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426:), whose name became synonymous with Rococo art, was a great admirer of his work. Marquise de Pompadour is often referred to as the "godmother of Rococo" and Boucher's portraits were central to her self-presentation and cultivation of her image. For instance, Boucher's 'Sketch for a Portrait of Madame de Pompadour', displayed in the Starhemburg room at
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was a portrait that illustrated the extramarital relationships of the King. Boucher gained lasting notoriety through such private commissions for wealthy collectors and, after
Diderot expressed his disapproval, his reputation came under increasing critical attack during the last years of his career.
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Boucher was a very prolific and varied draftsman. His drawings served not only as preparatory studies for his paintings and as designs for printmakers but also as finished works of art for which there was a great demand by collectors. Boucher followed standard studio practices of the time, by first
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Boucher was also a gifted engraver and etcher. Boucher etched some 180 original copperplates. He made many etchings after
Watteau. He thus helped propagate a taste for reproductions of drawings. When his own drawings began to sell, 266 of them were etched in stipple substitutes by
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430:, acts as a surviving example of the oil preparation prior to the, now lost, portrait. In one hand she holds her hat, in the other she picks up a pearl bracelet with a portrait of the king – symbolising the relationship upon which her status depends.
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Boucher married Marie-Jeanne Buzeau in 1733. The couple had three children together. Boucher became a faculty member in 1734 and his career accelerated from this point as he was promoted
Professor then Rector of the academy, becoming inspector at the
622:(ca. 1750, Musée des Beaux-Arts, Lyon). Recent scholarship suggests, however, that it was made at least 10 years later as an autonomous work. In the last decade of his career the artist began to favor brown chalk, a fabricated medium.
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411:) of 1749, were based upon characters in a 1745 play by Boucher's close friend Charles-Simon Favart. Boucher's characters in those paintings later inspired a pair of figurines created by the Sèvres Porcelain Manufactory,
630:. These were printed in red ink so they resembled red chalk drawings which could be framed as little pictures. They could then be hung in the small blank spaces of the elaborately decorated paneling of luxury dwellings.
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working out the overall composition of his major canvases, and then making chalk studies for individual figures, or groups of figures. He also relied on oil and gouache sketches in the preparation of major commissions.
391:. Boucher's early works celebrate the idyllic and tranquil portrayal of nature and landscape with great elan. However, his art typically forgoes traditional rural innocence to portray scenes with a definitive style of
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A native of Paris, Boucher was the son of a lesser known painter
Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter
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as his mythological scenes are passionate and intimately amorous rather than traditionally epic. Boucher's paintings of a flirtatious shepherd and shepherdess in a woodland setting, featured in
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Notice sur
Jacques Guay, graveur sur pierres fines du roi Louis xv. Documents émanant de Guay, et notes sur les œuvres de gravure en taille-douce et en pierres fines de la marquise de Pompadour
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in 1767. Later, Boucher made a series of drawings of works by Guay which Madame de
Pompadour then engraved and distributed as a handsomely bound volume to favored courtiers.
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in 1755 put an end to its contribution to
Beauvais but his collaboration with the Gobelins lasted until 1765, when he stepped down from his position as an inspector.
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551:. His designs for all of the aforementioned augmented his earlier reputation, resulting in many engravings from his work and even reproduction of his designs on
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618:(Metropolitan Museum of Art), a free and painterly sketch in gouache, was long considered a preparatory sketch for Madame de Pompadour's private altarpiece
524:("Italian festivals") in 1736, which proved to be very successful and often rewoven over the years, and then, commissioned in 1737, a suite of the story of
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scene, where he regularly used his own wife and children as models. These intimate family scenes are contrasting to the licentious style seen in his
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for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financial problems at the
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528:. During two decades' involvement with the Beauvais tapestry workshops Boucher produced designs for six series of hangings in all, like
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1605:"Project for a Cartouche: An Allegory of Minerva, Fame, History and Faith Overcoming Ignorance and Time | LACMA Collections"
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Boucher was also called upon for designs for court festivities organized by that section of the King's household called the
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Along with his painting, Boucher also designed theater costumes and sets, and the ardent intrigues of the comic operas of
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Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 16 June 2016
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to write: "Boucher is one of those men who represent the taste of a century, who express, personify and embody it."
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252:. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver
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Hyde, Melissa (September 2000). "The "Makeup" of the
Marquise: Boucher's Portrait of Pompadour at her Toilette".
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style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and
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Blumer, Marie-Louise (1954). "Boucher (François)". In
Prevost, Michel; Roman d'Amat, Jean-Charles (eds.).
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1878:"Shepherd Boy Playing Bagpipes -François Boucher, French, 1703–1770 | Museum of Fine Arts, Boston"
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1899:"François Boucher | Landscape with a Watermill | NG6374 | The National Gallery, London"
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In this sketch, Boucher allows the viewer to glimpse Madame de Pompadour before she goes out, c 1750,
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Boucher is famous for saying that nature is "trop verte et mal éclairée" (too green and badly lit).
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Boucher's most original inventions were decorative, and he contributed to the fashionable style of
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1626:"The Metropolitan Museum of Art – Imaginary Landscape with the Palatine Hill from Campo Vaccino"
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Zarucchi, Jeanne Morgan (2016). "The Shepherdess' Progress: From Favart to Boucher to Sèvres".
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scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
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2080:"Return from Market -François Boucher, French, 1703–1770 | Museum of Fine Arts, Boston"
2059:"Halt at the Spring -François Boucher, French, 1703–1770 | Museum of Fine Arts, Boston"
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1966:"François Boucher | Pan and Syrinx | NG1090 | The National Gallery, London"
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Boucher died on 30 May 1770 in his native Paris. His name, along with that of his patron
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Laing, Alastair (1996b). "Boucher, François". In Kasten, Eberhard; et al. (eds.).
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Gradually he made more and more sketches as independent works for the market. The
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Voss, Hermann; Barea, Ilse (March 1953). "Francois Boucher's Early Development".
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2241:(exhibition catalogue). New York; Fort Worth, TX: Rizzoli, Kimbell Art Museum.
2029:"The Metropolitan Museum of Art – Jupiter, in the Guise of Diana, and Callisto"
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2183:(2nd ed.). New York, London: Garland. pp. 42–43, entries nos. 1200–1213.
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Kathryn B. Hiesinger, "The Sources of François Boucher's 'Psyche' Tapestries"
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2215:(catalogue raisonné) (in French). Lausanne, Paris: La Bibliothéque des Arts.
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637:, after having etched 12 'Figures Chinoises' (Chinese figures) by Watteau.
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1359:"Martin Ferdinand Quadal – Biography, Interesting Facts, Famous Artworks"
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357:, whom he taught to draw. He also mentored the Moravian-Austrian painter
281:. On his return from studying in Italy he was admitted to the refounded
2404:
François Boucher and the Art of Collecting in Eighteenth-Century France
1987:"Estudio de mujer joven de pie, vista de espaldas, levantando una tela"
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1442:
1161:
Study of a standing nude young woman seen from behind, raising drapery
2546:(in German). Vol. 13. München, Leipzig: Saur. pp. 289–293.
1573:, Metropolitan Museum of Art (New York, N.Y.), 1 January 1971, p. 589
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2494:(in German). Vol. 4. Leipzig: W. Engelmann. pp. 428–432.
2460:(in French). Vol. 6. Paris: Letouzet et Ané. cols. 1202–1205.
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The Loves of the Gods: Mythological Painting from Watteau to David
343:, had become synonymous with the French Rococo style, leading the
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2517:. Vol. 4. New York: Grove's Dictionaries. pp. 511–519.
2048:
Virgin and Child with the Young Saint John the Baptist and Angels
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Houssaye, Arsène (1843). "Boucher et la peinture sous Louis XV".
1197:
Virgin and Child with the Young Saint John the Baptist and Angels
530:
the tapestry showing Psyche and the Basketmaker from 1741 to 1742
2382:(in French). Paris: A. Quantin – via the Internet Archive.
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816:(1751) typifies the pleasing elegance of Boucher's mature style.
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2353:(exhibition catalogue). New York: Metropolitan Museum of Art.
1668:"Venus and Mercury Instructing Cupid | LACMA Collections"
1311:"Marie-Louise O'Murphy, the Versailles king's Irish mistress"
1000:
Imaginary Landscape with the Palatine Hill from Campo Vaccino
459:(1739), a familial scene, show how he was as a master of the
194:
157:
2396:(in French). Paris: Goupil – via the Internet Archive.
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Konsthistorisk Tidskrift (Journal of Art History, Stockholm)
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200:
160:
1570:
Prints & People: A Social History of Printed Pictures
1064:(1765), Snite Museum of Art, University of Notre Dame, IN
2180:
Art Books: A Basic Bibliography of Monographs on Artists
1857:"The Metropolitan Museum of Art – The Toilette of Venus"
1815:"The Metropolitan Museum of Art – The Interrupted Sleep"
2299:
Making Up the Rococo: François Boucher and His Critics
2008:"The Metropolitan Museum of Art – Angelica and Medoro"
480:
that Boucher was "prostituting his own wife", and the
1710:"Les Confidences Pastorales | LACMA Collections"
1053:
Sketch for a Portrait of Madame de Pompadour (c.1750)
228:; 29 September 1703 – 30 May 1770) was a French
212:
172:
191:
154:
2569:
Chronological list of Paintings by François Boucher
2393:
François Boucher: premier peintre du roi, 1703-1770
2101:"The Metropolitan Museum of Art – Shepherd's Idyll"
197:
151:
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1749:"Jeanne-Antoinette Poisson, Marquise de Pompadour"
1437:(600). Burlington Magazine Publications Ltd.: 82.
490:
353:Boucher was associated with the gemstone engraver
2143:"Aurora Heralding the Arrival of the Morning Sun"
2900:
1689:"Cupid Wounding Psyche | LACMA Collections"
1558:at the Metropolitan Museum of Art, October 2003.
264:Portrait of Marie-Jeanne Buzeau, wife of Boucher
1836:"The National Gallery of Art – The Love Letter"
1227:Aurora Heralding the Arrival of the Morning Sun
933:Aurora Heralding the Arrival of the Morning Sun
2122:"The Metropolitan Museum of Art – Washerwomen"
1647:"Monument to Mignard | LACMA Collections"
512:closely paralleled his own style of painting.
383:Boucher took inspiration from artists such as
2635:
2303:. Los Angeles, CA: Getty Research Institute.
19:For other people named François Boucher, see
2813:Vulcan Presenting Venus with Arms for Aeneas
1945:"Lovers in a Park; Timken Museum, San Diego"
1584:"Death of Meleager | LACMA Collections"
1180:Jupiter, in the Guise of Diana, and Callisto
960:
917:Vulcan Presenting Venus with Arms for Aeneas
476:portraits prompted claims by the art critic
232:, draughtsman and etcher, who worked in the
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1029:(c. 1745), Los Angeles County Museum of Art
1011:(c. 1735), Los Angeles County Museum of Art
996:(c. 1727), Los Angeles County Museum of Art
279:Académie royale de peinture et de sculpture
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2491:Allgemeines Lexikon der bildenden Künstler
1286:Painting and sculpture in France 1700–1789
954:and Child with the Infant John the Baptist
36:
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539:and for the opera and for royal châteaux
2575:70 artworks by or after François Boucher
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1023:(1741), Los Angeles County Museum of Art
1017:(1738), Los Angeles County Museum of Art
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593:
578:
520:workshops he first designed a series of
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432:
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311:
258:
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2407:. Abingdon, Oxon; New York: Routledge.
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16:18th-century French painter (1703-1770)
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2749:Pastoral with a Couple near a Fountain
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2345:Laing, Alastair; et al. (1986).
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1922:. Artgallery.yale.edu. Archived from
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309:(First Painter of the King) in 1765.
223:
2649:
2458:Dictionnaire de biographie française
2379:François Boucher, Lemoyne et Natoire
2325:
2294:
1493:
1412:"Born on this Day: Francois Boucher"
361:as well as the neoclassical painter
283:Académie de peinture et de sculpture
1538:Philadelphia Museum of Art Bulletin
1410:Hoskin, Dawn (September 30, 2014).
1308:
1211:(1767), Museum of Fine Arts, Boston
1205:(1765), Museum of Fine Arts, Boston
1015:Venus and Mercury Instructing Cupid
516:design was also a concern. For the
13:
2164:
1543:No. 314 (November 1976), pp. 7–23.
1272:
1223:(1768), Metropolitan Museum of Art
1217:(1768), Metropolitan Museum of Art
1199:(1765), Metropolitan Museum of Art
1182:(1763), Metropolitan Museum of Art
1176:(1763), Metropolitan Museum of Art
1106:(1751), Metropolitan Museum of Art
1070:(1750), Metropolitan Museum of Art
14:
2975:
2562:
2535:– via the Internet Archive.
2502:– via the Internet Archive.
2371:– via the Internet Archive.
2340:– via the Internet Archive.
2321:– via the Internet Archive.
2290:– via the Internet Archive.
2259:– via the Internet Archive.
2175:Adapted from a following source:
1920:"Venus in the Workshop of Vulcan"
978:list of works by François Boucher
586:, black, red and white chalk and
21:François Boucher (disambiguation)
2964:18th-century French male artists
2332:(in French). Paris: H. Laurens.
2272:(in French). Paris: Flammarion.
1731:"Arion on the Dolphin (y1980-2)"
1192:Musée des Beaux-Arts de Mulhouse
989:Los Angeles County Museum of Art
943:
925:
908:
894:
880:
872:, 1766, Cathédrale Saint-Louis,
859:
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187:
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2845:Portrait of Madame de Pompadour
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2000:
1979:
1958:
1937:
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1849:
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1735:Princeton University Art Museum
1723:
1702:
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1660:
1639:
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1530:
1382:Leturcq, Jean François (1873).
1129:Venus in the Workshop of Vulcan
1076:(1750), National Gallery of Art
1037:Princeton University Art Museum
491:Theatrical and tapestry designs
472:The dark-haired version of the
2177:Freitag, Wolfgang M. (1997) .
1449:
1422:
1403:
1375:
1351:
1327:
1302:
1:
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2738:
2726:Diana Returning from the Hunt
2691:
1470:10.1080/00233609.2016.1142474
1253:
1110:Shepherd Boy Playing Bagpipes
412:
330:
42:
2919:18th-century French painters
2615:Mobilier national collection
2329:Boucher: biographie critique
1555:François Boucher (1703–1770)
455:Boucher's paintings such as
7:
2934:French Orientalist painters
2543:Allgemeines Künstlerlexikon
2349:François Boucher, 1703–1770
2207:Ananoff, Alexandre (1976).
1774:collection.waddesdon.org.uk
1243:List of Orientalist artists
1236:
1133:Yale University Art Gallery
1114:Museum of Fine Arts, Boston
870:Attempting to Walk on Water
368:
10:
2980:
2295:Hyde, Melissa Lee (2006).
1796:. University of Notre Dame
1416:Victoria and Albert Museum
1344:p. 86 (citing a letter to
1119:Landscape with a Watermill
1027:Les Confidences Pastorales
1004:Metropolitan Museum of Art
640:
615:Adoration of the Shepherds
584:Young Country Girl Dancing
301:Royal Gobelins Manufactory
291:(reception piece) was his
273:In 1720, he won the elite
18:
2949:Prix de Rome for painting
2879:The Game of Chinese Chess
2870:
2765:Pompadour at Her Toilette
2657:
2511:. In Turner, Jane (ed.).
2507:Laing, Alastair (1996a).
2434:. London: Chaucer Press.
2430:Wakefield, David (2005).
2233:Bailey, Colin B. (1992).
1165:Miguel Urrutia Art Museum
1157:(1759), National Gallery,
1043:Pompadour at Her Toilette
961:Works by François Boucher
285:on 24 November 1731. His
130:
121:
116:
112:
102:
92:
76:
57:
35:
28:
2944:Premiers peintres du Roi
2401:Priebe, Jessica (2022).
2264:Brunel, Georges (1986).
1968:. Nationalgallery.org.uk
1901:. Nationalgallery.org.uk
696:, 1734 (Reception piece)
567:factories. The death of
2959:French tapestry artists
2687:Landscape near Beauvais
1737:. Princeton University.
1712:. Collections.lacma.org
1691:. Collections.lacma.org
1670:. Collections.lacma.org
1649:. Collections.lacma.org
1607:. Collections.lacma.org
1586:. Collections.lacma.org
1431:The Burlington Magazine
1231:National Gallery of Art
994:Project for a Cartouche
937:National Gallery of Art
603:National Gallery of Art
359:Martin Ferdinand Quadal
243:
2797:The Setting of the Sun
2757:The Light of the World
2734:The Brunette Odalisque
2326:Kahn, Gustave (1904).
1151:(1758), Timken Museum,
1099:
1088:
976:This is an incomplete
973:
748:Diana Leaving the Bath
680:Honolulu Museum of Art
605:
591:
505:
452:
380:
336:
306:Premier Peintre du Roi
270:
2853:The Judgment of Paris
2789:The Rising of the Sun
2514:The Dictionary of Art
1751:. Harvard Art Museums
1568:Alpheus Hyatt Mayor,
1336:Revue des deux mondes
1290:Yale University Press
1187:The Judgment of Paris
1104:The Toilette of Venus
1094:
1083:
1068:The Interrupted Sleep
1021:Cupid Wounding Psyche
968:
814:The Toilette of Venus
597:
582:
537:Menus-Plaisirs du Roi
498:
445:with the Young Saint
436:
420:Marquise de Pompadour
376:
327:Marie-Louise O'Murphy
315:
262:
225:[fʁɑ̃swabuʃe]
2929:French male painters
2837:Jupiter and Callisto
2781:The Blonde Odalisque
2773:Venus Consoling Love
2718:Jupiter and Callisto
2702:The Triumph of Venus
2679:Hercules and Omphale
2608:Venus Consoling Love
2585:François Boucher.org
2376:Mantz, Paul (1880).
1989:. banrepcultural.org
1794:"The Bird Has Flown"
1096:Allegory of Painting
1033:Arion on the Dolphin
888:Dreaming Shepherdess
798:Venus Consoling Love
764:La Toilette de Venus
710:The Triumph of Venus
510:Charles Simon Favart
501:Jupiter and Callisto
397:The Enjoyable Lesson
318:The Blonde Odalisque
288:morceau de réception
2939:Painters from Paris
2671:Aurora and Cephalus
2592:Madame de Pompadour
2509:"Boucher, François"
2478:"Boucher, François"
2209:Wildenstein, Daniel
1174:Angelica and Medoro
1048:Harvard Art Museums
1009:Monument to Mignard
848:Madame de Pompadour
620:La lumière du monde
575:Drawings and prints
363:Jacques-Louis David
341:Madame de Pompadour
2805:The Birth of Venus
2598:2014-10-24 at the
2225:available via the
1947:. timkenmuseum.org
1309:Wallace, Arminta.
1209:Return from Market
1203:Halt at the Spring
1100:
1089:
1062:The Bird Has Flown
974:
972:, drawing on paper
970:Standing Nude Girl
694:Rinaldo and Armida
606:
592:
506:
453:
422:(mistress of King
405:An Autumn Pastoral
381:
378:The Secret Message
337:
293:Rinaldo and Armida
275:Grand Prix de Rome
271:
254:Jean-François Cars
2896:
2895:
2665:List of paintings
2388:Nolhac, Pierre de
1388:. Baur. pp.
985:Death of Meleager
518:Beauvais tapestry
401:The Flute Players
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1924:the original
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1496:Art Bulletin
1495:
1461:
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1415:
1405:
1394:. Retrieved
1384:
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1366:. Retrieved
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1318:. Retrieved
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1085:The Dovecote
1084:
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352:
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323:Resting Girl
322:
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304:
303:and finally
297:
292:
286:
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263:
247:
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82:(1770-05-30)
44:
43:Portrait of
2914:1770 deaths
2909:1703 births
2887: 1741
2861: 1763
2742: 1745
2695: 1740
2571:at Wikidata
2147:www.nga.gov
1248:Orientalism
1221:Washerwomen
1112:(c. 1754),
987:(c. 1727),
935:, c. 1765,
868:Saint Peter
635:chinoiserie
601:, c. 1733,
469:portraits.
416: 1757
334: 1752
80:30 May 1770
2903:Categories
2606:Boucher's
2590:Boucher's
2533:1033646743
2500:1039507204
2423:1252736555
2369:1035142859
2338:1041628220
2319:1150262302
2257:1245529108
2153:2019-11-16
2128:2014-04-05
2107:2014-04-05
2086:2014-04-05
2065:2014-04-05
2035:2014-04-05
2014:2014-04-05
1993:2022-10-24
1972:2014-04-05
1951:2019-06-03
1930:2014-04-05
1905:2014-04-05
1884:2014-04-05
1863:2014-04-05
1842:2021-03-04
1821:2014-04-05
1800:2016-03-29
1779:2017-04-24
1755:2014-04-05
1716:2014-04-05
1695:2014-04-05
1674:2014-04-05
1653:2014-04-05
1632:2014-04-05
1611:2014-04-05
1590:2014-04-05
1502:(3): 455.
1396:2014-08-24
1368:2019-04-03
1320:2023-09-09
1298:0300064942
1292:, p. 164.
1254:References
874:Versailles
829:The Bridge
541:Versailles
449:and Angels
64:1703-09-29
2658:Paintings
2466:922284772
2082:. Mfa.org
2061:. Mfa.org
1880:. Mfa.org
1838:. Nga.gov
1516:0004-3079
1478:192925316
1284:. (1993)
1125:, London
561:Vincennes
553:porcelain
474:Odalisque
466:Odalisque
393:eroticism
295:of 1734.
117:Signature
2871:Drawings
2596:Archived
2488:(eds.).
2476:(1910).
2390:(1907).
2288:86-11145
2199:96028425
1342:: 70–98.
1237:See also
1229:(1765),
1163:(1762),
1142:(1757),
1131:(1757),
1121:(1755),
1046:(1750),
1035:(1748),
1002:(1734),
851:, 1756,
831:, 1751,
713:, 1740,
660:, 1720,
590:on paper
514:Tapestry
424:Louis XV
369:Painting
238:pastoral
103:Movement
97:Painting
2821:Fishing
2611:(video)
2602:(video)
2432:Boucher
2268:Boucher
2213:Boucher
2211:(ed.).
1524:3051397
1363:Arthive
1139:Fishing
952:Madonna
641:Gallery
559:at the
230:painter
221:French:
2889:–1763)
2848:(1759)
2840:(1759)
2832:(1758)
2824:(1757)
2816:(1757)
2808:(1754)
2800:(1752)
2792:(1752)
2776:(1751)
2768:(1750)
2760:(1750)
2752:(1749)
2729:(1745)
2721:(1744)
2713:(1742)
2705:(1740)
2682:(1734)
2674:(1733)
2579:Art UK
2550:
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2217:Vols.
2197:
2187:
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1514:
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1443:871018
1441:
1296:
1169:Bogotá
1098:, 1765
1087:, 1758
920:, 1757
833:Louvre
801:, 1751
751:, 1742
734:, 1741
662:Louvre
599:Aurora
565:Sèvres
549:Choisy
504:, 1759
451:, 1765
439:Virgin
234:Rococo
107:Rococo
51:(1741)
2480:. In
1520:JSTOR
1474:S2CID
1439:JSTOR
588:stump
569:Oudry
461:genre
443:Child
418:–66.
176:-shay
2581:site
2548:ISBN
2529:OCLC
2519:ISBN
2496:OCLC
2462:OCLC
2436:ISBN
2419:OCLC
2409:ISBN
2365:OCLC
2355:ISBN
2334:OCLC
2315:OCLC
2305:ISBN
2284:LCCN
2274:ISBN
2253:OCLC
2243:ISBN
2221:and
2195:LCCN
2185:ISBN
1512:ISSN
1294:ISBN
730:Leda
563:and
555:and
547:and
441:and
387:and
244:Life
215:SHAY
213:boo-
77:Died
58:Born
1504:doi
1466:doi
1392:–12
321:or
266:by
174:BOO
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