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155:, induced by a beautiful woman. Lust has encouraged the son to prodigality, for his fortunes fade not for his own self-centered "riotous living", but for the sake of pleasing the woman by buying her valuable presents. The character of a salacious woman is non-existent in the biblical parable, and as a counterbalance the poem omits the character of an older son which slightly changes the poem's ending and significantly the moral lesson learned.
239:. Elaborate plot, characters and the narrator are traits of epic poetry, drama is manifested by an extremely intensive internal conflict of the main character and the long monologues, and lyrics is indicated in the form itself, by the emotional vigour, ethical and theological contemplations and numerous poetical devices and
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Both the parable and the poem elaborate on the problem of sin, insight into it, and finally on repentance and forgiveness. But, while the biblical parable is directed towards the "righteous" which are advised that every sinner's conversion should be celebrated "for this thy brother was dead, and is
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form the son introduces the plot to the reader, and therefore beside being the main character serves also the role of a narrator, with the exception of sporadic occurrence of the omniscient narrator who announces the monologue. In the biblical parable, however, only the omniscient narrator appears.
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15:11–32, the basis of which forms a story on a father forgiving his son's spendthriftness and greed, after the son comes back home remorseful of his actions. Gundulić adapts and heavily elaborates the original storyline, but still leaves clearly recognizable traits of the biblical template.
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Significantly different is the elaboration on the sin itself, being portrayed in the biblical parable as a hedonistic enjoyment in life's pleasures, excessive luxury and overindulgence. The poem adapts those sins too, but ultimately binds them into the foremost sin of
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alive again; and was lost, and is found" (Luke 15:32, KJV), the poem focuses on the sinner itself, emphasizing that everyone who experiences genuine repentance will be forgiven, and his eternity secured.
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in this case. Biblical parable on the prodigal son has but merely two dozen lines, while
Gundulić's poetical cultivation extends to 1332 verses, being permeated with numerous son's contemplations on the
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had a more general notion of literary form, which is probably one of the reasons why it remained undetermined by today, embodying the characteristics of all three literary arts:
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whence the plot itself is adopted from. Laments are titled in accordance with the three stages the prodigal son experiences: the Sin, the
Comprehension and the Humility.
263:. The antithesis of "sin/purification" imbues the piece as a whole, so the poem itself can be understood as one big antithesis. Also, it's marked by the prevalent
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503:, Filozofski fakultet Sveučilišta u Zagrebu, Odsjek za kroatistiku: Hrvatska književnost 17. i 18. stoljeća, 2008.
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397:; edited by Fališevac, methodically arranged by Majda Bekić-Vejzović, Zagreb, 1993, 1999, 2005.
208:, with the first lament having 74, the second 56 and the third 92 octosyllabic sestinas, with
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416:"Suse sina rasmetnoga, gospodina Giva Frana Gundulichia, vlastelina Dubrouackoga"
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Pjesan od velicjanstvaa
Boscieh / Giva Frana Gundulichja vlastelina dubrovackoga
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The very beginning of the poem is marked by a brief dedication in prose to the
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386:; edited by Franjo Švalec, foreword and appendix by Dean Duda, Zagreb, 2001.
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and death, the sin, and numerous verses dedicated to his repentance.
375:; edited by Franjo Švelec, foreword by Lahorka Plejić, Zagreb, 1996.
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Digitalne zbirke
Nacionalne i sveučilišne knjižnice u Zagrebu
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182:. Every lament is prefaced by a convenient quote from the
514:; edited by D. Fališevac, Zagreb, 2005, pp. 5. - 33.
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Parable as a literary form represents an elaborated
130:, inserted into a larger literary works—the
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353:, book 12, edited by Jakša Ravlić, Zagreb, 1964.
197:'s poetry and briefly announces poem's subject.
75:The poem is composed of three laments (cries) (
364:; edited by Franjo Švelec, Zagreb, 1974, 1976.
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323:, published by D. Pretnera, Dubrovnik, 1909.
321:Suze sina razmetnoga / Gjivo Frana Gundulića
311:Od prie drugovdje, napokon ovdi pritjesctene
191:Prisvijetlomu gospodinu Jeru Dživa Gundulića
91:), presenting the three basic categories of
930:Return of the Prodigal Son (disambiguation)
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486:Learn how and when to remove this message
251:and numerous contradictory figures—
449:This article includes a list of general
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313:; po Antunu Maretkini, Dubrovnik, 1828.
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351:Pet stoljeća hrvatske književnosti
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925:The Prodigal Son (disambiguation)
512:Gundulić, Ivan, Kralj od pjesnika
200:The poem is written in symmetric
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68:. It was originally published in
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595:The Prodigal Son in the Brothel
508:Ivan Gundulić – pjesnik-filozof
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835:Le retour de l'enfant prodigue
603:The Return of the Prodigal Son
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223:as a term even in the ancient
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893:The Wonderful Wizard of Ha's
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107:draws on the well-known
961:17th century in Croatia
908:The Burglar's Christmas
470:more precise citations.
303:Sedam pjesnji pokornieh
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34:Plač prvi: Sagriescenie
501:Lirika 17. stoljeća II
225:Greco-Roman literature
83:), the Comprehension (
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861:Dives in misericordia
347:Ferninandu od Toskane
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391:Suze sina razmetnoga
380:Suze sina razmetnoga
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358:Suze sina razmetnoga
339:Suze sina razmetnoga
332:Suze sina razmetnoga
299:Suse sina rasmetnoga
293:Suze sina razmetnoga
178:structured in three
87:) and the Humility (
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775:Walkin' to Missouri
689:The London Prodigal
552:in arts and culture
247:, epithets, strong
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204:combined to
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93:Christianity
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887:Fatted calf
843:Home-Coming
692:(1605 play)
468:introducing
167:Gundulić's
951:1622 poems
945:Categories
819:Literature
646:The Gospel
451:references
425:2021-11-20
402:References
349:; edition
261:antitheses
476:June 2012
257:paradoxes
253:oxymorons
249:metaphors
195:Dubrovnik
173:religious
144:monologue
114:found in
103:The poem
89:Skrušenje
85:Spoznanje
72:in 1622.
918:See also
784:" (1994)
777:" (1952)
395:Dubravka
384:Dubravka
373:Dubravka
362:Dubravka
343:Dubravka
328:Dubravka
317:Dubravka
275:See also
265:allegory
243:such as
212:ABABCC.
206:sestinas
128:metaphor
109:biblical
59:Croatian
47:Croatian
901:Michael
606:(1660s)
590:(1500s)
565:Luke 15
464:improve
245:similes
180:laments
62:Baroque
53:) is a
896:(2007)
872:(1984)
864:(1980)
838:(1907)
830:(1622)
811:(1983)
803:(1981)
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746:(1869)
727:(1968)
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614:(1922)
598:(1637)
558:Source
510:, in:
453:, but
229:lyrics
124:simile
70:Venice
880:Other
853:Papal
792:Album
762:Songs
735:Music
708:Opera
681:Stage
237:drama
233:epics
216:Style
171:is a
132:Bible
126:or a
64:poet
622:Film
548:The
259:and
235:and
221:Poem
176:poem
163:Form
153:lust
116:Luke
77:plač
55:poem
39:The
579:Art
269:God
142:In
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