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Pierrot le Fou

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1534: 1499: 1483: 1348: 817:, most prominently in an early scene at a cocktail party that demonstrates the bourgeois world Ferdinand flees from. The interactions of the guests consist solely of advertising slogans, drawing attention to the prevalence of commercialism and the strangeness of publicity speech, showing it out of context, in a "real" setting. To emphasize the scriptedness and one-dimensionalism of the public interaction in this scene, Godard saturates the scene with various strong colors, either through lights or a filter on the camera. 723:'s original noir-like storyline led him to achieve "new heights of spontaneity and lightning invention" on the film, resulting in the film's pop art aesthetic. Volker Panteburg writes that the film demonstrates Godard's interest in color and the "explosive power of images" just as much as story, citing the final scene where Ferdinand paints his face " 679:
image. Lorenz Engell claims that this third image is, to Godard, characterized by its reality and objectivity, and causes the "chains of images" to "fly apart". The director said the film was "connected with the violence and loneliness that lie so close to happiness today. It's very much a film about France."
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Ferdinand believes that he will be able to accomplish his dream of writing a novel about "life itself. What lies in between people: space, sound, and color", by isolating himself on an island with Marianne, a dream dispelled by Marianne's boredom on the island. Brody writes that this mirrors Godard's
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continues a tradition of Godard directing attention to the arts. Richard Brody draws a parallel between Ferdinand's "vast, cosmic, quasi-metaphysical artistic dreams" and Godard's "own search for another kind of cinematic art, one that goes beyond the visual presentation of objects and characters" to
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writes that since Marianne is inextricably bound to Ferdinand's great artistic ambitions, her betrayal "not only breaks Ferdinand's heart but also destroys what was to be his life's work." Brody notes that this change in the story's themes and effect mirrored Godard's failing marriage to Karina, who
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Ferdinand Griffon is unhappily married and has been recently fired from his job at a TV broadcasting company. After attending a mindless party full of shallow discussions in Paris, he feels a need to escape and decides to run away with ex-girlfriend Marianne Renoir, leaving his wife and children and
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by looking into the camera. It also includes startling editing choices; for example, when Ferdinand throws a cake at a woman in the party scene, Godard cuts to an exploding firework just as it hits her. In many cases, Godard, rather than a seamless cut between two shots, inserts a third, unrelated
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while she searches for him everywhere until she finds him. After their eventual reunion, Marianne uses Ferdinand to get a suitcase full of money before running away with her real boyfriend, Fred, to whom she had previously referred as her brother. Ferdinand shoots Marianne and Fred, then paints his
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prominently utilizes text, often pre-existing, to comment on its own story and ideas, isolating and highlighting the extradiegetic information that is normally semiconsciously absorbed. For instance, just before their first major confrontation with the OAS, Ferdinand and Marianne walk past a sign
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As with many of Godard's movies, no screenplay was written until the day before shooting, and many scenes were improvised by the actors, especially in the final acts of the movie. Although the film preserved the book's basic plot outline of a middle-aged advertising man running away with and
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Godard uses the film to draw attention to advertising's tendency to sexualize women. In the aforementioned party, women are portrayed both clothed and topless. In an earlier scene, Ferdinand observes an advertisement for a girdle and comments in a voice-over that after the civilizations of
1005: 743:(danger of death), foreshadowing their deaths. Godard often uses commercial text in the film and recontextualizes it, such as the word "total", appearing at a gas station, taking on the extra significance of the term "sum total", which is uttered by Ferdinand soon after. 753:“Velázquez, past the age of fifty, no longer painted specific objects. He drifted around things like the air, like twilight, catching unawares in the shimmering shadows the nuances of color that he transformed into the invisible core of his silent symphony.” 792:
is about a French painter who has been working alone for years on a portrait of a woman that he believes will usher in new era of art. When his two friends believe it to be a mess, he kills himself. Brody finds a similarity between
2825: 801:, and Godard's personal life in the "self-portrait of the artist on the verge of pushing a philosophical inquiry into form, or rather formlessness, to an extreme that destroyed not only himself but also his wife." 951: 514:, which he described as “the story of a guy who leaves his family to follow a girl much younger than he is. She is in cahoots with slightly shady people, and it leads to a series of adventures.” Godard told 626:
Godard initially panicked one week before production was to begin, realizing that many of his original ideas for the film were of little use to him. The shooting took place over two months, starting in the
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on August 29, 1965, where some audience members initially responded by booing it. The film later opened in France on November 5, and was unsuccessful at the box office, with about 1,310,579 admissions.
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In the film, the male lead, Ferdinand Griffon, is a failed intellectual with literary ambitions who tries to fulfill his artistic desire after falling in love with Marianne, the female lead. Critic
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face blue and decides to blow himself up by tying sticks of red and yellow dynamite to his head. He regrets this at the last second and tries to extinguish the fuse, but he fails and is blown up.
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A dwarf, who is one of the gangsters, kidnaps Marianne. She kills him with a pair of scissors. Ferdinand finds him murdered and is caught and bludgeoned by two of his accomplices, who
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obsessing over his children's teenaged babysitter before ultimately killing her, Godard aimed to turn the film into "something completely different", as he told Belmondo.
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belief that "The glory of nature and a life of shared purpose with a beloved woman are... a natural pair", and how this belief was affected by his divorce of Karina.
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a higher, purer presentation of ideas. He points to the film's first scene, in which Ferdinand sits in his bathtub and reads a passage from the art critic
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in the dead man's car. They lead an unorthodox life, always on the run, pursued by the police and by the OAS gangsters. When they settle down in the
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It was the 15th-highest grossing film of the year, with a total of 1,310,580 admissions in France. The film was selected as the French entry for the
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in the role of Ferdinand. The casting of Belmondo made financing for the film easier to obtain due to his star status after his role in Godard's
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poll, it was ranked the 42nd-greatest film ever made in the critics' poll and 91st in the directors' poll. In 2018, the film ranked 74th on the
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on Blu-ray in September 2008. It was one of its first titles released on Blu-ray before being discontinued after Criterion lost the rights to
2802: 383:, their relationship becomes strained. Ferdinand reads books, philosophizes, and writes a diary. They spend a few days on a desert island. 343: 2251: 778:
After the film's release, Godard claimed in making the film, he was attempting "to convey the sense of what Balthazar Claës was doing in
3512: 703:. Critic Richard Brody writes that the aesthetics of Godard's previous films had been based around intellectual modernism, such as in 2337: 1576: 571:
kind of couple" that he originally envisioned, he now "wanted to tell the story of the last romantic couple, the last descendants of
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lifestyle. Following Marianne into her apartment and finding a corpse, Ferdinand soon discovers that Marianne is being chased by
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after burning the dead man's car (which had been full of money, unbeknownst to Marianne) and sinking a second car into the
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served as backdrop for the film's denouement, photography for which included footage of the storied French battleship
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praised the film, stating "There is one thing of which I am sure... art today is Jean-Luc Godard." Writing in 1969,
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him to make him reveal Marianne's whereabouts. Marianne escapes, and she and Ferdinand are separated. He settles in
3492: 1432: 933:'s list of the 100 greatest foreign-language films, as voted on by 209 film critics from 43 countries. In the 2022 606:
featured in many of his works. Karina and Godard divorced in early 1965, before production on the film had begun.
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was an uncredited assistant director on the movie (and also appears briefly as a young man in a movie theater).
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alongside him and shoot the film in English to accommodate Burton. Otherwise, if he cast his second choice,
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that whomever he would cast as the female lead depended on who he cast as the male lead. Had he cast
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that casting Belmondo and Karina ultimately changed the tone of the film, as "instead of the
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in the role, fearing that Piccoli and Karina would form too "normal" a couple on screen.
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is the most beautiful film I've seen in my life", while in a front-page review for
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Godard--France's Brilliant Misfit Ardagh, John. Los Angeles Times 17 Apr 1966: b8.
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gangsters, two of whom they barely escape. Marianne and Ferdinand, whom she calls
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List of French submissions for the Academy Award for Best Foreign Language Film
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List of submissions to the 38th Academy Awards for Best Foreign Language Film
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poll, it was ranked the 84th-greatest film ever made in the critics' poll.
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movement, making constant disjunctive references to various elements of
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Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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and employs an intentionally garish visual aesthetic based on bright
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Despite the boos at Venice, the film received positive reviews. In
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ed. David Wills, Cambridge University Press, 2000 (first 20 pages)
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and finishing in Paris (in reverse order from the edited movie).
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Pantenburg, Volker. “The Camera as Brush—Film and Painting.” In
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blue" and kills himself with "Pop Art red sticks of dynamite."
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The film has many of the characteristics of the then dominant
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is arguably Jean-Luc Godard's quintessential work." In the
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that was driven into the water and sunk was Godard's own.
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Everything Is Cinema: The Working Life of Jean-Luc Godard
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Trailer of the Film That Will Never Exist: "Phony Wars"
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Vartan and Piccoli proved unavailable, so Godard cast
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with a warning about a harbor-front drop that reads "
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Letter in Motion to Gilles Jacob and Thierry Frémaux
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Pierrot le fou Blu-ray Release Date October 6, 2020
1275:"Criterion September BDs: Pierrot le Fou, Monterey" 1076:"Pierrot le fou: Self-Portrait in a Shattered Lens" 657:as the American film director in the party scene. 1541:Pierrot le fou: Self-Portrait in a Shattered Lens 3464: 665: 524:, his first choice, he would have cast his wife 1313: 1224:"Pop Cinema: Jean-Luc Godard's Pierrot le fou" 1200:"Pop Cinema: Jean-Luc Godard's Pierrot le fou" 1016: 1014: 883:wrote “I feel no embarrassment declaring that 813:Godard explores consumerism and mass media in 2810: 2245: 1570: 2010:"Anticipation, ou: l'amour en l'an 2000" in 532:, he would cast "a very young girl" such as 1011: 730:As in many pop art works, such as those of 2817: 2803: 2252: 2238: 1577: 1563: 1532: 1497: 1481: 1346: 34: 3538:French avant-garde and experimental films 1429:"The 100 Greatest Foreign Language Films" 499: 172:SociĂ©tĂ© Nouvelle de CinĂ©matographie (SNC) 3488:1960s avant-garde and experimental films 1359: 1186:, 84. Amsterdam University Press, 2015. 1099: 1097: 1095: 853:The Criterion Collection first released 1365:"The Top 50 Greatest Films of All Time" 3465: 1022:"Pierrot le fou (1965) – JPBox-Office" 408:as Ferdinand Griffon, a.k.a. "Pierrot" 315:. The film is based on the 1962 novel 3012:The Discreet Charm of the Bourgeoisie 2798: 2233: 1994:Les plus belles escroqueries du monde 1734:One Plus One (Sympathy for the Devil) 1558: 1245: 1243: 1194: 1192: 1092: 281: 2354:The Chronicle of Anna Magdalena Bach 1710:Two or Three Things I Know About Her 1178: 1176: 1174: 1139: 1137: 1127: 1125: 1069: 1067: 1065: 1063: 1061: 1059: 1057: 1055: 1053: 1051: 848: 682: 1862:JLG/JLG – Self-Portrait in December 1584: 1353: 1143: 1119:Henry Holt and Company, 13 May 2008 982:Actually a character from Balzac's 660: 549:(1960). In September 1964, at the 13: 2338:The Man Who Had His Hair Cut Short 1251:"PIERROT LE FOU - Jean-Luc Godard" 1240: 1189: 674:features characters who break the 290:for "Pierrot the Fool") is a 1965 255: 14: 3574: 3513:Films directed by Jean-Luc Godard 1465: 1171: 1134: 1122: 1073: 1048: 447:Princesse AĂŻcha Abadie as herself 1433:British Broadcasting Corporation 1104:Jean-Luc Godard's Pierrot le fou 504:In February 1964, while filming 462:as Lazlo Kovacs, Political exile 3563:Films scored by Antoine Duhamel 3528:Films set on the French Riviera 2834:Best International Feature Film 1951:All the Boys Are Called Patrick 1447: 1421: 1393: 1292: 1267: 1216: 1006:Box office information for film 976: 3508:Films based on American novels 1854:Les Enfants jouent Ă  la Russie 1184:Farocki/Godard: Film as Theory 1109: 1039: 999: 808: 1: 992: 670:Like many of Godard's films, 666:Narrative and editing choices 494: 468:as Young Man in Movie Theatre 303:film written and directed by 266:1,310,579 admissions (France) 2112:Ten Minutes Older: The Cello 2001:"Montparnasse-Levallois" in 1147:The Art and Politics of Film 868: 784:", referencing a novella by 719:and waning inspiration from 16:1965 film by Jean-Luc Godard 7: 3553:French romantic drama films 3503:1960s French-language films 2702:Beasts of the Southern Wild 2649:For the Living and the Dead 2426:Hitler: A Film from Germany 2110:"Dans le noir du temps" in 1967:Charlotte and Her Boyfriend 940: 746: 486:as Gas station attendant #2 480:as Gas station attendant #1 163:Films Georges de Beauregard 10: 3579: 3060:Get Out Your Handkerchiefs 2948:The Umbrellas of Cherbourg 2572:The Silences of the Palace 2418:In the Realm of the Senses 832: 609: 592: 450:Alexis Poliakoff as Saylor 344:Best Foreign Language Film 18: 3483:1965 romantic drama films 3257: 3086: 2915: 2840: 2564:The Scent of Green Papaya 2268: 2164: 2136:"The Bridge of Sighs" in 2127:"Les Trois DĂ©sastres" in 2061:A Letter to Freddy Buache 1924: 1838:Germany Year 90 Nine Zero 1608: 1601: 1592: 984:The Quest of the Absolute 262: 250: 233: 225: 215: 200:5 November 1965 176: 168: 154: 144: 136: 126: 90: 80: 63: 55: 45: 40:Theatrical release poster 33: 28: 3548:French drama road movies 3543:French crime drama films 2386:The Hour of the Furnaces 2378:Four Nights of a Dreamer 2095:The French as Seen by... 1550:The Criterion Collection 1080:The Criterion Collection 970: 893:, the novelist and poet 185:29 August 1965 19:Not to be confused with 3493:1960s drama road movies 3231:The Dreamlife of Angels 2534:The Fabulous Baker Boys 1363:, ed. 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243:English 226:Country 202: ( 187: ( 158:company 3453:(2024) 3445:(2023) 3437:(2022) 3429:(2021) 3426:Titane 3421:(2020) 3413:(2019) 3405:(2018) 3397:(2017) 3389:(2016) 3381:(2015) 3373:(2014) 3365:(2013) 3362:Renoir 3357:(2012) 3349:(2011) 3341:(2010) 3333:(2009) 3325:(2008) 3317:(2007) 3309:(2006) 3301:(2005) 3293:(2004) 3285:(2003) 3277:(2002) 3269:(2001) 3266:AmĂ©lie 3250:(2000) 3242:(1999) 3234:(1998) 3226:(1997) 3218:(1996) 3210:(1995) 3202:(1994) 3194:(1993) 3186:(1992) 3178:(1991) 3170:(1990) 3162:(1989) 3154:(1988) 3146:(1987) 3138:(1986) 3130:(1985) 3122:(1984) 3114:(1983) 3106:(1982) 3098:(1981) 3079:(1980) 3071:(1979) 3063:(1978) 3055:(1977) 3047:(1976) 3039:(1975) 3031:(1974) 3023:(1973) 3015:(1972) 3007:(1971) 2999:(1970) 2991:(1969) 2983:(1968) 2975:(1967) 2967:(1966) 2959:(1965) 2951:(1964) 2943:(1963) 2935:(1962) 2927:(1961) 2908:(1960) 2900:(1959) 2892:(1958) 2884:(1957) 2876:(1956) 2868:(1952) 2860:(1950) 2852:(1948) 2785:(2023) 2777:(2022) 2769:(2021) 2761:(2019) 2753:(2018) 2745:(2017) 2737:(2016) 2729:(2015) 2721:(2014) 2713:(2013) 2705:(2012) 2697:(2011) 2689:(2010) 2683:(2009) 2675:(2008) 2672:Tulpan 2667:(2007) 2659:(2006) 2651:(2005) 2645:(2004) 2637:(2003) 2629:(2002) 2621:(2001) 2613:(2000) 2605:(1999) 2597:(1998) 2589:(1997) 2581:(1996) 2575:(1995) 2567:(1994) 2559:(1993) 2551:(1992) 2543:(1991) 2537:(1990) 2529:(1989) 2521:(1987) 2518:Yeelen 2507:(1986) 2499:(1985) 2491:(1984) 2483:(1983) 2475:(1982) 2467:(1981) 2459:(1980) 2451:(1980) 2443:(1979) 2435:(1978) 2429:(1977) 2421:(1976) 2413:(1975) 2405:(1974) 2402:Martha 2397:(1973) 2389:(1972) 2381:(1971) 2373:(1970) 2365:(1969) 2357:(1968) 2349:(1967) 2341:(1966) 2333:(1965) 2325:(1964) 2322:Hamlet 2317:(1963) 2314:Muriel 2309:(1962) 2301:(1961) 2293:(1960) 2285:(1959) 2277:(1958) 2157:(2023) 2149:(2014) 2141:(2014) 2132:(2013) 2123:(2010) 2115:(2002) 2106:(1998) 2098:(1988) 2089:(1987) 2080:(1986) 2072:(1985) 2064:(1982) 2049:(1976) 2041:(1972) 2033:(1969) 2024:(1967) 2015:(1965) 2006:(1964) 1997:(1963) 1988:(1962) 1979:(1962) 1970:(1958) 1962:(1958) 1954:(1957) 1946:(1955) 1938:(1955) 1913:(2018) 1905:(2014) 1897:(2010) 1889:(2004) 1881:(2001) 1873:(1996) 1865:(1995) 1857:(1993) 1849:(1993) 1841:(1991) 1833:(1990) 1825:(1987) 1817:(1987) 1809:(1985) 1801:(1985) 1793:(1983) 1785:(1982) 1777:(1980) 1769:(1975) 1761:(1972) 1753:(1969) 1745:(1969) 1737:(1968) 1729:(1967) 1721:(1967) 1713:(1967) 1705:(1966) 1697:(1966) 1689:(1965) 1681:(1965) 1673:(1964) 1665:(1964) 1657:(1963) 1649:(1963) 1641:(1963) 1633:(1962) 1625:(1961) 1617:(1960) 1480:  1385:6 June 1154:  960:(film) 823:Athens 786:Balzac 653:has a 633:Toulon 583:, and 562:Lolita 392:Toulon 288:French 251:Budget 240:French 229:France 195:Venice 193: ( 2680:Ajami 2634:Osama 2556:Vacas 2548:Proof 971:Notes 966:novel 655:cameo 3386:Elle 3095:Diva 2832:for 2774:1976 2750:Girl 2129:3X3D 2086:Aria 1478:IMDb 1441:2021 1387:2013 1342:2017 1286:2016 1165:2016 1152:ISBN 1033:2016 922:2012 825:and 399:Cast 354:Plot 329:and 311:and 301:road 256:est. 2734:Raw 1548:at 1528:at 1493:at 1476:at 931:BBC 771:on 565:or 365:OAS 337:OAS 319:by 73:by 3469:: 2515:/ 1431:. 1409:. 1403:. 1367:. 1333:. 1327:. 1277:. 1253:. 1242:^ 1226:. 1202:. 1191:^ 1173:^ 1150:. 1136:^ 1124:^ 1094:^ 1078:. 1050:^ 1024:. 1013:^ 865:. 797:, 775:. 734:, 588:." 577:, 286:, 2818:e 2811:t 2804:v 2253:e 2246:t 2239:v 1578:e 1571:t 1564:v 1457:. 1443:. 1389:. 1344:. 1325:" 1321:" 1288:. 1263:. 1236:. 1212:. 1167:. 1088:. 1035:. 986:. 277:( 258:) 206:) 197:) 191:) 23:.

Index

Fierrot le pou

Jean-Luc Godard
Lionel White
Georges de Beauregard
Jean-Paul Belmondo
Anna Karina
Graziella Galvani
Roger Dutoit
Samuel Fuller
Raoul Coutard
Antoine Duhamel
Venice
[pjɛʁoləfu]
French
French New Wave
romantic
crime drama
road
Jean-Luc Godard
Jean-Paul Belmondo
Anna Karina
Lionel White
Alphaville
Masculin, féminin
OAS
Best Foreign Language Film
38th Academy Awards
bourgeois
OAS

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