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is our musical nadir. That was the one where we were writing songs because we had to make an album. We were going round and round
America in buses for months on end, and the record company said, 'It would be great if we had a new album for Christmas.' We were on the treadmill. We were going back to
494:
The group intended to release "Stay (The Black Rose and the
Universal Wheel)" as the first single, but Virgin pushed for "Shame" instead; "(Forever) Live and Die" was ultimately the first release. "We Love You" was issued as the second single. Virgin then scheduled "Shame" as the next single to the
1129:
McCluskey feels that the record's production "just doesn't sound like ", and has noted that it features tracks he wishes the band had never released. Humphreys stated, "There were a couple of nice things on it, but to us, overall, it didn't work." He pointed to "surrounding circumstances, the time
463:. Humphreys recalled trying to compose satisfactory material amid a creative drought, saying, "It felt incredibly rushed... we'd run out of ideas; there were no songs left in the well." Sessions were marred by exhaustion, internal conflicts, and excessive consumption of drugs and alcohol.
1001:
wrote, "It's true that tracks like '(Forever) Live and Die', 'Shame', and 'Goddess of Love' are more style than substance, but it's a style that plays to OMD's mastery of melody and mood... The band also continues to string snippets of sound together to create interesting patterns."
996:
all but wipes out OMD's original identity, stripping it of everything that made them unique – an unfortunate turn of events for an act that previously had been ahead of the curve... As an album closer, 'Watch Us Fall' could not have been more apt." A more forgiving Dave
Connolly of
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2884:
982:
as "tiresomely ponderous and self-important", concluding, "Except for the smoothly contrived hit '(Forever) Live and Die' and the catchy 'We Love You', this dilettantish mess is less a set of songs than a meaningless collection of sounds."
421:, but a rewrite of the film's climax rendered the track unsuitable (hence the creation of "If You Leave"). The band reworked the song for inclusion on the album, including rewriting the lyric. One older track, "Southern" (which sampled
326:
met with largely negative reviews, but has received some favourable attention in retrospective album listings. It was a Top 20 entry in the UK, Canada and New
Zealand, as well as in multiple European countries. Lead single
466:
For the first time, brothers Graham and Neil Weir were formally credited as members of OMD; "Shame" was born out of Graham's desire to add a "soulful" element to the album. The Weirs had been involved with the band as
531:
cover, whose design was hand-chiselled from a piece of wood. To enhance the notion of a hand-made texture, the artwork was printed on the reverse of the sleeve so that the coarse, unvarnished side was facing outward.
448:
in world economics. The songs "Cajun Moon" and "Cut Me Down" were almost featured, but according to McCluskey, "democracy won out". Both songs were later included on the band's 40th anniversary retrospective box set,
894:
is a very flatulent album. It's difficult to digest and burps into life only occasionally. The most palatable songs, like '(Forever) Live and Die' and 'Shame', are surrounded by others that move with the grace of
1020:. Creative conflicts also came to the fore. These issues preceded a line-up split in the late 1980s; co-founder Humphreys would not appear on another OMD studio album until the group's post-reunion release,
969:(1981), observing an "almost magical" rapport between McCluskey and Humphreys. He added, "Each track contains a palatable pop hook cleverly woven into its memorable framework. Potential hits abound."
937:
critic Steve Pond deemed the album to be "bloated" with "unnecessary pomp", and suggested that OMD find "a middle ground between what it used to be and what it's become". Michael T. Lyttle of the
3705:
3006:
3158:
3596:
384:). Afforded only two months to write a record, the band continued their focus on breaking the US market with more accessible pop material, while restricting the
507:
as the cover artist, given his contributions to many of the band's earlier artworks. However, Saville's later successes in designing covers for major acts like
3610:
953:
journalist Glen Gore-Smith found OMD to be "in fine form... adding low-tech elements to its sound, while maintaining the exquisite precision of its ethereal
2977:
2906:
3624:
3561:
3470:
3435:
1409:
322:
Working under increasing record label pressure and weathering a creative drought, the band committed each new song to the album with limited deliberation.
251:
3526:
3498:
3313:
1997:
3645:
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3449:
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3285:
3151:
1012:
362:
307:
185:
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264:
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3250:
411:
with limited deliberation, while relying on some recent compositions for other projects. "We Love You" had been written for the film
338:
were fraught with conflict and debauchery. It would be the last OMD studio album for five years, and the last to feature co-founder
3477:
3016:
2161:
1803:
311:(1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s
2716:
2780:
1121:
an empty well. We were exactly the sort of band we promised we never would be. There were no concepts, no weird ideas, no '
3119:
2122:
3167:
2869:
2338:
2095:
1975:
294:
172:
43:
3334:
2919:
2693:
1685:
504:
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426:
30:
3783:
2306:
1059:
called it one of the five best digitally-recorded CD albums on the market, praising its "dazzling brightness".
3094:
1827:
413:
1914:
923:
described the record as "wheezing, crumpled and limp" and "a bitter, bitter disappointment". Paul Simper of
2429:
370:, wanted a new studio album as soon as possible in order to capitalise on the success of 1986 hit single "
3410:
3380:
2894:
2749:
3666:
3484:
3264:
965:
2520:
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journalist Nick Kelly observed only "a couple of subversive melodies" among a "morass of passionless
2989:
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3193:
2953:
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929:
was more favourable, allowing that "the music – if not fire incarnate – has at least a warm glow".
3057:
3698:
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2554:
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375:
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3554:
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2500:
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985:
959:
472:
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328:
238:
2240:
3442:
2359:
2290:
1967:
1494:
925:
684:
608:
2207:
3768:
3271:
3257:
3011:
2477:
Lyttle, Michael T (2 November 1986). "Orchestral
Manoeuvres' 'Pacific Age' Disappointing".
453:(2019), which carries a CD of unreleased tracks. 1983 holdover "Heaven Is" was nudged off
8:
3547:
2659:
1876:
1644:
1490:
1075:
staff ranked it the 38th-best alternative album of the year. It was placed at no. 672 in
1061:
949:
848:
433:. Despite A&M's wishes, the group neglected to include "If You Leave" on the record.
371:
3737:
3603:
3065:"Canadian album certifications – Orchestral Manoeuvres in the Dark – The Pacific Age"
524:
512:
385:
316:
2971:
2959:
2900:
2087:
3659:
3540:
3341:
3320:
3306:
3299:
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2865:
2635:
2458:
2396:
2334:
2330:
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1971:
1618:
1567:
1055:
1022:
933:
772:
488:
459:
344:
3136:
2949:
2151:
1125:'... I was dragging out lyrics that I would have been appalled by 10 years earlier."
3732:
3491:
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2943:
2927:
2126:
2063:
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1660:
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1122:
1071:
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Morale issues that arose during the onerous recording and promotion of predecessor
468:
437:
290:
3684:
3519:
3463:
3373:
3366:
3359:
2950:"Offiziellecharts.de – OMD (Orchestral Manoeuvres in the Dark) – The Pacific Age"
2599:
2271:
1998:"Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s"
1708:
1697:
1041:
910:
900:
596:
203:
160:
109:
1096:– in particular the track "The Dead Girls" – as an influence on her 2015 novel,
947:
can't bail out sub-par material. Look for no miracles here." On the other hand,
943:
called the record "confusing and disappointing", adding that " Hague's labor on
3652:
3617:
3213:
3200:
3186:
3179:
2889:
2754:
2413:
1631:
1512:
1503:
1486:
1183:
1178:
1110:
Mad World: An Oral
History of New Wave Artists and Songs That Defined the 1980s
1084:
810:
380:
367:
349:
339:
298:
221:
151:
146:
2550:
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for a publishing company. He was enlisted to apply the same techniques to the
3762:
3747:
3742:
3727:
3230:
3050:
2978:"Swisscharts.com – OMD (Orchestral Manoeuvres in the Dark) – The Pacific Age"
2864:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 224.
2525:
2379:
1993:
1919:
1724:
1555:
1424:
974:
886:
722:
520:
508:
393:
389:
388:
tendencies of their earlier work. The group again collaborated with producer
302:
165:
3083:
2936:
2907:"Dutchcharts.nl – OMD (Orchestral Manoeuvres in the Dark) – The Pacific Age"
444:
title track. "The
Pacific Age" itself was based on the rising prominence of
3278:
3068:
2582:
2498:
Lanham, Tom (30 November 1986). "Britain's OMD Caught
Between Two Worlds".
2298:
1812:
1561:
1035:
919:
484:
312:
139:
114:
3090:
457:
in favour of "Flame of Hope", but the track eventually surfaced on 1993's
3512:
2688:
1507:
1089:
896:
97:
2847:
searchable database (search
Orchestral Manoeuvres in the Dark/OMD/O.M.D.
2683:
2655:"Top 100 Albums of 1986: Slicing Up Eyeballs' Best of the '80s — Part 7"
3125:
2966:"Charts.nz – OMD (Orchestral Manoeuvres in the Dark) – The Pacific Age"
2776:
2322:
2002:
1898:
1039:
placed the record at no. 90 in its "Alternative Top 100" of that year.
905:
760:
646:
360:
Despite the gruelling recording and promotion schedule for predecessor
2810:
1033:
has received some favourable attention in various album listings. The
1526:
954:
445:
401:
104:
87:
519:, had pushed his asking price beyond OMD's budget. Graphic designer
2836:"ASCAP (The American Society of Composers, Authors and Publishers)"
2248:
1532:
1516:
998:
559:
475:" single B-side), and were credited as "also playing" musicians on
417:(1986). "Goddess of Love" was the group's original contribution to
1870:
Gore-Smith, Glen (18 October 1986). "OMD sounds more funky on new
3130:
3007:"Orchestral Manoeuvres in the Dark Chart History (Billboard 200)"
2566:
1542:
1498:
1050:
3706:
Electricity: OMD with the Royal
Liverpool Philharmonic Orchestra
523:
had recently returned from Mexico, where he had created various
1536:
914:
516:
397:
80:
38:
2551:"OMD interview - Andy McCluskey and Paul Humphreys (part 3)"
396:. This ensemble worked out of Studio de la Grande Armée in
3045:. Vol. 45, no. 14. 27 December 1986. p. 9.
18:
1986 studio album by Orchestral Manoeuvres in the Dark
2931:. Vol. 3, no. 43. 1 November 1986. p. 31.
2722:
1076:
429:
in 1968), was included after failing to make the cut for
348:. The record is held in low esteem by OMD, with frontman
3091:"British album certifications – OMD – The Pacific Age"
2835:
301:. It was the last of two OMD studio albums produced by
2597:
Craig, Terry (31 December 1986). "Favorites of 1986".
884:
met with largely unfavourable reviews. Robin Smith of
483:
features various session players, including guitarist
3166:
2909:(in Dutch). Hung Medien. Retrieved 27 December 2020.
471:
since the re-recording of "Julia's Song" in 1984 (a "
495:
surprise of the band, who were on tour at the time.
963:identified the album as OMD's most cohesive since
331:" became the group's second Top 20 hit in the US.
2430:"The Lowdown – Orchestral Manoeuvres in the Dark"
2269:Bell, Kevin (29 October 1986). "For the Record".
1992:
1802:
400:, building upon the band's earlier recordings at
3760:
3692:OMD Live: Architecture & Morality & More
3418:OMD Live: Architecture & Morality & More
1108:McCluskey discussed the album in the 2014 book,
2618:Berns, Don (9 January 1987). "Radio Comments".
1843:Shipments figures based on certification alone.
1172:"Stay (The Black Rose and the Universal Wheel)"
2586:. No. 1636. 12 December 1986. p. 36.
2545:
2543:
2123:"Orchestral Manoeuvres in the Dark, Interview"
1988:
1986:
1984:
854:
816:
564:
3152:
2411:Bennett, Paul (7 February 1987). "On Track".
2145:
2143:
1088:felt the record an "underrated opus". Author
2633:Atkinson, Terry (22 May 1987). "Home Tech".
2518:
2456:Pond, Steve (2 November 1986). "Pop Music".
1142:Writing credits below as per ASCAP database.
778:
728:
690:
652:
614:
436:"Flame of Hope" uses Japanese TV commercial
392:, albeit with the addition of his engineer,
2980:. Hung Medien. Retrieved 27 December 2020.
2968:. Hung Medien. Retrieved 27 December 2020.
2540:
2234:
2232:
1981:
1964:Orchestral Manoeuvres in the Dark: Messages
1896:Kelly, Nick (24 September 1986). "Albums".
1891:
1889:
1887:
1069:as the 46th-greatest record of 1986, while
3159:
3145:
2781:"An Interview with Anna Smaill, Author of
2622:. No. 10. p. 31 (album 7 of 10).
2377:Smith, Robin (11 October 1986). "Albums".
2327:MusicHound Rock: The Essential Album Guide
2140:
2061:Righi, Len (15 November 1986). "Records".
1869:
1130:factor and conflicts that were going on".
1049:one of the 10 best albums of 1986, as did
29:
2519:Grant, Steven; Robbins, Ira; Reno, Brad.
2357:Simper, Paul (4 October 1986). "Albums".
2352:
2350:
2295:The Virgin Encyclopedia of Eighties Music
1958:
1016:(1985), intensified during the making of
899:trying to dance in a pair of lead-filled
3779:Orchestral Manoeuvres in the Dark albums
3053:– via Library and Archives Canada.
2632:
2394:Wilde, Jonh (4 October 1986). "Albums".
2372:
2370:
2229:
2149:
2082:
2080:
2078:
2076:
2074:
1956:
1954:
1952:
1950:
1948:
1946:
1944:
1942:
1940:
1938:
1912:
1884:
297:(OMD), released on 29 September 1986 by
3478:Maid of Orleans (The Waltz Joan of Arc)
2983:
2410:
2120:
1902:. Vol. 8, no. 20. p. 50.
1481:Orchestral Manoeuvres in the Dark (OMD)
352:calling it the band's "musical nadir".
289:is the seventh studio album by English
3761:
2878:
2681:
2497:
2476:
2356:
2347:
2289:
2176:
2032:
2028:
2026:
2024:
2022:
2020:
1436:
913:ditties" and "characterless elevator '
315:, retreating further from the group's
3140:
2808:
2747:
2617:
2596:
2557:from the original on 13 December 2021
2427:
2393:
2376:
2367:
2321:
2164:from the original on 15 November 2023
2071:
2060:
1996:; Bernstein, Jonathan (15 May 2014).
1935:
1915:"OMD im Porträt: Zurück nach Orléans"
1895:
1865:
1863:
1861:
1462:
1404:
1381:
1358:
1329:
1271:
1248:
1225:
1195:
1168:
545:
535:
2856:
2775:
2715:"Top 1000, 1979–1989 (supplement)".
2455:
2268:
2241:"Orchestral Manoeuvres in the Dark:
2238:
2116:
2114:
2112:
1913:Niasseri, Sassan (2 November 2019).
1588:
3625:Dream of Me (Based on Love's Theme)
2521:"Orchestral Manoeuvres in the Dark"
2197:sleeve notes. 1985. Virgin Records.
2185:sleeve notes. 1986. Virgin Records.
2150:Lindores, Mark (15 November 2023).
2017:
856:
818:
566:
13:
2748:Manes, Billy (14 September 2011).
2033:Wilson, Lois (30 September 2019).
1858:
1740:
14:
3795:
3251:Orchestral Manoeuvres in the Dark
3168:Orchestral Manoeuvres in the Dark
3113:
2811:"Talking with the Listening Pool"
2696:from the original on 27 June 2019
2417:(main ed.). p. 38 (C4).
2109:
1962:Waller, Johnny; Humphreys, Mike.
1783:
780:
730:
692:
654:
616:
440:left over from the making of the
295:Orchestral Manoeuvres in the Dark
173:Orchestral Manoeuvres in the Dark
44:Orchestral Manoeuvres in the Dark
3774:Albums produced by Stephen Hague
2939:– via World Radio History.
2684:"1986's Best Alternative Albums"
2428:Burke, David (25 October 2022).
1593:
1133:
1103:
870:
865:
860:
855:
837:
832:
827:
822:
817:
799:
794:
789:
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739:
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691:
673:
668:
663:
658:
653:
635:
630:
625:
620:
615:
585:
580:
575:
570:
565:
3031:
2999:
2990:"Official Albums Chart Top 100"
2912:
2862:Australian Chart Book 1970–1992
2850:
2828:
2802:
2769:
2741:
2708:
2675:
2647:
2626:
2611:
2590:
2573:
2512:
2491:
2470:
2449:
2421:
2404:
2387:
2315:
2283:
2262:
2200:
2188:
1746:Year-end chart performance for
1139:All songs by OMD, as per label.
407:OMD committed each new song to
2996:. Retrieved 27 December 2020.
2956:. Retrieved 27 December 2020.
2897:. Retrieved 27 December 2020.
2553:. FaceCulture. 29 April 2013.
2121:Gourlay, Dom (25 April 2012).
2054:
1906:
1576:Aliss Terrell – backing vocals
1558:– additional keyboards, guitar
1314:
1153:
609:Encyclopedia of Eighties Music
366:(1985), OMD's American label,
1:
3095:British Phonographic Industry
2682:DeRiso, Nick (28 July 2016).
1851:
1599:Weekly chart performance for
1579:Yvonne Jones – backing vocals
355:
2885:"Top RPM Albums: Issue 0755"
1717:
1702:
1690:
1678:
1649:
1637:
1475:
1053:listeners. In May 1987, the
7:
3381:Navigation: The OMD B-Sides
3265:Architecture & Morality
2895:Library and Archives Canada
2750:"The History of Modern Men"
972:In a retrospective review,
966:Architecture & Morality
79:Studio de la Grande Armée (
54:29 September 1986
10:
3800:
3667:History of Modern (Part I)
2718:Top 250 Singles, 1979–1989
1079:'s "Top 1000, 1979–1989".
957:style." Tom Lanham of the
498:
257:Released: 10 November 1986
3715:
3676:
3590:Sailing on the Seven Seas
3427:
3402:
3351:
3242:
3174:
2920:"European Hot 100 Albums"
2480:Austin American-Statesman
1840:
1825:
1810:
1799:
1796:
1761:
1756:
1753:
1722:
1707:
1695:
1683:
1671:
1654:
1642:
1628:
1616:
1609:
1606:
1583:
1324:
1321:
1318:
1313:
1163:
1160:
1157:
1152:
1045:critic Terry Craig named
1005:
940:Austin American-Statesman
553:
550:
278:
231:
220:
216:
179:
171:
159:
138:
122:
96:
73:
65:
50:
37:
28:
23:
3639:Walking on the Milky Way
3335:The Punishment of Luxury
2954:GfK Entertainment Charts
244:Released: 26 August 1986
3699:Messages: Greatest Hits
3411:Peel Sessions 1979–1983
3388:Messages: Greatest Hits
3039:"Top 100 Albums of '86"
2994:Official Charts Company
2580:"Alternative Top 100".
1762:Canada Top Albums/CDs (
1629:Canada Top Albums/CDs (
1029:Since the end of 1986,
992:s Mark Lindores said, "
334:Recording sessions for
270:Released: 13 April 1987
3583:Brides of Frankenstein
3555:(Forever) Live and Die
3506:Talking Loud and Clear
2501:San Francisco Examiner
2152:"Album by Album – OMD"
1968:Sidgwick & Jackson
1201:(Forever) Live and Die
1127:
960:San Francisco Examiner
473:Talking Loud and Clear
423:Martin Luther King Jr.
329:(Forever) Live and Die
239:(Forever) Live and Die
3784:Virgin Records albums
3443:Red Frame/White Light
1506:– vocals, keyboards,
1114:
503:OMD intended to hire
487:and backing vocalist
2809:Marsh, Phil (1994).
1684:New Zealand Albums (
1550:Additional musicians
1065:readers later voted
541:Professional ratings
3485:Genetic Engineering
2660:Slicing Up Eyeballs
1877:Winnipeg Free Press
1793:
1789:Certifications for
1750:
1698:Schweizer Hitparade
1617:Australian Albums (
1603:
1310:
1149:
1062:Slicing Up Eyeballs
950:Winnipeg Free Press
849:Winnipeg Free Press
542:
404:'s Amazon Studios.
3738:The Listening Pool
3604:Then You Turn Away
3352:Compilation albums
3133:(list of releases)
2663:. 3 September 2013
2208:"OMD Discography:
1788:
1745:
1674:Offizielle Top 100
1598:
1308:
1147:
540:
536:Critical reception
513:the Rolling Stones
3756:
3755:
3660:Sister Marie Says
3541:La Femme Accident
3342:Bauhaus Staircase
3321:History of Modern
3097:. 27 October 1986
2928:Music & Media
2636:Los Angeles Times
2459:Los Angeles Times
2331:Visible Ink Press
1849:
1848:
1844:
1780:
1779:
1773:
1772:
1736:
1735:
1661:Music & Media
1619:Kent Music Report
1568:Carole Fredericks
1472:
1471:
1385:"Goddess of Love"
1304:
1303:
1229:"The Pacific Age"
1056:Los Angeles Times
1023:History of Modern
934:Los Angeles Times
879:
878:
489:Carole Fredericks
469:session musicians
414:Playing for Keeps
345:History of Modern
282:
281:
212:
211:
3791:
3733:Dalek I Love You
3716:Related articles
3328:English Electric
3161:
3154:
3147:
3138:
3137:
3107:
3106:
3104:
3102:
3087:
3081:
3080:
3078:
3076:
3061:
3055:
3054:
3035:
3029:
3028:
3026:
3024:
3019:on 18 April 2019
3015:. Archived from
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2239:Connolly, Dave.
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2040:Record Collector
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2015:
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1826:United Kingdom (
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1252:"The Dead Girls"
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525:woodblock prints
271:
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226:The Pacific Age
181:
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61:
59:
33:
21:
20:
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3759:
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3757:
3752:
3711:
3685:The Best of OMD
3672:
3520:Never Turn Away
3428:Singles and EPs
3423:
3398:
3374:The OMD Remixes
3367:The OMD Singles
3360:The Best of OMD
3347:
3293:The Pacific Age
3238:
3218:Michael Douglas
3170:
3165:
3126:The Pacific Age
3116:
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3110:
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2779:(27 May 2015).
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2639:. p. 133 (
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2620:The Hard Report
2616:
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2600:The StarPhoenix
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2504:. p. 250 (
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2462:. p. 331 (
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2333:. p. 504.
2320:
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2301:. p. 350.
2288:
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2272:The Brandon Sun
2267:
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2253:
2251:
2243:The Pacific Age
2237:
2230:
2220:
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2210:The Pacific Age
2206:
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2193:
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2183:The Pacific Age
2181:
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2167:
2165:
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2110:
2100:
2098:
2090:The Pacific Age
2086:
2085:
2072:
2059:
2055:
2045:
2043:
2031:
2018:
2008:
2006:
1991:
1982:
1961:
1936:
1926:
1924:
1911:
1907:
1894:
1885:
1868:
1859:
1854:
1804:Certified units
1791:The Pacific Age
1786:
1781:
1748:The Pacific Age
1743:
1741:Year-end charts
1672:German Albums (
1656:European Albums
1611:
1601:The Pacific Age
1596:
1586:
1478:
1473:
1463:
1455:
1440:"Watch Us Fall"
1429:
1397:
1374:
1362:"Flame of Hope"
1351:
1305:
1297:
1264:
1241:
1218:
1188:
1136:
1118:The Pacific Age
1106:
1094:The Pacific Age
1082:Billy Manes of
1067:The Pacific Age
1047:The Pacific Age
1031:The Pacific Age
1018:The Pacific Age
1008:
994:The Pacific Age
989:
980:The Pacific Age
945:The Pacific Age
892:The Pacific Age
882:The Pacific Age
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597:The Brandon Sun
586:
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481:The Pacific Age
455:The Pacific Age
409:The Pacific Age
368:A&M Records
358:
336:The Pacific Age
324:The Pacific Age
286:The Pacific Age
274:
269:
262:
261:
256:
249:
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236:
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207:
204:The Best of OMD
198:
195:The Pacific Age
189:
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57:
55:
46:
24:The Pacific Age
19:
12:
11:
5:
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3656:
3653:If You Want It
3649:
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3635:
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3618:Stand Above Me
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3219:
3216:
3214:Malcolm Holmes
3211:
3205:
3204:
3201:Stuart Kershaw
3197:
3190:
3187:Paul Humphreys
3183:
3180:Andy McCluskey
3175:
3172:
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3164:
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3114:External links
3112:
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2899:
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2789:HelenLowe.info
2768:
2755:Orlando Weekly
2740:
2735:Coffee for Two
2707:
2674:
2646:
2625:
2610:
2603:. p. 21 (
2589:
2572:
2539:
2511:
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2448:
2420:
2414:Times Colonist
2403:
2386:
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2307:
2282:
2275:. p. 73 (
2261:
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2199:
2187:
2175:
2139:
2108:
2070:
2067:. p. A71.
2053:
2016:
1994:Majewski, Lori
1980:
1978:. pp. 164–173.
1934:
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1834:
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1784:Certifications
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1696:Swiss Albums (
1693:
1692:
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1643:Dutch Albums (
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1577:
1574:
1572:backing vocals
1565:
1559:
1547:
1546:
1539:
1531:Graham Weir –
1529:
1520:
1513:Malcolm Holmes
1510:
1504:Andy McCluskey
1501:
1487:Paul Humphreys
1477:
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1184:Andy McCluskey
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1179:Paul Humphreys
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1105:
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1085:Orlando Weekly
1007:
1004:
877:
876:
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844:
843:
814:
811:Times Colonist
806:
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688:
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547:
537:
534:
500:
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419:Pretty in Pink
381:Pretty in Pink
357:
354:
350:Andy McCluskey
340:Paul Humphreys
299:Virgin Records
280:
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259:
246:
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52:
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35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
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3748:Atomic Kitten
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3598:
3597:Pandora's Box
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3311:
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3288:
3287:
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3281:
3280:
3276:
3274:
3273:
3269:
3267:
3266:
3262:
3260:
3259:
3255:
3253:
3252:
3248:
3247:
3245:
3243:Studio albums
3241:
3234:
3232:
3231:Nigel Ipinson
3229:
3226:
3223:
3220:
3217:
3215:
3212:
3210:
3207:
3206:
3203:
3202:
3198:
3196:
3195:
3194:Martin Cooper
3191:
3189:
3188:
3184:
3182:
3181:
3177:
3176:
3173:
3169:
3162:
3157:
3155:
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3143:
3142:
3139:
3132:
3128:
3127:
3123:
3121:
3118:
3117:
3096:
3092:
3086:
3071:. 27 May 1987
3070:
3066:
3060:
3052:
3048:
3044:
3040:
3034:
3018:
3014:
3013:
3008:
3002:
2995:
2991:
2986:
2979:
2974:
2967:
2962:
2955:
2952:(in German).
2951:
2946:
2938:
2934:
2930:
2929:
2921:
2915:
2908:
2903:
2896:
2892:
2891:
2886:
2881:
2873:
2871:0-646-11917-6
2867:
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2816:
2812:
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2720:
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2661:
2656:
2650:
2642:
2638:
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2629:
2621:
2614:
2606:
2605:Entertainment
2602:
2601:
2593:
2585:
2584:
2576:
2568:
2556:
2552:
2546:
2544:
2528:
2527:
2526:Trouser Press
2522:
2515:
2507:
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2502:
2494:
2486:
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2481:
2473:
2465:
2461:
2460:
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2436:
2431:
2424:
2416:
2415:
2407:
2400:. p. 31.
2399:
2398:
2390:
2383:. p. 22.
2382:
2381:
2380:Record Mirror
2373:
2371:
2363:. p. 44.
2362:
2361:
2353:
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2342:
2340:9780787610371
2336:
2332:
2328:
2324:
2318:
2310:
2304:
2300:
2296:
2292:
2291:Larkin, Colin
2286:
2278:
2277:Entertainment
2274:
2273:
2265:
2250:
2246:
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2235:
2233:
2217:
2213:
2211:
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2196:
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2184:
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2128:
2124:
2117:
2115:
2113:
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2065:
2057:
2042:
2041:
2036:
2029:
2027:
2025:
2023:
2021:
2005:
2004:
1999:
1995:
1989:
1987:
1985:
1977:
1976:0-283-99234-4
1973:
1969:
1965:
1959:
1957:
1955:
1953:
1951:
1949:
1947:
1945:
1943:
1941:
1939:
1922:
1921:
1920:Rolling Stone
1916:
1909:
1901:
1900:
1892:
1890:
1888:
1880:. p. 25.
1879:
1878:
1873:
1866:
1864:
1862:
1857:
1845:
1839:
1835:
1832:
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1824:
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1817:
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1809:
1805:
1800:Certification
1795:
1792:
1776:
1768:
1765:
1760:
1754:Chart (1986)
1752:
1749:
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1694:
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1657:
1653:
1646:
1645:Album Top 100
1641:
1634:
1633:
1627:
1623:
1620:
1615:
1607:Chart (1986)
1605:
1602:
1594:Weekly charts
1591:
1590:
1578:
1575:
1573:
1569:
1566:
1563:
1560:
1557:
1556:Stephen Hague
1554:
1553:
1552:
1551:
1544:
1540:
1538:
1535:, keyboards,
1534:
1530:
1528:
1525:– keyboards,
1524:
1523:Martin Cooper
1521:
1518:
1514:
1511:
1509:
1505:
1502:
1500:
1496:
1492:
1488:
1485:
1484:
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1482:
1467:
1464:Total length:
1461:
1457:
1451:
1448:
1445:
1444:
1442:
1439:
1435:
1431:
1426:
1425:Stephen Hague
1423:
1420:
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1141:
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1134:Track listing
1131:
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1104:Band response
1101:
1099:
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975:Trouser Press
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887:Record Mirror
883:
853:
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815:
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807:
777:
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769:
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724:
723:Record Mirror
720:
719:
689:
687:
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681:
651:
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648:
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643:
613:
611:
610:
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594:
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563:
561:
558:
557:
549:
546:Review scores
544:
533:
530:
526:
522:
521:Mick Haggerty
518:
514:
510:
509:Peter Gabriel
506:
505:Peter Saville
496:
492:
490:
486:
482:
478:
474:
470:
464:
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394:Tom Lord-Alge
391:
390:Stephen Hague
387:
383:
382:
377:
373:
369:
365:
364:
353:
351:
347:
346:
342:until 2010's
341:
337:
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318:
314:
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304:
303:Stephen Hague
300:
296:
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166:Stephen Hague
164:
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53:
49:
45:
40:
36:
32:
27:
22:
16:
3704:
3697:
3690:
3683:
3611:Call My Name
3548:If You Leave
3416:
3409:
3393:
3386:
3379:
3372:
3365:
3358:
3340:
3333:
3326:
3319:
3312:
3305:
3298:
3292:
3291:
3284:
3279:Junk Culture
3277:
3272:Dazzle Ships
3270:
3263:
3258:Organisation
3256:
3249:
3199:
3192:
3185:
3178:
3124:
3120:Album lyrics
3099:. Retrieved
3085:
3073:. Retrieved
3069:Music Canada
3059:
3042:
3033:
3021:. Retrieved
3017:the original
3010:
3001:
2985:
2973:
2961:
2945:
2926:
2914:
2902:
2888:
2880:
2861:
2852:
2839:. Retrieved
2830:
2818:. Retrieved
2814:
2804:
2792:. Retrieved
2788:
2782:
2771:
2759:. Retrieved
2753:
2743:
2734:
2733:– via
2727:. Retrieved
2717:
2710:
2698:. Retrieved
2687:
2677:
2665:. Retrieved
2658:
2649:
2640:
2634:
2628:
2619:
2613:
2604:
2598:
2592:
2583:Gavin Report
2581:
2575:
2565:– via
2559:. Retrieved
2530:. Retrieved
2524:
2514:
2505:
2499:
2493:
2484:
2478:
2472:
2463:
2457:
2451:
2439:. Retrieved
2433:
2423:
2412:
2406:
2395:
2389:
2378:
2358:
2326:
2317:
2299:Virgin Books
2294:
2285:
2276:
2270:
2264:
2252:. Retrieved
2242:
2219:. Retrieved
2215:
2209:
2202:
2194:
2190:
2182:
2178:
2166:. Retrieved
2155:
2130:. Retrieved
2127:Contactmusic
2099:. Retrieved
2089:
2062:
2056:
2044:. Retrieved
2038:
2007:. Retrieved
2001:
1963:
1925:. Retrieved
1918:
1908:
1897:
1875:
1871:
1841:
1813:Music Canada
1790:
1774:
1763:
1747:
1725:
1659:
1630:
1600:
1562:Kamil Rustam
1549:
1548:
1541:Neil Weir –
1519:, percussion
1480:
1479:
1128:
1117:
1115:
1109:
1107:
1097:
1093:
1083:
1081:
1070:
1066:
1060:
1054:
1046:
1040:
1036:Gavin Report
1034:
1030:
1028:
1021:
1017:
1011:
1009:
993:
984:
979:
973:
971:
964:
958:
948:
944:
938:
932:
931:
924:
920:Melody Maker
918:
904:
891:
885:
881:
880:
847:
809:
771:
759:
721:
683:
645:
607:
595:
528:
502:
493:
485:Kamil Rustam
480:
476:
465:
458:
454:
450:
441:
435:
430:
427:final speech
418:
412:
408:
406:
386:experimental
379:
374:" (from the
372:If You Leave
361:
359:
343:
335:
333:
323:
321:
319:beginnings.
317:experimental
313:sophisti-pop
306:
285:
284:
283:
225:
202:
194:
193:
184:
115:sophisti-pop
39:Studio album
15:
3769:1986 albums
3723:Discography
3677:Videography
3562:We Love You
3513:Tesla Girls
3471:Joan of Arc
3436:Electricity
3403:Live albums
3221:Graham Weir
3209:Dave Hughes
3101:27 December
3075:27 December
3023:27 December
2858:Kent, David
2777:Lowe, Helen
2689:Diffuser.fm
2532:14 November
2441:13 November
2435:Classic Pop
2323:Graff, Gary
2168:15 November
2157:Classic Pop
1923:(in German)
1872:Pacific Age
1508:bass guitar
1410:We Love You
1212:Graham Weir
1090:Anna Smaill
1072:Diffuser.fm
1042:StarPhoenix
986:Classic Pop
897:Tina Turner
529:Pacific Age
376:John Hughes
252:We Love You
3763:Categories
3527:So in Love
3499:Locomotion
3235:Abe Juckes
3227:Phil Coxon
2783:The Chimes
2729:1 February
2700:5 December
2485:Show World
2360:Number One
2308:0753501597
2003:PopMatters
1927:2 February
1899:Smash Hits
1852:References
1495:percussion
1333:"Southern"
1098:The Chimes
978:described
926:Number One
911:synth-rock
906:Smash Hits
761:Smash Hits
685:Number One
647:MusicHound
356:Background
291:electronic
175:chronology
110:synth-rock
58:1986-09-29
3646:Universal
3492:Telegraph
3457:Enola Gay
3314:Universal
3307:Liberator
3300:Sugar Tax
3224:Neil Weir
3051:0315-5994
3012:Billboard
2815:Telegraph
2643:, p. 19).
2607:, p. C1).
2561:4 October
2508:, p. 42).
2466:, p. 59).
2279:, p. 21).
2132:4 October
1818:Platinum
1757:Position
1726:Billboard
1709:UK Albums
1612:position
1527:saxophone
1491:keyboards
1476:Personnel
1449:McCluskey
1446:Humphreys
1421:McCluskey
1418:Humphreys
1394:McCluskey
1391:Humphreys
1371:McCluskey
1368:Humphreys
1342:McCluskey
1339:Humphreys
1322:Writer(s)
1288:McCluskey
1285:Humphreys
1261:McCluskey
1258:Humphreys
1238:McCluskey
1235:Humphreys
1215:Neil Weir
1209:Humphreys
1161:Writer(s)
1123:Enola Gay
460:Liberator
446:East Asia
402:Liverpool
105:Synth-pop
88:Liverpool
69:1985–1986
3632:Everyday
3576:Dreaming
3464:Souvenir
3450:Messages
3394:Souvenir
2937:29800226
2860:(1993).
2694:Archived
2667:1 August
2641:Calendar
2555:Archived
2506:Datebook
2487:, p. 7).
2464:Calendar
2325:(1996).
2293:(1997).
2249:AllMusic
2216:Messages
2162:Archived
1970:. 1987.
1874:album".
1821:100,000
1811:Canada (
1564:– guitar
1533:trombone
1309:Side two
1148:Side one
1026:(2010).
999:AllMusic
955:synthpop
890:wrote, "
560:AllMusic
451:Souvenir
305:, after
161:Producer
86:Amazon (
66:Recorded
51:Released
41: by
3131:Discogs
2794:20 July
2761:29 June
2567:YouTube
1836:60,000
1833:Silver
1806:/sales
1797:Region
1543:trumpet
1051:CFNY-FM
901:wellies
499:Artwork
438:samples
222:Singles
208:(1988)
199:(1986)
190:(1985)
152:A&M
56: (
3743:Onetwo
3728:The Id
3534:Secret
3049:
2935:
2868:
2820:4 June
2725:. 1989
2397:Sounds
2337:
2305:
2254:8 June
2221:8 June
2101:8 June
2046:30 May
2009:8 June
1974:
1775:
1584:Charts
1545:, bass
1537:guitar
1499:vocals
1325:Length
1164:Length
1092:cited
1006:Legacy
773:Sounds
554:Rating
551:Source
147:Virgin
123:Length
74:Studio
3569:Shame
3286:Crush
2923:(PDF)
2841:3 May
2195:Crush
2035:"OMD"
1517:drums
1468:40:18
1452:Hague
1319:Title
1277:Shame
1158:Title
1013:Crush
990:'
915:musak
517:Wham!
477:Crush
442:Crush
431:Crush
398:Paris
378:film
363:Crush
308:Crush
293:band
265:Shame
224:from
186:Crush
140:Label
98:Genre
81:Paris
3103:2020
3077:2020
3047:ISSN
3025:2020
2933:OCLC
2866:ISBN
2843:2015
2822:2021
2796:2022
2763:2022
2731:2023
2702:2022
2669:2014
2563:2016
2534:2023
2443:2023
2335:ISBN
2303:ISBN
2256:2021
2223:2021
2170:2023
2134:2016
2103:2021
2048:2021
2011:2021
1972:ISBN
1929:2023
1769:100
1686:RMNZ
1610:Peak
1458:4:11
1432:4:10
1400:4:30
1377:2:40
1354:3:41
1348:Weir
1345:Weir
1300:4:15
1294:Weir
1291:Weir
1267:4:48
1244:3:59
1221:3:38
1191:4:22
917:'."
766:3/10
515:and
3129:at
3043:RPM
2890:RPM
2723:CMJ
2096:OMD
1828:BPI
1764:RPM
1732:47
1728:200
1723:US
1718:15
1713:OCC
1703:20
1691:14
1679:15
1667:20
1650:17
1638:18
1632:RPM
1624:36
1437:10.
1315:No.
1154:No.
1077:CMJ
903:."
425:'s
3765::
3093:.
3067:.
3041:.
3009:.
2992:.
2925:.
2893:.
2887:.
2813:.
2787:.
2752:.
2721:.
2692:.
2686:.
2657:.
2542:^
2523:.
2432:.
2369:^
2349:^
2329:.
2297:.
2247:.
2231:^
2214:.
2160:.
2154:.
2142:^
2125:.
2111:^
2094:.
2073:^
2037:.
2019:^
2000:.
1983:^
1966:.
1937:^
1917:.
1886:^
1860:^
1830:)
1815:)
1766:)
1715:)
1700:)
1688:)
1676:)
1664:)
1647:)
1635:)
1621:)
1570:–
1515:–
1497:,
1493:,
1489:–
1405:9.
1382:8.
1359:7.
1330:6.
1272:5.
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1112::
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1711:(
1658:(
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267:"
263:"
254:"
250:"
241:"
237:"
130::
90:)
83:)
60:)
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