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Blake's text has been interpreted in many ways. It certainly forms part of the revolutionary culture of the period. The references to the printing-house suggest the underground radical printers producing revolutionary pamphlets at the time. Ink-blackened printworkers were comically referred to as a
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Blake's theory of contraries was not a belief in opposites but rather a belief that each person reflects the contrary nature of God, and that progression in life is impossible without contraries. Moreover, he explores the contrary nature of reason and of energy, believing that two types of people
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view of good and evil led Blake to express a deliberately depolarised and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order; hence, a marriage of heaven and hell. The book is written in prose, except for the opening
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The ancient Poets animated all sensible objects with Gods or
Geniuses, calling them by the names and adorning them with the properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged & numerous senses could perceive.
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The book includes "If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern". This has similarities with
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Till a system was formed, which some took advantage of & enslav'd the vulgar by attempting to realize or abstract the mental deities from their objects: thus began
Priesthood.
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is probably the most influential of Blake's works. Its vision of a dynamic relationship between a stable "Heaven" and an energised "Hell" has fascinated
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From these contraries spring what the religious call Good & Evil. Good is the passive that obeys Reason. Evil is the active springing from Energy.
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202:. The diabolical proverbs are provocative and paradoxical. Their purpose is to energise thought. Several of Blake's proverbs have become famous:
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in their song "Portions of
Eternity Too Great for the Eye of Man" (whose title itself was taken from a quote from Blake's work). The American
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Unlike those of Milton and Dante, Blake's conception of Hell begins not as a place of punishment, but as a source of unrepressed, somewhat
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In the most famous part of the book, Blake reveals the
Proverbs of Hell. These display a very different kind of wisdom from the Biblical
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Without
Contraries is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence.
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101:. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral strictures and his
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509:"The Marriage of Heaven and Hell, copy D, object 1 (Bentley 1, Erdman 1, Keynes 1) "The Marriage of Heaven and Hell""
97:, published in Latin 33 years earlier. Swedenborg is directly cited and criticised by Blake in several places in the
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476:. "The road of excess leads to the palace of wisdom" is quoted by Annie Savoy (Susan Sarandon) in the 1988 movie
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It opens with an introduction of a short poem entitled "Rintrah roars and shakes his fires in the burden'd air".
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The work was composed between 1790 and 1793, in the period of radical ferment and political conflict during the
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was "of the Devil's party without knowing it". He also claims that Milton's Satan was truly his
Messiah.
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And particularly they studied the genius of each city & country, placing it under its mental deity.
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plates containing prose, poetry, and illustrations. The plates were then coloured by Blake and his wife
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existed: the "energetic creators" and the "rational organizers", or, as he calls them in
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and revolutionary beliefs. Like his other books, it was published as printed sheets from
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This article is about a book by
William Blake. For the album by A Plea for Purging, see
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692:. eds, Mary Lynn Johnson, John E. Grant. New York: Norton. 1979; 2nd ed. 2008.
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The
Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches
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The Four and Twenty Elders
Casting their Crowns before the Divine Throne
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have often been made within aspects of popular culture, notably in the
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released an album that was a musical setting of Blake's book, titled
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threw pages of Blake's book into the casket of his friend and lover
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And at length they pronounced that the Gods had orderd such things.
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675:. Mary Lynn Johnson and John E. Grant, eds. New York: Norton.
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The tygers of wrath are wiser than the horses of instruction.
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Thus men forgot that All deities reside in the human breast.
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The Wood of the Self-Murderers: The
Harpies and the Suicides
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Milton's Messiah: The Son of God in the Works of John Milton
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Themes from William Blake's The Marriage of Heaven and Hell
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and is also seen printed out and displayed in a scene from
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Themes from William Blake's The Marriage of Heaven and Hell
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The Works of William Blake: Poetic, Symbolic and Critical
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Morris Eaves; Robert N. Essick; Joseph Viscomi (eds.).
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The title page of the book, 1790, copy D, held by the
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464:released two albums based on Blake's work, 1995's
48:. It is a series of texts written in imitation of
206:The road of excess leads to the palace of wisdom.
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311:took the name of one of his most famous works,
52:but expressing Blake's own intensely personal
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610:. Chicago: Chicago Review Press. p. 45.
182:Choosing forms of worship from poetic tales.
44:is a book by the English poet and printmaker
1218:Jerusalem: The Emanation of the Giant Albion
402:The Pre-Nuptial Agreement of Heaven and Hell
339:of Heaven and Hell, in response to Blake's
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409:Drive Your Plow Over the Bones of the Dead
400:features in it an avant-garde film called
16:Book with text and images by William Blake
1625:Scholarship, in popular culture, and more
650:(Newly revised ed.). Anchor Books.
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473:The Marriage of Heaven and Hell Part II
21:The Marriage of Heaven and Hell (album)
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467:The Marriage of Heaven and Hell Part I
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87:. The title is an ironic reference to
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1705:Songs and Proverbs of William Blake
1570:On the Morning of Christ's Nativity
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211:"Proverbs of Hell" line 3 (Plate 7)
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646:The Complete Poetry and Prose
237:Good is Heaven. Evil is Hell.
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813:There is No Natural Religion
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452:extensively quotes parts of
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156:and regulated perception of
138:Marriage of Heaven and Hell,
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1266:Never pain to tell thy love
724:public domain audiobook at
705:Marriage of Heaven and Hell
428:counterculture of the 1960s
168:, which he describes thus:
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673:Blake's Poetry and Designs
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1080:(found only in Copy BB)
958:The Clod and the Pebble
319:The Doors of Perception
314:The Doors of Perception
152:energy, opposed to the
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358:on her death in 1938.
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1643:Life of William Blake
1533:Descriptive Catalogue
1240:Auguries of Innocence
1169:The French Revolution
973:The Little Girl Found
806:All Religions are One
799:An Island in the Moon
710:William Blake Archive
513:William Blake Archive
424:Allusions to the work
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227:Blake explains that,
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1540:The Great Red Dragon
1247:The Mental Traveller
968:The Little Girl Lost
880:The Little Boy Found
860:The Little Black Boy
398:David Foster Wallace
91:'s theological work
1562:Agony in the Garden
1555:The Ghost of a Flea
1460:The Ancient of Days
1259:Rossetti Manuscript
1028:The Little Vagabond
1008:My Pretty Rose Tree
978:The Chimney Sweeper
940:Songs of Experience
930:On Another's Sorrow
875:The Little Boy Lost
870:The Chimney Sweeper
269:Doors of Perception
34:Library of Congress
1494:Illustrations for
1190:The Book of Ahania
1183:The Book of Urizen
1116:America a Prophecy
1058:A Little Girl Lost
1038:The Human Abstract
1023:The Garden of Love
850:The Ecchoing Green
837:Songs of Innocence
825:Songs of Innocence
317:, from this work.
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792:Poetical Sketches
617:978-1-55652-754-8
575:Blake 1988, p. 34
566:Blake 1988, p. 37
557:Blake 1988, p. 35
548:Blake 1988, p. 38
361:An allusion from
332:The Great Divorce
85:French Revolution
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988:The Sick Rose
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890:A Cradle Song
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154:authoritarian
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120:and Milton's
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117:Divine Comedy
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983:Nurse's Song
948:Introduction
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915:Nurse's Song
845:The Shepherd
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516:. Retrieved
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1799:1790s books
1761:(1989 play)
1105:continental
865:The Blossom
478:Bull Durham
470:and 1996's
458:power metal
446:black metal
327:C. S. Lewis
295:theologians
136:Plate from
72:John Milton
1793:Categories
1758:In Lambeth
1439:and prints
1369:Palamabron
1334:Golgonooza
1324:Enitharmon
1107:prophecies
920:Infant Joy
657:0385152132
518:8 November
381:song cycle
335:about the
140:depicting
103:Manichaean
1542:paintings
1504:The Grave
1437:Paintings
1288:Mythology
1093:Prophetic
1063:To Tirzah
1018:The Lilly
1003:The Tyger
998:The Angel
494:Citations
323:The Doors
286:Influence
150:Dionysian
62:Catherine
1770:Ancients
1713:The Lamb
1594:Sketches
855:The Lamb
726:LibriVox
638:(1988).
341:Marriage
240:—
220:—
209:—
193:Plate 11
191:—
162:morality
108:Argument
99:Marriage
54:Romantic
1732:Related
1681:Musical
1399:Urthona
1384:Thiriel
1379:Tharmas
1374:Spectre
1314:Bromion
993:The Fly
925:A Dream
708:at the
642:(ed.).
487:Shivers
337:divorce
242:Plate 3
1724:(1998)
1716:(1982)
1708:(1965)
1700:(1958)
1692:(1943)
1481:Newton
1394:Urizen
1389:Tiriel
1349:Leutha
1339:Grodna
1309:Beulah
1304:Albion
1299:Ahania
1211:Milton
1148:Tiriel
1033:London
910:Spring
688:. in
671:. In
654:
614:
329:wrote
276:Huxley
158:Heaven
58:etched
1750:Blake
1359:Luvah
1329:Fuzon
1319:Enion
1140:Other
1095:books
905:Night
460:band
448:band
436:Ulver
434:band
112:Dante
1548:Pity
1409:Vala
1404:Utha
1257:The
1103:The
652:ISBN
612:ISBN
520:2013
301:and
164:and
1427:Art
1364:Orc
1354:Los
1344:Har
412:by
396:by
282:".
114:'s
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