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are greeted effusively by
Leontes. Florizel pretends to be on a diplomatic mission from his father, but his cover is blown when Polixenes and Camillo, too, arrive in Sicilia. The meeting and reconciliation of the kings and princes is reported by gentlemen of the Sicilian court: how the Old Shepherd raised Perdita, how Antigonus met his end, how Leontes was overjoyed at being reunited with his daughter, and how he begged Polixenes for forgiveness. The Old Shepherd and Young Shepherd, now made gentlemen by the kings, meet Autolycus, who asks them for their forgiveness for his roguery. Leontes, Polixenes, Camillo, Florizel and Perdita then go to Paulina's house in the country, where a statue of Hermione has been recently finished. The sight of his wife's form makes Leontes distraught, but then, to everyone's amazement, the statue shows signs of vitality: it is Hermione, miraculously restored to life—or simply having lived in seclusion with Paulina for the last sixteen years. As the play ends, Perdita and Florizel are engaged, and the whole company celebrates the miracle. Despite this happy ending typical of Shakespeare's comedies and romances, the impression of the unjust death of young prince Mamillius lingers to the end, which, combined with the years wasted in separation, brings an element of unredeemed tragedy to the play.
297:"Time" enters and announces the passage of sixteen years. Camillo, now in the service of Polixenes, begs the Bohemian king to allow him to return to Sicily. Polixenes refuses and reports to Camillo that his son, Prince Florizel, has fallen in love with a lowly shepherd girl, Perdita. He suggests to Camillo that they disguise themselves and attend the sheep-shearing feast where Florizel and Perdita will be betrothed. At the feast, hosted by the Old Shepherd (who has prospered thanks to the gold in the fardel), the pedlar Autolycus picks the pocket of the Young Shepherd and, in various guises, entertains the guests with bawdy songs and the trinkets he sells. Polixenes and Camillo watch, disguised, as Florizel (under the guise of a shepherd named Doricles) and Perdita are betrothed. Polixenes tears off his disguise and intervenes, threatening the Old Shepherd and Perdita with torture and death and ordering his son never to see the shepherd's daughter again. Camillo, still longing for his native land, schemes to send Florizel and Perdita to Sicily, so that Polixenes will bring him along when he pursues them. The lovers take ship for Sicily, as do the two shepherds and Autolycus.
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re-animation of
Hermione does not derive from any magic. The Steward announces that the members of the court have gone to Paulina's dwelling to see the statue; Rogero offers this exposition: "I thought she had some great matter there in hand, for she hath privately twice or thrice a day, ever since the death of Hermione, visited that removed house" (5.2. 102–105). Further, Leontes is surprised that the statue is "so much wrinkled", unlike the Hermione he remembers. Paulina answers his concern by claiming that the age-progression attests to the "carver's excellence", which makes her look "as she lived now". Hermione later asserts that her desire to see her daughter allowed her to endure 16 years of separation: "thou shalt hear that I, / Knowing by Paulina that the oracle / Gave hope thou wast in being, have preserved / Myself to see the issue" (5.3.126–129).
282:. Cleomenes and Dion return from Delphos with word from the Oracle and find Hermione on trial, asserting her innocence. The Oracle states categorically that Hermione and Polixenes are innocent, that Camillo is an honest man, and that Leontes will have no heir until his lost daughter is found. Leontes refuses to believe the oracle, but soon learns that his son Mamillius has died of a wasting sickness brought on by the accusations against his mother. At this, Hermione falls in a swoon and is carried away by Paulina, who subsequently reports the queen's death to her heartbroken and repentant husband. Leontes vows to spend the rest of his days atoning for the loss of his son, his abandoned daughter, and his queen.
274:, and is enjoying catching up with his old friend. However, after nine months, Polixenes yearns to return to his own kingdom to tend to affairs and see his son. Leontes cannot persuade Polixenes to stay longer, so he decides to send his wife, Queen Hermione, to try to convince him. Hermione agrees and with three short speeches is successful. Leontes is surprised that Hermione could convince Polixenes so easily, so he begins to suspect that his pregnant wife has been having an affair with the other king. Leontes orders Camillo, a Sicilian lord, to poison Polixenes. Camillo instead warns Polixenes and they both flee to Bohemia.
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656:'s influential 19th-century production of the play, which featured a resplendent Bithynian court. At the time of the medieval Kingdom of Sicily, however, Bithynia was long extinct and its territories were controlled by the Byzantine Empire. On the other hand, the play alludes to Hellenistic antiquity (e.g. the Oracle of Delphos, the names of the kings), so that the "Kingdom of Sicily" may refer to Greek Sicily, not to the Kingdom of Sicily of later medieval times.
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death. After some discussion, Leontes demands to be led toward the bodies of his wife and son: "Prithee, bring me / To the dead bodies of my queen and son: / One grave shall be for both: upon them shall / The causes of their death appear, unto / Our shame perpetual" (3.2). Paulina seems convinced of
Hermione's death, and Leontes' order to visit both bodies and see them interred is never called into question by later events in the play.
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616:) in giving Bohemia a coast, though he reversed the location of characters and events: "The part of Pandosto of Bohemia is taken by Leontes of Sicily, that of Egistus of Sicily by Polixenes of Bohemia". In support of Greene and Shakespeare, it has been pointed out that for a brief period in the 13th century, the territories ruled by
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However, the action of 3.2 calls into question the "rational" explanation that
Hermione was spirited away and sequestered for 16 years. Hermione swoons upon the news of Mamillius' death, and is rushed from the room. Paulina returns after a short monologue from Leontes, bearing the news of Hermione's
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found that "the language, style, and spirit of the play all point to a late date. The tangled speech, the packed sentences, speeches which begin and end in the middle of a line, and the high percentage of light and weak endings are all marks of
Shakespeare's writing at the end of his career. But of
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did stretch to the
Adriatic, even though Bohemia strictly speaking did not; so that if one takes "Bohemia" to mean all of the territories ruled by Ottokar II, it would have been possible to sail from Sicily to the "seacoast of Bohemia". Jonathan Bate offers the simple explanation that the court of
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While the language
Paulina uses in the final scene evokes the sense of a magical ritual through which Hermione is brought back to life, there are several passages which suggest a far likelier case – that Paulina hid Hermione at a remote location to protect her from Leontes' wrath and that the
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In Sicily, Leontes is still in mourning. Cleomenes and Dion plead with him to end his time of repentance because the kingdom needs an heir. Paulina, however, convinces the king to remain unmarried forever, since no woman can match the greatness of his lost
Hermione. Florizel and Perdita arrive and
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Furious at their escape, Leontes publicly accuses his wife of infidelity and declares that the child she is bearing must be
Polixenes' bastard. He throws her in prison, over the protests of his nobles, and sends two of his lords, Cleomenes and Dion, to the Oracle at Delphos for confirmation of his
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Antigonus, meanwhile, abandons the baby on the coast of
Bohemia, reporting that Hermione appeared to him in a dream and bade him name the girl Perdita. He leaves a fardel (a bundle) by the baby containing gold and other trinkets to suggest that the baby is of noble blood. A violent storm suddenly
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Verzella, Massimo, "Iconografia femminile in The Winter's Tale", Merope, XII, 31 (sett chism and anti-Petrarchism in The Winter's Tale" in Merope, numero speciale dedicato agli Studi di Shakespeare in Italia, a cura di Michael Hattaway e Clara Mucci, XVII, 46–47 (Set. 2005– Gen. 2006),
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on 22 May 1594, under the title "a Wynters nightes pastime", might have been Shakespeare's, though no copy of it is known. In 1933, Dr. Samuel A. Tannenbaum wrote that Malone subsequently "seems to have assigned it to 1604; later still, to 1613; and finally he settled on 1610–11.
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genre is not known for precise verisimilitude, and, like the assortment of mixed references to ancient religion and contemporary religious figures and customs, this possible inaccuracy may have been included to underscore the play's fantastical and chimeric quality. As
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is suggested in Shakespeare's chosen title of the play. A winter's tale is something associated with parents telling children stories of legends around a fireside: by using this title, it implies to the audience that these details should not be taken too seriously.
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suspicions. Meanwhile, the queen gives birth to a girl, and her loyal friend Paulina takes the baby to the king, hoping that the sight of the child will soften his heart. He grows angrier, however, and orders Paulina's husband, Lord Antigonus, to take the child and
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appears, wrecking the ship on which Antigonus arrived. He wishes to take pity on the child, but he is chased away in one of Shakespeare's most famous stage directions: "Exit, pursued by a bear." Perdita is rescued by a shepherd and his son, also known as "Clown".
777:, the rival playing company to the Lord Chamberlain's Men during the 1590s, are reported to have possessed "j beares skyne" among their stage properties in a surviving inventory dated March 1598. Perhaps a similar prop was later used by Shakespeare's company.
540:, the royal heir, Mamillius, warns that "a sad tale's best for winter". His mother is soon put on trial for treason and adultery – and his death is announced seconds after she is shown to have been faithful and Leontes's accusations unfounded.
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It has been suggested that the use of a pastoral romance from the 1590s indicates that at the end of his career, Shakespeare felt a renewed interest in the dramatic contexts of his youth. Minor influences also suggest such an interest. As in
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dies after being accused of adultery, while Leontes' equivalent looks back upon his deeds (including an incestuous fondness for his daughter) and slays himself. The survival of Hermione, while presumably intended to create the last scene's
1107:, in London. The Globe staged it again in 2023, in a production where the audience walked between the Sam Wanamaker Playhouse (where the Sicilian scenes were staged) and the main Globe Theatre (where the Bohemian scenes were staged).
382:'s control. Shakespeare, by contrast, sets in the foreground the restoration of the older, indeed aged, generation, in the reunion of Leontes and Hermione. Leontes not only lives, but seems to insist on the happy ending of the play.
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There are changes in names, places, and minor plot details, but the largest changes lie in the survival and reconciliation of Hermione and Leontes (Greene's Pandosto) at the end of the play. The character equivalent to Hermione in
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2004:421: in spite of other scholars' rejection of any parallels between Henry VIII and Leontes, asserts "the parallels are there", noting his article "Shakespeare and History: divergencies and agreements", in
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of 1623. In spite of tentative early datings (see below), most critics believe the play is one of Shakespeare's later works, possibly written in 1610 or 1611. A 1611 date is suggested by an apparent connection with
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but with a decidedly diverse cast. African American actors Tony White played Leontes, Deirdre Ann Johnson played Hermione, and Monica Jones in a dual role of Mamillius and Perdita. Angela Liao appeared as Paulina.
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includes a dance of twelve men costumed as satyrs, and the servant announcing their entry says "one three of them, by their own report, sir, hath danc'd before the King." (IV.iv.337–338).
439:, was beheaded as one of Anne's supposed lovers and refused to confess in order to save his life, claiming that everyone knew the Queen was innocent. If this theory is followed, then
345:, published in 1588. Shakespeare's changes to the plot are uncharacteristically slight, especially in light of the romance's undramatic nature, and Shakespeare's fidelity to it gives
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An ink drawing of Act II, Scene iii: Paulina imploring Leontes to have mercy on his daughter, Perdita. Illustration was designed for an edition of Lamb's Tales, copyrighted 1918.
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1085:. The production toured globally, including to France, Spain, the US and Russia, and was livestreamed around the world in a partnership with the BBC and Riverside Studios.
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in Washington, DC staged a production directed by Tamilla Wodard that fall as the first play shown in the Theatre after its multi-year, multimillion-dollar renovation.
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was printed first, but the debate about the date of the play's composition makes it unclear which was the first scripted use of the word, which is much older.
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to advance the action in the manner of the naive dramatic tradition; the use of a bear in the scene on the Bohemian seashore is almost certainly indebted to
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In 2015, the Kenneth Branagh Production company staged the play at the Garrick Theatre, with simultaneous broadcast to cinemas. The production featured
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reference is made to the land of Seaboard Bohemia in the context of an obvious parody of Shakespeare's apparent liberties with geography in the play.
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of Hellenistic romance, in which the return of a lost prince or princess restores order and provides a sense of humour and closure that evokes
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The play has been intermittently popular, having been revived in productions and adaptations by some of the leading theatre practitioners in
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on a small island has been used as evidence of Shakespeare's limited education. However, Shakespeare again copied this locale directly from
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which uncharacteristically ends with a blank recto page, suggesting to Arden editor J.H.P. Pafford there was some hesitation as to where
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Act II, scene 3: Antigonus swears his loyalty to Leontes, in an attempt to save Leontes' young daughter's life. From a painting by
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puts it, Bohemia may have been given a seacoast "to flout geographical realism, and to underline the unreality of place in the play".
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A play called "The Winter's Tale" would immediately indicate to contemporary audiences that the work would present an "idle tale", an
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Shakespeare follows Greene in giving Bohemia a seacoast, an error that has provoked the discussion of critics from Ben Jonson on.
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in 1536. There are numerous parallels between the two stories – including the fact that one of Henry's closest friends,
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its most distinctive feature: the sixteen-year gap between the third and fourth acts. This distinctive feature violates the
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not intended to be realistic, and that it would offer the promise of a happy ending. The title may have been inspired by
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Also in 2023, Empty Space Productions and The University of New England staged a production in Armidale, Australia. The
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Following a brief introductory scene, the play begins with the appearance of two childhood friends: Leontes, King of
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The play is scheduled to be performed at Boston's "Shakespeare on the Common" festival in July and August, 2024.
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was often performed in its entirety, drawn largely from the First Folio text, with varying degrees of success.
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McDowell, W. Stuart. 1983. Director's note in the program for the Riverside Shakespeare Company production of
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Malone, Edmond. "An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare Were Written,"
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of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of
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A depiction of Mrs. Mattocks as Hermione, from a 1779 performance at the Theatre Royal in Drury Lane
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One comic moment in the play deals with a servant not realising that poetry featuring references to
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Greene's 'Pandosto' or 'Dorastus and Fawnia': being the original of Shakespeare's 'Winter's tale'
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and ran for 39 performances in 1946. One of the best remembered modern productions was staged by
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ridiculed the presence in the play of a seacoast and a desert in Bohemia, since the landlocked
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in 2009. The play is in the repertory of the Stratford Festival of Canada and was seen at the
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of 1590, in which a storyteller tells "a merry winter's tale" of a missing daughter. Early in
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Clown – or Young Shepherd, the Old Shepherd's buffoonish son, and Perdita's adoptive brother.
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1891:"Boise State University Department of Theatre Arts: The Winter's Tale by William Shakespeare"
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more importance than a verse test is the similarity of the last plays in spirit and themes."
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Tannenbaum, Dr. Samuel A. 1933. " Shakespearean Scraps", chapter: "The Forman Notes" (1933).
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was directed by Gordon Reinhart and starred Ira Amyx, James B. Fisk, Richard Klautsch and
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Jonson, Ben. "Conversations with Drummond of Hawthornden", in Herford and Simpson, ed.
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The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance
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Scene from 'The Winter's Tale' (Act IV, Scene 4) (from the play by William Shakespeare)
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Ben Jonson, 'Conversations with Drummond of Hawthornden', in Herford and Simpson, ed.
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took on the role of Leontes in 1906. The longest-running Broadway production starred
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2040:"The Winter's Tale review – Kenneth Branagh and Judi Dench offer intriguing touches"
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after escaping from Troy consulted the same Delian oracle regarding his future.
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consulted the Oracle of Delos before the outbreak of the Trojan War and that
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in an 1856 production that was famous for its elaborate sets and costumes.
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starring Brian Murray supported by Jones' new company at BAM In 1983, the
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is vulgar, presumably from not knowing what the word means. This play and
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List of William Shakespeare screen adaptations § The Winter's Tale
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in 1756. Notable stagings in the 19th century included those featuring
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Third Series edition (2010) that the coast of Bohemia is intended as a
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2013:"Tara Fitzgerald To Make RSC Debut in Lucy Bailey's The Winter's Tale"
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The play contains the most famous of Shakespearean stage directions:
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An 1807 print of Act III, Scene iii: Exit Antigonus chased by a bear.
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involving the statue, creates a distinctive thematic divergence from
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2130:"Theatre for a New Audience's the Winter's Tale Begins Off-Broadway"
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Mobile Unit staged the play, directed by Lee Sunday Evans. In 2018,
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A mid-19th-century painting of the statue of Hermione coming to life
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Mamillius – The young prince of Sicily, Leontes and Hermione's son.
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Antigonus – Paulina's husband, and also a loyal friend of Hermione.
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A thorough (open source) concordance of all of Shakespeare's plays
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belonged at the time of printing the Folio. (J.H.P. Pafford, ed.
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becomes a dramatic representation of Anne's only daughter, Queen
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series, set in central Europe during the early 1900s era of the
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Archidamus – A lord of Bohemia, visiting Sicily with his king.
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production directed by Jennifer Sarah Dean at Central Park in
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The earliest recorded performance of the play was recorded by
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An engraving of Florizel and Perdita by Charles Robert Leslie.
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This article is about Shakespeare's play. For other uses, see
1228:
broadcast an audio production directed by David Hunter, with
1030:
of New Jersey presented a production as part of their annual
786:
742:
728:
375:
2238:"Folger Theatre embraces a new era with 'The Winter's Tale'"
1100:
with Kelley Curran as Hermione and Anatol Yusef as Leontes.
2590:
2533:
Gurr, Andrew. 1983. "The Bear, the Statue, and Hysteria in
2309:
2273:
1270:
In 2021 Melbourne Shakespeare Company produced an abridged
1182:, based on the play. The ballet is a co-production between
687:
2596:
Von Lippmann, Edmund O. 1891. "Shakespeare's Ignorance?",
2355:
1425:) in 1556: "olde wiues fables and winter tales". Cited in
1397:
The Plays and Poems of William Shakespeare in Ten Volumes
986:
inaugurated his transatlantic "Bridge Project" directing
197:
Autolycus – A roguish peddler, vagabond, and pickpocket.
2007:
2005:
1668:"Swiss Navy Joke Vanishing As This All-Fools' Day Dawns"
715:
Likewise, Shakespeare's apparent mistake of placing the
92:
was revived again in the 19th century, when the fourth "
962:
adaptation, which then was successfully brought to the
819:
133:
Hermione – The virtuous and beautiful Queen of Sicily.
65:" because the first three acts are filled with intense
61:. Some critics consider it to be one of Shakespeare's "
1950:"The Stage review of [Theatre Delicatessen]'s
69:
drama, while the last two acts are comic and supply a
2002:
1522:, P. G. Thomas, editor. Oxford University Press, 1907
1151:
production was televised in 1981. It was produced by
1042:
In 2013, the RSC staged a new production directed by
644:'s 1744 argument that Bohemia is a printed error for
608:(corresponding to the western part of the modern-day
203:
Dorcas – A shepherdess, in love with Young Shepherd.
1636:
Andrew Gurr, 'The Bear, the Statue, and Hysteria in
1601:
Edmund O. von Lippmann, 'Shakespeare's Ignorance?',
1131:
There have been numerous film versions, including a
636:
pointed out that "Bohemia" was also a rare name for
402:, a chivalric romance revived at court around 1610.
200:
Mopsa – A shepherdess, in love with Young Shepherd.
2477:online, 28 February 2017, retrieved 15 March 2017.
2176:
4111:Adaptations of works by Robert Greene (dramatist)
2733:Motley Collection of Theatre & Costume Design
1947:
934:, chose to launch his new theatre company at the
126:, and the childhood friend of Polixenes, King of
88:(first performed in 1753 and published in 1756).
4097:
2523:Oxford, Clarendon press, 1908; pp. 103–126.
1577:(2008). "Shakespeare and Jacobean Geopolitics".
2364:"The Winter's Tale review – 'a ballet to keep'"
982:In 2009, four separate productions were staged.
191:Shepherd – An old and honourable sheep-tender.
160:Mariner – His ship takes Antigonus to Bohemia.
1252:as the Shepherd and Faye Castelow as Perdita.
1054:as Hermione. This production premiered at the
930:, a former associate artistic director of the
154:Emilia – One of Hermione's ladies-in-waiting.
3903:
2753:
1443:
1336:, Oxford, Clarendon Press, 1908; pp. 103–126.
879:, were acted at Covent Garden in 1754 and at
219:Shepherds, shepherdesses, servants in Bohemia
216:Lords, servants, gentlemen, ladies in Sicilia
2691:Scans of the First Folio version of the play
958:won a Globe Award for Best Director for his
157:Gaoler – Charged with imprisoning Hermione.
3700:
2642:has original text related to this article:
2576:Kalem, T. E. 1980. "Brooklyn Bets on Rep",
3910:
3896:
2760:
2746:
2037:
2015:. Royal Shakespear Company. Archived from
1310:(Arden Shakespeare) 3rd ed. 1933:xv–xvii.)
1263:, based on the play, was premiered at the
1096:staged the play Off-Broadway, directed by
583:
2560:The New York Shakespeare Society Bulletin
2558:Isenberg, Seymour. 1983. "Sunny Winter",
852:, unlike many other Shakespearean plays.
512:
2456:
2361:
1657:, The Warwick Shakespeare edition, p.xv.
1567:
1103:In 2018, the play was also performed at
855:
810:
756:
640:in southern Italy. More influential was
587:
561:
547:
454:
404:
308:
288:
253:
235:
27:
2767:
2038:Billington, Michael (8 November 2015).
1768:, which cites Jonson's 1610 edition of
1726:The main bear-garden in London was the
1323:, New York, Macmillan, 1931; pp. 9–13 .
136:Camillo – An honest Sicilian nobleman.
4098:
2548:Baltimore, Penguin, 1964; p. 532.
2464:The Winter’s Tale, ENO, London, review
1854:has not played on Broadway since 1946.
1548:
806:
710:
3891:
3512:Complete Works of William Shakespeare
2741:
2235:
2154:
1863:"Brooklyn Bets on Rep", T. E. Kalem,
1802:or the Merie Ballad of Nash his Dildo
1686:from the original on 23 December 2021
1480:
1474:
1421:John Olde (one of the translators of
1379:Pafford, J.H.P., ed. "Introduction",
467:The play was not published until the
463:, printed in the Second Folio of 1632
2610:Pafford, John Henry Pyle. 1962, ed.
2562:, (Dr. Bernard Beckerman, chairman;
2444:from the original on 14 October 2018
2317:from the original on 8 February 2017
2281:from the original on 9 February 2017
2217:from the original on 22 October 2023
2182:
2106:. The Public Theatre. Archived from
2084:from the original on 24 October 2017
1980:"Hudson Shakespeare Company Returns"
1903:from the original on 17 October 2023
1573:
1553:. London: John Murray. p. 258.
1485:. New York: Macmillan. p. 147.
820:Shakespeare's day to the Restoration
625:was politically allied with that of
517:
108:
3872:
2370:. Guardian News and Media Limited.
1990:from the original on 19 August 2014
1948:Francesca Whiting (23 April 2009).
1026:, Central Park, in 2010. Last, the
13:
3978:The Countess of Pembroke's Arcadia
3687:Shakespeare's influence on Tolkien
2614:, Arden Edition, 1962, p. 66.
2607:, New York City, 25 February 1983.
2546:A Shakespeare Companion 1564–1964,
2418:from the original on 5 August 2016
2236:Floyd, Thomas (14 November 2023).
2136:from the original on 23 March 2018
1876:"Critics Notebook", Ben Brantley,
1451:. London: Macmillan. p. 698.
1368:A Shakespeare Companion 1564–1964,
1135:, a 1961 television film starring
966:in 1994. In 1997, a production at
946:mounted a production based on the
899:played Leontes memorably in 1887.
846:Frederick V, Elector Palatine
139:Paulina – A noblewoman of Sicily.
14:
4182:
2625:
2374:from the original on 16 June 2022
2343:from the original on 9 March 2010
2058:from the original on 10 July 2017
1960:from the original on 12 June 2011
1370:Baltimore, Penguin, 1964; p. 532.
1347:The Life and Death of Anne Boleyn
840:during the festivities preceding
773:or an actor in bear costume. The
557:Anthony Frederick Augustus Sandys
182:– Polixenes's only son and heir.
176:, and Leontes's childhood friend.
78:Shakespearean performance history
4131:British plays adapted into films
3958:
3871:
3862:
3861:
3215:
2703:
2632:
2362:Jennings, Luke (12 April 2014).
2104:"Mobile Unit: The Winter's Tale"
1408:Tannenbaum, "The Forman Notes",
1386:2nd. series (1963, 1999), xxiii.
600:Shakespeare's fellow playwright
450:
3931:
2727:for the 1948 production at the
2498:from the original on 5 May 2021
2480:
2438:"Drama on 3, the Winter's Tale"
2430:
2400:
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2203:
2183:Ryan, Anya (23 February 2023).
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1595:
1581:. London: Viking. p. 305.
1542:
1525:
1513:
1500:
1465:
1437:
977:
902:
3692:Works titled after Shakespeare
2587:Shakespeare's Problem Comedies
2337:"The Winter's Tale (1981, TV)"
1808:dilldo, senceless counterfet."
1415:
1402:
1389:
1373:
1360:
1339:
1326:
1321:Shakespeare's Problem Comedies
1313:
1287:
1120:
922:in London in 1951 and starred
280:abandon it in a desolate place
148:Cleomenes – A Lord of Sicily.
21:Winter's Tale (disambiguation)
1:
3852:Shakespeare and other authors
2700:– HTML version of this title.
2655:
2566:) March 1983, pp. 25–26.
2155:Akbar, Arifa (28 June 2018).
1706:Shakespeare's Isle of Delphos
1481:Wylie, Laura J., ed. (1912).
1281:
1077:staged the play, directed by
1024:New York Shakespeare Festival
944:Riverside Shakespeare Company
652:; this theory was adopted in
570:
431:on the orders of her husband
266:, and Polixenes, the King of
103:
3968:
3734:Shakespeare Birthplace Trust
2519:Brooke, C. F. Tucker. 1908.
2513:
2185:"'The Winter's Tale' review"
1925:. Rsc.org.uk. Archived from
1539:, Arden Edition, 1962, p. 66
1073:as Hermione. The same year,
509:assigned it to about 1605."
270:. Polixenes is visiting the
53:originally published in the
7:
4171:Shakespearean problem plays
4166:Shakespeare's late romances
3540:English Renaissance theatre
3383:The Second Maiden's Tragedy
3362:The Merry Devil of Edmonton
2894:The Two Gentlemen of Verona
2713:public domain audiobook at
2647:Winter's Tale (Shakespeare)
2585:Lawrence, William W. 1931.
1841:Internet Broasdway Database
1787:The first reference in the
1217:, another modern adaption.
1018:also staged productions of
752:
374:. Greene follows the usual
231:
59:Shakespeare's late romances
38:Boydell Shakespeare Gallery
10:
4187:
4126:Plays adapted into ballets
3708:Folger Shakespeare Library
3254:The Phoenix and the Turtle
2844:The Merry Wives of Windsor
2555:(Oxford, 1743–44), vol. 2.
2521:The Shakespeare Apocrypha,
1717:Virgil, Aeneid, In. 73–101
1627:(Oxford, 1743–44), vol. 2.
1447:; Rasmussen, Eric (2007).
1147:as Leontes. An "orthodox"
1124:
1094:Theatre for a New Audience
1028:Hudson Shakespeare Company
618:Ottokar II of Bohemia
596:showing Bohemia's seacoast
543:
304:
18:
4136:English Renaissance plays
4121:Plays adapted into operas
4050:
4008:
3967:
3956:
3930:
3846:
3757:
3727:Royal Shakespeare Theatre
3722:Royal Shakespeare Company
3629:
3486:
3457:
3286:
3277:
3224:
3213:
3145:
3117:
3008:
2918:
2851:A Midsummer Night's Dream
2795:All's Well That Ends Well
2784:
2775:
2729:Royal Shakespeare Theatre
2530:2nd ed.(Routledge, 2000).
2408:"EXIT, PURSUED BY A BEAR"
1790:Oxford English Dictionary
1734:, near the Globe Theatre.
1430:Oxford English Dictionary
1334:The Shakespeare Apocrypha
1205:, a modern adaptation of
1188:National Ballet of Canada
1056:Royal Shakespeare Theatre
1012:Royal Shakespeare Company
964:Brooklyn Academy of Music
960:Royal Shakespeare Company
936:Brooklyn Academy of Music
932:Royal Shakespeare Company
897:Johnston Forbes-Robertson
863:was performed in 1741 at
780:
690:, akin to jokes about a "
634:Edmund Oscar von Lippmann
172:Polixenes – The King of
145:Dion – A Lord of Sicily.
84:premiered his adaptation
40:for printing and display.
3998:Oberon, the Faery Prince
2865:Pericles, Prince of Tyre
2553:The Works of Shakespeare
2539:Shakespeare Quarterly 34
1800:The Choise of Valentines
1754:(2nd ed.). Oxford:
1642:Shakespeare Quarterly 34
1625:The Works of Shakespeare
1549:Fermor, Patrick (1977).
1032:Shakespeare in the Parks
865:Goodman's Fields Theatre
2873:The Taming of the Shrew
2589:, Macmillan, New York.
1846:23 October 2012 at the
1756:Oxford University Press
1215:Exit, Pursued by a Bear
1036:Austro-Hungarian Empire
767:Exit, pursued by a bear
648:, an ancient nation in
592:A fanciful 1896 map by
584:The seacoast of Bohemia
4146:Shakespearean comedies
3555:Lord Chamberlain's Men
3466:The Passionate Pilgrim
3239:comparison to Petrarch
2858:Much Ado About Nothing
2837:The Merchant of Venice
2573:, vol. 1, p. 139.
2551:Hanmer, Thomas. 1743.
2544:Halliday, F. E. 1964.
2492:Australian Arts Review
1896:Boise State University
1830:Halliday, pp. 532–533.
1653:See C.H. Herford, ed.
1296:comes last, following
1265:English National Opera
990:with a cast featuring
968:Boise State University
954:in Manhattan. In 1993
952:The Shakespeare Center
871:. Adaptations, titled
816:
762:
705:Robert Louis Stevenson
597:
567:
559:
513:Analysis and criticism
464:
417:
322:
294:
259:
251:
249:Thomas Charles Wageman
41:
3919:William Shakespeare's
3745:Shakespeare Institute
3714:Shakespeare Quarterly
3233:Shakespeare's sonnets
2901:The Two Noble Kinsmen
2666:The Winter's Tale
1433:(2nd ed.). 1989.
1423:Udall's New Testament
1332:C. F. Tucker Brooke,
1319:William W. Lawrence,
1267:on 27 February 2017.
926:as Leontes. In 1980,
908:Herbert Beerbohm Tree
856:18th and 19th century
814:
760:
591:
565:
551:
458:
408:
320:Charles Robert Leslie
312:
292:
257:
239:
31:
4116:Plays about adultery
3601:Spelling of his name
3441:Vortigern and Rowena
3419:Thomas Lord Cromwell
2999:Troilus and Cressida
2929:Antony and Cleopatra
2823:Love's Labour's Lost
2809:The Comedy of Errors
2541:(1983), p. 422.
2469:1 March 2018 at the
1984:The Connecticut Post
1929:on 28 September 2008
1609:8 April 2023 at the
1410:Shakespearean Scraps
1357:(1985:19–35), p 24f.
1172:Christopher Wheeldon
1058:on 24 January 2013.
1016:Theatre Delicatessen
877:Florizal and Perdita
842:Princess Elizabeth's
501:Stationers' Register
423:, the biographer of
414:Augustus Leopold Egg
86:Florizel and Perdita
36:commissioned by the
4141:Plays set in Sicily
3825:Richard Shakespeare
3807:Gilbert Shakespeare
3739:Shakespeare's Globe
3644:Authorship question
3639:Attribution studies
3606:Stratford-upon-Avon
3448:A Yorkshire Tragedy
3426:Thomas of Woodstock
3412:The Spanish Tragedy
3353:Love's Labour's Won
3345:The London Prodigal
3302:The Birth of Merlin
3261:The Rape of Lucrece
3247:A Lover's Complaint
3127:Quarto publications
2830:Measure for Measure
2769:William Shakespeare
2657:Shakespeare's Plays
2564:Columbia University
2488:"The Winter's Tale"
2414:. 8 December 2015.
2211:"The Winter's Tale"
2078:"The Winter's Tale"
1743:See, for instance,
1201:published the book
1194:in London in 2014.
1190:, and premiered in
1105:Shakespeare's Globe
992:Simon Russell Beale
916:Jessie Royce Landis
807:Performance history
711:The Isle of Delphos
533:The Old Wives' Tale
51:William Shakespeare
16:Play by Shakespeare
4151:Bohemia in fiction
3819:Edmund Shakespeare
3777:Hamnet Shakespeare
3674:Screen adaptations
3397:Sir John Oldcastle
3295:Arden of Faversham
2600:4 (1891), 250–254.
2267:|The Winter's Tale
1956:. Thestage.co.uk.
1878:The New York Times
1672:The New York Times
1614:4 (1891), 250–254.
1352:Shakespeare Survey
1209:. In 2016, author
1199:Jeanette Winterson
1176:full-length ballet
1090:The Public Theatre
1014:mounted the show.
885:John Philip Kemble
873:The Sheep-Shearing
817:
763:
606:Kingdom of Bohemia
598:
568:
560:
465:
459:The first page of
418:
323:
295:
260:
252:
42:
4156:Tragicomedy plays
4093:
4092:
4083:The Winter's Tale
4075:The Winter's Tale
4041:The Winter's Tale
4033:The Winter's Tale
4025:The Winter's Tale
4017:The Winter's Tale
3923:The Winter's Tale
3885:
3884:
3789:Elizabeth Barnard
3753:
3752:
3482:
3481:
3211:
3210:
2909:The Winter's Tale
2710:The Winter's Tale
2685:Project Gutenberg
2621:pp. 161–179.
2612:The Winter's Tale
2605:The Winter's Tale
2535:The Winter's Tale
2462:Chanteau, Clara.
2394:"The Gap of Time"
2303:The Winter's Tale
2132:. 13 March 2018.
1952:The Winter's Tale
1852:The Winter's Tale
1776:The Winter's Tale
1704:Terence Spencer,
1655:The Winter's Tale
1638:The Winter's Tale
1588:978-0-670-91482-1
1537:The Winter's Tale
1510:, vol. 1, p. 139.
1483:The Winter's Tale
1458:978-0-230-00350-7
1384:Arden Shakespeare
1381:The Winter's Tale
1308:The Winter's Tale
1261:Ryan Wigglesworth
1207:The Winter's Tale
1192:Royal Opera House
1163:as Polixenes and
1020:The Winter's Tale
988:The Winter's Tale
940:The Winter's Tale
861:The Winter's Tale
830:The Winter's Tale
684:Arden Shakespeare
538:The Winter's Tale
518:Title of the play
488:Arden Shakespeare
484:The Winter's Tale
461:The VVinters Tale
437:Sir Henry Norreys
351:Classical Unities
347:The Winter's Tale
327:The Winter's Tale
325:The main plot of
272:kingdom of Sicily
245:The Winter's Tale
228:
227:
98:The Winter's Tale
90:The Winter's Tale
46:The Winter's Tale
4178:
3962:
3912:
3905:
3898:
3889:
3888:
3875:
3874:
3865:
3864:
3813:Joan Shakespeare
3795:John Shakespeare
3698:
3697:
3679:Shakespeare and
3390:Sejanus His Fall
3357:
3317:Double Falsehood
3284:
3283:
3268:Venus and Adonis
3219:
2992:Titus Andronicus
2978:Romeo and Juliet
2782:
2781:
2762:
2755:
2748:
2739:
2738:
2707:
2706:
2697:The Winters Tale
2687:
2636:
2526:Chaney, Edward,
2508:
2507:
2505:
2503:
2494:. 1 March 2021.
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2478:
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2227:
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2222:
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2200:
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2196:
2180:
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2173:
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2169:
2152:
2146:
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2143:
2141:
2126:
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2119:
2117:
2115:
2110:on 26 April 2018
2100:
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2009:
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1997:
1995:
1986:. 26 June 2009.
1976:
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1965:
1945:
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1938:
1936:
1934:
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1887:
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1880:, 22 April 1994.
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1674:. 1 April 1927.
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1366:F. E. Halliday,
1364:
1358:
1343:
1337:
1330:
1324:
1317:
1311:
1291:
1197:In 2015, author
1184:The Royal Ballet
1178:, with music by
1133:1910 silent film
1081:and designed by
1079:Declan Donnellan
1069:as Paulina, and
1048:Jo Stone-Fewings
771:London bear-pits
717:Oracle of Delphi
479:Masque of Oberon
445:Elizabeth I
243:as Autolycus in
208:Other Characters
109:
4186:
4185:
4181:
4180:
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4094:
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3963:
3954:
3926:
3916:
3886:
3881:
3842:
3791:(granddaughter)
3749:
3696:
3625:
3591:Religious views
3569:Curtain Theatre
3490:
3478:
3453:
3404:Sir Thomas More
3350:
3324:Edmund Ironside
3273:
3220:
3207:
3181:Ghost character
3141:
3113:
3004:
2985:Timon of Athens
2914:
2771:
2766:
2704:
2677:
2671:Standard Ebooks
2661:
2660:
2659:
2653:
2652:
2651:
2637:
2628:
2582:, 3 March 1980.
2516:
2511:
2501:
2499:
2486:
2485:
2481:
2475:The Independent
2471:Wayback Machine
2461:
2457:
2447:
2445:
2440:. BBC Radio 3.
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2258:
2248:
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2243:Washington Post
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1551:A Time of Gifts
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1220:On 1 May 2016,
1203:The Gap of Time
1161:Robert Stephens
1153:Jonathan Miller
1145:Laurence Harvey
1129:
1123:
1063:Kenneth Branagh
1052:Tara Fitzgerald
1050:as Leontes and
1010:(Perdita). The
1008:Morven Christie
1006:(Paulina), and
980:
905:
867:and in 1742 at
858:
834:Globe playhouse
822:
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783:
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680:John A. Pitcher
586:
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524:old wives' tale
520:
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433:Henry VIII
368:coup de théâtre
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122:– The King of
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2019:on 20 May 2014
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1449:Complete Works
1445:Bate, Jonathan
1436:
1427:"winter, 5a".
1414:
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1359:
1338:
1325:
1312:
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1240:as Polixenes,
1211:E. K. Johnston
1170:Choreographer
1155:, directed by
1125:Main article:
1122:
1119:
1112:Folger Theatre
1071:Miranda Raison
979:
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974:as Polixenes.
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682:argues in the
610:Czech Republic
594:Gelett Burgess
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492:J.H.P. Pafford
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4078:(2014 ballet)
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3158:Late romances
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3153:Problem plays
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2887:Twelfth Night
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2018:
2014:
2008:
2006:
1989:
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1981:
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1944:
1928:
1924:
1923:"RSC listing"
1918:
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1771:The Alchemist
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1533:J. H. Pafford
1528:
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1471:Act 2 scene 1
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1299:Twelfth Night
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1246:Susan Jameson
1243:
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1236:as Hermione,
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1075:Cheek by Jowl
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1009:
1005:
1004:Sinéad Cusack
1002:(Autolycus),
1001:
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985:
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972:Randy Davison
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912:Henry Daniell
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889:Samuel Phelps
886:
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869:Covent Garden
866:
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801:The Alchemist
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796:The Alchemist
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775:Admiral's Men
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697:In the novel
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673:C. H. Herford
669:
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642:Thomas Hanmer
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3525:Coat of arms
3518:Translations
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3506:Bibliography
3473:To the Queen
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2017:the original
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1232:as Leontes,
1230:Danny Sapani
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1159:and starred
1141:1967 version
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1065:as Leontes,
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4051:Stage works
4009:Adaptations
3877:WikiProject
3564:The Theatre
3550:Handwriting
3376:The Puritan
3167:Characters
3132:First Folio
3100:Richard III
2880:The Tempest
1690:16 February
1250:Paul Copley
1222:BBC Radio 3
1180:Joby Talbot
1165:Jeremy Kemp
1157:Jane Howell
1137:Robert Shaw
1121:Adaptations
1046:, starring
1044:Lucy Bailey
1000:Ethan Hawke
994:(Leontes),
948:First Folio
938:(BAM) with
928:David Jones
920:Peter Brook
850:Restoration
741:wrote that
737:, in which
700:Prince Otto
666:Andrew Gurr
469:First Folio
425:Anne Boleyn
55:First Folio
4106:1611 plays
4100:Categories
3932:Characters
3801:Mary Arden
3785:(daughter)
3773:(daughter)
3649:Bardolatry
3559:King's Men
3501:Birthplace
3188:Chronology
3107:Henry VIII
3034:Richard II
3026:Edward III
2936:Coriolanus
2725:Set Design
2640:Wikisource
2598:New Review
2571:Ben Jonson
2347:22 January
2221:24 October
2088:24 October
1817:All dates
1751:OED Online
1604:New Review
1560:0719566959
1508:Ben Jonson
1282:References
1226:Drama on 3
1213:published
1174:created a
1098:Arin Arbus
1067:Judi Dench
984:Sam Mendes
881:Drury Lane
791:Ben Jonson
727:island of
692:Swiss Navy
650:Asia Minor
623:King James
602:Ben Jonson
571:The statue
474:Ben Jonson
380:Providence
318:(1836) by
247:(1828) by
104:Characters
3831:John Hall
3821:(brother)
3809:(brother)
3741:(replica)
3681:Star Trek
3669:Memorials
3664:Influence
3654:Festivals
3596:Sexuality
3586:Portraits
3581:New Place
3433:Ur-Hamlet
3369:Mucedorus
3279:Apocrypha
3019:King John
3010:Histories
2957:King Lear
2920:Tragedies
2816:Cymbeline
2593:459490669
2052:0261-3077
1994:18 August
1964:5 January
1933:5 January
1819:new style
1732:Southwark
1680:0362-4331
1276:Melbourne
1143:starring
1088:In 2017,
887:in 1811,
838:Whitehall
632:In 1891,
627:Rudolf II
421:Eric Ives
399:Mucedorus
355:Aristotle
315:Autolycus
34:John Opie
4059:Hermione
4043:" (1994)
3990:Pandosto
3950:Florizel
3867:Category
3815:(sister)
3803:(mother)
3797:(father)
3309:Cardenio
3198:Settings
3146:See also
3069:Henry VI
3040:Henry IV
2786:Comedies
2715:LibriVox
2496:Archived
2467:Archived
2448:27 April
2442:Archived
2416:Archived
2372:Archived
2341:Archived
2339:. IMDB.
2315:Archived
2279:Archived
2215:Archived
2191:. London
2140:23 March
2134:Archived
2114:25 April
2082:Archived
2056:Archived
1988:Archived
1958:Archived
1901:Archived
1899:. 1997.
1844:Archived
1762:21 April
1684:Archived
1607:Archived
1234:Eve Best
1139:, and a
950:text at
793:'s play
753:The bear
725:Cycladic
721:Pandosto
661:pastoral
646:Bithynia
614:Pandosto
530:'s play
429:adultery
389:Pericles
372:Pandosto
363:Pandosto
342:Pandosto
335:pastoral
232:Synopsis
180:Florizel
94:pastoral
4067:Perdita
3969:Sources
3945:Perdita
3940:Leontes
3659:Gardens
3535:Editors
3338:Locrine
3331:Fair Em
3163:Henriad
3062:Henry V
2971:Othello
2964:Macbeth
2514:Sources
2321:29 June
2305:(1968)"
2285:29 June
2269:(1910)"
2189:TimeOut
1746:"dildo"
1491:2365500
1272:musical
832:at the
553:Perdita
544:Debates
490:editor
441:Perdita
338:romance
305:Sources
268:Bohemia
186:Perdita
174:Bohemia
167:Bohemia
128:Bohemia
120:Leontes
114:Sicilia
4161:Dildos
4036:(1981)
4028:(1967)
4020:(1910)
4001:(1611)
3993:(1588)
3856:† Lost
3767:(wife)
3758:Family
3631:Legacy
3203:Scenes
2943:Hamlet
2422:5 July
2378:3 June
2249:13 May
2195:13 May
2168:13 May
2062:1 July
2050:
2023:20 May
1806:Eunuke
1758:. 1989
1678:
1585:
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1535:, ed.
1489:
1455:
1412:, 1933
1345:Ives,
787:dildos
781:Dildos
747:Aeneas
739:Virgil
734:Aeneid
638:Apulia
507:Hunter
416:(1845)
394:chorus
264:Sicily
223:
124:Sicily
3985:1580)
3779:(son)
3621:Grave
3611:Style
3576:Music
3493:works
3458:Poems
3287:Plays
3225:Poems
2777:Plays
2502:5 May
1257:opera
743:Priam
729:Delos
376:ethos
3616:Will
3491:and
3488:Life
2591:OCLC
2504:2021
2450:2018
2424:2016
2380:2014
2349:2010
2323:2018
2310:IMDb
2287:2018
2274:IMDb
2251:2024
2223:2023
2197:2024
2170:2024
2142:2018
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2090:2017
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2025:2014
1996:2014
1966:2012
1935:2012
1909:2023
1865:Time
1764:2009
1692:2023
1676:ISSN
1583:ISBN
1555:ISBN
1531:See
1487:OCLC
1453:ISBN
1186:and
914:and
875:and
688:joke
659:The
3176:L–Z
3171:A–K
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1730:at
1259:by
1255:An
1224:'s
1149:BBC
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