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863:
Hermann, Christine (2016). "A conflict in words and images, or a conflict between word and image? An intermedial analysis of graphic novel adaptations of
Hendrik Conscience's The Lion of Flanders (1838)". In Fenoulhet, Jane; Quist, Gerdi; Tiedau, Ulrich (eds.).
568:, to commemorate the centenary of Conscience's death. The film was itself adapted into a television series by Claus in 1985. The work was a co-production between various private and state groups in Belgium and the Netherlands and, at 80 million
325:, their use was considered vulgar by the bourgeoisie and inappropriate in literature. Conscience, however, believed that Dutch provided a more authentic form of expression and preferred to use it, making his works unusual at the time.
404:
Gy
Vlaming, die dit boek gelezen hebt, overweeg, by de roemryke daden welke hetzelve bevat, wat Vlaenderen eertyds was – wat het nu is – en nog meer wat het worden zal indien gy de heilige voorbeelden uwer Vaderen vergeet!
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to date. As director, Claus attempted to stick as closely to the original text as possible. The film was a commercial and critical disaster, criticised for excessive romanticism and a
Flemish-nationalist political agenda.
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You
Fleming who has read this book, reflect, through the glorious deeds that it recounts, what Flanders once was, what it is now, and even more what it shall become if you forget the sacred examples of your forefathers!
490:
which supported an increasingly assertive
Flemish identity, initially cultural in nature and later increasingly political. Conscience himself believed that Flemish and Belgian patriotisms were complementary and was a
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is held on the battle's anniversary. It has been noted, however, that the increased status of the work in
Flemish nationalist consciousness also coincided with a decreasing readership of the book itself.
463:. The work's public success confirmed Conscience's reputation as the leading Flemish novelist of his generation. By the time of his death in 1883, he had written around 100 novels and novellas.
505:
and contributed to the increasing importance of the Battle of the Golden Spurs in
Flemish political memory. The battle had been largely forgotten before Conscience's work but was revived in
321:
was dominated by French which was also the established language of the upper classes and state bureaucracy across the country. Though Dutch dialects were commonly spoken in
Flanders as a
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after 1949 and published as a single volume in 1952. It was acclaimed as one of his best works. Also notable is Karel
Biddeloo's loose adaptation of the work in 1984 within the
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and his narrative frequently diverged from historical fact, contributed to the mythelogisation of the events as clash between the
Flemish and French-speaking invaders.
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977:""De Leeuw van Vlaanderen wil ik zo gauw mogelijk vergeten". Over de productie en receptie van de film en televisieserie De Leeuw van Vlaanderen (1984)"
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296:) was published in 1837 and explored both themes. It was the first example of historical fiction published in Dutch and was set during the
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The innovative dimension of Conscience's work was his use of Dutch language in his writing. At the time, Belgian and Western European
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against Catholic rule. Conscience was only able to publish the work with the financial support of friends and patrons including
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381:. In choosing the topic, Conscience may have been inspired by a romantic painting of the battle by the Flemish artist
377:), in which a small Flemish force, made up of local militia, unexpectedly defeated a superior invading force from the
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In his foreword to the 1838 edition, Conscience explicitly stated that he intended his book to raise Flemish
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Conscience's work approaches the subject through the romance between Machteld, daughter of
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Adolf van Nieuwlandt. The book famously concludes with a direct injunction to the reader:
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The work was also adapted into a film in 1984, directed by the celebrated Flemish writer
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as a "passionate epic" and compares it to the historical fiction of the Scottish writer
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and patriotism. Conscience researched the historical events by reading contemporary
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Conscience was widely credited as the man "who taught his people to read" (
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of 1302 in particular. It is written in Conscience's typical stylistic
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commemorates the Battle of the Golden Spurs, popularised by Conscience
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The Low Countries: Arts and Society in Flanders and the Netherlands
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850:
Hermans, Theo (2014). "The Highs and Lows of Hendrik Conscience".
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near the Dutch border where he began to pursue a literary career.
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in 1831. He was demobilised in 1836 and moved to the impoverished
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in around 1800. His early writing combined his interests in the
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925:(The Lion of Flanders) and Its Adaptation to Film by Claus"
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has been the subject of various adaptations. At least nine
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of 1302, commonly known as the Battle of the Golden Spurs (
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in 1830 and was inspired by the contemporary ideology of
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and local identity. Among other things, it inspired the
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In 1838, Conscience published his second book, entitled
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and has been described as the "Flemish national epic".
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The Lion of Flanders, or the Battle of the Golden Spurs
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The Lion of Flanders, or the Battle of the Golden Spurs
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Discord and Consensus in the Low Countries, 1700–2000
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De Leeuw van Vlaenderen, of de Slag der Gulden Sporen
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De Leeuw van Vlaenderen, of de Slag der Gulden Sporen
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De Leeuw van Vlaenderen, of de Slag der Gulden Sporen
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868:. Vol. 1. London: UCL Press. pp. 57–80.
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204:. It is considered one of the founding texts of
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541:have been produced; the most celebrated was by
208:and became a significant work for the emerging
785:"BelgenTop 50 nr. 48: De Leeuw van Vlaanderen"
572:, was the most expensive film produced in the
349:may have served as an inspiration for the book
451:(1771–1832). With the immense success of the
392:(the eponymous "Lion of Flanders"), and the
259:. He served in the Belgian Army during the
16:1838 historical novel by Hendrik Conscience
929:CLCWeb: Comparative Literature and Culture
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274:which had begun to emerge elsewhere in
177:(1812–1883) and is an early example of
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270:Conscience worked in the new genre of
369:(1297–1305). Its centerpiece was the
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601:in modern Dutch and is replaced by
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667:Literatuurgeschiedenis & b
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390:Robert III, Count of Flanders
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904:Literatuurgeschiedenis.org
835:Literatuurgeschiedenis.org
593:The "ae" combination from
302:of 1566 and the revolt by
187:Battle of the Golden Spurs
975:Willems, Gertjan (2013).
963:Verslagen en Mededelingen
919:Willems, Gertjan (2014).
343:De Slag der Gulden Sporen
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128:Published in English
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196:Unusually for its time,
1036:De Leeuw van Vlaanderen
1021:De Leeuw van Vlaanderen
1006:De Leeuw van Vlaanderen
923:De Leeuw van Vlaanderen
815:Encyclopædia Britannica
539:comic strip adaptations
453:De Leeuw van Vlaanderen
440:Encyclopædia Britannica
433:Reception and influence
361:). The book was set in
334:Content and publication
1139:Works about rebellions
1053:(ebook) in two volumes
942:10.7771/1481-4374.2318
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545:and was serialised in
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523:annual public holiday
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385:, unveiled in 1836.
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294:In the Year of Wonder
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20:The Lion of Flanders
1079:Romantic nationalism
1051:The Lion of Flanders
831:"Hendrik Conscience"
807:"Hendrik Conscience"
581:Notes and references
557:series, inspired by
535:The Lion of Flanders
284:literary romanticism
257:romantic nationalism
198:The Lion of Flanders
1134:Novels about rebels
957:Wils, Lode (2013).
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519:Hippoliet Van Peene
493:Belgian nationalist
482:The publication of
365:and focused on the
308:Spanish Netherlands
280:history of Flanders
51:Original title
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472:Groeninge Monument
367:Franco-Flemish War
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286:. His first book,
272:historical fiction
261:Ten Days' Campaign
253:Belgian Revolution
233:Hendrik Conscience
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226:Hendrik Conscience
206:Flemish literature
183:Franco-Flemish War
179:historical fiction
175:Hendrik Conscience
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45:Hendrik Conscience
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383:Nicaise de Keyser
379:Kingdom of France
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1057:Archive.org
1008:(audiobook)
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530:Adaptations
521:. Today an
502:flamingants
241:French rule
191:romanticism
1124:War novels
1068:Categories
1032:(in Dutch)
1017:(in Dutch)
1002:(in Dutch)
821:2 December
613:References
603:Vlaanderen
595:Vlaenderen
566:Hugo Claus
559:surrealism
474:(1906) in
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345:(1836) by
323:vernacular
304:Calvinists
216:Background
33:book cover
910:15 August
841:15 August
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858:: 162–9.
817:(online)
484:The Lion
476:Kortrijk
445:De Leeuw
185:and the
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276:Europe
245:French
41:Author
935:(3).
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144:839.3
85:Genre
65:Dutch
912:2017
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