apotheosis of War
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1206:
1146:Imperial Russian Army
503:Sale of a child-slave
487:The Apotheosis of War
349:The Apotheosis of War
305:chanting their Psalms
286:
266:St Petersburg Academy
2434:at Wikimedia Commons
2407:Maria Chernysheva, "
2151:Heather S. Sonntag,
1902:Spanish–American War
1476:Lyudmila Zhuravlyova
1026:The children of the
879:Kyrgyz yurts on the
864:hunter with a falcon
573:mausoleum. Samarkand
327:at the end of 1869.
218:Novgorod Governorate
88:Novgorod Governorate
2432:Vasily Vereshchagin
2236:The Magazine of Art
1625:painting. 1895–1896
1623:In Petrovsky Palace
1608:(Waiting for peace)
1302:They Have Encircled
1264:The Magazine of Art
666:Buddhist Temple in
618:Square in Samarkand
588:They are triumphant
177:Order of St. George
48:Vasily Vereshchagin
2453:2008-12-08 at the
1575:In Defeated Moscow
1424:Russo-Japanese War
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1200:and other cities.
845:After an unsuccess
770:Ruins in Chuguchak
755:Ruins in Chuguchak
692:sanctuary. Ak-Kent
456:in festive outfits
321:Cross of St George
317:siege of Samarkand
309:Konstantin Kaufman
289:
249:, which sailed to
198:Russian war artist
2464:Project Gutenberg
2430:Media related to
2415:, September 2014.
2402:Review of Reviews
2164:Vladimir Visson,
1767:Defeated. Requiem
1689:Night Bivouac of
1674:Battle of Krasnoi
1640:general Lauriston
1468:3410 Vereshchagin
1136:Russo-Turkish War
311:'s expedition to
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1415:, and in 1903,
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1212:Brooklyn Museum
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1154:Siege of Plevna
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2382:0-8108-4927-5
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2374:Kowner, Rotem
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2352:public domain
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1345:War and Peace
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1311:A journey in
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1236:); secondly,
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1219:British India
1213:
1210:(1878–1879).
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102:13 April 1904
101:
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45:
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31: and the
30:
26:
22:
2471: at the
2413:RIHA Journal
2412:
2401:
2394:
2387:
2364:
2323:. Retrieved
2319:
2310:
2300:
2294:
2287:
2280:
2273:
2261:. Retrieved
2255:
2248:
2239:
2235:
2226:
2215:. Retrieved
2208:
2198:
2187:. Retrieved
2183:
2173:
2165:
2160:
2152:
2147:
2136:
2090:
2085:
2062:. Retrieved
2056:
2043:. Retrieved
2033:
2020:. Retrieved
2014:
2002:. Retrieved
1996:
1963:
1946:
1930:
1916:
1897:
1883:
1868:river Moskva
1865:
1843:
1829:
1814:Bashi-bazouk
1811:
1794:
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1766:
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1738:
1724:
1710:
1688:
1669:
1655:
1637:
1622:
1603:
1589:
1573:
1560:' Deputation
1555:
1541:
1525:
1501:
1493:
1490:Aleš Brichta
1488:rock singer
1464:minor planet
1454:The town of
1437:
1432:
1421:
1390:
1387:in 1898–1899
1380:
1343:
1329:
1310:
1305:
1301:
1297:
1294:
1289:
1282:
1274:
1262:
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1233:
1231:
1222:
1216:
1207:
1179:
1139:
1125:
1110:
1095:
1077:
1063:Opium-eaters
1062:
1044:
1025:
1001:
986:
971:
956:
937:
911:
896:
878:
859:
844:
829:
814:
799:
785:Chinese tent
784:
769:
754:
739:
721:
706:
687:
665:
647:
632:
610:
587:
569:
553:Shah-i-Zinda
551:
532:
517:
502:
485:
470:
452:
434:
419:
404:
387:Portrait of
386:
358:
353:
347:
329:
301:
295:
269:
263:
245:
211:
185:
184:
104:(1904-04-13)
38:Vereshchagin
36:
28:
2494:1904 deaths
2489:1842 births
2388:The Comrade
1982:Orientalism
1854:Other works
1812:Two hawks (
1474:astronomer
1442:Port Arthur
1422:During the
1409:Philippines
1403:during the
1170:San Stefano
1152:and at the
1032:(1869–1870)
1013:(1869–1870)
1006: [
989:(1869–1870)
974:(1869–1870)
959:(1869–1870)
944:(1869–1870)
925:(1869–1870)
899:(1869–1870)
884:(1869–1870)
817:(1869–1870)
787:(1869–1870)
772:(1869–1870)
757:(1869–1870)
742:(1869–1870)
727:(1869–1870)
709:(1869–1870)
694:(1869–1870)
620:(1869–1870)
575:(1869–1870)
557:(1869–1870)
539:(1869–1870)
473:(1869–1870)
458:(1869–1870)
440:(1867–1868)
407:(1867–1868)
392:(1867–1868)
354:Left Behind
298:Paris Salon
214:Cherepovets
179:(4th Class)
140:Occupations
122:Nationality
110:Port Arthur
84:Cherepovets
33:family name
29:Vasilyevich
2483:Categories
2337:References
2325:2024-04-12
2217:2023-12-04
2189:2023-12-04
1947:Shrine in
1691:Great Army
1364:Last years
1176:World fame
571:Gur-e-Amir
338:") at the
76:1842-10-26
25:patronymic
2263:14 August
2093:, p. 408.
2064:14 August
2045:14 August
2022:14 August
2004:14 August
1460:Perm Krai
1401:Manchuria
1317:Palestine
1244:Nihilists
942:Mountains
881:Chu River
724:Chuguchak
688:Ruins of
668:Darjiling
535:Samarkand
454:Dervishes
361:Himalayas
313:Turkestan
303:Dukhobors
246:Kamchatka
155:Traveller
114:Lüshunkou
2451:Archived
2089:Kowner,
1971:See also
1846:Adjutant
1478:in 1978.
1332:Napoleon
1162:Rustchuk
1080:Tashkent
616:Registan
592:Registan
590:(1872).
268:for his
152:Military
116:, China)
2354::
2034:Realism
1781:The Spy
1711:Victors
1509:Gallery
1498:Arakain
1340:Tolstoi
1325:Semitic
1194:Dresden
938:In the
860:A rich
690:Chinese
325:Siberia
296:In the
251:Denmark
242:frigate
190:Russian
167:Realist
146:Painter
125:Russian
2473:Art UK
2380:
2348:
2212:Online
1796:Picket
1558:Boyars
1472:Soviet
1449:Legacy
1350:Moscow
1304:, and
1279:(1884)
1252:sepoys
1225:is at
1198:Vienna
1190:Berlin
1186:London
1182:Munich
1158:Danube
1113:(1871)
1098:(1871)
1083:(1870)
1065:(1868)
1050:(1872)
940:Alatau
917:Kalmyk
866:(1871)
862:Kyrgyz
847:(1868)
832:(1868)
815:Afghan
802:(1868)
800:Afghan
675:(1874)
672:Sikkim
635:(1872)
594:. The
520:(1873)
505:(1872)
490:(1871)
422:(1867)
344:London
332:Munich
255:France
222:Russia
173:Awards
149:Writer
23:, the
2077:Notes
1949:Nikkō
1672:(the
1502:Farao
1486:Czech
1417:Japan
1313:Syria
1160:near
1046:Timur
1030:tribe
1028:Solon
1010:]
913:Oirat
652:fakir
648:Fakir
436:Uzbek
389:bacha
369:Tibet
365:India
274:Paris
259:Egypt
226:Tatar
163:Style
2475:site
2378:ISBN
2265:2018
2066:2018
2047:2018
2024:2018
2006:2018
1844:The
1413:Cuba
1315:and
921:lama
367:and
257:and
99:Died
70:Born
2462:at
2411:,"
2363:".
1898:Spy
1604:In
1458:in
1399:in
1342:'s
1334:'s
1168:at
614:on
438:boy
342:in
236:at
35:is
27:is
2485::
2318:.
2240:11
2234:.
2207:.
2182:.
2135:.
2098:^
2010:;
1492:.
1466:,
1419:.
1308:.
1300:,
1196:,
1192:,
1188:,
1172:.
1008:ky
919:)
670:.
363:,
261:.
253:,
220:,
216:,
192::
90:,
86:,
2397:.
2328:.
2304:.
2220:.
2192:.
1904:)
1900:(
1816:)
1676:)
1504:.
915:(
188:(
78:)
74:(
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.