303:(1962) Coutard devised a simple lighting rig suspended just below the ceiling with a number of small lights directed onto the ceiling, where white cards were placed to bounce maximum light in an ambient diffusion, giving the whole room of a location adequate light within which Godard could then improvise various camera set-ups. So pleased was Godard with Coutard's lighting arrangement he promptly devised a 360 degree camera pan to exploit this freedom. A similar 'documentary aesthetic' is pursued by all of Godard's cinematographers, although handheld camera tends to be replaced with more conventional mounting, in Godard's later work. Godard's first color film (shot by Coutard),
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As a cinematographer, Coutard was less active in the 1970s than the 1960s. When he reunited with Godard in 1982, Coutard had shot only 7 films in the previous decade, with 5 of them in 1972–73. After the two Godard collaborations, he began working more frequently again.
335:. Work in the 80s and 90s becomes even more refined, consisting of elaborate tableaux or stage directions within a fixed frame, usually on a long lens, enabling abrupt and conspicuous focus pulls between background and foreground as in
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and natural lighting, which lends them an unpolished, documentary quality, crucial to Godard's style, second nature to
Coutard. However, in interiors, natural lighting was not always sufficient, and beginning with
347:(1983). These were photographed by Coutard using no additional lighting whatsoever, but taking advantage of recent developments in camera lenses and film stock to press the documentary approach in striking ways.
230:. Coutard had never used a movie camera before, and reportedly agreed to the job because of a misunderstanding (he believed he was being hired to shoot production stills of the film).
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267:(1967), which marked the end of Godard's work as a 'mainstream' filmmaker. The two did not work together again until
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Coutard's first work collaboration with Jean-Luc Godard was Godard's first feature,
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Coutard shot over 75 films during a career that lasted nearly half a century.
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Bergery, Benjamin. 1997. “Raoul
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forced a change of casting. Her scenes have never been shown in public.
375:(1969). Coutard and Truffaut fought heavily over the cinematography of
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in 1983. Coutard's cinematographer on all of his features was
794:(1969) - Le chirurgien anglais (uncredited) (final film role)
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In 1970, Coutard wrote and directed his first feature film,
206:; he lived in Vietnam for the next 11 years, working as a
183:, a contemporary frequently associated with the movement.
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Coutard photographed nearly all of Godard's work in the
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During the 1990s, Coutard began working with director
163:(1967). Coutard also shot films for New Wave director
963:"Images of Perfection" - Interview with Guardian Film
888:"The 43rd Academy Awards (1971) Nominees and Winners"
198:, but switched to photography because of the cost of
117:) period and particularly for his work with director
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after the cable network's 2009 showing of the film.
105:(16 September 1924 – 8 November 2016) was a French
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202:. In 1945, Coutard was sent to participate in the
610:Alphaville, une Ă©trange aventure de Lemmy Caution
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615:Alphaville, a Strange Adventure of Lemmy Caution
222:. In 1956, he was approached to shoot a film by
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109:. He is best known for his connection with the
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406:Academy Award for Best Foreign Language Film
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455:Selected filmography (as cinematographer)
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255:era (1959 - 1967), with the exception of
1345:French people of the First Indochina War
579:The most beautiful swindles in the world
1350:Best Cinematography CĂ©sar Award winners
324:Deux ou Trois choses que je sais d'elle
210:, eventually becoming a freelancer for
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574:Les plus belles escroqueries du monde
404:. The film was also nominated for an
526:Vivre sa Vie: Film en Douze Tableaux
194:Coutard originally planned to study
1008:CĂ©sar Award for Best Cinematography
734:(Ne réveillez pas un flic qui dort)
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968:Raoul Coutard tells his life story
16:French cinematographer (1924–2016)
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825:from the original on 2023-07-16.
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864:"Festival de Cannes: Hoa-Binh"
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88:Cinematographer, film director
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424:, who had been his frequent
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756:La LĂ©gion saute sur Kolwezi
411:La LĂ©gion saute sur Kolwezi
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359:for Godard and Truffaut's
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813:"Raoul Coutard obituary"
514:Une Femme est une femme
396:, for which he won the
306:Une Femme est une femme
772:Filmography (as actor)
507:Shoot the Piano Player
170:Shoot the Piano Player
1259:Christophe Offenstein
764:S.A.S. Ă San Salvador
730:Let Sleeping Cops Lie
502:Tirez sur le pianiste
417:S.A.S. Ă San Salvador
294:hand-held camera work
246:Georges de Beauregard
224:Pierre Schoendoerffer
1300:David Cailley (2024)
1292:Christophe Beaucarne
654:Rocky Road to Dublin
431:Rocky Road to Dublin
400:and an award at the
377:The Bride Wore Black
365:– Coutard worked on
362:The Bride Wore Black
204:French Indochina War
1235:Guillaume Schiffman
1229:Caroline Champetier
868:festival-cannes.com
546:Portuguese Vacation
1133:Philippe Rousselot
1085:Philippe Rousselot
1055:Philippe Rousselot
1037:Bernard Zitzermann
519:A Woman Is a Woman
461:La Passe du Diable
228:La Passe du Diable
179:(1962)—as well as
130:A Woman Is a Woman
1335:War photographers
1307:
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1297:Artur Tort (2023)
1223:Stéphane Fontaine
1199:Stéphane Fontaine
603:Band of Outsiders
490:Ă€ bout de souffle
483:Iceland Fisherman
479:PĂŞcheur d'Islande
448:Sauvage Innocence
258:Masculin, féminin
241:Ă€ bout de souffle
165:François Truffaut
157:(both 1965), and
121:, which includes
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93:Years active
48:16 September 1924
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1247:Thomas Hardmeier
1187:Thierry Arbogast
1151:Thierry Arbogast
1145:Claude Nuridsany
1139:Thierry Arbogast
1121:François Catonné
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1277:Benoît Debie
1265:Pascal Marti
1169:Agnès Godard
1157:Éric Gautier
1091:Renato Berta
1061:Henri Alekan
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1019:Sven Nykvist
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895:. Retrieved
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871:. Retrieved
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818:The Guardian
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142:Bande Ă part
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136:Vivre sa vie
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68:(2016-11-08)
1325:2016 deaths
1320:1924 births
1127:Yves Angelo
1115:Yves Angelo
1103:Yves Angelo
1079:Jean Penzer
912:Jean Seberg
638:La Chinoise
379:, reported
341:(1982) and
289:La Chinoise
213:Paris Match
173:(1960) and
167:—including
1314:Categories
897:2011-11-26
892:oscars.org
873:2009-04-10
799:References
627:Crazy Pete
495:Breathless
284:full frame
148:Alphaville
124:Breathless
44:1924-09-16
779:Le MĂ©pris
562:Le MĂ©pris
472:Ramuntcho
312:Le Mepris
196:chemistry
190:Biography
823:Archived
784:Contempt
748:Hoa-Binh
725:) (1986)
646:Week End
633:) (1965)
617:) (1965)
605:) (1964)
593:) (1964)
581:) (1964)
569:) (1963)
567:Contempt
533:) (1962)
521:) (1961)
509:) (1960)
497:) (1960)
485:) (1959)
467:) (1958)
434:(1967).
393:Hoa Binh
357:Week-end
329:Week-end
264:Week-end
145:(1964),
139:(1962),
133:(1961),
127:(1960),
702:Passion
686:Embassy
338:Passion
327:(1966)
321:(1965)
315:(1963)
270:Passion
200:tuition
160:Weekend
74:Labenne
1294:(2022)
1285:(2020)
1279:(2019)
1273:(2018)
1267:(2017)
1261:(2016)
1255:(2015)
1249:(2014)
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1033:(1978)
1027:(1977)
1021:(1976)
916:Guyana
767:(1983)
759:(1980)
751:(1970)
736:(1988)
713:(1983)
705:(1982)
697:(1977)
689:(1972)
681:(1972)
673:(1970)
670:L'Aveu
665:(1969)
657:(1967)
649:(1967)
641:(1967)
601:(aka.
557:(1963)
549:(1963)
541:(1962)
475:(1959)
78:France
56:France
383:host
52:Paris
958:IMDb
219:Look
216:and
63:Died
38:Born
970:at
956:at
629:or
381:TCM
1316::
890:.
866:.
831:^
815:.
369:'
279:.
226:,
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