17:
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from a noble family with lands in Blason and
Mirabeau. Eleven poems—one contested and one definitely spurious—have been ascribed to Thibaut in the
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176:, which is severely restricted in movement, most of Thibaut's melodies move freely. They are all basically syllabic, with only
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54:. Three further anonymous songs have also been attributed to him by Terence H. Newcombe, his modern editor.
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451:
Song, Landscape, and
Identity in Medieval Northern France: Toward an Environmental History
377:
Song, Landscape, and
Identity in Medieval Northern France: Toward an Environmental History
8:
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is more in keeping with
Thibaut's style and not the more "flamboyant" style of
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188:), his prosody is usually simple, though three songs—
92:
in a document of 1219. He attended the coronation of
69:. In 1214 Thibaut helped negotiate a truce between
458:
200:—exhibit some variety. The simplicity of
125:Thibaut himself borrowed from rhythms from the
129:repertoire of the day. He may have based his
184:. Compared to his melodies (all recorded in
114:as a model for a religious poem of his own.
373:
453:. Oxford: Oxford University Press, 2023.
15:
380:. Oxford University Press. p. 39.
283:Li miens chanters ne puet mais remanoir
174:Li miens chanters ne puet mais remanoir
459:
106:, also a trouvère, dedicated the song
249:Bon jour ait hui cele a cui sui amis
194:Bon jour ait hui cele a cui sui amis
88:. He appears alongside the trouvère
77:. In 1212 he was taking part in the
110:to Thibaut and also used Thibaut's
13:
14:
503:
477:People of the Albigensian Crusade
362:Les poésies de Thibaut de Blaison
208:, to whom it is also attributed.
96:in 1226, along with the trouvère
273:Chanter m'estuet, si crien morir
211:
487:French male classical composers
401:
367:
355:
150:. With the exception of three
81:in Spain and he was among the
38:(died after March 1229) was a
1:
446:. Accessed 20 September 2008.
426:
374:Saltzstein, Jennifer (2023).
321:Attributed (anonymous in MSS)
482:13th-century French nobility
312:C'est en mai, au mois d'esté
118:also borrowed the melody of
7:
306:Bien font Amours lor talent
293:Quant se resjouissent oisel
255:Chanter et renvoisier seuil
224:De chanter ne me puis tenir
190:Bien font Amours lor talent
166:Chanter et renvoisier seuil
144:Chanter et renvoisier seuil
131:Bien font Amours lor talent
67:Maurice, Bishop of Poitiers
10:
508:
261:Pour mon chief reconforter
244:Bien voi que ne puis morir
86:besieging Toulouse in 1218
22:Bien voi que ne puis morir
472:People of the Reconquista
218:Amours, que porra devenir
162:Amours, que porra devenir
156:that are restricted to a
112:Amours, que porra devenir
348:
337:Avant ier me chevauchoie
180:exhibiting more complex
407:The first six lines of
343:En avril au tens nouvel
327:Avant ier me chevauchoi
288:Quant je voi esté venir
278:Huimain par un ajourant
198:Quant je voi esté venir
170:Huimain par un ajourant
140:Quid frustra consumeris
449:Saltzstein, Jennifer.
24:
437:"Thibaut de Blaison."
364:(Geneva: Droz, 1978).
232:Se par force de merci
228:Theobald I of Navarre
104:Theobald I of Navarre
83:Albigensian Crusaders
19:
492:People from Poitiers
444:Oxford Music Online
148:Sol sub nube latuit
108:De ma dame souvenir
71:Philip II of France
440:Grove Music Online
206:Gautier de Dargies
65:and his uncle was
28:Thibaut de Blaison
25:
417:Chansonnier Cangé
413:mensural notation
265:Gautier de Coincy
236:Gautier d'Espinal
178:Li miens chanters
116:Gautier d'Espinal
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310:Contrafactum is
259:Contrafactum is
202:Bien font Amours
172:—and one,
57:Thibaut was the
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122:for one piece.
98:Hue de la Ferté
90:Amauri de Craon
75:John of England
12:
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433:Karp, Theodore
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387:9780197547786
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238:, only music)
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212:List of songs
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23:
20:The music of
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443:
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409:Quant je voi
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391:. Retrieved
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107:
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56:
52:chansonniers
35:
31:
27:
26:
21:
314:(anonymous)
79:Reconquista
461:Categories
427:References
411:are given
339:(no music)
295:(no music)
251:(no music)
222:Model for
127:polyphonic
42:nobleman,
467:Trouvères
393:9 January
136:conductus
59:seneschal
300:Disputed
186:bar form
153:chansons
94:Louis IX
48:trouvère
44:Crusader
40:Poitevin
415:in the
333:no.402)
182:melisma
160:—
133:on the
384:
230:) and
196:, and
168:, and
120:Amours
63:Poitou
46:, and
36:Blazon
32:Blason
349:Notes
331:motet
158:sixth
34:, or
395:2024
382:ISBN
142:and
73:and
146:on
61:of
463::
442:.
435:.
192:,
164:,
100:.
30:,
419:.
397:.
329:(
267:)
263:(
234:(
226:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
