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for the first time in 1824, and in Paris in 1827. In 1830 he went to
Brussels, but returned to England on the outbreak of the revolution there. Paying another visit to Paris, he remained there until 1837, and then returned to England in order to lithograph the works of
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52:, who persuaded him to abandon engraving for painting. Some sources describe him as a pupil of Bonington, although
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48:. When his apprenticeship came to an end he went to Paris where he met and came under the influence of
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engraved by J Thomas for Fisher's
Drawing Room Scrap Book, 1833 with a poetical illustration by
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drawn and lithographed by himself, (London, 1843). He drew the illustrations to
Blackie's
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sent the artist a ring in recognition of its merits. He also published
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32:(1803–1874) was an English watercolour painter and lithographer.
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as "the first successful effort in chroma-lithography [
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In Fisher's
Drawing Room Scrap Book, 1834, as illustration to
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Picturesque
Architecture in Paris, Ghent, Antwerp, Rouen, etc.
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169:. Vol. 06. London: Smith, Elder & Co.
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97:] hitherto brought to perfection".
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156:"Boys, Thomas Shotter"
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218:: 81. 1840
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153:(1886).
163:(ed.).
159:. In
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