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112:, and show due respect for the miracle of the Incarnation wrought in her, they can do no wrong. Her justice is loyalty to her own: whatever his conduct, anyone pledged to her protection is her liegeman and she his responsible suzerain. Through her the whole gay crew of wanton, loving, weak humanity finds its way to Paradise..."
131:, which had staged various plays savagely satirising secular pursuits as inherently wrong and damaging to one's spiritual life. This perhaps explain why de Coincy chose to express his own more liberal, Marianist views through the same exploitation of secular forms of presentation - in his case, poems and music.
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is one of the most popular works of
Marianist literature from the period and it encapsulates a very particular set of Christian values, which saw in the Virgin Mary the most benevolent and humanistic aspect of salvation, intercession and mercy. Many of the songs are concerned with the key elements of
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Unlike
Clairvaux's more sombre tomes, de Coincy's book (whilst sharing much of the same ideological bedrock) tends more towards the indulgent or soft-hearted. Many of the songs de Coincy wrote were set to popular ballads then in vogue at the royal court, or borrowed the tune of pastoral or romantic
108:"The more raffish the Virgin's suppliant, the better she likes him. The miracles' heroes are liars, thieves, adulterers, and fornicators, footloose students, pregnant nuns, unruly and lazy clerics, and eloping monks. On the single condition that they sing her praises, usually by reciting the
127:, which placed a great effort on self-denial and renunciation. In their immediate context, they were written to please de Coincy's own congregation and to present a softer form of Christianity in reaction to the hardline stance of the nearby cathedral-chapter at
69:) in which he set poems in praise of the Virgin Mary to popular melodies and songs of his day. It is a reverential but humorous work, full of love for the cult of the Virgin Mary, which at that time also received attention from Saint
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On the subject of the Virgin's interaction with the contemporary faithful, one modern historian describes de Coincy's view of Mary thus: -
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who was the leading medieval proponent of veneration of the Virgin as a counterbalance to the more rigorous
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Alone of All Her Sex: The myth and the cult of the Virgin Mary
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