372:. At first, Lobos declined the offer, but after a while he accepted – quickly becoming close friends with Armstrong. Lobos began drawing the series from the third chapter of Mampato's first adventure. While doing the illustrations, he mentioned to Armstrong that he was uncomfortable working with a script he had not written. Armstrong then decided to give Lobos free reins for the creation of stories and characters in all subsequent
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521:. This was a comic-book which collected all of Lobos' output from all the magazines that he had worked in his career, joined by new and previously unpublished material. Cucalón was very well received in Chile and ran for 48 issues until 1993, with most of Lobos' material being covered during the run.
227:("Quentin the Adventurer") strip in particular. His first art studies were at the Chilean Academy of Fine Arts, but he quit because the school was not what he had expected. He later studied at the Chilean School of Applied Arts, where in his spare time he created his first original characters,
380:"), the series was entirely written and illustrated by Lobos (save for a few storylines by Vega) and the magazine went on to become highly popular and successful with Chilean youth, at its peak selling roughly 100,000 copies per issue and changed its schedule to weekly in April 1971.
425:. Lobos commented on this particular storyline, explaining that he came up with it before the coup so it was not an attempt to satirize the then-current government. Most importantly, Lobos believed, it would be wrong to turn children's comics into political commentary.
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During the publication period of 1968 – 1978, Lobos produced 25 complete
Mampato storylines and the magazine was the main publication venue for other Chilean comics artists in addition to other works by Lobos, such as
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at age 7, at first copying other drawings, but at 12 he realized that he needed "to be original and begin to work on his own things". Themo Lobos' first inspirations and influences came from the children's
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comic series was initially written by
Armstrong and illustrated by Óscar Vega, a renowned Chilean comics artist. It tells the story of a young Chilean boy who obtains a "space-time belt" and uses it to
364:, and was very impressed with the work; he attempted to merge Dennis the Menace's physical appearance and Astérix' art style into Mampato. Themo Lobos was then very busy with his work for
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or left the country, but he decided to stay. Until 1986, Lobos worked with very small or foreign publishers as well as illustrating promotional material for foreign properties such as
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s abrupt end in 1978, certain stories and art by Lobos were left incomplete. Around this time, many of his colleagues, assistants and friends were
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on
September 11. Eventually, many comics ceased publication and also, in November of the same year, Eduardo Armstrong died from cancer at age 41.
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format, with recolored art and new covers, which have been sold in South
America and Europe. In 2002, the movie
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comics. For the remainder of the first storyline and, in full instalments since the second
Mampato adventure ("
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storyline fully written and illustrated by Themo Lobos (pictured: the later collected edition)
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In 1986, Themo Lobos gathered the funds and rights needed to create a new publication called
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In 1996, Ediciones Dolmen began its publication of
Mampato's adventures in the
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In 1968, Chilean artist
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ruled by a character called Ferjus, the leader of a tyrannical
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in 1949, with his characters serving to promote advertising.
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strip. Some people took issue with certain stories such as
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and the whole
Chilean comics industry were affected by the
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Since 1973, Lobos encountered problems in producing the
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831:"Cucalón, Mampato fansite info"
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555:References
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205:San Miguel
183:comic-book
179:Óscar Vega
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390:against
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