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said that Blake "allowed her, to the last moment of his practice, to take off his proof impressions and print his works, which she did most carefully." Catherine's role in colouring at least some of
William's illuminated books has been wide, although her hand is usually attributed to some of the more
71:
in 1781, during his brief visit to the area, while he was recovering from an emotional upset following the failure of an earlier relationship. Their courtship was brief. According to early biographers of Blake, Catherine immediately recognized him as her future husband, and when she sympathized with
76:. Illiterate, Catherine signed her wedding contract with an 'X' "like many brides of her day", there being "no national schools... and even regular Sunday schools had not been invented". They remained together until he died in 1827. Blake taught her to read and write and to use his
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later explicitly asserted that this was the case, but that Blake dropped the idea when he saw that it upset
Catherine. No documentary evidence survives supporting this notion, but Blake is known to have stated that he "learned from the Bible that wives should be held in common."
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William
Boucher (1714â1794) and Mary Davis (1716â1782). A "demure young woman" in response to her mother's queries regarding which of her acquaintances she would take for a husband, she would reply that she had not yet met such a man. She met William Blake in
115:
wrote that
William "and his excellent wife (a true helpmate!) pass the plates thro' a rolling press in their cottage together". On his deathbed, Blake drew a picture of Catherine as his last work, stating "you have ever been an angel to me".
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Throughout her husband's uneven career, Catherine not only took an active role in the production of
William's engravings and illuminated books; she also ran the household finances and offered strong practical support. William's friend
123:, for whom she nominally worked as a housekeeper. At this period she continued to sell Blake's works. When she died four years later, Tatham claimed that she had bequeathed all of Blake's works to him. When he later converted to
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The couple did not have children, and it has been suggested that Blake wanted to bring a concubine into the relationship to act as a surrogate mother, which was consistent with the theories of
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him over his earlier emotional troubles, he replied, "Do you pity me? Then I love you." Blake married
Catherine – who was five years his junior – on 18 August 1782 in
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series (which featured similar fictionalized meetings between historical figures) and was first broadcast on 4 July 1993. It was directed by
Sebastian Graham-Jones and featured
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home of
William and Catherine Blake in 1789. It was first performed at the East Dulwich Tavern in July 1989. The play was later adapted for television in the
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80:. She was considered to be the foundation of Blake's "invariable type of woman" as depicted in his art, "tall, slender, and with unusually long legs".
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In
William Hayley's writings on ideal marriages, Catherine is presented as a model wife. In more recent literature, she is the central character in
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in Blake's writings. Catherine is explicitly identified as the poet's "shadow of delight" in the second part of Blake's
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does not mention this but speaks of unspecified troubles in the early years of the relationship. However,
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in Blake's mythology is partly inspired by
Catherine. Enitharmon is the wife of the "eternal prophet"
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Writers who knew the couple in their later years describe a very happy relationship. In 1802,
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William Blake, Osbert Burdett, 1926, Parkstone Press International (reprint), p. 37
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beliefs, he destroyed a number of them, asserting that they were inspired by the devil.
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Other Sorrows, Other Joys: The Marriage of Catherine Sophia Boucher and William Blake
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clumsily rendered passages. Her work as a printer is held in higher regard.
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Glorious Incomprehensible: The Development of Blake's Kabbalistic Language
47:; 25 April 1762 â 18 October 1831) was the wife of the poet, painter, and
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The Four and Twenty Elders Casting their Crowns before the Divine Throne
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After her husband's death, Catherine was taken in by Blake's admirer
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Catherine and William are buried at Bunhill Cemetery in London.
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The Wood of the Self-Murderers: The Harpies and the Suicides
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Themes from William Blake's The Marriage of Heaven and Hell
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by which Blake was influenced. Blake's earliest biographer
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The Works of William Blake: Poetic, Symbolic and Critical
185:(2007). She is an amateur detective in short stories by
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William Blake and the Cultures of Radical Christianity
222:as Paine, and Lesley Clare O'Neill as Catherine.
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16:Wife of poet, painter and engraver William Blake
152:It has often been suggested that the figure of
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107:after Tatham's life sketch of Catherine Blake
867:Jerusalem: The Emanation of the Giant Albion
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1274:Scholarship, in popular culture, and more
335:, Bucknell University Press, 2001, p. 24.
33:For other people with similar names, see
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257:, Kessinger Publishing, 2003, p. 9.
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825:Visions of the Daughters of Albion
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62:Catherine was the last child of
35:Catherine Blake (disambiguation)
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811:The Marriage of Heaven and Hell
1175:A Vision of the Last Judgement
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1313:Blake: Prophet Against Empire
1123:The Night of Enitharmon's Joy
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462:There is No Natural Religion
274:. Retrieved 5 November 2008.
177:(2001) and also features in
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915:Never pain to tell thy love
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93:Algernon Charles Swinburne
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729:(found only in Copy BB)
607:The Clod and the Pebble
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1414:Catherine Blake (wife)
199:dramatised a visit by
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1393:William Blake Archive
1292:Life of William Blake
1182:Descriptive Catalogue
889:Auguries of Innocence
818:The French Revolution
622:The Little Girl Found
455:All Religions are One
448:An Island in the Moon
255:Life of William Blake
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896:The Mental Traveller
617:The Little Girl Lost
529:The Little Boy Found
509:The Little Black Boy
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1204:The Ghost of a Flea
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657:My Pretty Rose Tree
627:The Chimney Sweeper
589:Songs of Experience
579:On Another's Sorrow
524:The Little Boy Lost
519:The Chimney Sweeper
331:Sheila A. Spector,
134:Role in Blake's art
89:Alexander Gilchrist
1143:Illustrations for
839:The Book of Ahania
832:The Book of Urizen
765:America a Prophecy
707:A Little Girl Lost
687:The Human Abstract
672:The Garden of Love
499:The Ecchoing Green
486:Songs of Innocence
474:Songs of Innocence
171:Janet Adele Warner
148:Role in literature
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103:Pencil drawing by
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702:A Little Boy Lost
476:and of Experience
441:Poetical Sketches
375:978-1-85437-727-2
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1458:English printers
1402:(1983 monologue)
1306:Fearful Symmetry
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346:"hycyber.com"
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316:Peter Ackroyd
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597:Introduction
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564:Nurse's Song
494:The Shepherd
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322:, pp. 368â9.
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302:Robert Rix,
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218:as William,
216:Mark Rylance
211:
201:Thomas Paine
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187:Keith Heller
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1453:1831 deaths
1448:1762 births
1410:(1989 play)
754:continental
514:The Blossom
290:Myrone, 155
141:J. T. Smith
1442:Categories
1407:In Lambeth
1088:and prints
1018:Palamabron
983:Golgonooza
973:Enitharmon
756:prophecies
569:Infant Joy
365:. London:
356:References
212:Encounters
197:In Lambeth
154:Enitharmon
1191:paintings
1153:The Grave
1086:Paintings
937:Mythology
742:Prophetic
712:To Tirzah
667:The Lilly
652:The Tyger
647:The Angel
181:'s novel
173:'s novel
125:Irvingite
69:Battersea
1419:Ancients
1362:The Lamb
1243:Sketches
504:The Lamb
369:, 2007.
220:Bob Peck
49:engraver
1381:Related
1330:Musical
1048:Urthona
1033:Thiriel
1028:Tharmas
1023:Spectre
963:Bromion
642:The Fly
574:A Dream
209:BBC Two
205:Lambeth
203:to the
45:Boucher
1373:(1998)
1365:(1982)
1357:(1965)
1349:(1958)
1341:(1943)
1130:Newton
1043:Urizen
1038:Tiriel
998:Leutha
988:Grodna
958:Beulah
953:Albion
948:Ahania
860:Milton
797:Tiriel
682:London
559:Spring
373:
163:Milton
1399:Blake
1008:Luvah
978:Fuzon
968:Enion
789:Other
744:books
554:Night
226:Notes
43:(nÊe
1197:Pity
1058:Vala
1053:Utha
906:The
752:The
371:ISBN
367:Tate
58:Life
1076:Art
1013:Orc
1003:Los
993:Har
270:".
158:Los
1444::
318:,
295:^
279:^
233:^
189:.
166:.
917:"
913:"
898:"
894:"
891:"
887:"
403:e
396:t
389:v
348:.
266:"
37:.
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