201:(wealthy Chinese man), stands immobile in the doorway. The tramps urge the girl to lure him closer. She begins another saucy dance, the Mandarin's passions slowly rising. Suddenly, he leaps up and embraces the girl. They struggle and she escapes; he begins to chase her. The tramps leap on him, strip him of his valuables, and attempt to suffocate him under pillows and blankets. However, he continues to stare at the girl. They stab him three times with a rusty sword; he almost falls, but throws himself again at the girl. The tramps grab him again and hang him from a lamp hook. The lamp falls, plunging the room into darkness, and the Mandarin's body begins to glow with an eerie blue-green light. The tramps and girl are terrified. Suddenly, the girl knows what they must do. She tells the tramps to release the Mandarin; they do. He leaps at the girl again, and this time she does not resist and they embrace. With the Mandarin's longing fulfilled, his wounds begin to bleed and he dies.
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minor second returns again as the tramps rob the
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After an orchestral introduction depicting the chaos of the big city, the action begins in a room belonging to three tramps. They search their pockets and drawers for money, but find none. They then force a girl to stand by the window and attract passing men into the room. The girl begins a
144:, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music.
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In 2000 a new edition edited by Peter Bartók, the composer's son, was published. Based on the composer's written manuscripts, corrections, and the concurrently written score for piano with four hands, it restored a considerable amount of previously lost music.
187:, who makes comical romantic gestures. The girl asks, "Got any money?" He replies, "Who needs money? All that matters is love." He begins to pursue the girl, growing more and more insistent until the tramps seize him and throw him out.
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in the other trombones and the tuba. When the
Mandarin enters the room, the trombones and tuba play downward glissandos, again spanning a minor third. Three measures later, this interval is played
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The girl goes to the window again and begins her dance. The tramps and girl see a bizarre figure in the street, soon heard coming up the stairs. The tramps hide, and the figure, a
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on the trumpets and trombones. As the curtain rises, the violas play a wide-leaping theme that will be associated both with the tramps and the girl. The 3
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and the viola theme associated with her and the tramps. When the
Mandarin seizes the girl, the minor second is heard again. The chase is represented by a
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singing wordlessly, once again in the interval of a minor third. The climax, after the girl embraces the
Mandarin, is a theme given out
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Performances of the ballet suite outnumbered performances of the complete ballet until recent years. Recordings of the suite include:
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brought the complete score to the attention of a wider public. Performances of the complete ballet have grown in the years since.
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The score begins with an orchestral depiction of the "concrete jungle." The violins have rapidly rising and falling, wave-like
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are scored for the clarinet, each one longer and more florid than the last. The old rake is represented by trombone
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The scoring is generally heavy, and Bartók employs many colorful techniques here, including
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The landmark 1983 performance of the complete ballet by
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807:"Classical Candor: Bartok: The Miraculous Mandarin Suite (CD review)"
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returns. The music for the shy young man is a slow dance in
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The girl goes back to the window and performs a second
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between 1918 and 1924, and based on the 1916 story by
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314:The girl's dance for the Mandarin contains both a
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1168:Eight Improvisations on Hungarian Peasant Songs
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391:in the strings. Other special effects include
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136:. Premiered on 27 November 1926 conducted by
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338:Mandarin is represented by the entry of a
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778:"Classical Music News from NAXOS.COM"
724:City of Birmingham Symphony Orchestra
213:over the very unusual interval of an
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1086:Sonata for Two Pianos and Percussion
171:Suddenly the Mandarin's head appears
1520:Orchestral compositions with chorus
822:: The Fischer recording's award on
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672:(This recording received the 1998
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433:in the cellos; and, at one point,
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109:[ˈɒˈt͡ʃodaːlɒtoʃˈmɒndɒrin]
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1293:Three Rondos on Slovak Folk Tunes
1035:Divertimento for String Orchestra
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636:Helsinki Philharmonic Orchestra
174:The Mandarin falls to the floor
16:Pantomime ballet by Béla Bartók
859:Video (33:28) – Béla Bartók –
844:Video (33:51) – Béla Bartók –
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1510:Music for orchestra and organ
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168:The chase—the tramps leap out
676:in the Orchestral category.)
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407:on the gong; rolled timpani
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950:The Miraculous Mandarin
450:The Miraculous Mandarin
153:Beginning—Curtain rises
118:Der wunderbare Mandarin
92:The Miraculous Mandarin
28:The Miraculous Mandarin
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1427:Polymodal chromaticism
1091:Sonata for Solo Violin
1025:Concerto for Orchestra
999:Violin Concerto No. 2
994:Violin Concerto No. 1
591:Philadelphia Orchestra
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159:Second seduction game
101:A csodálatos mandarin
24:A csodálatos mandarin
1402:Hungarian folk music
1364:Homage to Paderewski
1248:Romanian Folk Dances
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979:Piano Concerto No. 2
974:Piano Concerto No. 1
915:List of compositions
820:www.gramophone.co.uk
452:is scored for three
156:First seduction game
1505:Expressionist music
1300:Two Romanian Dances
1196:Fourteen Bagatelles
861:Miraculous Mandarin
846:Miraculous Mandarin
618:Berlin Philharmonic
476:and third doubling
311:by the full brass.
39:Béla Bartók in 1927
1412:Musical cryptogram
1339:Five Songs, Op. 15
1041:Hungarian Pictures
932:Bluebeard's Castle
792:"Monthly Calendar"
369:in the woodwinds;
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757:Universal Edition
605:Esa-Pekka Salonen
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165:Dance of the girl
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313:
308:
291:
275:
259:
241:
224:
208:
196:
191:
189:
180:
177:
128:composed by
91:
90:
89:
1422:Night music
1203:Mikrokosmos
1189:Four Dirges
1030:Dance Suite
967:Concertante
904:Béla Bartók
848:– Symphony.
762:19 December
702:Marin Alsop
693:Seiji Ozawa
614:Zubin Mehta
596:Seiji Ozawa
494:Wagner tuba
250:minor third
248:spanning a
130:Béla Bartók
49:Béla Bartók
1484:Categories
1018:Orchestral
824:Gramophone
568:Recordings
518:tenor drum
514:snare drum
430:scordatura
344:fortissimo
301:pentatonic
242:lockspiele
232:rhythm in
120:) Op. 19,
105:pronounced
74:1926-11-27
1374:Namesakes
1080:Contrasts
863:– Ballet.
829:s website
731:with the
722:with the
713:with the
704:with the
695:with the
682:with the
668:with the
643:with the
634:with the
625:with the
616:with the
607:with the
598:with the
589:with the
538:xylophone
522:bass drum
502:trombones
496:), three
480:), three
470:clarinets
468:), three
460:), three
418:col legno
413:harmonics
411:; string
409:glissandi
389:glissandi
381:arpeggios
372:glissandi
352:woodwinds
246:glissandi
192:lockspiel
181:lockspiel
97:Hungarian
1459:Category
1440:Triptych
1261:Sonatina
579:and the
530:triangle
498:trumpets
488:), four
482:bassoons
367:tremolos
348:tremolos
305:tritones
238:fanfares
199:mandarin
148:Synopsis
66:Premiere
55:Based on
1395:Related
1065:Chamber
1048:Kossuth
942:Ballets
868:YouTube
853:YouTube
562:strings
542:celesta
534:tam-tam
526:cymbals
510:timpani
504:, bass
458:piccolo
350:in the
140:at the
72: (
1135:Choral
688:Chorus
583:(1953)
560:, and
454:flutes
401:a deux
397:muting
363:trills
340:chorus
211:scales
126:ballet
114:German
1469:Audio
1310:Songs
1153:Piano
1125:No. 6
1120:No. 5
1115:No. 4
1110:No. 3
1105:No. 2
1100:No. 1
924:Opera
827:'
739:Notes
558:choir
554:organ
550:piano
490:horns
462:oboes
320:fugue
316:waltz
205:Music
45:Music
764:2020
686:and
546:harp
506:tuba
421:and
405:roll
365:and
185:rake
866:on
851:on
122:Sz.
1486::
755:.
564:.
556:,
552:,
548:,
544:,
540:,
536:,
532:,
528:,
524:,
520:,
516:,
512:,
508:,
415:;
361:,
116::
112:;
103:,
99::
1127:)
1098:(
896:e
889:t
882:v
809:.
766:.
330:8
292:8
276:4
260:8
225:8
95:(
76:)
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