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Like Paul Fort before him, Lugné-Poe never had a permanent theatre to serve as his company's home stage for the entire run of its initial art-theatre experiment. The Théâtre de l'Œuvre debuted with
Maeterlinck's
588:, Réjane having stipulated in the sales contract that the theater could not retain her name. Volterra ran the theatre until 1948, when it was taken over by Marcel Karsenty and the comedian
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in 1892, starring Lugné-Poe as Wangel, it was Lugné-Poe who would make Ibsen his specialty in Paris theatre, premiering (and often starring in) nine Ibsen plays between 1893 and 1897.
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at the grander Théâtre de la
Renaissance in February. Lugné-Poe's last productions for the company were done at the very theatre where the Théâtre de l'Œuvre had begun in 1893 with
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549:: the Théâtre des Bouffes-Parisiens. Lugné-Poe had successfully established the Nouveau-Théâtre as the site for daring, challenging, and at times outrageous modern drama.
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rink. In 1880, using plans by the architects Aimé Sauffroy and
Ferdinand Grémailly, part of the rink became the Palace Théâtre and, after a further restoration in 1891 by
459:. The second half, however, starting in March 1896, began over two-years' residency for the Théâtre de l'Œuvre at Nouveau-Théâtre. Most notably, they premiered Ibsen's
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The 1895-96 season found residence at two locations. Lugné-Poe staged the first half of the season back at the Comédie-Parisienne, with a line-up that included
249:'s eclectic Théâtre d'Art, which, from 1890 to 1892, presented poetry recitations, dramatic work by Marlowe, Shelley, and Hugo, as well as new plays by
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Under Alain de
Leseleuc (1965–1975) and Robert Hossein (1975–1990) the theatre specialized in musical works, particularly
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In 1811, the Folie-Richelieu was transformed into a park, then demolished completely in 1851 in the redevelopment under
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420:) were staged at the Théâtre des Menus-Plaisirs, he returned to Nouveau-Théâtre to conclude the season with Ibsen's
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Elvira
Popescu created a second venue with 300 seats, converted from costume workshops, which she first called the
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531:(18 May 1898). For their last season, the Théâtre de l'Œuvre gave two undistinguished premieres—Paul Sonniès'
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took over in 1955 along with Hubert de Mallet, managing it for ten years, before she left to the
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The producer Léon
Volterra bought the hall in 1918, and on 12 August 1919, he inaugurated the
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in May 1893, but the six engagements in his next season occurred at the distant
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Fortunée
Hamelin, first of a line of women to run the theatre. Painting by
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Fortune and
Whenham, "Modern editions and performances" pp. 173–181
541:(5-6 June 1899)—preferring to hold the much anticipated revival of
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Directeurs de théâtre, XIXe–XXe siècles: Histoire d'une profession
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it was directed by Fortunée
Hamelin, a celebrated member of the
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bought the theater, renovated it and gave it a new name, the
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Buildings and structures in the 9th arrondissement of Paris
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in 1911 and successfully played her signature role of
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at the newly built Comédie-Parisienne (later known as
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in 1730. Baron Ogny bought it in 1779 and renamed it
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237:, who, from 1888 to 1890, had been an actor in the
1143:. Cambridge, England: Cambridge University Press.
148:of Paris. It includes a second smaller venue, the
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144:is a theatre located at 15, rue Blanche in the
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485:(25-26 January 1897); Hauptmann's fairy drama
481:(9-10 December 1896); Bjørnson's sequel to
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1157:Goetschel, Pascale and Yon, Jean-Claude:
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537:(15-16 May 1899) and Lucien Mayrargue's
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877:(first two parts: Marius and Fanny) by
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1136:Fortune, Nigel; Whenham, John (1986).
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199:. It became the site of the church of
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974:by Andrew Lloyd Webber directed by
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299:Lugné-Poe at the Nouveau-Théâtre
226:Gabrielle Réjane, photograph by
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289:, 1891), and Fort had produced
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620:directed by Maurice Lehmann,
491:(4-5 March 1897); Bataille's
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26:Nouveau-Théâtre (1891–1918 )
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1039:Becket ou l'honneur de Dieu
746:, tragedy in three acts by
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553:Réjane's Artistic Direction
316:Théâtre des Bouffes du Nord
176:("marvelous women") of the
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1214:Theatres completed in 1891
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978:, produced by Mel Howard
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758:, drama in five acts by
517:(7-8 January 1898); and
495:(7-8 May 1897); Ibsen's
16:Theatre in Paris, France
997:Variations énigmatiques
913:'Tis Pity She's a Whore
794:, play in four acts by
782:, play in five acts by
667:before renaming it the
471:(11-12 November 1896);
381:'Tis Pity She's a Whore
201:Sainte-Trinité de Paris
881:, with Orane Demazis,
669:Petit Théâtre de Paris
659:Petit Théâtre de Paris
543:An Enemy of the People
501:(22-23 June 1897) and
465:(22-23 June 1896) and
446:The Ring of Shakuntalā
336:, Gerhart Hauptmann's
327:An Enemy of the People
230:
192:
150:Petit Théâtre de Paris
134:www.theatredeparis.com
33:Petit Théâtre de Paris
1058:after the movie from
1001:Éric-Emmanuel Schmitt
875:Trilogie marseillaise
557:In 1906, the actress
514:The Inspector General
507:(8-9 November 1897);
292:The Lady from the Sea
225:
186:
1169:French Theatre Today
827:John Gabriel Borkman
755:The Little Clay Cart
547:Pelléas et Mélisande
504:John Gabriel Borkman
408:, and Maeterlinck's
405:The Little Clay Cart
372:Théâtre de l'Athénée
307:Pelléas et Mélisande
87:48.87861°N 2.33139°E
983:Tailleur pour dames
772:Maurice Maeterlinck
715:Brouillard du matin
633:Le pont des soupirs
527:(2-3 May 1898) and
259:Maurice Maeterlinck
241:company founded by
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1062:, with Michel Leeb
1026:after the film by
1008:Les portes du ciel
1003:, with Alain Delon
991:Jean-Paul Belmondo
861:Claudio Monteverdi
697:Nos bons chasseurs
483:Beyond Human Power
462:Pillars of Society
342:Beyond Human Power
333:The Master Builder
271:Théâtre de l'Œuvre
235:Aurélien Lugné-Poe
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168:. Then during the
146:9th arrondissement
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1204:Theatres in Paris
1048:Bernard Giraudeau
748:August Strindberg
638:Jean-Michel Ribes
358:August Strindberg
350:Robert d'Humières
257:, and especially
162:Duke of Richelieu
138:
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92:48.87861; 2.33139
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1189:Official website
1171:1953, Arno Press
1161:, Sorbonne, 2008
1154:
1128:
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1016:Gérard Depardieu
962:Luigi Pirandello
922:Luchino Visconti
901:Tea and Sympathy
868:Théâtre de Paris
699:, vaudeville by
586:Théâtre de Paris
581:at the theatre.
579:Victorien Sardou
574:Madame Sans-Gêne
559:Gabrielle Réjane
436:Venice Preserved
209:Édouard Niermans
142:Théâtre de Paris
116:1,100 (plus 300)
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623:La belle Hélène
598:Théâtre Marigny
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488:The Sunken Bell
392:, Strindberg's
388:), Beaubourg's
354:Sleeping Beauty
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1109:Irina Brook
1107:, director
966:Claude Jade
937:The Seagull
930:Alain Delon
873:1929–1931:
859:, opera by
729:Edouard Rod
451:Oscar Wilde
321:Rosmersholm
90: /
65:Coordinates
1198:Categories
1115:References
847:, play by
727:, play by
717:, play by
703:, text by
689:, play by
614:, such as
590:Pierre Dux
529:The Wolves
493:Your Blood
395:The Father
178:Directoire
78:02°19′53″E
75:48°52′43″N
1100:Peter Pan
1077:Jean Piat
918:John Ford
893:Tovaritch
803:Peer Gynt
767:Intérieur
643:Starmania
608:operettas
605:Offenbach
468:Peer Gynt
411:Interieur
386:Annabella
376:John Ford
363:Creditors
267:The Blind
247:Paul Fort
957:Henri IV
687:Rabelais
539:The Yoke
441:Kālidāsa
283:, 1890;
251:Rachilde
112:Capacity
1097:2011:
1068:Amadeus
1046:, with
1030:, with
1014:, with
989:, with
948:, with
924:, with
856:L'Orfeo
815:Ubu Roi
760:Śūdraka
743:Le Père
478:Ubu Roi
400:Śūdraka
156:History
129:Website
106:theatre
52:Address
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630:, and
534:Fausta
456:Salome
449:, and
330:, and
280:Ghosts
211:, the
191:(1798)
121:Opened
1178:p 134
883:Raimu
779:Brand
423:Brand
228:Nadar
180:era.
58:Paris
1145:ISBN
972:Cats
928:and
885:and
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610:and
524:Aert
348:and
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124:1891
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