197:
40:
268:
analysed the painting as an example of how "pictoral assemblage" fundamentally is about "distributing identities and differences". He saw the composition of temple, women, statues and water as "a subtle transcendental network of identities", exalted by "figurative differences", which place the
252:
The painting depicts an imaginary location with contemporary visitors. It has decidedly modern elements, such as 18th-century French cloaks and hoods, a woman pointing at a statue like a tourist, and a pair of modern pink shoes belonging to a bather. The contemporary allusions make the nudity
273:. Badiou concluded that "the world" of the painting is the juncture between eighteenth-century eroticism and pre-romanticism. Finally, he used the correspondences between the statues and groups of women, and the foliage to the left and the clearing to the bottom left, to argue that
187:
statue at its centre. The ruined building is flanked by trees and has a set of stairs leading to a pool, where water flows from four fountains. The fountains furthest to the sides are decorated with statues: to the left one of a sitting Venus, and to the right one of
192:
fastening his sandals. A blurry group of six women in 18th-century clothes stand at the top of the stairs. To the bottom left, next to the Venus statue, a sitting woman dries her feet in front of a maid. In the pool two nude women play in the shallow water.
723:
715:
824:
491:
675:
526:
499:
814:
731:
749:
514:
French
Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution
819:
668:
542:
518:
306:
142:
104:
253:
atypical; 18th-century paintings normally restricted nudity to mythological and allegorical subjects.
232:. The central statue is based on an ancient model, and those on the sides are based on sculptures by
309:
from May 1912 and gifted to the museum by Morgan's estate in 1917. They were part of the exhibition
609:
Baillio, Joseph (1995). "Addendum to 'Hubert Robert's
Decorations for the Château de Bagatelle'".
297:
sold them at auction to
Jacques-Nicolas Brunot. Brunot sold them to Pierre Justin Armand Verdier,
829:
809:
205:
196:
164:
138:
661:
229:
512:
772:
233:
163:(1757–1836) commissioned from Robert in 1777. The paintings were for the bathing room at the
766:
241:
213:
8:
707:
538:
327:
189:
157:
237:
642:
634:
597:
589:
646:
626:
601:
581:
522:
495:
184:
564:
Baillio, Joseph (1992). "Hubert Robert's
Decorations for the Château de Bagatelle".
618:
573:
39:
200:
The statues of Venus and
Mercury are based on sculptures by Jean-Baptiste Pigalle.
778:
487:
221:
122:
27:
305:
bought them through
Maurice de Verneuil. They were on loan from Morgan to the
244:(1714– 789), who had populated timeless Italian marine views with nude women.
803:
783:
684:
630:
585:
270:
209:
134:
108:
50:
479:
302:
265:
261:
130:
788:
289:
The six paintings remained at the Château de
Bagatelle until 1808, when
638:
593:
278:
274:
622:
577:
356:
354:
352:
350:
290:
217:
347:
653:
724:
314:
236:(1714–1785). The woman drying herself follows a painting by
301:. They were at the Château de Flaux until 1910–1911, when
183:
The scene depicts an open woodland temple with an ancient
408:
398:
396:
371:
369:
167:. The six paintings depict generally Italian locations.
204:
The appearance of the temple is likely inspired by the
537:
360:
137:. Originally commissioned for the bathing room at the
716:
The Ruins of Nîmes, Orange and Saint-Rémy-de-Provence
393:
381:
366:
133:
executed between 1777 and 1780 by the French painter
456:
444:
432:
420:
801:
171:, dated to 1777–1780, was made as a pendant to
76:174.6 cm Ă— 123.8 cm (68
669:
825:Paintings in the Metropolitan Museum of Art
676:
662:
317:from 12 to 30 March 1912, lent by Morgan.
178:
38:
240:(1703–1770). The nudes were inspired by
195:
173:A Corner of the Courtyard of the Capitol
608:
563:
510:
414:
402:
387:
375:
331:, one of the other paintings of the set
802:
478:
462:
450:
438:
426:
657:
141:, it is now in the collection of the
484:Logics of Worlds: Being and Event, 2
13:
557:
14:
841:
683:
732:Girls Dancing Around an Obelisk
1:
750:Principal Monuments of France
335:
284:
156:is one of six paintings that
148:
7:
611:Metropolitan Museum Journal
566:Metropolitan Museum Journal
511:Baetjer, Katharine (2019).
320:
295:Administration des Domaines
247:
10:
846:
815:Paintings by Hubert Robert
543:Metropolitan Museum of Art
519:Metropolitan Museum of Art
472:
361:Metropolitan Museum of Art
307:Metropolitan Museum of Art
143:Metropolitan Museum of Art
105:Metropolitan Museum of Art
759:
742:
691:
269:painting in the genre of
218:temple of Jupiter Serapis
100:
72:
64:
56:
46:
37:
26:
21:
340:
277:merely is a category of
32:Le Bassin aux baigneuses
179:Subject and composition
311:Ĺ’uvres d'Hubert Robert
230:San Pietro in Montorio
216:(then thought to be a
201:
131:oil-on-canvas painting
126:
86: in Ă— 48
16:Hubert Robert painting
773:Giovanni Paolo Panini
234:Jean-Baptiste Pigalle
199:
127:Le Bassin de baignade
242:Claude Joseph Vernet
214:Macellum of Pozzuoli
165:Château de Bagatelle
139:Château de Bagatelle
708:The Mouth of a Cave
417:, pp. 284–285.
328:The Mouth of a Cave
313:at Galerie Thos in
820:Paintings of Venus
767:René-Michel Slodtz
539:"The Bathing Pool"
202:
158:Charles Philippe,
145:in New York City.
797:
796:
528:978-1-58839-661-7
517:. New York City:
501:978-0-8264-9470-2
256:In his 2006 book
114:
113:
837:
700:The Bathing Pool
678:
671:
664:
655:
654:
650:
605:
553:
551:
549:
532:
505:
488:Toscano, Alberto
486:. Translated by
466:
460:
454:
448:
442:
436:
430:
424:
418:
412:
406:
400:
391:
385:
379:
373:
364:
358:
258:Logics of Worlds
238:François Boucher
220:), and possibly
169:The Bathing Pool
154:The Bathing Pool
118:The Bathing Pool
95:
94:
90:
85:
84:
80:
42:
22:The Bathing Pool
19:
18:
845:
844:
840:
839:
838:
836:
835:
834:
800:
799:
798:
793:
755:
743:Painting series
738:
687:
682:
623:10.2307/1512954
578:10.2307/1512941
560:
558:Further reading
547:
545:
529:
502:
475:
470:
469:
461:
457:
449:
445:
437:
433:
425:
421:
413:
409:
401:
394:
386:
382:
374:
367:
359:
348:
343:
338:
323:
287:
250:
222:Donato Bramante
206:Temple of Vesta
181:
151:
92:
88:
87:
82:
78:
77:
17:
12:
11:
5:
843:
833:
832:
830:Bathing in art
827:
822:
817:
812:
810:1780 paintings
795:
794:
792:
791:
786:
781:
776:
770:
763:
761:
757:
756:
754:
753:
746:
744:
740:
739:
737:
736:
728:
720:
712:
704:
695:
693:
689:
688:
681:
680:
673:
666:
658:
652:
651:
606:
559:
556:
555:
554:
534:
533:
527:
507:
506:
500:
474:
471:
468:
467:
465:, p. 208.
455:
453:, p. 207.
443:
441:, p. 205.
431:
429:, p. 204.
419:
407:
405:, p. 285.
392:
390:, p. 284.
380:
378:, p. 282.
365:
345:
344:
342:
339:
337:
334:
333:
332:
322:
319:
299:comte de Flaux
286:
283:
249:
246:
180:
177:
160:comte d'Artois
150:
147:
112:
111:
102:
98:
97:
74:
70:
69:
66:
62:
61:
58:
54:
53:
48:
44:
43:
35:
34:
24:
23:
15:
9:
6:
4:
3:
2:
842:
831:
828:
826:
823:
821:
818:
816:
813:
811:
808:
807:
805:
790:
787:
785:
784:Neoclassicism
782:
780:
777:
774:
771:
768:
765:
764:
762:
758:
751:
748:
747:
745:
741:
734:
733:
729:
726:
725:
721:
718:
717:
713:
710:
709:
705:
702:
701:
697:
696:
694:
690:
686:
685:Hubert Robert
679:
674:
672:
667:
665:
660:
659:
656:
648:
644:
640:
636:
632:
628:
624:
620:
616:
612:
607:
603:
599:
595:
591:
587:
583:
579:
575:
571:
567:
562:
561:
544:
540:
536:
535:
530:
524:
520:
516:
515:
509:
508:
503:
497:
493:
489:
485:
481:
480:Badiou, Alain
477:
476:
464:
459:
452:
447:
440:
435:
428:
423:
416:
411:
404:
399:
397:
389:
384:
377:
372:
370:
362:
357:
355:
353:
351:
346:
330:
329:
325:
324:
318:
316:
312:
308:
304:
300:
296:
292:
282:
280:
276:
272:
271:neoclassicism
267:
263:
259:
254:
245:
243:
239:
235:
231:
227:
223:
219:
215:
211:
207:
198:
194:
191:
186:
176:
174:
170:
166:
162:
161:
155:
146:
144:
140:
136:
135:Hubert Robert
132:
128:
124:
120:
119:
110:
106:
103:
99:
75:
71:
68:Oil on canvas
67:
63:
59:
55:
52:
51:Hubert Robert
49:
45:
41:
36:
33:
29:
25:
20:
730:
722:
714:
706:
699:
698:
614:
610:
569:
565:
546:. Retrieved
513:
483:
458:
446:
434:
422:
415:Baetjer 2019
410:
403:Baetjer 2019
388:Baetjer 2019
383:
376:Baetjer 2019
326:
310:
303:J. P. Morgan
298:
294:
288:
266:Alain Badiou
264:philosopher
262:post-Marxist
257:
255:
251:
225:
203:
182:
172:
168:
159:
153:
152:
117:
116:
115:
31:
789:Romanticism
775:(influence)
703:(1777–1780)
572:: 149–182.
463:Badiou 2009
451:Badiou 2009
439:Badiou 2009
427:Badiou 2009
804:Categories
548:26 October
490:. London:
336:References
285:Provenance
149:Background
73:Dimensions
779:Capriccio
692:Paintings
647:193052442
631:0077-8958
602:193065876
586:0077-8958
492:Continuum
482:(2009) .
279:appearing
275:existence
226:Tempietto
96: in)
60:1777–1780
769:(master)
321:See also
291:Napoleon
248:Analysis
129:) is an
109:New York
101:Location
760:Related
639:1512954
617:: 103.
594:1512941
473:Sources
190:Mercury
91:⁄
81:⁄
752:(1786)
735:(1798)
727:(1796)
719:(1789)
711:(1784)
645:
637:
629:
600:
592:
584:
525:
498:
260:, the
212:, the
210:Tivoli
123:French
65:Medium
47:Artist
28:French
643:S2CID
635:JSTOR
598:S2CID
590:JSTOR
341:Notes
315:Paris
185:Venus
627:ISSN
582:ISSN
550:2019
523:ISBN
496:ISBN
57:Year
619:doi
574:doi
293:'s
228:at
224:'s
208:in
806::
641:.
633:.
625:.
615:30
613:.
596:.
588:.
580:.
570:27
568:.
541:.
521:.
494:.
395:^
368:^
349:^
281:.
175:.
125::
107:,
30::
677:e
670:t
663:v
649:.
621::
604:.
576::
552:.
531:.
504:.
363:.
121:(
93:4
89:3
83:4
79:3
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
