452:: an attempt at description of a phenomenon known in mathematics and sociology as a 'complex'", and that "basically what I am doing is making the spectator share the arbitrary nature of my choices, and the quest for general rules which might justify a particular choice", adding: "I watch myself filming, and you hear me thinking aloud. In other words, it isn't a film, it's an attempt at a film and presented as such." He also said he "wanted to include everything: sports, politics, even groceries" in the film, and, indeed, the film's most famous shot is a lengthy
326:
apartment buildings on the outskirts of Paris, Juliette travels to the city proper, where she drops off her screaming daughter with a man who watches the children of several prostitutes in his brothel-like apartment. She shops for a dress at a fashionable store, goes to a cafe (where she sees several other housewife/prostitutes), has an appointment with a young client, and visits a beauty salon. Then, she and
Marianne, her manicurist, visit her husband, Robert, at the garage/car wash at which he works, on their way to an appointment with John Bogus, a
339:-winning writer talks with a young female fan. When she gets home, Juliette reflects on a meaningful, but only partly-remembered, experience she had that day and does her typical evening routine. In bed, she tries, unsuccessfully, to talk with Robert about modern man and love before giving up and asking him for a cigarette.
602:
to debate with government official Jean St. Geours, who predicted that advertising would increase, as the basic impulse of the French society at the time was to increase its standard of living. Godard responded that he saw advertisers as pimps, who bring women to the point at which they give their
330:
for an
American newspaper who Marianne has seen before. After having Juliette and Marianne parade back and forth naked (except for bags with airline logos on their heads), Bogus invites Juliette to join him and Marianne in bed, but Juliette refuses and, instead, thinks about her awareness of the
325:
The dramatic plot of the film presents just over 24 hours in the sophisticated, but empty, life of
Juliette Jeanson, a bourgeois married mother of two young children who works as a prostitute during the day. The morning after an uneventful evening spent at her home in one of the new high-rise
321:
by looking into the camera and delivering monologues about their thoughts and lives, and a large percentage of the soundtrack is occupied by Godard's philosophical whispered narration about such topics as politics, reality, consciousness, and meaning.
494:, but Godard also had Vlady and some of the other actors wear earpieces while shooting, and he would sometimes feed them new lines or ask questions to which they were expected to give spontaneous answers that were appropriate to their characters.
595:, a term he equated with prostitution. Godard argued that a consumerist society demands a workforce living in regimented time and space and forced to work jobs they don't like, which he said was "a prostitution of the mind."
312:
Although there are actors reciting lines in many of the scenes, the film does not have the structure or style of a conventional narrative film (with an introduction, conflict, and resolution), and is, instead, more of an
442:
by
Catherine Vimenet about prostitution among the housewives in the new high-rise suburbs of Paris. About his intentions, Godard stated that the film was "a continuation of the movement begun by
31:
317:
about Godard's view of contemporary life. There are shots of the ongoing construction in Paris interspersed between and within the dramatized scenes, the cast often breaks the
1731:
587:(suburbs) of Paris. Though the structures were meant to provide housing to families working in the growing capital during the prosperous post-war years, Godard saw the
1847:
1723:
1867:
873:
1827:
335:, and then about her husband. In a cafe, Robert talks to the woman at the next table while he waits for Juliette to come pick him up, and, nearby, a
603:
bodies without compunction by convincing them that what they can buy has more potential to bring happiness than does the loving enjoyment of sex.
640:
marks a turning point in Godard's filmography – one that may confound more narratively dependent audiences, but rewards repeated viewings."
1877:
1852:
1842:
995:
712:
1857:
1154:
938:
636:, it holds an approval rating of 94% based on 33 reviews, with an average score of 8.1/10; the site's "critics consensus" reads: "
1439:
687:
1569:
1096:
1069:
1039:
1837:
1872:
1311:
1551:
1351:
1123:
502:
1431:
1822:
1528:
661:
poll of the greatest films ever made, it received 19 top-10 votes (16 from critics and three from directors).
1147:
881:
459:
Godard began production on the film in the summer of 1966. Shortly afterward, he was approached by producer
1862:
742:
521:
A promotional poster for the film offered different meanings for the "her" of the title, each one a French
473:(1966) was banned by the French government. Happy to help his frequent collaborator, Godard began work on
1832:
1544:
1172:
846:
1407:
1279:
1638:
1415:
475:
417:
336:
1670:
1455:
1140:
1088:
1005:
907:
720:
1680:
1796:
1061:
610:
demonstrates his growing disenchantment with the United States. This contrasts with his earlier
1697:
1191:
877:
616:
361:
1239:
752:
1750:
1605:
1587:
1391:
460:
438:
190:
1081:
1054:
651:
was awarded the Prix
Marilyn Monroe du Cinéma in 1967 from an all-woman jury that included
498:
948:
436:
The film was inspired by "Les Ă©toiles filantes" ("The
Shooting Stars"), a 1966 article in
8:
1817:
1758:
1713:
1479:
1359:
1303:
469:
290:
1271:
1790:
1782:
1623:
1520:
1512:
1399:
1367:
1199:
1031:
1024:
943:
522:
463:, who asked him to quickly make a film to offset a financial shortfall incurred after
1687:
1631:
1343:
1255:
1119:
1092:
1065:
1035:
979:
629:
392:
327:
1423:
805:
Adrian Martin, commentary track on the
Criterion Collection DVD edition of the film.
1661:
1596:
1536:
1375:
657:
652:
1766:
1471:
1447:
1319:
1247:
1231:
1223:
1215:
1163:
851:
633:
611:
464:
279:
275:
265:
64:
45:
628:
Many critics regard the film as being among Godard's most significant works. On
1615:
1487:
1327:
1263:
934:
912:
530:
95:
377:
1811:
1654:
1646:
1463:
1019:
448:
443:
407:
373:
296:
195:
131:
428:
Jean-Luc Godard provides the whispered narration heard throughout the film.
388:
100:
1578:
1335:
1207:
1049:
903:
401:
382:
349:
113:
1383:
1560:
1295:
984:
670:
592:
554:
510:
332:
318:
284:
30:
973:
304:
considers the film to be among the greatest achievements in filmmaking.
1001:
708:
674:
314:
301:
282:, one of three features he completed that year. As with the other two (
413:
Jean-Patrick Lebel as PĂ©cuchet, the man writing down what
Bouvard says
598:
On 25 October 1966, Godard appeared on the French television program
367:
Marie
Bourseiller as Solange Jeanson, Juliette and Robert's daughter
1774:
990:
583:
453:
1132:
1116:
Two or Three Things I Know About Her: Analysis of a Film by Godard
410:
as
Bouvard, the man reading excerpts from random books in the cafe
569:
506:
497:
The small amount of music in the film includes an excerpt from
581:
Juliette lives in one of many high-rises being erected in the
294:), it is considered both socially and stylistically radical.
591:
as the infrastructure for promoting a value system based on
385:
as Marianne, who works in a beauty salon and as a prostitute
1704:
620:(1960), which make admiring references to American cinema.
370:
Joseph Gehrard as Mr. Gehrard, who runs the brothel/daycare
606:
As with many of Godard's films from the mid-1960s onward,
1026:
Everything Is Cinema: The Working Life of Jean-Luc Godard
1056:
The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette
777:
775:
773:
1732:
Trailer of the Film That Will Never Exist: "Phony Wars"
997:
2 or 3 Things I Know About Her: The Whole and Its Parts
732:
730:
770:
355:
Roger Montsoret as Robert Jeanson, Juliette's husband
1724:
Letter in Motion to Gilles Jacob and Thierry Frémaux
808:
787:
758:
727:
874:"Votes for 2 ou 3 choses que je sais d'elle (1967)"
825:
823:
541:
HER, the bathroom that 70% of the French don't have
1080:
1053:
1023:
669:On 17 November 2006, the film was re-released in
1809:
820:
544:HER, the terrible law of huge building complexes
364:as Christophe Jeanson, Juliette and Robert's son
1848:Films based on newspaper and magazine articles
1148:
376:as Juliette's young client, who works in the
1588:"Anticipation, ou: l'amour en l'an 2000" in
939:"'Two or Three Things I Know About Her ...'"
431:
1083:World Film Directors, Volume Two: 1945–1985
1155:
1141:
29:
1868:French avant-garde and experimental films
701:
487:in the afternoon each day for one month.
404:as the girl talking to Robert in the cafe
1828:1960s avant-garde and experimental films
1113:
1118:. Cambridge: Harvard University Press.
1078:
781:
688:Apartment Wife: Affair In the Afternoon
271:Deux ou trois choses que je sais d'elle
51:Deux ou trois choses que je sais d'elle
1810:
1048:
933:
847:"Two or Three Things I Know About Her"
814:
793:
764:
736:
707:
664:
358:Jean Narboni as Roger, Robert's friend
1572:Les plus belles escroqueries du monde
1312:One Plus One (Sympathy for the Devil)
1136:
1018:
748:
1288:Two or Three Things I Know About Her
986:Two or Three Things I Know About Her
975:Two or Three Things I Know About Her
902:
832:, 25 October 1966, available on the
649:Two or Three Things I Know About Her
638:Two or Three Things I Know About Her
608:Two or Three Things I Know About Her
492:Two or Three Things I Know About Her
481:Two or Three Things I Know About Her
261:Two or Three Things I Know About Her
24:Two or Three Things I Know About Her
1440:JLG/JLG – Self-Portrait in December
1162:
13:
1878:French-language comedy-drama films
1107:
655:and Florence Malraux. In the 2012
14:
1889:
1853:Films directed by Jean-Luc Godard
1843:Films about prostitution in Paris
967:
416:Jean-Pierre Laverne as Ivanov, a
1858:Films produced by Anatole Dauman
423:Blandine Jeanson as Ivanov's fan
1529:All the Boys Are Called Patrick
1011:
927:
896:
866:
839:
562:HER, the death of modern beauty
1432:Les Enfants jouent Ă la Russie
799:
715:2 or 3 Things I Know About Her
547:HER, the physical side of love
307:
1:
694:
565:HER, the circulation of ideas
278:film written and directed by
1690:Ten Minutes Older: The Cello
1579:"Montparnasse-Levallois" in
623:
16:1967 film by Jean-Luc Godard
7:
1838:1960s French-language films
1688:"Dans le noir du temps" in
1545:Charlotte and Her Boyfriend
1079:Wakeman, John, ed. (1988).
680:
10:
1894:
717:: The Whole and Its Parts"
1873:French comedy-drama films
1742:
1714:"The Bridge of Sighs" in
1705:"Les Trois DĂ©sastres" in
1639:A Letter to Freddy Buache
1502:
1416:Germany Year 90 Nine Zero
1186:
1179:
1170:
1114:Guzzetti, Alfred (1980).
643:
576:
559:HER, the modern call-girl
432:Background and production
249:
241:
231:
207:
183:
154:
137:
127:
119:
109:
88:
78:
70:
60:
56:
44:
40:
35:Theatrical release poster
28:
23:
1673:The French as Seen by...
1089:The H. W. Wilson Company
1006:The Criterion Collection
836:DVD edition of the film.
721:The Criterion Collection
516:
1823:1967 comedy-drama films
1062:Oxford University Press
490:There was a script for
342:
216:17 March 1967
1698:Tribute to Eric Rohmer
878:British Film Institute
673:for a two-week run at
550:HER, the life of today
362:Christophe Bourseiller
269:
82:"Les Ă©toiles filantes"
1681:Histoire(s) du cinéma
1590:The Oldest Profession
1570:"Le Grand escroc" in
1554:The Seven Deadly Sins
1352:Every Man for Himself
538:HER, the Paris region
503:String Quartet No. 16
461:Georges de Beauregard
439:Le Nouvel Observateur
172:Les Films du Carrosse
1671:"Le Dernier mot" in
937:(17 November 2006).
906:(12 November 2006).
834:Criterion Collection
529:HER, the cruelty of
456:of a cup of coffee.
84:by Catherine Vimenet
1863:Films shot in Paris
1791:Groupe Dziga Vertov
1759:Le Parti des choses
1716:Bridges of Sarajevo
1561:"The New World" in
1480:Goodbye to Language
665:American re-release
483:in the morning and
352:as Juliette Jeanson
1833:1960s French films
1778:(1972 documentary)
1770:(2010 documentary)
1762:(1964 documentary)
1754:(1963 documentary)
1624:Here and Elsewhere
1521:Une femme coquette
1513:Operation Concrete
1400:Keep Your Right Up
1368:First Name: Carmen
1200:A Woman Is a Woman
951:on 18 January 2018
944:The New York Times
908:"Material Witness"
677:in New York City.
1805:
1804:
1597:"Caméra-oeil" in
1498:
1497:
1456:In Praise of Love
1098:978-0-8242-0763-2
1071:978-0-1950-2246-9
1041:978-1-4299-2431-3
658:Sight & Sound
630:review aggregator
535:HER, prostitution
479:(1966), shooting
393:war correspondent
391:as John Bogus, a
328:war correspondent
257:
256:
1885:
1599:Far from Vietnam
1537:A Story of Water
1272:Masculin FĂ©minin
1184:
1183:
1157:
1150:
1143:
1134:
1133:
1129:
1102:
1086:
1075:
1059:
1045:
1029:
961:
960:
958:
956:
947:. Archived from
931:
925:
924:
922:
920:
900:
894:
893:
891:
889:
880:. Archived from
870:
864:
863:
861:
859:
843:
837:
827:
818:
812:
806:
803:
797:
791:
785:
779:
768:
762:
756:
746:
740:
734:
725:
724:
711:(21 July 2009).
705:
653:Marguerite Duras
223:
221:
197:
147:Chantal Delattre
144:Françoise Collin
33:
21:
20:
1893:
1892:
1888:
1887:
1886:
1884:
1883:
1882:
1808:
1807:
1806:
1801:
1767:Two in the Wave
1738:
1504:
1494:
1472:Film Socialisme
1448:For Ever Mozart
1320:Joy of Learning
1248:A Married Woman
1224:The Carabineers
1216:Le petit soldat
1175:
1166:
1164:Jean-Luc Godard
1161:
1126:
1110:
1108:Further reading
1105:
1099:
1072:
1042:
1014:
970:
965:
964:
954:
952:
935:Dargis, Manohla
932:
928:
918:
916:
901:
897:
887:
885:
884:on 27 June 2017
872:
871:
867:
857:
855:
852:Rotten Tomatoes
845:
844:
840:
828:
821:
813:
809:
804:
800:
792:
788:
780:
771:
763:
759:
747:
743:
735:
728:
706:
702:
697:
683:
667:
646:
634:Rotten Tomatoes
626:
614:films, such as
612:French New Wave
579:
519:
465:Jacques Rivette
434:
426:
420:-winning writer
345:
310:
280:Jean-Luc Godard
276:French New Wave
234:
227:
219:
217:
210:
203:
179:
178:
159:
157:
150:
123:Jean-Luc Godard
105:
83:
74:Jean-Luc Godard
65:Jean-Luc Godard
36:
17:
12:
11:
5:
1891:
1881:
1880:
1875:
1870:
1865:
1860:
1855:
1850:
1845:
1840:
1835:
1830:
1825:
1820:
1803:
1802:
1800:
1799:
1794:
1787:
1779:
1771:
1763:
1755:
1746:
1744:
1740:
1739:
1737:
1736:
1728:
1720:
1711:
1702:
1694:
1685:
1677:
1668:
1659:
1651:
1643:
1635:
1632:How's it going
1628:
1620:
1616:Letter to Jane
1612:
1608:Amore e rabbia
1603:
1594:
1585:
1576:
1567:
1558:
1549:
1541:
1533:
1525:
1517:
1508:
1506:
1500:
1499:
1496:
1495:
1493:
1492:
1488:The Image Book
1484:
1476:
1468:
1460:
1452:
1444:
1436:
1428:
1424:HĂ©las pour moi
1420:
1412:
1408:Nouvelle Vague
1404:
1396:
1388:
1380:
1372:
1364:
1356:
1348:
1340:
1332:
1328:British Sounds
1324:
1316:
1308:
1300:
1292:
1284:
1280:Made in U.S.A.
1276:
1268:
1264:Pierrot le Fou
1260:
1252:
1244:
1236:
1228:
1220:
1212:
1204:
1196:
1187:
1181:
1177:
1176:
1171:
1168:
1167:
1160:
1159:
1152:
1145:
1137:
1131:
1130:
1124:
1109:
1106:
1104:
1103:
1097:
1076:
1070:
1046:
1040:
1020:Brody, Richard
1015:
1013:
1010:
1009:
1008:
1000:– an essay by
993:
982:
969:
968:External links
966:
963:
962:
926:
913:The New Yorker
895:
865:
838:
819:
817:, p. 180.
807:
798:
796:, p. 173.
786:
784:, p. 396.
769:
767:, p. 179.
757:
741:
739:, p. 178.
726:
699:
698:
696:
693:
692:
691:
682:
679:
666:
663:
645:
642:
625:
622:
578:
575:
574:
573:
566:
563:
560:
557:
555:war in Vietnam
551:
548:
545:
542:
539:
536:
533:
531:neo-capitalism
518:
515:
433:
430:
425:
424:
421:
414:
411:
405:
399:
397:Arkansas Daily
386:
380:
371:
368:
365:
359:
356:
353:
346:
344:
341:
309:
306:
255:
254:
251:
247:
246:
243:
239:
238:
235:
232:
229:
228:
226:
225:
213:
211:
208:
205:
204:
202:
201:
198:
193:
187:
185:
184:Distributed by
181:
180:
177:
176:
173:
170:
167:
166:Anouchka Films
163:
162:
160:
155:
152:
151:
149:
148:
145:
141:
139:
135:
134:
129:
128:Cinematography
125:
124:
121:
117:
116:
111:
107:
106:
104:
103:
98:
96:Anatole Dauman
92:
90:
86:
85:
80:
76:
75:
72:
68:
67:
62:
58:
57:
54:
53:
48:
42:
41:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1890:
1879:
1876:
1874:
1871:
1869:
1866:
1864:
1861:
1859:
1856:
1854:
1851:
1849:
1846:
1844:
1841:
1839:
1836:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1816:
1815:
1813:
1798:
1795:
1793:
1792:
1788:
1786:(2017 biopic)
1785:
1784:
1780:
1777:
1776:
1772:
1769:
1768:
1764:
1761:
1760:
1756:
1753:
1752:
1748:
1747:
1745:
1741:
1734:
1733:
1729:
1726:
1725:
1721:
1718:
1717:
1712:
1709:
1708:
1703:
1700:
1699:
1695:
1692:
1691:
1686:
1683:
1682:
1678:
1675:
1674:
1669:
1666:
1665:
1660:
1657:
1656:
1652:
1649:
1648:
1647:Soft and Hard
1644:
1641:
1640:
1636:
1634:
1633:
1629:
1626:
1625:
1621:
1618:
1617:
1613:
1610:
1609:
1606:"L'Amore" in
1604:
1601:
1600:
1595:
1592:
1591:
1586:
1583:
1582:
1577:
1574:
1573:
1568:
1565:
1564:
1559:
1556:
1555:
1550:
1547:
1546:
1542:
1539:
1538:
1534:
1531:
1530:
1526:
1523:
1522:
1518:
1515:
1514:
1510:
1509:
1507:
1501:
1490:
1489:
1485:
1482:
1481:
1477:
1474:
1473:
1469:
1466:
1465:
1464:Notre musique
1461:
1458:
1457:
1453:
1450:
1449:
1445:
1442:
1441:
1437:
1434:
1433:
1429:
1426:
1425:
1421:
1418:
1417:
1413:
1410:
1409:
1405:
1402:
1401:
1397:
1394:
1393:
1389:
1386:
1385:
1381:
1378:
1377:
1373:
1370:
1369:
1365:
1362:
1361:
1357:
1354:
1353:
1349:
1346:
1345:
1341:
1338:
1337:
1333:
1330:
1329:
1325:
1322:
1321:
1317:
1314:
1313:
1309:
1306:
1305:
1301:
1298:
1297:
1293:
1290:
1289:
1285:
1282:
1281:
1277:
1274:
1273:
1269:
1266:
1265:
1261:
1258:
1257:
1253:
1250:
1249:
1245:
1242:
1241:
1237:
1234:
1233:
1229:
1226:
1225:
1221:
1218:
1217:
1213:
1210:
1209:
1205:
1202:
1201:
1197:
1194:
1193:
1189:
1188:
1185:
1182:
1178:
1174:
1169:
1165:
1158:
1153:
1151:
1146:
1144:
1139:
1138:
1135:
1127:
1125:9780674915008
1121:
1117:
1112:
1111:
1100:
1094:
1090:
1085:
1084:
1077:
1073:
1067:
1063:
1058:
1057:
1051:
1050:Monaco, James
1047:
1043:
1037:
1033:
1028:
1027:
1021:
1017:
1016:
1007:
1003:
999:
998:
994:
992:
988:
987:
983:
981:
977:
976:
972:
971:
950:
946:
945:
940:
936:
930:
915:
914:
909:
905:
904:Lane, Anthony
899:
883:
879:
875:
869:
854:
853:
848:
842:
835:
831:
826:
824:
816:
811:
802:
795:
790:
783:
778:
776:
774:
766:
761:
754:
750:
745:
738:
733:
731:
722:
718:
716:
710:
704:
700:
690:
689:
685:
684:
678:
676:
672:
662:
660:
659:
654:
650:
641:
639:
635:
631:
621:
619:
618:
613:
609:
604:
601:
596:
594:
590:
586:
585:
572:of structures
571:
567:
564:
561:
558:
556:
552:
549:
546:
543:
540:
537:
534:
532:
528:
527:
526:
524:
523:feminine noun
514:
512:
508:
504:
500:
495:
493:
488:
486:
485:Made in U.S.A
482:
478:
477:
476:Made in U.S.A
472:
471:
466:
462:
457:
455:
451:
450:
445:
441:
440:
429:
422:
419:
415:
412:
409:
408:Claude Miller
406:
403:
400:
398:
394:
390:
387:
384:
381:
379:
375:
374:Yves Beneyton
372:
369:
366:
363:
360:
357:
354:
351:
348:
347:
340:
338:
334:
329:
323:
320:
316:
305:
303:
299:
298:
297:Village Voice
293:
292:
287:
286:
281:
277:
273:
272:
267:
263:
262:
252:
248:
244:
240:
236:
230:
224: (France)
215:
214:
212:
206:
199:
194:
192:
189:
188:
186:
182:
174:
171:
168:
165:
164:
161:
153:
146:
143:
142:
140:
136:
133:
132:Raoul Coutard
130:
126:
122:
118:
115:
112:
108:
102:
99:
97:
94:
93:
91:
87:
81:
77:
73:
71:Screenplay by
69:
66:
63:
59:
55:
52:
49:
47:
43:
39:
32:
27:
22:
19:
1797:Bibliography
1789:
1781:
1773:
1765:
1757:
1749:
1730:
1722:
1715:
1706:
1696:
1689:
1679:
1672:
1663:
1662:"Armide" in
1653:
1645:
1637:
1630:
1622:
1614:
1607:
1598:
1589:
1581:Paris vu par
1580:
1571:
1562:
1553:
1543:
1535:
1527:
1519:
1511:
1486:
1478:
1470:
1462:
1454:
1446:
1438:
1430:
1422:
1414:
1406:
1398:
1390:
1382:
1374:
1366:
1358:
1350:
1342:
1336:Tout Va Bien
1334:
1326:
1318:
1310:
1302:
1294:
1287:
1286:
1278:
1270:
1262:
1254:
1246:
1240:Bande Ă part
1238:
1230:
1222:
1214:
1208:Vivre sa vie
1206:
1198:
1190:
1115:
1087:. New York:
1082:
1060:. New York:
1055:
1032:Metropolitan
1030:. New York:
1025:
1012:Bibliography
996:
985:
974:
953:. Retrieved
949:the original
942:
929:
917:. Retrieved
911:
898:
886:. Retrieved
882:the original
868:
856:. Retrieved
850:
841:
833:
829:
810:
801:
789:
782:Wakeman 1988
760:
744:
714:
703:
686:
668:
656:
648:
647:
637:
627:
615:
607:
605:
599:
597:
588:
582:
580:
520:
496:
491:
489:
484:
480:
474:
468:
458:
447:
437:
435:
427:
402:Juliet Berto
396:
383:Anny Duperey
350:Marina Vlady
324:
311:
295:
289:
283:
274:) is a 1967
270:
260:
259:
258:
233:Running time
209:Release date
114:Marina Vlady
50:
18:
1783:Redoubtable
1563:Ro.Go.Pa.G.
1552:"Sloth" in
1296:La Chinoise
1173:Filmography
815:Monaco 1976
794:Monaco 1976
765:Monaco 1976
737:Monaco 1976
709:Taubin, Amy
671:CinemaScope
593:consumerism
418:Nobel Prize
337:Nobel Prize
333:Vietnam War
319:fourth wall
308:Description
285:La Chinoise
169:Argos Films
120:Narrated by
89:Produced by
61:Directed by
1818:1967 films
1812:Categories
1655:Meetin' WA
1344:Number Two
1256:Alphaville
1192:Breathless
1002:Amy Taubin
751:, p.
749:Brody 2008
695:References
675:Film Forum
617:Breathless
389:Raoul LĂ©vy
315:essay film
302:Amy Taubin
237:87 minutes
220:1967-03-17
156:Production
101:Raoul LĂ©vy
1751:Paparazzi
1503:Short and
1392:King Lear
1384:DĂ©tective
1376:Hail Mary
624:Reception
589:banlieues
584:banlieues
568:HER, the
553:HER, the
499:Beethoven
175:Parc Film
158:companies
138:Edited by
1775:One P.M.
1304:Week-end
1232:Contempt
1052:(1976).
1022:(2008).
991:AllMovie
681:See also
632:website
467:'s film
454:close-up
395:for the
250:Language
110:Starring
79:Based on
1743:Related
1505:segment
1360:Passion
1180:Feature
955:12 June
919:12 June
858:7 April
570:gestapo
507:F major
470:The Nun
444:Resnais
300:critic
291:Weekend
242:Country
218: (
1735:(2023)
1727:(2014)
1719:(2014)
1710:(2013)
1701:(2010)
1693:(2002)
1684:(1998)
1676:(1988)
1667:(1987)
1658:(1986)
1650:(1985)
1642:(1982)
1627:(1976)
1619:(1972)
1611:(1969)
1602:(1967)
1593:(1965)
1584:(1964)
1575:(1963)
1566:(1962)
1557:(1962)
1548:(1958)
1540:(1958)
1532:(1957)
1524:(1955)
1516:(1955)
1491:(2018)
1483:(2014)
1475:(2010)
1467:(2004)
1459:(2001)
1451:(1996)
1443:(1995)
1435:(1993)
1427:(1993)
1419:(1991)
1411:(1990)
1403:(1987)
1395:(1987)
1387:(1985)
1379:(1985)
1371:(1983)
1363:(1982)
1355:(1980)
1347:(1975)
1339:(1972)
1331:(1969)
1323:(1969)
1315:(1968)
1307:(1967)
1299:(1967)
1291:(1967)
1283:(1966)
1275:(1966)
1267:(1965)
1259:(1965)
1251:(1964)
1243:(1964)
1235:(1963)
1227:(1963)
1219:(1963)
1211:(1962)
1203:(1961)
1195:(1960)
1122:
1095:
1068:
1038:
644:Awards
577:Themes
449:Muriel
266:French
253:French
245:France
200:Sirius
46:French
888:9 May
517:Title
513:135.
378:MĂ©tro
1707:3X3D
1664:Aria
1120:ISBN
1093:ISBN
1066:ISBN
1036:ISBN
980:IMDb
957:2022
921:2022
890:2019
860:2023
830:Zoom
600:Zoom
343:Cast
288:and
196:CFDC
1004:at
989:at
978:at
753:278
511:Op.
505:in
501:'s
446:in
191:UGC
1814::
1091:.
1064:.
1034:.
941:.
910:.
876:.
849:.
822:^
772:^
729:^
719:.
525::
509:,
268::
1156:e
1149:t
1142:v
1128:.
1101:.
1074:.
1044:.
959:.
923:.
892:.
862:.
755:.
723:.
713:"
264:(
222:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.