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house-painting work for
Jackson and was unable to start at the Pantheon until the winter season. As there was no separate painting room, Roberts had to paint sets directly on the stage, which was occupied by rehearsals during the day and performances in the evening. Therefore, Roberts generally began work after the evening production had finished, working through the night. Roberts's work was noticed by the stage-manager, Mr. Monro. After the Pantheon closed, Monro moved on to the
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as his apprentice). There
Roberts met the Scottish actress Margaret McLachlan, said to be the illegitimate daughter of a Highland gypsy girl and a clan chief. They married in 1820, "for pure love". Although the marriage did not last long, it produced Roberts' only daughter, Christine, who was born in
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to be cared for by friends. Roberts may have burned some letters from this period in shame at his wife's drinking problem, but he was unusually frank in a letter to a friend, David Ramsay Hay. Roberts and Hay had been an apprentices together, and Hay had been seeing a mistress since his own wife had
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In 1818, the
Pantheon Theatre reopened in Edinburgh. Initially, a company from London with their own scene painters was in residence, but after they left, Roberts was able to get work from Corri as a scene painter. While Corri offered Roberts the position on 25 July 1818, he was already committed to
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series. He funded the work through advance subscriptions which he solicited directly. The scenery and monuments of Egypt and Holy Land were fashionable but had hitherto been hardly touched by
British artists, and so Roberts quickly accumulated 400 subscription commitments, with Queen Victoria being
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During the second part of the 1820s, and in addition to
English and Scottish scenes, Roberts painted views of prominent buildings in France and the Low Countries including Amiens, Caen, Dieppe, Rouen, Antwerp, Brussels and Ghent, sometimes making several paintings of the same scene with only minor
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A miniature by
Roberts from this time shows Margaret as a delicate woman with blonde ringlets, holding the smiling three-year-old Christine. But Roberts' family life was not as idyllic as this picture suggests: Margaret had become an alcoholic, and eventually, in 1831, Roberts sent her back to
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236:, in Perthshire. At the urging of his parents, Roberts returned to Edinburgh in January 1818, where he took employment with John Jackson, a decorative painter. Working for Jackson during 1818, Roberts decorated
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to sell to the public. Egypt was much in vogue at this time, and travellers, collectors and lovers of antiquities were keen to buy works inspired by the East or depicting the great monuments of ancient Egypt.
352:"If you do not know our cases are almost parallel. Yours is not as bad as mine, having some consolation. The state of my nerves is such I can scarcely write. But thank God she leaves tomorrow—I hope for ever."
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182:, who became a lifelong friend. During this time he studied art in the evenings. After his apprenticeship was complete, Roberts's first paid job came in the summer of 1815, when he moved to
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Although he was making a living from scene painting, it was around this time that
Roberts began to produce oil paintings seriously. In 1821 he became friends with the artist
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subscriber No. 1. Her complete set is still in the Royal
Collection. The timing of publication just before photographs of the sites became available proved fortuitous.
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that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent
217:, returning to Edinburgh in January 1817. During his time with the circus, Roberts was called on to take several minor stage roles as a foil for the clowns' skits.
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persuaded
Roberts to abandon scene painting and devote himself to becoming a full-time artist. Roberts set sail for Egypt on 31 August 1838, a few years after
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abbeys – two of which sold. At
Stanfield's suggestion, Roberts also sent three pictures to the 1822 Exhibition of Works by Living Artists, held in Edinburgh.
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443:. He returned at the end of 1833 with a supply of sketches that he elaborated into attractive and popular paintings. The British Institution exhibited his
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His next job was to paint scenery for James Bannister's circus on North College Street. This was the beginning of his career as a painter and designer of
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Portraits of Men of Eminence in Literature, Science, and Art, with Biographical Memoirs, Volume 1, by Edwards, Ernest, and Lovell Reeve, 1863.
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Portraits of Men of Eminence in Literature, Science, and Art, with Biographical Memoirs, Volume 1, by Edwards, Ernest, and Lovell Reeve, 1863.
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with his wife and their six-month-old Christine and settled in London. After working for a while at the Coburg Theatre, Roberts moved to the
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per week to travel with the circus on a tour of England. Roberts departed Edinburgh with the circus later the same month and travelled to
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purchased the portrait.) Scottish society fêted him. For instance, he was the guest of honour at a dinner on 19 October 1842, at which
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372:. His paintings based on this trip began to lay the foundation of his reputation; one of them, a view of
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132:(24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for
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of Edinburgh. The last years of his life were occupied with a series of views of London from the
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In 1819, Roberts became the scene painter at the Theatre Royal in Edinburgh (having at this time
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513:. His intent was to produce drawings that he could later use as the basis for the paintings and
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The Great Mosque & The Alcazar, or Dungeon of the Inquisition, Cordova, on the Guadalquiver
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on the afternoon of 25 November 1864 and died at home that evening. The symptoms, described as
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in 1834, and he sold it for £300. He executed a fine series of Spanish illustrations for the
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For the first few months of 1817, Roberts worked as the stage designer's assistant at the
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for Fisher's Drawing Room Scrap Book, 1840 with a posthumous poetical illustration by
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David Roberts was born at Edinburgh in Scotland. Apprenticed for seven years to a
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405:(The Abduction from the Seraglio) in 1827, scenery for a pantomime depicting the
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By 1829 he was working full-time as a fine artist. That year, he exhibited the
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for Fisher's Drawing Room Scrap Book, 1835, with a poetical illustration by
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555:. He later reproduced this scene, apparently from memory, in Volume 3 of
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1446:. Vol. 23 (11th ed.). Cambridge University Press. p. 403.
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1589:. No. 14847. Edinburgh. 23 January 1817. p. 1 – via
1607:. No. 15125. Edinburgh. 27 August 1818. p. 3 – via
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as seen from Ludgate Hill, when he died suddenly. He collapsed on
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In 1851, and again in 1853, Roberts visited Italy, painting the
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from 1842 to 1849 to produce the lavishly illustrated plates of
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1552:"Lot 74: David Roberts, R.A (Scottish, 1796–1864) – Christie's"
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Upon Roberts's return to Edinburgh in 1840, his fellow-artist,
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and sent two works to the first exhibition of the newly formed
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of Edinburgh accepted three of Roberts's paintings – views of
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The Great Sphinx (and) Pyramids of Gizeh (Giza) 17 July 1839
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Matyjaszkiewicz, Krystyna. "Roberts, David (1796–1864)".
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The Hypaethral Temple at Philae called the Bed of Pharaoh
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Obelisk at Alexandria Commonly Called Cleopatra's Needle
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View from Under the Portico of Dayr-el-Medeeneh, Thebes
675:. In 1853 he exhibited a picture painted by command of
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Part of the Hall of Columns at Kanak Seen from Without
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The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia
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The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia
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The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia
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In London he made the acquaintance of artists such as
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The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia
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Portrait of David Roberts, by Ernest Edwards, c. 1863
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David Roberts Esq. in the Dress He Wore in Palestine
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lists many public collections with works by Roberts
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1837:Artist David Roberts and Near Eastern Archaeology
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818:, Paul Mellon Collection, New Haven, Connecticut
1974:Members of the Royal Society of British Artists
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178:named Gavin Beugo, his fellow apprentice being
1820:has a full set of lithographs by David Roberts
1746:. Vol. 48. London: Smith, Elder & Co.
838:(1862) Sheffield Galleries & Museums Trust
597:On his return to Britain, Roberts worked with
551:on 16 May 1839, shortly before his return to
1757:(online ed.). Oxford University Press.
687:Italy, Classical, Historical and Picturesque
186:to serve as foreman for the redecoration of
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713:in most histories, were those of a stroke.
1792:: CS1 maint: location missing publisher (
1676:: CS1 maint: location missing publisher (
1646:Glasgow Stained Glass: A Preliminary Study
1635:: CS1 maint: location missing publisher (
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781:The Gateway to the Great Temple at Baalbec
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1780:David Roberts R.A. 1796-1864. A Biography
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1459:Artist Summary: David Roberts (1796–1864)
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454:of 1836. Then in 1837 a selection of his
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1326:Caledonian Mercury & 23 January 1817
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492:, 1839 lithograph of a trade caravan by
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16:Scottish orientalist painter (1796–1864)
1754:Oxford Dictionary of National Biography
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1370:Caledonian Mercury & 27 August 1818
988:Approach of the Simoom--Desert of Gizeh
877:The Holy Land, Syria, Idumea and Arabia
809:The Church of the Jesuits, View on the
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1808:111 artworks by or after David Roberts
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1112:The Houses of Parliament from Millbank
954:Church of the Holy Sepulchre Jerusalem
586:, painted his portrait. (In 1980, the
418:Departure of the Israelites from Egypt
356:In 1824, he exhibited another view of
319:in London, offered Roberts a job as a
1698:Guiterman, H.; Llewellyn, B. (1986),
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1648:, Glasgow Museums and Art Galleries,
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917:, 1838–1839, unpublished manuscript,
906:, 1829–1864, unpublished manuscript,
170:Duncan's Land, Stockbridge, Edinburgh
1853:., a painting engraved in colour by
1687:"VIII: Valley of the Water of Leith"
1528:. Gac.culture.gov.uk. Archived from
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1664:Edinburgh in the Nineteenth Century
854:(Royal Holloway Collection, London)
743:The Great Staircase, Stafford House
521:Roberts made a long tour in Egypt,
433:Old Buildings on the Darro, Granada
383:While he built his reputation as a
368:. In the autumn of 1824 he visited
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1979:19th-century Scottish male artists
1827:has images of and by David Roberts
1737:"Roberts, David (1796-1864)"
1693:, vol. 5, Cassell, p. 78
685:His last volume of illustrations,
496:from an original by David Roberts.
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323:and stage painter. He sailed from
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1990:
1801:
1202:. Mougins Museum of Classical Art
1133:from an original by David Roberts
1099:from an original by David Roberts
1080:from an original by David Roberts
1032:from an original by David Roberts
1013:from an original by David Roberts
994:from an original by David Roberts
960:from an original by David Roberts
875:(London 1842–1849, originally as
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477:Travel to Egypt and the Holy Land
473:, who frequented Daniel's house.
439:In 1832 he traveled in Spain and
391:included the sets for the London
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1949:Burials at West Norwood Cemetery
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1743:Dictionary of National Biography
1710:Mansfield, Susan (8 July 2006),
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435:(detail), by David Roberts, 1834
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1851:Hindoo and Mahommedan Buildings
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1186:Mougins Museum of Classical Art
1153:Princeton University Art Museum
1093:Convent of St Saba 4 April 1839
1969:19th-century Scottish painters
1954:Painters of pre-1948 Palestine
1622:The Life of David Roberts R.A.
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973:Edinburgh from the Calton Hill
823:Edinburgh from the Calton Hill
765:(1840), The Royal Collection,
612:Sketches in the Holy Land and
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865:Picturesque Sketches in Spain
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456:Picturesque Sketches in Spain
402:Die Entführung aus dem Serail
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154:painter. He was elected as a
1964:British Orientalist painters
1771:UK public library membership
1600:"The Pantheon is to open..."
919:National Library of Scotland
844:(Royal Holloway Collection,
802:The Destruction of Jerusalem
747:UK Government Art Collection
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588:National Gallery of Scotland
7:
1214:List of Orientalist artists
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1045:Departure of the Israelites
908:Yale Center for British Art
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816:Yale Center for British Art
736:Departure of the Israelites
662:, Rome, Christmas Day, 1853
222:Pantheon Theatre, Edinburgh
176:house painter and decorator
10:
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1939:Scottish landscape artists
1872:., a painting engraved by
1644:Donnelly, Michael (1981),
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1166:Grave of David Roberts in
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610:, originally published as
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366:Society of British Artists
273:William Clarkson Stanfield
244:) and then the library of
228:, near Perth, designed by
1934:Scottish scenic designers
1609:British Newspaper Archive
1591:British Newspaper Archive
1554:. Artfact. Archived from
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407:naval victory of Navarino
329:Theatre Royal, Drury Lane
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37:David Roberts in 1844 by
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1929:Scottish watercolourists
1878:Letitia Elizabeth Landon
1859:Letitia Elizabeth Landon
1666:, Edinburgh, p. 112
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681:Great Exhibition of 1851
1909:Painters from Edinburgh
1782:, London (pub. Quartet)
1778:Sim, Katharine (1984),
1443:Encyclopædia Britannica
1060:Pilgrimage to Jerusalem
852:Pilgrimage to Jerusalem
1924:Scottish male painters
1914:Scottish Egyptologists
1763:10.1093/ref:odnb/23746
1662:Gilbert, W.M. (1901),
1582:"Corri's New Pantheon"
1515:"The Page of the Dead"
1437:"Roberts, David"
1127:The Holy Tree, Meterea
1114:by David Roberts, 1861
890:Cities of North Africa
790:Great Temple at Karnak
673:Royal Scottish Academy
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1919:Scottish orientalists
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1685:Grant, James (1880),
1168:West Norwood Cemetery
1074:Thebes Dec. 4th, 1838
1047:(1829). Oil on canvas
975:(1858). Oil on canvas
773:The Temple at Dendera
718:West Norwood Cemetery
668:Convent of St Onofrio
660:Basilica of St Peters
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467:Edward Thomas Daniell
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277:Fine Arts Institution
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1959:Holy Land travellers
1704:Barbican Art Gallery
846:University of London
547:received Roberts in
1825:Library of Congress
1532:on 3 September 2009
883:, in 2x3 volumes.)
835:Santa Maria, Venice
811:Grand Canal, Venice
703:St Paul's Cathedral
695:freedom of the city
671:, presented to the
636:Edinburgh from the
584:Robert Scott Lauder
576:Robert Scott Lauder
362:British Institution
1904:Royal Academicians
1605:Caledonian Mercury
1587:Caledonian Mercury
1558:on 6 February 2012
654:Lord Londesborough
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545:Muhammad Ali Pasha
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458:was reproduced by
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348:started drinking.
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39:Hill & Adamson
1769:(Subscription or
1617:Ballantine, James
1482:, pp. 24–40.
1396:, pp. 13–14.
1384:, pp. 11–13.
1343:, pp. 10–11.
1095:. Lithograph by
1009:. Lithograph by
867:(London, 1835–36)
754:Seville Cathedral
716:He was buried at
620:Egypt & Nubia
563:Return to Britain
557:Egypt & Nubia
447:Seville Cathedral
246:Craigcrook Castle
156:Royal Academician
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111:Royal Academician
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1818:Darnley Fine Art
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913:Roberts, David,
902:Roberts, David,
658:Interior of the
452:Landscape Annual
339:with Stanfield.
265:James Ballantine
242:Lauderdale House
230:Gillespie Graham
180:David Ramsay Hay
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75:25 November 1864
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762:A View in Cairo
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507:J. M. W. Turner
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424:Travel to Spain
374:Rouen Cathedral
321:scenic designer
299:Roberts in 1842
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238:Lord Lauderdale
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56:24 October 1796
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1911:
1906:
1901:
1896:
1882:
1881:
1862:
1843:
1839:an article by
1834:
1828:
1821:
1815:
1803:
1802:External links
1800:
1799:
1798:
1775:
1748:
1734:, ed. (1896).
1728:
1712:"The big draw"
1707:
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1641:
1613:
1595:
1575:
1572:
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1569:
1543:
1517:
1513:Roberts, David
1505:
1496:
1494:, p. 112.
1484:
1472:
1449:
1434:, ed. (1911).
1432:Chisholm, Hugh
1410:
1398:
1386:
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1253:Mansfield 2006
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1076:Lithograph by
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885:Link to Images
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767:Windsor Castle
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724:Selected works
722:
707:Berners Street
677:Queen Victoria
666:Rome from the
628:
625:
564:
561:
500:Main article:
490:Arabia Petraea
488:Gulf of Akabah
486:Isle of Graia
478:
475:
425:
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376:, sold for 80
358:Dryburgh Abbey
313:Coburg Theatre
292:
291:Move to London
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234:Bridge of Earn
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1831:ArtCyclopedia
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1700:David Roberts
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1360:, p. 11.
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788:Ruins of the
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592:Lord Cockburn
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195:stage scenery
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177:
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130:
127:
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122:David Roberts
114:
110:
106:
102:
98:
94:
90:
86:
74:
70:
65:
61:
48:
44:
40:
34:
29:
25:David Roberts
22:
19:
1810: at the
1779:
1752:
1741:
1721:, retrieved
1717:The Scotsman
1715:
1699:
1690:
1663:
1645:
1621:
1604:
1586:
1560:. Retrieved
1556:the original
1546:
1534:. Retrieved
1530:the original
1520:
1508:
1499:
1492:Gilbert 1901
1487:
1475:
1464:, retrieved
1458:
1452:
1441:
1401:
1389:
1377:
1372:, p. 3.
1365:
1328:, p. 1.
1321:
1301:, p. 8.
1294:
1272:, p. 7.
1232:
1199:
1181:
1146:Interior of
1145:
1126:
1111:
1092:
1073:
1059:
1044:
1025:
1006:
987:
972:
953:
939:
921:, Edinburgh.
914:
910:, New Haven.
903:
889:
880:
876:
870:
864:
851:
841:
829:
822:
808:
801:
787:
780:
772:
761:
752:Interior of
751:
742:
735:
715:
686:
684:
665:
657:
652:, bought by
648:Ducal Palace
646:
644:
635:
619:
611:
605:
599:lithographer
596:
581:
571:
556:
543:
520:
505:
485:
471:John Linnell
464:
455:
451:
445:Interior of
444:
438:
432:
417:
415:
413:variations.
411:
400:
382:
355:
351:
341:
311:In 1822 the
310:
270:
262:
254:
250:Lord Jeffrey
219:
192:
188:Scone Palace
173:
133:
121:
120:
77:(1864-11-25)
18:
1899:1864 deaths
1894:1796 births
1732:Lee, Sidney
1219:Orientalism
1151:, c. 1827.
1131:Louis Haghe
1097:Louis Haghe
1078:Louis Haghe
1030:Louis Haghe
1011:Louis Haghe
992:Louis Haghe
958:Louis Haghe
904:Record Book
794:Upper Egypt
638:Calton Hill
616:, 1842–1849
602:Louis Haghe
515:lithographs
494:Louis Haghe
460:lithography
385:fine artist
152:Orientalist
99:Orientalism
88:Nationality
60:Stockbridge
1888:Categories
1773:required.)
1723:8 November
1702:, London:
1466:8 November
1287:Grant 1880
831:The Dogana
627:Later life
594:presided.
549:Alexandria
511:Owen Jones
331:to create
315:, now the
226:Abercairny
162:Early life
142:prints of
140:lithograph
66:, Scotland
52:1796-10-24
1462:, Artfact
729:Paintings
578:. (1840).
531:Holy Land
337:panoramas
207:Newcastle
199:shillings
158:in 1841.
148:Near East
64:Edinburgh
1788:citation
1672:citation
1631:citation
1619:(1866),
1208:See also
897:Journals
814:(1854),
745:(1832),
711:apoplexy
650:, Venice
441:Tangiers
393:premiere
370:Normandy
345:Scotland
333:dioramas
285:Dryburgh
203:Carlisle
146:and the
96:Movement
91:Scottish
1574:Sources
926:Gallery
641:, 1858.
539:Lebanon
378:guineas
360:at the
317:Old Vic
281:Melrose
108:Elected
1812:Art UK
1767:
1652:
1562:23 May
1536:23 May
859:Prints
826:(1858)
805:(1850)
797:(1845)
784:(1841)
776:(1841)
757:(1834)
739:(1829)
699:Thames
664:, and
656:, the
553:the UK
535:Jordan
529:, the
525:, the
397:Mozart
268:1821.
1225:Notes
792:, in
614:Syria
574:, by
527:Sinai
523:Nubia
325:Leith
184:Perth
144:Egypt
62:near
1823:The
1814:site
1794:link
1725:2007
1678:link
1650:ISBN
1637:link
1564:2012
1538:2012
1468:2007
879:and
833:and
618:and
537:and
469:and
335:and
283:and
248:for
215:York
213:and
211:Hull
72:Died
46:Born
1759:doi
399:'s
395:of
129:RBA
1890::
1790:}}
1786:{{
1740:.
1714:,
1689:,
1674:}}
1670:{{
1633:}}
1629:{{
1603:.
1585:.
1440:.
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1348:^
1333:^
1306:^
1277:^
1260:^
1241:^
1184:.
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559:.
533:,
462:.
380:.
209:,
205:,
126:RA
1880:.
1861:.
1796:)
1765:.
1761::
1680:)
1639:)
1611:.
1593:.
1566:.
1540:.
1408:.
1255:.
848:)
54:)
50:(
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