660:. That Takaezu also works in bronze is not surprising, as bronze casting is essentially a ceramic art form, and both depend on the element of fire. A positive form is first modeled in clay, sometimes with high-relief ribs and dripped glazes to create a richly textured surface. Molds are then made in which to cast the bronze. Many of Takaezuâs bronzes are related in form to her ceramics, but there are departuresâshe explores structural characteristics that could not be fabricated in clay. In some ways, the open-bottomed bells, with their useful sound-generating emptiness, can be likened to her closed-form ceramics with interior rattles. The bronze bells resonate in a rich sonorous tone suitable for remembrance and commemoration. Whereas her hidden rattles anticipate private discovery, the open bells are meant to be sounded with public participation. In 2003 a bronze bell cast, dated, and inscribed in 2000 by Takaezu was erected in a memorial garden on the west side of
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309:, to whom she became an assistant in 1953. A pivotal influence and mentor on her development as an artist, Grotell was, in Takaezuâs view, "an unusual and rare human being who felt it was important for students to become individuals. It was through her criticism that I began to discover who I was." After becoming Grotellâs assistant, Takaezu also began her teaching career, instructing summer courses at the Cranbrook Academy from 1954 to 1956. Although working in clay was her main interest, while studying with Marianne Strengell at Cranbrook, Takaezu became interested in the creative potential of
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556:. They are all so related. However, there is a need for me to work in clay. It is so gratifying and I get so much joy from it, and it gives me many answers in my life." Indeed, she often used her kilns to bake chicken in clay, and to dry mushrooms, apples and zucchinis. As such, Takaezu largely regarded her work with clay as a collaboration between artist and nature.
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absolute minimum and perceive intuitively" are realized in her closed forms and that their non-functionality renders them as "spiritual forms⊠arrived at after removing unnecessary parts one by one." Strongly influenced by her study of Zen
Buddhism, she regarded her ceramic work as an outgrowth of nature and seamlessly interconnected with the rest of her life.
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224:, sleeping was on the floor. Takaezu did not learn to speak English until she entered first grade. At the age of nine, her family moved to Maui, where her grade schoolâunder the direction of a progressive principalâencouraged students to read and recite poetry and to draw. It was there that she received her first exposure to the arts.
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to do a workshop while she was on the faculty there. Takaezuâs observations and experiences during eight months of travel in Japan confirmed her roots in tradition and planted the seeds for a new philosophical base upon which she built her life as an artist and teacher. Through her travels in Japan,
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beginning in 1947. Horan was impressed by her talent and energy, and pushed
Takaezu to study on the mainland. He became an important influence in expanding her vision and helping her develop a strong technical foundation for her work. Although clay was her primary interest, Takaezu also took classes
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and its rich color possibilities, she approached weaving as a different way of thinking and developing ideas. Takaezu earned an award after her first year of study, which acknowledged her as an outstanding student in the clay department. She also taught summer sessions at the
Cleveland Institute of
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in
Honolulu, where she discovered her deep love for teaching and inspiring students. After the second year, she realized that becoming a fine art teacher required further study. Her instinct for self-motivationâfostered by growing up in a large familyâtold her it was time to leave Hawaii and travel
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what the most important part of her ceramic pieces is. She replied that, it is the hollow space of air within, because it cannot be seen but is still part of the pot. She relates this to the idea that what's inside a person is the most important. Takaezu also became known for the squat balls she
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to escape during firing, she would insert a piece of clay wrapped in paper into the vesselâs interior. During the firing process, the paper burns away and the clay nugget hardens, becoming a rattle inside each form. Researcher and writer Ruiko Kato remarked that the "Zen concepts to simplify to
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A remarkable artist and influential teacher, Takaezu is recognized as one of a number of ceramic artists in the 1950s and 1960s who were instrumental in moving the practice of ceramics beyond a commercial trade to become a form of artistic expression. A major retrospective of her work at the
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until 1992. For her many contributions to the arts as well as her dedication as a teacher, Princeton
University awarded Takaezu the Behrman Award for Distinguished Achievement in the Humanities in 1992, and an honorary doctorate of humane letters in 1996. At the time of the exhibition
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482:, where she taught for ten years until 1965. During this period she experimented with functional ceramics and her transformative closed forms. Having established a studio in Clifton, New Jersey, she began teaching ceramics in 1967 in the Program in Visual Arts at
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or slabs, or shaped by hand modeling, and decorated by brushing, spraying, or dripping glazes onto the surface. When she developed her signature "closed form" after sealing her pots, she found her identity as an artist. The ceramic forms resembled human
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and torsos, closed cylindrical forms, and huge spheres she called "moons." By engaging a strategy of containment in her closed columns and ovoid forms, she harnessed negative space in an encompassing manner. Before closing her forms, and leaving only a
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437:, both influential Japanese potters. Each gave her a warm reception, and she developed a special relationship with Kaneshige, who invited her to work in his studio for a few days. Years later, she returned the courtesy by inviting him to
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was established in 2015 to support and promote her legacy, and with the foundation's support, major retrospectives organized by the Museum of Fine Arts Boston and The
Noguchi Museum are being held in 2023-24 and 2024-26 respectively.
694:, a tribute to the tropical legume plant that is being promoted as a reliable food source in areas of the world challenged by regular food shortages. Originally produced in clay, the forms were later developed as a series in bronze.
149:. She is noted for her pioneering work in ceramics and has played an important role in the international revival of interest in the ceramic arts. Takaezu was known for her rounded, closed ceramic forms which broke from traditions of
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and other functional items in press molds. While she hated creating hundreds of identical pieces, she appreciated that she could practice glazing. At the pottery guild, Takaezu met Carl Massa, a New York sculptor who was with the
664:'s East Pyne Hall. The bell, garden, and thirteen metal stars set in a circular formation on the ground memorialize the thirteen Princeton University alumni who lost their lives in the terrorist attacks of September 11, 2001.
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Takaezu was known to not date her work, often noting only the decade in which they were made, as a practice that ensured that the pieces are experienced in terms of the artist's evolution rather than in a carefully laid out
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she stated that the spot was ideal for her because it was "far away from New York City but not that far." In 1965 she left her teaching position to move to New Jersey, ultimately establishing a permanent studio and house in
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that would serve the growing scale of her ambitions for clay. Letters, drawings, and notes from the
Takaezu papers at the Smithsonian's Archives of American Art, detail the process. Takaezu enlisted the help of
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motifs. Takaezu's multi-spouted vessels, produced largely in 1953, brought her early awards and attention. In
January 1955, one of her two-necked freeform bottles was first noted in the then-two-year-old
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at the
Philadelphia Museum of Art in 2004, she returned to Princeton as a Belknap Visitor in the Humanities to speak about her life and career. She taught at several other universities and art schools:
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movement, which had developed during the 1920s and 1930s, honored the beauty in everyday and utilitarian objects made by unknown craftsmen. Takaezu and others, such as friend and fellow
American artist
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Featuring 40 of her works, a number of which were from her donation to the state, the show represented a significant portion of the more than 50 works by Takaezu in the museum's collection.
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firing chambers and its moveable roof allowed Takaezu to work at a scale rarely attempted. From 1967 to 1992 she taught at the Creative Art Program (later named Visual Arts Program) of
548:; everything she did was to improve and discover herself. She believed that ceramics involved self-revelation, once commenting, "In my life I see no difference between making pots,
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Takaezu's practice, especially following her time in Japan, has been lauded for its reach back to traditional forms and techniques, as well as to the social context of the Japanese
686:(1973), reflects her strong relationship with nature. Inspired by a surrealistic landscape of burned trees silhouetted against the volcanic surface of her homeland, she created
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In the 1970s, Takaezu began a series of tall forms that she called "Tree Forms," thin ceramic trunks inspired by the scorched trees she had seen throughout her career along the
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Strickland, Carol (Oct 6, 1997). "Master of Art and the Art of Living, Everything Ceramic Artist Toshiko Takaezu does Feeds into the Process of Discovering and Creating".
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and other parts of Japan. At the monthâs end, the two sisters decided to extend their stay into the spring. During that eight-month trip in Japan in 1955, Takaezu studied
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1922:, 6 Dec. 2009, p. 13(L). Gale Academic OneFile, link.gale.com/apps/doc/A213632463/AONE?u=nysl_se_bardcsl&sid=bookmark-AONE&xid=2362055e. Accessed 8 July 2023.
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2010: Konjuhosho Award, conferred by the Emperor of Japan to individuals who have made significant contributions to Japanese society (Naha City, Okinawa, Japan)
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2017:(30 Aug. 2020) 1. Gale Academic OneFile, link.gale.com/apps/doc/A633984989/AONE?u=nysl_se_bardcsl&sid=bookmark-AONE&xid=95d1bf04. Accessed 8 July 2023.
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11 July 1997. Gale Academic OneFile, link.gale.com/apps/doc/A150313341/AONE?u=nysl_se_bardcsl&sid=bookmark-AONE&xid=3c9e36d5. Accessed 8 July 2023.
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to support her family. Her parents maintained a traditional Japanese lifestyle: shoes were removed upon entering the house, breakfast consisted of
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471:(1924â2002), embraced this aesthetic sensibility and incorporated it into contemporary American ceramics. Takaezu's friendship with the weaver
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called moon pots, and the vertical ''closed forms,'' which grew sharply in height in the 1990s. At times, Takaezu exhibited the moon pots in
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to build the 270-cubic-foot, two-chamber, cross-draft kiln of industrial grade refractory material, much of it donated. The kiln's capacious
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Takaezu's work may be found in private and corporate permanent collections, as well as several public collections across the United States:
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was a major influence on both their lives. At one time, they shared a studio at Toshikoâs home in New Jersey and often traveled together.
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in design, art history, and weaving. In the textile program under the tutelage of Hester Robinson, she experimented with natural
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260:âs life story. Eager to learn more about the lives and careers of artists, Takaezu enrolled in Saturday painting classes at the
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fashion, she recounted, "Clay is a sentient being, alive, animate, and responsive," a material entity that "has much to say."
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Liu, Cary Y., "Presence and Remembrance: The Art of Toshiko Takaezu," Princeton University Art Museum Record 68 (2009): 54.
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Liu, Cary Y., "Presence and Remembrance: The Art of Toshiko Takaezu," Princeton University Art Museum Record 68 (2009): 51.
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Liu, Cary Y., "Presence and Remembrance: The Art of Toshiko Takaezu," Princeton University Art Museum Record 68 (2009): 56.
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Liu, Cary Y., "Presence and Remembrance: The Art of Toshiko Takaezu," Princeton University Art Museum Record 68 (2009): 47.
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and plant materials such as banana stocks. These early flat-weave experiments sparked an enduring interest in textiles.
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1825:, exh. Cat. (New Brunswick: Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 1997), 185.
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She has also been in several group exhibitions throughout the United States and internationally in countries including
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in 2023, and a traveling retrospective organized by The Isamu Noguchi Foundation and Garden Museum to be launched at
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Nemmers, Laura K., Allysa Browne Peyton, Jason Steuber, "In Memory of Toshiko Takaezu: Artist, Mentor, Friend,"
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Oral history interview with Toshiko Takaezu, June 16, 2003, Archives of American Art, Smithsonian Institution,
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1356:"Oral history interview with Toshiko Takaezu, 2003 June 16 | Archives of American Art, Smithsonian Institution"
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as a medium for functional objects. Instead she explored clay's potential for aesthetic expression, taking on
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played a significant role in her work throughout her life. A group of extended cylinders, called
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Asian Traditions, Modern Expressions: Asian American Artists and Abstraction 1945 - 1970
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Asian Traditions, Modern Expressions: Asian American Artists and Abstraction 1945 - 1970
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Asian Traditions, Modern Expressions: Asian American Artists and Abstraction 1945 - 1970
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in 2024 are reflective of the recent revival of interest in her practice and legacy.
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1981:, exh. cat. (Honolulu: Honolulu Academy of Arts and The Contemporary Museum, 1993).
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Takaezu's work may also be found in the National Museum in Bangkok, Thailand.
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in 1964 allowed Takaezu to break from full-time teaching and take a studio in
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Takaezu's early works from around the mid-1950s center upon semi-utilitarian
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2462:, Honolulu, Department of Education, State of Hawaii, 1985, pages 55â60.
301:(1951), where she studied sculpture with William McVey and weaving with
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808:, in 2007 Takaezu donated 29 significant pieces to the State Museum of
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Honolulu: Honolulu Academy of Arts and Contemporary Arts Center, 1993.
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Spalding House: Self-guided Tour, Sculpture Garden, pages 5 & 18
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Takaezu treated life with a sense of wholesomeness and oneness with
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in 1975, where she set to work designing and building an innovative
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2469:, University of HawaiÊ»i Press, Honolulu, Hawaii, 1977, pages 79â84.
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ed. Peter Held, University of North Carolina Press (2010): 16 - 17.
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Glueck, Grace, "Expressiveness in Ceramics With Dazzling Glazes,"
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Seattle Art Museum, Asian Art Museum & Olympic Sculpture Park
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Seattle Art Museum, Asian Art Museum & Olympic Sculpture Park
2290:"Results â Advanced Search Objects â Museum of Fine Arts, Boston"
1838:, exh. Cat. (Kyoto: The National Museum of Modern Art, 1995), 14.
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exh. cat. (Montclair, New Jersey: Montclair Art Museum, 1989), 6.
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Stieber, Jason, "Collector's Notes: The Toshiko Takaezu Papers,"
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Stieber, Jason, "Collector's Notes: The Toshiko Takaezu Papers,"
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to the mainland. From 1951 to 1954, she continued her studies at
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2216:"Coffee with the Curators: The Pillow Book | Harn Museum of Art"
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Art (1955â64), where she became head of the ceramic department.
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ed. Peter Held, University of North Carolina Press (2010): 22.
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ed. Peter Held, University of North Carolina Press (2010): 17.
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ed. Peter Held, University of North Carolina Press (2010): 12.
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ed. Peter Held, University of North Carolina Press (2010): 15.
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ed. Peter Held, University of North Carolina Press (2010), 14.
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ed. Peter Held, University of North Carolina Press (2010), 13.
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Public television documentary featuring Toshiko Takaezu, 1993
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Princeton, New Jersey, Gallery at Bristol-Myers Squibb, 1990.
2314:"Philadelphia Museum of Art - Collections Object : Bell"
2013:
ASU Art Museum reopens with new Toshiko Takaezu exhibition,"
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Transcendent: Toshiko Takaezu in the State Museum Collection.
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magazine. Then in the late 1950s, strongly influenced by the
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2455:, Honolulu, University of HawaiÊ»i Press, 1996, pages 98â103.
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The art of Toshiko Takaezu : in the language of silence
5366:
People from Franklin Township, Hunterdon County, New Jersey
653:
633:
621:
576:
572:
339:
314:
289:
221:
150:
2524:
10 Years: The Contemporary Museum at First Hawaiian Center
1711:, exh. cat. (Honolulu: Honolulu Academy of Arts, 1993), 9.
812:. Much of this gift was shown in a major 2008 exhibition,
157:
concepts in a manner that places her work in the realm of
4933:
Recipients of the Gold Medal for Consummate Craftsmanship
2647:
Oral history interview with Toshiko Takaezu, 2003 June 16
2102:"Toshiko Takaezu Receives Arts Award | Dickinson College"
1993:"Art Review: Master Who Turns Mud Into Vessels of Beauty"
1707:
Saville, Jennifer, "Toshiko Takaezu: Listening to Clay,"
632:
In the early 1970s, when Takaezu didn't have access to a
625:
415:
282:
1892:
Pattee, Dandee, "Toshiko Takaezu: Expressions in Clay."
1736:"Former visual arts professor Takaezu passes away at 88"
891:
1987: Hale Pulamamau, Kuakini Hospital, Honolulu, Hawaii
478:
Returning from Japan, Takaezu joined the faculty of the
288:
In 1948, Takaezu began teaching a ceramics class at the
871:
1965: Society of Arts and Crafts, Boston, Massachusetts
675:. Making yearly visits to the islands as an adult, the
204:. As a child, Takaezu helped her father and uncle farm
2481:"In Memory of Toshiko Takaezu: Artist, Mentor, Friend"
2474:
The Art of Toshiko Takaezu: In the Language of Silence
1519:
North American Women Artists of the Twentieth Century
587:
designs, her early works are frequently brushed with
2548:, Montclair, New Jersey, Montclair Art Museum, 1989.
2539:
Bamboo Ridge: Journal of Hawai'i Literature and Arts
1523:. New York and London: Garland Publishing. pp.
2490:, Honolulu, Hawaii, Honolulu Academy of Arts, 1993.
2401:"Toshiko Takaezu | Smithsonian American Art Museum"
2328:"Toshiko Takaezu | Princeton University Art Museum"
1907:
Art of Toshiko Takaezu: In the Language of Silence,
1801:
Art of Toshiko Takaezu: In the Language of Silence,
1775:
Art of Toshiko Takaezu: In the Language of Silence,
1722:
Art of Toshiko Takaezu: In the Language of Silence,
1693:
Art of Toshiko Takaezu: In the Language of Silence,
1610:
Indianapolis / New York: Bobbs-Merrill (1975): 138.
1556:
Art of Toshiko Takaezu: In the Language of Silence,
1446:
Art of Toshiko Takaezu: In the Language of Silence,
930:
2020: ASU Ceramics Museum, Brickyard, Tempe Arizona
1516:
1103:Frances Young Tang Teaching Museum and Art Gallery
977:Takaezu won many honors and awards for her work:
917:1998: Hunterdon Museum of Art, Clinton, New Jersey
645:, an allusion to her method of drying the pots in
2589:Montclair, New Jersey Montclair Art Museum, 1988.
2495:Spalding House Self-guided Tour, Sculpture Garden
1656:interviews/oral-history-interview- toshiko-takaez
920:1995: National Museum of Modern Art, Kyoto, Japan
804:Having had a lifelong dedication to the state of
5292:
2476:, The University of North Carolina Press, 2011.
1905:Smith, Paul J., "Toshiko Takaezu: Six Decades,"
1773:Smith, Paul J., "Toshiko Takaezu: Six Decades,"
1691:Smith, Paul J., "Toshiko Takaezu: Six Decades,"
1554:Smith, Paul J., "Toshiko Takaezu: Six Decades,"
1444:Smith, Paul J., "Toshiko Takaezu: Six Decades,"
122:(June 17, 1922 â March 9, 2011) was an American
2575:Hawaii State Foundation on Culture and the Arts
1918:Genocchio, Benjamin, "Moving Beyond Function,"
881:1973: Hunterdon Art Center, Clinton, New Jersey
636:, she painted on canvas. She was once asked by
518:Franklin Township, Hunterdon County, New Jersey
188:Takaezu was born the middle child of eleven to
1515:Heller, Jules; Heller, Nancy G., eds. (1995).
1491:. Honolulu, HI: Kisaku, Inc. pp. 139â142.
688:Lava Forest (Homage to the Devastation Forest)
489:The Poetry of Clay: The Art of Toshiko Takaezu
212:. Coming from a family of few means, she left
2672:
2601:, Kyoto, National Museum of Modern Art, 1995.
2502:Kuilima KÄkou, Hawaiâi-Japan Joint Exhibition
2352:"Artist / Maker / Culture: "Toshiko Takaezu""
2241:"Works â Toshiko Takaezu â Artists â eMuseum"
1934:"Toshiko Takaezu, Ceramic Artist, Dies at 88"
1608:The Penland School of Crafts Book of Pottery,
1489:Japanese women in Hawaii: the first 100 years
1405:"Renowned Hawaii Artist Toshiko Takaezu Dies"
1311:"Toshiko Takaezu, Ceramic Artist, Dies at 88"
2511:, Honolulu, Honolulu Academy of Arts, 2001,
2483:Ceramic Arts and Technical, volume 87. 2012.
1514:
528:, she made many of her larger sculptures at
2526:, The Contemporary Museum, Honolulu, 2006,
1834:Kato, Ruiko, "The Art of Toshiko Takaezu,"
1399:
1397:
911:1993: Contemporary Museum, Honolulu, Hawaii
183:
2679:
2665:
2458:Department of Education, State of Hawaii,
1865:
1853:Members' Magazine (Honolulu Museum of Art)
1561:
1272:Zanesville Museum of Art, Zanesville, Ohio
791:, stoneware, Toshiko Takaezu (1975â1980),
2688:American Craft Council College of Fellows
1990:
462:, or "arts of the people," movement. The
2566:, Albany, New York, MEAM Pub. Co., 2005.
2376:"Here and Now: New Ceramic Acquisitions"
1586:. Oxford University Press. p. 432.
1394:
1304:
1302:
1300:
1298:
1296:
1294:
1292:
1290:
868:1965: Gallery 100, Princeton, New Jersey
370:
276:(1948 and 1951) where she studied under
1459:"Toshiko Takaezu | Densho Encyclopedia"
5293:
2500:International Art Society of Hawai'i,
2053:"Toshiko Takaezu: Shaping Abstraction"
2028:"Biennale Arte 2022 | Toshiko Takaezu"
1931:
1799:Koplos, Janet. "An unsaid quality..."
1583:The Grove Encyclopedia of American Art
1579:
1308:
894:1988: Montclair Art Museum, New Jersey
773:, stoneware, Toshiko Takaezu (1980s),
164:. She is of Japanese descent and from
5381:University of HawaiÊ»i at MÄnoa alumni
2660:
2265:"From the CollectionâToshiko Takaezu"
2126:"Cantor Arts Center - Object Results"
1991:Genocchio, Benjamin (July 23, 2006).
1888:
1886:
1733:
1727:
1703:
1701:
1669:, Vol. 52, No. 3 - 4 (Fall 2013): 82.
1550:
1548:
1546:
1544:
1510:
1508:
1506:
1504:
1502:
1500:
1498:
1486:
1430:, Vol. 52, No. 3 - 4 (Fall 2013): 81.
1287:
755:, stoneware, Toshiko Takaezu, (1973)
406:Seeking to understand more about her
97:Ceramist, painter, sculptor, educator
5331:American artists of Japanese descent
5311:20th-century American women painters
2622:Essay about Takaezu by Tony Ferguson
1619:
1482:
1480:
1478:
1440:
1438:
1436:
1422:
1420:
1418:
1387:
1385:
1383:
1381:
1379:
1377:
1375:
1337:
1335:
1333:
1261:University of Michigan Museum of Art
972:
829:Toshiko Takaezu: Expressions in Clay
710:, arguing for her recognition as an
425:, and the techniques of traditional
2564:Toshiko Takaezu, The earth in bloom
2465:Haar, Francis and Murray Turnbull,
1734:Duazo, Catherine (March 11, 2011),
799:
13:
5351:Cleveland Institute of Art faculty
2577:, Honolulu, Hawaii, 1997, page 61.
2551:Woolfolk, Ann, "Toshiko Takaezu,"
2509:Legacy: Facets of Island Modernism
2445:
1883:
1698:
1672:
1654:http://www.aaa.si.edu/collections/
1541:
1495:
1309:Grimes, William (March 19, 2011),
1097:Fine Arts Museums of San Francisco
994:1983: Dickinson College Arts Award
819:Takaezu died on March 9, 2011, in
14:
5412:
2617:Toshiko Takaezu group on Facebook
2605:
2559:(5), 6 October 1982, pages 31â33.
1475:
1433:
1415:
1372:
1330:
2522:Morse, Marcia and Allison Wong,
2078:"Toshiko Takaezu: Worlds Within"
1849:"Toshiko Takaezu: The Paintings"
1667:Archives of American Art Journal
1428:Archives of American Art Journal
1165:Los Angeles County Museum of Art
1049:Butler Institute of American Art
781:
763:
745:
719:
323:Louis Comfort Tiffany Foundation
5356:Cranbrook Academy of Art alumni
5321:20th-century American sculptors
2696:Honorary Fellows are listed in
2537:Takaezu, Toshiko, Portfolio in
2417:
2393:
2320:
2306:
2282:
2257:
2233:
2208:
2194:
2170:
2156:
2132:
2118:
2094:
2070:
2020:
2003:
1984:
1971:
1966:Ceramics: Art & Perception,
1958:
1925:
1912:
1899:
1874:
1859:
1841:
1828:
1815:
1806:
1793:
1780:
1767:
1754:
1745:
1720:Larsen, Jack Lenor. "Foreword"
1714:
1685:
1659:
1646:
1613:
1600:
1573:
1237:Smithsonian American Art Museum
1219:Princeton University Art Museum
1019:Addison Gallery of American Art
989:National Endowment for the Arts
981:1952: McInerny Foundation grant
524:. In addition to her studio in
313:. Responding to the texture of
5316:20th-century American painters
2587:Toshiko Takaezu: Four Decades,
1932:Grimes, William (2011-03-19).
1762:Toshiko Takaezu: Four Decades,
1451:
1348:
1008:
984:1964: Tiffany Foundation grant
914:1993: Honolulu Academy of Arts
841:
520:, about 30 miles northwest of
1:
2599:Toshiko Takaezu Retrospective
2571:Collective Visions, 1967-1997
2546:Toshiko Takaezu, Four decades
2467:Artists of Hawaii, Volume Two
2451:Clarke, Joan and Diane Dods,
1894:Ceramics: Art and Perception,
1868:The Christian Science Monitor
1836:Toshiko Takaezu Retrospective
1255:University of Hawaiʻi at Hilo
1119:Hunter Museum of American Art
690:. In the late 1970s she made
442:including residence in a Zen
264:(1947 to 1949) studying with
262:Honolulu Museum of Art School
78:Honolulu Museum of Art School
5376:Princeton University faculty
2541:, Spring, 1996, pages 26â30.
1215:, Philadelphia, Pennsylvania
1195:Museum of Fine Arts, Houston
1109:, Saratoga Springs, New York
863:Peabody College for Teachers
825:Samuel P. Harn Museum of Art
789:Ceramic Forest - Three Trees
113:toshikotakaezufoundation.org
7:
5371:People from Hawaii (island)
5326:21st-century American women
4882:Einar and Jamex de la Torre
2593:Toshiko Takaezu: 1989-1990,
1267:University of New Hampshire
1189:Museum of Fine Arts, Boston
1099:, San Francisco, California
1081:, Manchester, New Hampshire
941:Museum of Fine Arts, Boston
571:shapes, and double-spouted
305:, and met Finnish ceramist
10:
5417:
4727:Consuelo Jimenez Underwood
2612:Toshiko Takaezu Foundation
2486:Honolulu Academy of Arts,
2479:Nemmers, Peyton, Steuber.
2057:Museum of Fine Arts Boston
1213:Philadelphia Museum of Art
1171:Metropolitan Museum of Art
1069:, Pittsburgh, Pennsylvania
1045:, Bloomsburg, Pennsylvania
856:Cleveland Institute of Art
834:Toshiko Takaezu Foundation
534:Saratoga Springs, New York
498:Bloomfield Hills, Michigan
480:Cleveland Institute of Art
299:Bloomfield Hills, Michigan
174:Museum of Fine Arts Boston
5361:American modern sculptors
4929:
4864:
4792:
4749:
4694:
4646:
4598:
4545:
4492:
4444:
4386:
4338:
4295:
4247:
4204:
4161:
4103:
4033:
3980:
3922:
3864:
3799:
3746:
3683:
3628:
3541:
3461:
3323:
3239:
3213:
3158:
3108:
3053:
2989:
2926:
2873:
2813:
2705:
2694:
2653:, Smithsonian Institution
2269:Milwaukee Art Museum Blog
1968:No. 87 (March 2012), 110.
1183:Museum of Arts and Design
1167:, Los Angeles, California
1159:Michigan State University
1085:Detroit Institute of Arts
1027:, Allentown, Pennsylvania
908:, Bridgeport, Connecticut
827:with its 2011 exhibition
737:, Toshiko Takaezu (1992)
692:Homage to Tetragonoloblus
366:
109:
101:
93:
73:
50:
28:
21:
5401:American women academics
5341:American women ceramists
4087:Christa C. Mayer Thurman
2651:Archives of American Art
2497:, 2014, pages 5 & 18
2493:Honolulu Museum of Art,
2245:emuseum.huntermuseum.org
1580:Marter, Joan M. (2011).
1567:Honolulu Museum of Art,
1280:
1161:, East Lansing, Michigan
1121:, Chattanooga, Tennessee
1031:Arizona State University
1021:, Andover, Massachusetts
906:University of Bridgeport
494:Cranbrook Academy of Art
349:Indiana State University
331:Archives of American Art
295:Cranbrook Academy of Art
272:. She then attended the
184:Early life and education
88:Cranbrook Academy of Art
2980:Eugenia Campbell Nowlin
2553:Princeton Alumni Weekly
2429:exchange.umma.umich.edu
2332:artmuseum.princeton.edu
1463:encyclopedia.densho.org
1269:, Durham, New Hampshire
1221:, Princeton, New Jersey
1207:New Jersey State Museum
1137:Hawaii State Art Museum
1073:Cleveland Museum of Art
1037:Baltimore Museum of Art
901:, Montclair, New Jersey
888:, Jacksonville, Florida
876:Lewis and Clark College
849:University of Wisconsin
757:Hawaii State Art Museum
739:Hawaii State Art Museum
673:Volcanoes National Park
539:
510:Honolulu Academy of Art
502:University of Wisconsin
256:, an interpretation of
16:American ceramic artist
5386:American women potters
4061:Hiroko Sato-Pijanowski
2901:Mary Caroline Richards
2857:Anna Wetherill Olmsted
2776:Francis Sumner Merritt
2632:Chautauqua Institution
2202:"Shallow Painted Bowl"
2106:archives.dickinson.edu
2032:La Biennale di Venezia
1760:Montclair Art Museum,
1740:The Daily Princetonian
1179:, Milwaukee, Wisconsin
1149:Honolulu Museum of Art
1133:, Hamilton, New Jersey
1115:, Gainesville, Florida
1067:Carnegie Museum of Art
1063:, Stanford, California
886:Florida Junior College
865:, Nashville, Tennessee
793:Honolulu Museum of Art
775:Honolulu Museum of Art
712:Abstract Expressionist
591:markings and stylized
403:
155:Abstract Expressionist
5396:Sculptors from Hawaii
5346:Ceramists from Hawaii
5015:Douglass Morse Howell
3569:James 'Mel' Someroski
3438:Marion Stroud Swingle
3116:Douglass Morse Howell
2627:Grounds for Sculpture
1487:Saiki, Patsy (1985).
1263:, Ann Arbor, Michigan
1249:University Art Museum
1233:, Seattle, Washington
1209:, Trenton, New Jersey
1131:Grounds for Sculpture
1127:, Clinton, New Jersey
1091:Everson Museum of Art
1079:Currier Museum of Art
1043:Bloomsburg University
1039:, Baltimore, Maryland
999:Living Treasure Award
927:, Clinton, New Jersey
374:
274:University of Hawaiʻi
83:University of Hawaiʻi
5391:Painters from Hawaii
5063:Ronald Hayes Pearson
4740:Yoshiko Iwamoto Wada
3514:Viktor Schreckengost
3406:Walter G. Nottingham
2964:Mary Walker Phillips
2881:Alice Kagawa Parrott
2846:Ronald Hayes Pearson
2713:Adda Husted Andersen
2569:Yoshihara, Lisa A.,
1620:Held, Peter (2011).
1243:Toledo Museum of Art
1203:, Newark, New Jersey
1185:, New York, New York
1177:Milwaukee Art Museum
1173:, New York, New York
1125:Hunterdon Art Museum
1093:, Syracuse, New York
1055:Canton Museum of Art
1025:Allentown Art Museum
925:Hunterdon Art Museum
899:Montclair Art Museum
851:, Madison, Wisconsin
662:Princeton University
484:Princeton University
361:Princeton University
5201:Stephen De Staebler
4913:Diana Baird N'Diaye
4877:Michael A. Cummings
4685:Edward S. Cooke Jr.
4674:Myra Mimlitsch-Gray
4483:Robert Pfannebecker
3726:Stephen De Staebler
3619:Ruth DeYoung Kohler
3612:Mildred Constantine
3605:Helen Drutt English
3396:Polly Lada-Mocarski
3381:Nan Bangs McKinnell
2294:collections.mfa.org
2144:collection.cmoa.org
1977:Saville, Jennifer,
1821:Wechsler, Jeffrey,
1678:Wechsler, Jeffrey,
1409:Honolulu Civil Beat
1341:Wechsler, Jeffrey,
1227:, Racine, Wisconsin
1145:, Atlanta, Georgia,
1087:, Detroit, Michigan
327:Clinton, New Jersey
252:and Irving Stoneâs
5249:Judy Kensley McKie
5189:Katherine Westphal
5021:Marianne Strengell
4855:Lowery Stokes Sims
4830:Preston Singletary
4783:Patricia Malarcher
4525:Susanne Stephenson
4286:Martha Longenecker
3817:Garry Knox Bennett
3417:C. Malcolm Watkins
3307:Jonathan Fairbanks
3176:Marianne Strengell
3017:Katherine Westphal
2917:Aileen Osborn Webb
2562:Yake, J. Stanley,
2544:Takaezu, Toshiko,
2472:Held, Peter, ed.,
2405:americanart.si.edu
2222:. 26 December 2020
2166:. 30 October 2018.
2082:The Noguchi Museum
1997:The New York Times
1938:The New York Times
1896:No. 88 (2012), 98.
1606:Coyne, John, ed.,
1316:The New York Times
1251:, Albany, New York
1239:, Washington, D.C.
1231:Seattle Art Museum
1151:, Honolulu, Hawaii
1143:High Museum of Art
1139:, Honolulu, Hawaii
1113:Harn Museum of Art
1061:Cantor Arts Center
1051:, Youngstown, Ohio
949:(and other venues)
947:The Noguchi Museum
878:, Portland, Oregon
506:Madison, Wisconsin
412:Okinawa Prefecture
404:
303:Marianne Strengell
190:Japanese immigrant
178:The Noguchi Museum
5288:
5287:
5057:Jack Lenor Larsen
4810:Nancy Koenigsberg
4664:Françoise Grossen
4621:Judith Schaechter
4462:Carol Shaw-Sutton
4457:Bernard Bernstein
4329:Stuart Kestenbaum
4212:Ana Lisa Hedstrom
4056:Eugene Pijanowski
3361:Harrison McIntosh
2954:Jack Lenor Larsen
2826:Else Regensteiner
2804:Rudolph Schaeffer
2769:Florence Eastmead
2763:Trude Guermonprez
2519:, pages 24, 82-87
2517:978-0-937426-48-7
2460:Artists of Hawaii
2140:"CMOA Collection"
1593:978-0-19-533579-8
1225:Racine Art Museum
1155:Kresge Art Museum
1075:, Cleveland, Ohio
973:Honors and awards
858:, Cleveland, Ohio
669:Devastation Trail
394:(c.1980s) at the
321:A grant from the
200:on the island of
117:
116:
5408:
5336:American potters
5123:L. Brent Kington
5105:Warren MacKenzie
5093:Kenneth Ferguson
5033:John Paul Miller
5027:Robert C. Turner
4949:Harvey Littleton
4841:Carolyn Mazloomi
4679:Hank Murta Adams
4477:Rosanne Somerson
4351:Marilyn da Silva
4280:Patricia Hickman
4275:Linda Threadgill
4270:Joey Kirkpatrick
4121:Joan Livingstone
3971:Paulus Berensohn
3955:Richard Mawdsley
3822:Helena Hernmarck
3661:Margarete Seeler
3594:Stanley Lechtzin
3479:Francis Whitaker
3341:C. Carl Jennings
3336:Arthur Carpenter
3314:LaMar Harrington
3262:Edward Moulthrop
3226:Kenneth Ferguson
3086:Warren MacKenzie
3030:Margery Anneberg
3012:Hans Christensen
3002:George Nakashima
2959:L. Brent Kington
2949:Frederick Miller
2911:Robert C. Turner
2831:John Paul Miller
2733:Harvey Littleton
2728:Frans Wildenhain
2718:Dorothy Meredith
2681:
2674:
2667:
2658:
2657:
2581:Toshiko Takaezu,
2439:
2438:
2436:
2435:
2425:"Exchange: Bowl"
2421:
2415:
2414:
2412:
2411:
2397:
2391:
2390:
2388:
2387:
2372:
2366:
2365:
2363:
2362:
2348:
2342:
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2317:
2310:
2304:
2303:
2301:
2300:
2286:
2280:
2279:
2277:
2276:
2261:
2255:
2254:
2252:
2251:
2237:
2231:
2230:
2228:
2227:
2212:
2206:
2205:
2198:
2192:
2191:
2189:
2188:
2174:
2168:
2167:
2160:
2154:
2153:
2151:
2150:
2136:
2130:
2129:
2122:
2116:
2115:
2113:
2112:
2098:
2092:
2091:
2089:
2088:
2074:
2068:
2067:
2065:
2064:
2049:
2043:
2042:
2040:
2039:
2024:
2018:
2007:
2001:
2000:
1988:
1982:
1975:
1969:
1962:
1956:
1955:
1953:
1952:
1929:
1923:
1916:
1910:
1903:
1897:
1890:
1881:
1878:
1872:
1871:
1863:
1857:
1856:
1855:: 8. March 2012.
1845:
1839:
1832:
1826:
1819:
1813:
1810:
1804:
1797:
1791:
1784:
1778:
1771:
1765:
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1749:
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1731:
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1718:
1712:
1705:
1696:
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1670:
1663:
1657:
1650:
1644:
1643:
1617:
1611:
1604:
1598:
1597:
1577:
1571:
1565:
1559:
1552:
1539:
1538:
1522:
1512:
1493:
1492:
1484:
1473:
1472:
1470:
1469:
1455:
1449:
1442:
1431:
1424:
1413:
1412:
1411:, March 10, 2011
1401:
1392:
1389:
1370:
1369:
1367:
1366:
1352:
1346:
1339:
1328:
1327:
1306:
1107:Skidmore College
1033:, Tempe, Arizona
800:Death and legacy
785:
767:
749:
723:
649:. She also cast
624:to allow heated
599:Ceramics Monthly
575:in conventional
530:Skidmore College
427:Japanese pottery
400:Washington, D.C.
270:Ralston Crawford
250:The Fountainhead
240:Division of the
238:Special Services
194:Pepeekeo, Hawaii
57:
43:Pepeekeo, Hawaii
38:
36:
19:
18:
5416:
5415:
5411:
5410:
5409:
5407:
5406:
5405:
5291:
5290:
5289:
5284:
5261:Patti Warashina
5243:Richard Marquis
5213:Gerhardt Knodel
5141:Gertrud Natzler
5117:Dominic Di Mare
5039:Toshiko Takaezu
4925:
4897:Michael Puryear
4860:
4820:Kristina Madsen
4788:
4745:
4707:Thomas Gentille
4690:
4642:
4631:William Carlson
4616:Michael Hurwitz
4594:
4541:
4510:John Stephenson
4488:
4440:
4399:Glenda Arentzen
4382:
4377:Nanette Laitman
4346:Arturo Sandoval
4334:
4291:
4255:Alphonse Mattia
4243:
4227:Norma Minkowitz
4200:
4179:John Cederquist
4157:
4136:Norman Schulman
4111:David Ellsworth
4099:
4076:Marjorie Schick
4051:Cynthia Bringle
4029:
3976:
3918:
3860:
3855:Virginia Harvey
3795:
3779:Richard Marquis
3742:
3716:Robert Ebendorf
3711:Patti Warashina
3679:
3641:Gerhardt Knodel
3624:
3584:Marvin Lipofsky
3537:
3532:R. Leigh Glover
3499:Michael Higgins
3494:Margaret Tafoya
3489:Lillian Elliott
3484:Gertrud Natzler
3474:Frances Higgins
3457:
3376:James McKinnell
3351:Fritz Dreisbach
3319:
3257:Dominic Di Mare
3235:
3209:
3204:Sydney Butchkes
3154:
3126:Mary Ann Scherr
3121:F. Carlton Ball
3104:
3049:
2985:
2944:Dominick Labino
2922:
2869:
2809:
2797:Maurine Roberts
2758:Toshiko Takaezu
2701:
2690:
2685:
2608:
2507:Morse, Marcia,
2488:Toshiko Takaezu
2448:
2446:Further reading
2443:
2442:
2433:
2431:
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2422:
2418:
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2046:
2037:
2035:
2026:
2025:
2021:
2009:Ellefson, Sam,
2008:
2004:
1989:
1985:
1979:Toshiko Takaezu
1976:
1972:
1963:
1959:
1950:
1948:
1930:
1926:
1917:
1913:
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1900:
1891:
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1847:
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1833:
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1807:
1798:
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1788:New York Times,
1785:
1781:
1772:
1768:
1759:
1755:
1750:
1746:
1732:
1728:
1719:
1715:
1709:Toshiko Takaezu
1706:
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1349:
1340:
1331:
1307:
1288:
1283:
1275:
1191:, Massachusetts
1011:
975:
935:Venice Biennale
844:
802:
795:
786:
777:
768:
759:
750:
741:
724:
704:Jackson Pollock
542:
396:Renwick Gallery
369:
186:
166:Pepeeko, Hawaii
120:Toshiko Takaezu
86:
81:
69:
59:
55:
46:
40:
34:
32:
24:
23:Toshiko Takaezu
17:
12:
11:
5:
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5318:
5313:
5308:
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5286:
5285:
5283:
5282:
5276:
5273:Wendy Maruyama
5270:
5264:
5258:
5252:
5246:
5240:
5234:
5228:
5225:Joyce J. Scott
5222:
5216:
5210:
5204:
5198:
5192:
5186:
5180:
5174:
5168:
5162:
5156:
5150:
5144:
5138:
5132:
5129:Cynthia Schira
5126:
5120:
5114:
5108:
5102:
5096:
5090:
5084:
5081:Ruth Duckworth
5078:
5075:Wendell Castle
5072:
5066:
5060:
5054:
5051:Bob Stocksdale
5048:
5045:Rudolf Staffel
5042:
5036:
5030:
5024:
5018:
5012:
5006:
5000:
4994:
4988:
4982:
4976:
4973:Gerry Williams
4970:
4964:
4961:Margret Craver
4958:
4952:
4946:
4940:
4937:Dorothy Liebes
4934:
4930:
4927:
4926:
4924:
4923:
4916:
4909:
4904:
4899:
4894:
4889:
4887:Yuri Kobayashi
4884:
4879:
4874:
4868:
4866:
4862:
4861:
4859:
4858:
4851:
4848:Howard Risatti
4844:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4802:
4796:
4794:
4790:
4789:
4787:
4786:
4779:
4774:
4772:Annabeth Rosen
4769:
4767:Katherine Gray
4764:
4759:
4753:
4751:
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4746:
4744:
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4736:
4729:
4724:
4719:
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4709:
4704:
4698:
4696:
4692:
4691:
4689:
4688:
4681:
4676:
4671:
4666:
4661:
4659:Michael Cooper
4656:
4650:
4648:
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4643:
4641:
4640:
4633:
4628:
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4613:
4608:
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4575:
4570:
4565:
4560:
4555:
4549:
4547:
4543:
4542:
4540:
4539:
4532:
4530:William Hunter
4527:
4522:
4517:
4512:
4507:
4502:
4496:
4494:
4490:
4489:
4487:
4486:
4479:
4474:
4469:
4464:
4459:
4454:
4452:Benjamin Moore
4448:
4446:
4442:
4441:
4439:
4438:
4431:
4429:Wendy Maruyama
4426:
4421:
4416:
4411:
4406:
4401:
4396:
4390:
4388:
4384:
4383:
4381:
4380:
4373:
4371:William Morris
4368:
4363:
4361:Richard Notkin
4358:
4356:Mark Lindquist
4353:
4348:
4342:
4340:
4336:
4335:
4333:
4332:
4325:
4320:
4315:
4310:
4308:Howard Ben Tré
4305:
4299:
4297:
4293:
4292:
4290:
4289:
4282:
4277:
4272:
4267:
4262:
4257:
4251:
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4245:
4244:
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4241:
4234:
4229:
4224:
4219:
4214:
4208:
4206:
4202:
4201:
4199:
4198:
4191:
4189:Robert Winokur
4186:
4181:
4176:
4171:
4165:
4163:
4159:
4158:
4156:
4155:
4148:
4143:
4138:
4133:
4128:
4123:
4118:
4113:
4107:
4105:
4101:
4100:
4098:
4097:
4094:Theodore Cohen
4090:
4083:
4078:
4073:
4068:
4063:
4058:
4053:
4048:
4043:
4037:
4035:
4031:
4030:
4028:
4027:
4020:
4018:Therman Statom
4015:
4010:
4005:
4000:
3995:
3990:
3988:Dorothy Barnes
3984:
3982:
3978:
3977:
3975:
3974:
3967:
3965:William Harper
3962:
3957:
3952:
3947:
3942:
3937:
3932:
3926:
3924:
3920:
3919:
3917:
3916:
3909:
3907:William Keyser
3904:
3899:
3894:
3889:
3884:
3879:
3874:
3868:
3866:
3862:
3861:
3859:
3858:
3851:
3844:
3839:
3834:
3829:
3824:
3819:
3814:
3809:
3803:
3801:
3797:
3796:
3794:
3793:
3790:Michael Monroe
3786:
3781:
3776:
3771:
3766:
3761:
3756:
3754:Charles Counts
3750:
3748:
3744:
3743:
3741:
3740:
3733:
3728:
3723:
3718:
3713:
3708:
3703:
3698:
3693:
3687:
3685:
3681:
3680:
3678:
3677:
3674:Robert G. Hart
3670:
3663:
3658:
3653:
3648:
3643:
3638:
3632:
3630:
3626:
3625:
3623:
3622:
3615:
3608:
3601:
3596:
3591:
3589:Robert Arneson
3586:
3581:
3576:
3571:
3566:
3564:Joyce Anderson
3561:
3559:Edgar Anderson
3556:
3551:
3549:Cynthia Schira
3545:
3543:
3539:
3538:
3536:
3535:
3528:
3525:Blanche Reeves
3521:
3516:
3511:
3506:
3501:
3496:
3491:
3486:
3481:
3476:
3471:
3469:Edris Eckhardt
3465:
3463:
3459:
3458:
3456:
3455:
3448:
3441:
3434:
3427:
3424:James Melchert
3420:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3346:Frances Senska
3343:
3338:
3333:
3327:
3325:
3321:
3320:
3318:
3317:
3310:
3303:
3296:
3289:
3284:
3279:
3277:Richard DeVore
3274:
3269:
3264:
3259:
3254:
3252:Claire Zeisler
3249:
3243:
3241:
3237:
3236:
3234:
3233:
3231:Wendell Castle
3228:
3223:
3217:
3215:
3211:
3210:
3208:
3207:
3200:
3197:Harold Brennan
3193:
3188:
3186:Richard Thomas
3183:
3181:Maurice Heaton
3178:
3173:
3168:
3162:
3160:
3156:
3155:
3153:
3152:
3149:Susan Peterson
3145:
3138:
3133:
3131:Ruth Duckworth
3128:
3123:
3118:
3112:
3110:
3106:
3105:
3103:
3102:
3099:Robert W. Gray
3095:
3088:
3083:
3078:
3073:
3071:Margret Craver
3068:
3063:
3061:Bernard Kester
3057:
3055:
3051:
3050:
3048:
3047:
3040:
3033:
3026:
3019:
3014:
3009:
3007:Gerry Williams
3004:
2999:
2993:
2991:
2987:
2986:
2984:
2983:
2976:
2971:
2969:Rudolf Staffel
2966:
2961:
2956:
2951:
2946:
2941:
2939:Bob Stocksdale
2936:
2930:
2928:
2924:
2923:
2921:
2920:
2913:
2908:
2906:Ramona Solberg
2903:
2898:
2893:
2888:
2883:
2877:
2875:
2871:
2870:
2868:
2867:
2864:Lloyd Kiva New
2860:
2853:
2851:Ruth Penington
2848:
2843:
2841:Laura Anderson
2838:
2833:
2828:
2823:
2821:Charles Loloma
2817:
2815:
2811:
2810:
2808:
2807:
2800:
2793:
2786:
2783:Margaret Patch
2779:
2772:
2765:
2760:
2755:
2750:
2745:
2740:
2735:
2730:
2725:
2720:
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2695:
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2691:
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2683:
2676:
2669:
2661:
2655:
2654:
2644:
2639:
2634:
2629:
2624:
2619:
2614:
2607:
2606:External links
2604:
2603:
2602:
2596:
2590:
2584:
2578:
2567:
2560:
2549:
2542:
2535:
2520:
2505:
2498:
2491:
2484:
2477:
2470:
2463:
2456:
2453:Artists/Hawaii
2447:
2444:
2441:
2440:
2416:
2392:
2367:
2343:
2319:
2305:
2281:
2256:
2232:
2207:
2193:
2169:
2155:
2131:
2117:
2093:
2069:
2044:
2019:
2002:
1983:
1970:
1957:
1924:
1920:New York Times
1911:
1898:
1882:
1873:
1858:
1840:
1827:
1814:
1805:
1792:
1779:
1766:
1753:
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1599:
1592:
1572:
1560:
1540:
1533:
1494:
1474:
1450:
1432:
1414:
1393:
1371:
1360:www.aaa.si.edu
1347:
1329:
1285:
1284:
1282:
1279:
1274:
1273:
1270:
1264:
1258:
1252:
1246:
1245:, Toledo, Ohio
1240:
1234:
1228:
1222:
1216:
1210:
1204:
1198:
1192:
1186:
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1174:
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1122:
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1110:
1100:
1094:
1088:
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1070:
1064:
1058:
1057:, Canton, Ohio
1052:
1046:
1040:
1034:
1028:
1022:
1015:
1010:
1007:
1006:
1005:
1002:
1001:(Honolulu, HI)
995:
992:
985:
982:
974:
971:
959:Czechoslovakia
951:
950:
943:
937:
931:
928:
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778:
769:
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725:
718:
541:
538:
431:Kaneshige Toyo
368:
365:
185:
182:
162:abstractionism
115:
114:
111:
107:
106:
103:
102:Known for
99:
98:
95:
91:
90:
75:
71:
70:
60:
58:(aged 88)
52:
48:
47:
41:
30:
26:
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22:
15:
9:
6:
4:
3:
2:
5413:
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5238:
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5232:
5229:
5226:
5223:
5220:
5217:
5214:
5211:
5208:
5207:Betty Woodman
5205:
5202:
5199:
5196:
5193:
5190:
5187:
5184:
5181:
5178:
5175:
5172:
5169:
5166:
5165:William Daley
5163:
5160:
5159:Kay Sekimachi
5157:
5154:
5151:
5148:
5145:
5142:
5139:
5136:
5133:
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5100:
5097:
5094:
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5088:
5085:
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5079:
5076:
5073:
5070:
5069:June Schwarcz
5067:
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5058:
5055:
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5049:
5046:
5043:
5040:
5037:
5034:
5031:
5028:
5025:
5022:
5019:
5016:
5013:
5010:
5009:Alma Eikerman
5007:
5004:
5003:Beatrice Wood
5001:
4998:
4995:
4992:
4989:
4986:
4983:
4980:
4979:Lenore Tawney
4977:
4974:
4971:
4968:
4967:Peter Voulkos
4965:
4962:
4959:
4956:
4955:Lucy M. Lewis
4953:
4950:
4947:
4944:
4941:
4938:
4935:
4932:
4931:
4928:
4922:
4921:
4920:Cindi Strauss
4917:
4915:
4914:
4910:
4908:
4905:
4903:
4900:
4898:
4895:
4893:
4890:
4888:
4885:
4883:
4880:
4878:
4875:
4873:
4872:Syd Carpenter
4870:
4869:
4867:
4863:
4857:
4856:
4852:
4850:
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4843:
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4826:
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4813:
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4808:
4806:
4805:Karen Hampton
4803:
4801:
4798:
4797:
4795:
4791:
4785:
4784:
4780:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4762:Lisa Gralnick
4760:
4758:
4755:
4754:
4752:
4748:
4742:
4741:
4737:
4735:
4734:
4733:Susan Cummins
4730:
4728:
4725:
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4720:
4718:
4715:
4713:
4712:Thomas Hucker
4710:
4708:
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4697:
4693:
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4682:
4680:
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4657:
4655:
4652:
4651:
4649:
4645:
4639:
4638:
4634:
4632:
4629:
4627:
4626:Bruce Metcalf
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4603:
4601:
4597:
4591:
4590:
4586:
4584:
4583:Thomas Loeser
4581:
4579:
4576:
4574:
4573:Sharon Church
4571:
4569:
4566:
4564:
4563:Dante Marioni
4561:
4559:
4556:
4554:
4551:
4550:
4548:
4544:
4538:
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4533:
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1201:Newark Museum
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608:Maija Grotell
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473:Lenore Tawney
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469:Peter Voulkos
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254:Lust for Life
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94:Occupation(s)
92:
89:
84:
79:
76:
72:
67:
63:
54:March 9, 2011
53:
49:
44:
39:June 17, 1922
31:
27:
20:
5255:John McQueen
5195:Albert Paley
5183:Paul Soldner
5177:Dale Chihuly
5171:Fred Fenster
5147:Otto Natzler
5135:Arline Fisch
5099:Karen Karnes
5087:Sheila Hicks
5038:
4918:
4911:
4907:Lynda Watson
4902:Diego Romero
4892:Mark Newport
4853:
4846:
4839:
4800:Teri Greeves
4781:
4738:
4731:
4717:Mary Jackson
4683:
4669:Chris Gustin
4637:Tina Oldknow
4635:
4589:Bruce Pepich
4587:
4578:Sherri Smith
4568:Lewis Knauss
4558:Anne Currier
4536:Janet Koplos
4534:
4505:John Garrett
4481:
4433:
4424:Toots Zynsky
4419:Tony Hepburn
4375:
4366:Robert Brady
4327:
4313:Jason Pollen
4284:
4265:Gary Griffin
4236:
4217:James Tanner
4193:
4152:Alice Rooney
4150:
4141:Thomas Patti
4092:
4085:
4066:James Krenov
4022:
4008:Paul Marioni
3969:
3960:Richard Shaw
3940:Eleanor Moty
3913:Sandra Blain
3911:
3882:Ka Kwong Hui
3872:Chunghi Choo
3853:
3846:
3812:Claude Horan
3788:
3764:Fred Fenster
3759:Ferne Jacobs
3737:Lee Nordness
3735:
3721:Rude Osolnik
3701:John McQueen
3691:Albert Paley
3672:
3665:
3617:
3610:
3603:
3554:David Shaner
3530:
3523:
3519:Vivika Heino
3509:Otto Natzler
3450:
3443:
3436:
3431:Lloyd Herman
3429:
3422:
3415:
3391:Phillip Fike
3386:Paul Soldner
3371:Mary Scheier
3356:Glen Kaufman
3331:Albert Green
3312:
3305:
3298:
3291:
3267:Heikki SeppÀ
3221:Dale Chihuly
3202:
3195:
3147:
3142:Marian Heard
3140:
3136:Sheila Hicks
3097:
3090:
3042:
3035:
3028:
3023:Joan Mondale
3021:
2997:Arline Fisch
2978:
2915:
2862:
2855:
2836:Karen Karnes
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2795:
2788:
2781:
2774:
2767:
2757:
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2545:
2538:
2523:
2508:
2501:
2494:
2487:
2480:
2473:
2466:
2459:
2452:
2432:. Retrieved
2428:
2419:
2408:. Retrieved
2404:
2395:
2384:. Retrieved
2379:
2370:
2359:. Retrieved
2355:
2346:
2335:. Retrieved
2331:
2322:
2308:
2297:. Retrieved
2293:
2284:
2273:. Retrieved
2271:. 2011-04-15
2268:
2259:
2248:. Retrieved
2244:
2235:
2224:. Retrieved
2220:harn.ufl.edu
2219:
2210:
2196:
2185:. Retrieved
2181:
2172:
2164:"White Form"
2158:
2147:. Retrieved
2143:
2134:
2120:
2109:. Retrieved
2105:
2096:
2085:. Retrieved
2081:
2072:
2061:. Retrieved
2059:. 2023-09-30
2056:
2047:
2036:. Retrieved
2034:. 2022-04-14
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1996:
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1978:
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1965:
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1949:. Retrieved
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1555:
1518:
1488:
1466:. Retrieved
1462:
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1445:
1427:
1408:
1363:. Retrieved
1359:
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976:
952:
884:1975, 1985:
854:1959, 1961:
833:
828:
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753:Garden Piece
752:
730:
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696:
691:
687:
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671:in Hawaii's
666:
631:
597:
589:calligraphic
585:Scandinavian
581:earth colors
558:
552:and growing
543:
488:
477:
457:
455:
435:Shoji Hamada
433:and visited
423:tea ceremony
405:
391:
390:(2002), and
387:
383:
379:
375:
320:
287:
278:Claude Horan
253:
249:
226:
187:
170:
119:
118:
56:(2011-03-09)
5306:2011 deaths
5301:1922 births
5279:Anne Wilson
5231:Jim Bassler
4991:Ed Rossbach
4943:Anni Albers
4825:Mark Pharis
4815:Keith Lewis
4777:Bob Trotman
4757:Sonya Clark
4722:Beth Lipman
4611:Jane Lackey
4553:Andrea Gill
4472:Louis Marak
4404:Gyöngy Laky
4394:Adela Akers
4222:Kurt Weiser
4195:Garth Clark
4169:Harlan Butt
4116:Gary Noffke
4071:Joyce Scott
4046:Anne Wilson
4041:Adrian Saxe
3993:Helen Shirk
3892:Bob Winston
3842:Mary Lee Hu
3837:Mark Levine
3807:Betty Cooke
3784:Wayne Higby
3774:Karl Drerup
3696:Henry Halem
3646:Jere Osgood
3599:Walker Weed
3401:Ted Hallman
3366:Mark Peiser
3287:Val Cushing
3191:Ted Randall
3076:Mary Nyburg
3037:Rose Slivka
2723:Ed Rossbach
2182:www.dia.org
1009:Collections
967:Switzerland
842:Exhibitions
731:White Peach
708:Franz Kline
638:ChĆbyĆ Yara
516:section of
378:(c.1990s),
376:Cobalt Blue
214:high school
192:parents in
5295:Categories
5219:Jun Kaneko
5111:Rudy Autio
4985:Sam Maloof
4835:Tip Toland
4702:Mark Burns
4435:Lois Moran
4414:Robyn Horn
4260:Flora Mace
4174:Jane Sauer
4126:John Glick
4024:Fred Marer
4003:Nancy Crow
3950:Judy McKie
3930:Dan Dailey
3827:Jun Kaneko
3731:Viola Frey
3706:Merry Renk
3574:Karl Martz
3504:Otto Heino
3166:John Mason
3066:Joel Myers
2974:Rudy Autio
2753:Sam Maloof
2534:, page 111
2532:1888254076
2434:2021-01-26
2410:2021-01-26
2386:2019-02-10
2361:2019-02-10
2337:2021-01-26
2299:2021-01-26
2275:2021-01-26
2250:2021-01-26
2226:2021-01-26
2187:2021-01-26
2149:2021-01-26
2111:2018-03-09
2087:2024-01-18
2063:2023-10-16
2038:2023-03-30
2015:UWIRE Text
1951:2019-02-08
1534:0824060490
1468:2018-03-09
1365:2023-03-30
991:fellowship
810:New Jersey
806:New Jersey
727:Shiro Momo
700:chronology
554:vegetables
526:New Jersey
514:Quakertown
336:Quakertown
266:Louis Pohl
210:honey bees
208:and raise
206:watercress
35:1922-06-17
5267:Nick Cave
5153:Don Reitz
4997:John Prip
4654:Nick Cave
4606:John Gill
4409:John Horn
4232:Tom Joyce
3897:Ron Nagle
3877:Jack Earl
3452:Rudy Turk
3081:Tage Frid
2896:John Prip
2891:Don Reitz
2790:Mary Lyon
2555:, Volume
1946:0362-4331
1640:715868061
1325:0362-4331
735:porcelain
680:landscape
656:and wove
606:ceramist
522:Princeton
451:animistic
444:monastery
439:Cleveland
402:, in 2022
380:Full Moon
242:U.S. Army
218:miso soup
198:Gushikawa
147:paintings
74:Education
5237:Lia Cook
3887:Lia Cook
1257:, Hawaii
821:Honolulu
677:tropical
643:hammocks
448:Buddhist
419:Buddhism
408:heritage
386:(2000),
382:(1978),
345:Dick Hay
258:Van Gogh
246:Ayn Rand
233:ashtrays
229:Honolulu
139:weavings
135:ceramics
62:Honolulu
2698:italics
1197:, Texas
955:Belgium
622:pinhole
604:Finnish
561:teapots
550:cooking
392:Anagama
202:Okinawa
159:postwar
143:bronzes
131:painter
124:ceramic
110:Website
105:Pottery
5281:(2024)
5275:(2024)
5269:(2024)
5263:(2022)
5257:(2022)
5251:(2022)
5245:(2022)
5239:(2022)
5233:(2022)
5227:(2020)
5221:(2018)
5215:(2016)
5209:(2014)
5203:(2012)
5197:(2010)
5191:(2009)
5185:(2008)
5179:(2006)
5173:(2005)
5167:(2003)
5161:(2002)
5155:(2002)
5149:(2001)
5143:(2001)
5137:(2001)
5131:(2000)
5125:(2000)
5119:(1999)
5113:(1999)
5107:(1998)
5101:(1998)
5095:(1998)
5089:(1997)
5083:(1997)
5077:(1997)
5071:(1996)
5065:(1996)
5059:(1996)
5053:(1995)
5047:(1995)
5041:(1994)
5035:(1994)
5029:(1993)
5023:(1993)
5017:(1993)
5011:(1993)
5005:(1992)
4999:(1992)
4993:(1990)
4987:(1988)
4981:(1987)
4975:(1986)
4969:(1986)
4963:(1986)
4957:(1985)
4951:(1983)
4945:(1981)
4939:(1970)
4520:Ron Ho
2530:
2515:
2382:. 2012
1944:
1638:
1628:
1590:
1531:
1323:
997:1987:
987:1980:
965:, and
945:2024:
939:2023:
933:2022:
923:2006:
904:1989:
897:1989:
874:1971:
861:1961:
847:1955:
831:. The
684:Growth
651:bronze
617:hearts
593:floral
569:bottle
565:plates
546:nature
464:mingei
459:mingei
388:Sophia
367:Career
353:bisque
145:, and
127:artist
68:, U.S.
66:Hawaii
45:, U.S.
1281:Notes
963:Japan
654:bells
612:coils
573:vases
357:glaze
347:from
311:fiber
4865:2024
4793:2022
4750:2020
4695:2018
4647:2016
4599:2014
4546:2012
4493:2010
4445:2009
4387:2008
4339:2007
4296:2006
4248:2005
4205:2003
4162:2002
4104:2001
4034:2000
3981:1999
3923:1998
3865:1997
3800:1996
3747:1995
3684:1994
3629:1993
3542:1992
3462:1990
3324:1988
3240:1987
3214:1986
3159:1985
3109:1983
3054:1980
2990:1979
2927:1978
2874:1977
2814:1976
2706:1975
2528:ISBN
2513:ISBN
1942:ISSN
1636:OCLC
1626:ISBN
1588:ISBN
1529:ISBN
1321:ISSN
771:Moon
658:rugs
647:nets
634:kiln
579:and
577:sand
540:Work
384:Zeus
355:and
340:kiln
315:yarn
290:YWCA
283:dyes
268:and
222:rice
220:and
151:clay
51:Died
29:Born
1525:536
733:),
706:or
626:gas
532:in
416:Zen
398:in
297:in
248:âs
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