125:. The play tells the story of a neglected and abused peasant child, who, on her deathbed, experiences a vision of divine powers welcoming her into the afterlife. It was first published in 1894. Hauptmann was awarded the
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27 October] 1898, however, the production was banned, following protests made by the
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191:. At the play's first read-through, it reduced the entire company, with the exception of
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Bédé and
Edgerton (1980, 349), Brockett and Hildy (2003, 396), and Hartnoll (1983, 377).
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was also written by
Italian composer Antonio Guarnieri and recorded by RAI in 1971.
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adapted the play for another German cinematic version, also titled
474:. Ninth edition, International edition. Boston: Allyn and Bacon.
301:, which was first performed on 17 February 1927. An opera titled
284:, which she directed in 1934. The play also formed the basis for
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directed a cinematic adaptation of the play with German titles.
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Day (2007, 34), Hartnoll (1983, 377), and Morley (1981, 9–12).
149:, opening on 14 December 1893. The production was directed by
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117:. The play is the first in recorded world literature with a
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Theatre
Production Studies ser. London and NY: Routledge.
183:, who considered Hauptmann to be a playwright superior to
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Bédé, Jean-Albert, and
William B. Edgerton, eds. 1980.
234:, which opened on 15 February 1924, and included both
175:, in a production that opened on 14 April [
226:, which opened on 11 April 1910 and which featured
442:Columbia Dictionary of Modern European Literature.
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470:Brockett, Oscar G. and Franklin J. Hildy. 2003.
374:Benedetti (1999, 84) and Worrall (1996, 30, 56).
356:Benedetti (1999, 65, 67) and Worrall (1996, 30).
242:in the cast. British productions include one in
214:Productions in the United States include one in
137:The play received its première under the title
222:, which opened on 1 May 1894, a second at the
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347:Benedetti (1999, 385) and Worrall (1996, 30).
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179:2 April] 1896. At the request of
171:with his Society of Art and Literature in
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16:1893 play written by Gerhart Hauptmann
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199:), to tears. On 8 November [
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444:2nd rev. ed. New York: Columbia UP.
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502:The Oxford Companion to the Theatre
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500:Hartnoll, Phyllis, ed. 1983.
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254:were involved and another in
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98:. In contrast to Hauptmann's
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487:The Letters of Noel Coward.
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725:Plays by Gerhart Hauptmann
571:Internet Broadway Database
560:Internet Broadway Database
425:Banham, Martin, ed. 1998.
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195:(who had been cast as the
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515:Morley, Sheridan. 1981.
86:), also known simply as
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519:New York: McGraw-Hill.
455:Benedetti, Jean. 1999.
205:Russian Orthodox Church
169:Constantin Stanislavski
485:Day, Barry, ed. 2007.
472:History of the Theatre
383:Hartnoll (1893, 377),
246:in 1913 in which both
129:in 1896 for the play.
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555:Hannele
530:Worrall, Nick. 1996.
386:Hannele
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281:Hanneles Himmelfahrt
220:Fifth Avenue Theatre
166:theatre practitioner
157:. The cast included
84:Hanneles Himmelfahrt
517:Gertrude Lawrence.
193:Vsevolod Meyerhold
189:Moscow Art Theatre
159:Adalbert Matkowsky
133:Production history
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489:London: Methuen.
248:Gertrude Lawrence
127:Grillparzer Prize
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309:References
111:dramaturgy
44:1893-12-14
27:Written by
272:Urban Gad
258:in 1924.
244:Liverpool
151:Max Grube
108:symbolist
66:Symbolism
678:The Rats
216:New York
102:dramas,
90:, is an
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399:at the
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218:at the
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123:heroine
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614:Drama
294:opera
119:child
62:Genre
536:ISBN
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446:ISBN
431:ISBN
288:and
268:1922
250:and
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92:1893
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266:In
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