47:
263:
730:‘‘Working with Feminism: Curating and Exhibitions in Eastern Europe, Acta Universitatis Tallinnensis: Artes’’, Angela Dimitrakaki, Katrin Kivimaa, Katja Kobolt, Izabela Kowalczyk, Pawel Leszkowicz, Suzana Milevska, Bojana Pejic, Rebeka Põldsam, Mara Traumane, Airi Triisberg, Hedvig Turai, p. 85. Estonia: Tallinn University Press / Tallinna Ülikooli Kirjastus.
800:
Tatiana
Smorodinskaya (Russian, Middlebury Coll.), Karen Evans-Romaine (Russian, Ohio Univ.), and Helena Goscilo (Slavic languages, Univ. of Pittsburgh) (ed.) (2007). ‘‘Encyclopedia of contemporary Russian Culture (Encyclopedias of Contemporary Culture Series), pp. 19, 42-43. Abingdon, UK and New
823:АРТ-Конституция (иллюстрированная АРТ – Конституция Российской Федерации, в создании которой принимали участие наиболее актуальные художники начала 21 века). сс. 110, 111, 131, 132, 272, 273. Тексты: Зураб Церетели, Екатерина Деготь, Наталья Колодзей. Москва: Музей современного искусства, 2003.
181:
Tania
Antoshina is one of the most significant Russian female artists since Perestroika. Her work explores the role of women artists in society and in art history and was exhibited in the iconic ‘After the Wall’ exhibition at the Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin; ‘Gender
837:
Renee
Baigell, Matthew Baigell (July 1, 2001). ‘’Peeling Potatoes, Painting Pictures: Women Artists in Post-Soviet Russia, Estonia, and Latvia. The First Decade’’. The Dodge Soviet Nonconformist Art publication series, p. 55. New Brunswick, NJ, USA: Jane Voorhees Zimmerli Art Museum: Rutgers.
268:
186:. Her works are in the collections of MUMOK, Vienna; National Museum of Women in the Arts, Washington; Neues Museum Weserburg Bremen; State Russian Museum, St Petersburg; and The Tretyakov Gallery, Moscow.
890:
939:
Pat
Simpson, ‘’Peripheralising Patriarchy? Gender and Identity in Post-Soviet Art: A View from the West’‘, Oxford Art Journal, Vol. 27, No. 3 (2004), Oxford University Press, pp. 406, 407, 2004;
719:
Viola
Hildebrand-Schat (2014). ‘‘Appropriation oder Simulacrum?’‘, p. 229-233, in Guido Isekenmeier, ‘‘Interpiktorialität: Theorie und Geschichte der Bild-Bild-Bezüge’‘, transcript Verlag,
1285:
834:СЛОВАРЬ ГЕНДЕРНЫХ ТЕРМИНОВ / Под ред. А. А. Денисовой / Региональная общественная организация "Восток-Запад: Женские Инновационные Проекты". М.: Информация XXI век, 2002. c. 256;
174:, curator, PhD in art history, one of the first participants of the gender movement in Moscow art. In 1991 she completed postgraduate studies and received a PhD in Fine Arts
175:
151:
Tania
Antoshina, Tatiana Antoshina, Tanya Antoshina, Tatjana Antoschina, Tatyana Antoschina. From 1977 to 1997 she bore the surname Машукова (Tatyana Mashukova
92:
281:
212:
165:
849:Женщина в обществе: мифы и реалии : сборник статей / редактор-составитель Круминг Л.С. , сс. 1, 4. Москва : Информация - XXI век, 2001.
632:
Best Report at the
Scientific Conference of Post-Graduate Students and Teachers of the Moscow Institute of Industrial Arts, Moscow, Russia, 1985;
774:
Julia
Tulovsky (2008). ‘’The Claude and Nina Gruen Collection of Contemporary Russian Art’’, pp. 24, 79. Jane Voorhees Zimmerli Art Museum,
68:
741:
Klaus Krüger / Leena
Crasemann / Matthias Weiß: (Hgg.) (2011). ‘‘Re-Inszenierte Fotografie’‘. Munich, Germany: Wilhelm Fink Verlag.(2011)
1270:
1265:
694:
Thomas Deecke, Markus
Bulling (2001). ‘’8. Triennale Kleinplastik Fellbach Vor-Sicht, Rück-Sicht’’. Germany, Stadt Fellbach Auflage;
17:
763:
Alain Monvoisin (2008). ‘‘DICTIONNAIRE INTERNATIONAL DE LA SCULPTURE MODERNE ET CONTEMPORAINE’‘, p. 26-27. Paris, France, Regard.
593:
678:
1166:
828:
817:
768:
757:
746:
724:
702:
258:
936:
Hans-Dieter Fronz, KUNSTFORUM, Bd.171 Juli-August 2004, p. 370-371, ‘’Na Kurort! Russische Kunst heute’‘, Zurich, 2004;
906:
209:
243:
1114:
794:
735:
697:Александр Боровский. «Как-то раз Зевксис с Паррасием... Современное искусство: практические наблюдения». Литрес, 2017.
1189:
1260:
1028:
960:
Chrictopf Wiedemann, ‘’Freie Radikale auf ihrem Weg in den Westen’‘, Seite 18, Suddeutsche Zeitung, Nr.13, 17.1.2001;
865:
854:
843:
779:
713:
1156:
1275:
1018:
891:
This Leads to Fire: From Nonconformism to Global Capitalism, Selections from the Kolodzei Art Foundation Collection
860:Женщина и визуальные знаки : сборник / Ин-т "Открытое общество", сс. 232-234. - М. : Идея-Пресс, 2000.
236:
554:
1020:
Peeling Potatoes, Painting Pictures: Women Artists in Post-Soviet Russia, Estonia, and Latvia: the first decade
806:
708:
Jonson Lena (2015). ‘‘Art and Protest in Putin's Russia’‘, Taylor and Francis, pp. XII, 207, 227, 240, 261,
617:
611:
605:
226:
912:
1255:
630:
Participant of the International Symposium CERAMICS - PAINTING - GRAPHICS Bad Lippspringe, Germany, 1992;
1214:
314:
1076:
221:
966:
Brita Sachs, ‘’Sei frech und zeige deine Katastrophen’‘ , Frankfurter Augemeine Zaitung, Februar 2001;
963:
Von Michael Dultz, ‘’Klassische Frauenszenen mit Mannern nachgestellt’‘ , Die Welt Bayern, 15.01.2001;
900:
884:
1280:
994:
542:
930:
918:
894:
522:
441:
286:
216:
1250:
278:
1133:
628:
Winner of the contest "Modern Russia", Photo Center on Gogol Boulevard, Moscow, Russia, 2001;
532:
1245:
1107:
Encyclopedia of contemporary Russian Culture (Encyclopedias of Contemporary Culture Series)
581:
575:
1054:
458:, Bangladesh Shilpakala Academy, National Academy of Fine and Performing Arts, Dhaka, 2018
8:
752:
Thomas Deecke (2010). ‘‘Leben mit der Kunst’‘. Germany: Nicolaische Verlagsbuchhandlung.
644:
171:
450:
From Non-Conformism to Feminisms: Russian Women Artists from the Kolodzei Art Foundation
812:Игорь Кон (2003) Мужское тело в истории культуры p. 378-382; Издательство: СЛОВО/SLOVO
504:
984:
322:
1162:
1110:
1024:
861:
850:
839:
824:
813:
802:
790:
775:
764:
753:
742:
731:
720:
709:
698:
572:
Scholarship Residence Center for Contemporary Art "Zarya", Vladivostok, Russia, 2017;
253:
654:, expedition to South Siberia for collection of ethnic and cultural material, 2014;
600:
Five Rings Prize, Olympic Landscape Sculpture Design Contest, Beijing, China, 2008;
989:
511:
484:
471:
183:
560:
433:
248:
942:
Brian Dillon, ‘’Tatiana Antoshina’‘, MODERN PAINTERS, summer 2004, pp.120-121.
1239:
951:
Texte zur Kunst, Band 11, Ausgaben 41-42, Texte zur Kunst GMBH, p. 142, 2001;
659:, in partnership with A.Galenz and G.Kuznetsov, InteriorDAsein, Berlin, 2012;
480:, Bangladesh Shilpakala Academy National Art Gallery, Dhaka, Bangladesh, 2016
339:, Podgorica Museums & Galleries, Gallery Art, Podgorica, Montenegro, 2015
316:
TANIA ANTOSHINA : L'ARCHE DE L'ESPACE / TANIA ANTOSHINA : SPACE ARK
102:
1105:
Smorodinskaya, Tatiana; Evans-Romaine, Karen; Goscilo, Helena, eds. (2007).
46:
787:
Bodycheck: Catalog of the 10th Fellbach Triennial of Contemporary Sculpture
446:, Katzen Arts Center, American University Museum, Washington, DC, USA, 2019
291:
114:
72:
1077:"The National Pavilion of Mauritius: From One Citizen You Gather an Idea"
878:
691:(University of Zurich), ISBN 978-1-62273-277-7, Vernon Press, March 2022;
231:
154:
110:
60:
636:
Best Teacher of the Krasnoyarsk Art Academy, Krasnoyarsk, Russia, 1984.
590:
Olympic Art Gold Medal, Olympic Fine Arts, London, United Kingdom, 2012;
428:
International Biennale of Vallauris – Contemporary Creation and Ceramics
275:
Asia-Pacific Institute of Art & Research, Jeollabuk-do, South Korea;
688:
669:, in partnership with G.Vysheslavsky, Champino, Velletri, Italy, 1992.
297:
879:“FEMINISM OF THE TENDER KIND Tatyana Antoshina: performative ceramics”
204:
106:
957:‘’Letzte Tage IsKusstwo 2000’‘, Oberbauer, Volksblah, 24/25, 2.2001;
684:
273:
Krasnoyarsk Cultural Historical Museum complex, Krasnoyarsk, Russia;
919:
IWMpost 110 by Institut für die Wissenschaften vom Menschen - Issuu
443:
Moves Like Walter: New Curators Open the Corcoran Legacy Collection
1109:. Abingdon, UK and New York, USA: Routledge. pp. 19, 42–43.
1104:
157:
64:
598:
Olympic Art Gold Medal, Olympic Fine Arts, Beijing, China, 2008;
430:, Musée Magnelli, Musée de la céramique, Vallauris, France, 2024
1158:
Interpiktorialität: Theorie und Geschichte der Bild-Bild-Bezüge
969:
Rod Mengham, ‘’The refugee aesthetic?’‘ , TATE, issue 20, 2000.
161:
1190:"The Mauritius Pavilion – From One Citizen You Gather an Idea"
1023:. New Jersey, USA: Rutgers University Press. pp. 55–57.
924:
634:
Silver Medal of VDNH for Teaching Work, Moscow, Russia, 1985;
623:
494:
199:
954:
Elfi Kreis, ‘’Absurdistan’‘, Kunstzeitung, nr. 57, mai 2001;
602:
Laureate of the Magmart video festival, Naples, Italy, 2005;
588:
Scholarship Residences MARIPOSA Canary Islands, Spain, 2012;
462:
Women at Work: Subverting the Feminine in Post-Soviet Russia
327:, ZARYA Center for Contemporary Art, Vladivostok, 2017-2018
1286:
Stroganov Moscow State Academy of Arts and Industry alumni
664:, together with G.Kuznetsov, PROEKT FABRIKA, Moscow, 2011;
435:
DARK ROOM: VIDEOWORDS The fifth special project by Magmart
319:, Galerie Vallois Modern and Contemporary Art, Paris, 2023
685:“ART JUDGMENTS: Art on Trial in Russia after Perestroyka”
979:
881:, by Anna Tolstova for “Kommersant Weekend”, 01.09.2023;
134:
1086:. International Art Exhibition, La Biennale di Venezia
948:
Francesca Piovano, ‘’Art-Forum’‘, CVA, issue 33, 2001;
887:, by Alexey Tarkhanov for “Art Focus Now”, 13.04.2023;
345:, Krasnoyarsk Museum Center, Krasnoyarsk, Russia, 2014
176:
Stroganov Moscow State University of Arts and Industry
93:
Stroganov Moscow State University of Arts and Industry
1128:
1126:
452:, Museum of Russian Art (TMORA), Minnesota, 2018-2019
681:, 2023-04-06, Galerie Robert Vallois, Paris, France;
1161:. Bielefeld: Transcript Verlag. pp. 229–232.
1123:
1012:
1010:
586:Scholarship Residency KRITI Varanasi, India, 2013;
1237:
1209:
1207:
1007:
945:‘’СAPITAL PERSPECTIVE’‘, Moscow, pp. 5-6, 2002;
363:, Mario Mauroner Gallery, Vienna, Austria, 2008
1069:
1016:
147:Таня Антошина, Татьяна Константиновна Антошина
40:Таня Антошина, Татьяна Константиновна Антошина
1204:
649:, special project of 6 Moscow Biennale 2015;
333:, Dukley Art Center, Kotor, Montenegro, 2017
69:Russian Soviet Federative Socialist Republic
1154:
438:, Torrance Art Museum, Torrance, USA, 2021
264:Museum of Decorative-Applied and Folk Arts
45:
1017:Baigeil, Renne; Baigeil, Matthew (2001).
241:Olympic Fine Arts Museum, Beijing, China;
1049:
1047:
927:, taz, BENNO SCHIRRMEISTER, 23.12.2006;
907:Female Artists and the Nude Male, Part 5
1192:. Google Arts and Culture & pARTage
885:“ANTOSHINA AND RAIDERS OF THE LOST ARK”
639:
399:, Guelman Gallery, Moscow, Russia, 1997
393:, Guelman Gallery, Moscow, Russia, 1999
381:, Guelman Gallery, Moscow, Russia, 2002
375:, White Space Gallery, London, UK, 2004
369:, Guelman Gallery, Moscow, Russia, 2006
303:
14:
1238:
1000:
789:. Germany: Snoek Verlagsgesellschaft.
785:Matthias Winzen; Nicole Fritz (2007).
679:“TANIA ANTOSHINA: L'ARCHE DE L'ESPACE”
672:
417:, Regina Gallery, Moscow, Russia, 1992
387:, Florence Lynch Gallery, NY, US, 2001
351:, Galerie Vallois, Paris, France, 2010
1044:
901:Google Arts and Culture. Quantum Leap
567:
259:National Centre for Contemporary Arts
210:National Museum of Women in the Arts
190:Antoshina lives and works in Paris.
182:Check’, MUMOK, Vienna; and the 56th
487:, State pavilion of Mauritius, 2015
464:, White Space Gallery, London, 2018
456:18-th ASIAN ART BIENNALE BANGLADESH
24:
1271:21st-century Russian women artists
1266:20th-century Russian women artists
478:17th Asian Art Biennale Bangladesh
25:
1297:
973:
915:, Neue Zürcher Zeitung, 5.3.2013;
545:, Berlin, Hamburger Bahnhof, 2001
405:, Guelman Gallery, Moscow, Russia
357:, VP Studio, Moscow, Russia, 2010
933:, Transit Art Space, April 2006;
897:at Purchase College, SUNY, 2015;
234:, Charlotte, North Carolina, US;
616:Winner of the "Silver Camera",
610:Winner of the "Silver Camera",
551:, Ludwig Museum, Budapest, 2000
468:ART RIOT: POST-SOVIET ACTIONISM
411:, Expo 88, Moscow, Russia, 1996
269:Perm Museum of Contemporary Art
237:Casoria Contemporary Art Museum
1182:
1148:
1098:
872:
626:Residence, New York, US, 2001;
421:
194:
13:
1:
618:Multimedia Art Museum, Moscow
612:Multimedia Art Museum, Moscow
606:Omi International Arts Center
582:Dukley European Art Community
576:Dukley European Art Community
308:
227:Omi International Arts Center
985:Tatyana Antoshina on ARTFACT
7:
1155:Isekenmeier, Guido (2014).
1055:"Tania Antoshina Biography"
990:Tatyana Antoshina on ARTNET
501:Moscow — NY = Parallel Play
331:Reggae Feminism or 88 March
251:, Saint Petersburg, Russia;
205:New Museum Weserburg Bremen
10:
1302:
925:Die Einheit des Universums
584:, Kotor, Montenegro, 2015;
578:, Kotor, Montenegro, 2017;
379:The Voyeurism of Alice Guy
222:American University Museum
995:Tania Antoshina Sotheby's
921:, N110 may – August 2012;
543:National Gallery (Berlin)
415:The Hound of Baskervilles
324:Cold Land. Northern Tales
229:collection, New York, US;
149:; also transliterated as
130:
120:
98:
87:
79:
53:
44:
39:
32:
1261:Women multimedia artists
1215:"Stardust Boogie Woogie"
980:Tatyana Antoshina's site
913:Gesellschaft vor Gericht
657:V-5, Space as a Presence
18:Tania Antoshina (artist)
1276:People from Krasnoyarsk
1220:. Art Laboratory Berlin
895:Neuberger Museum of Art
596:, Moscow, Russia, 2012;
294:collection, Washington;
287:Kolodzei Art Foundation
244:Penang State Art Museum
83:Russian, lives in Paris
903:, May - November 2015;
801:York, USA: Routledge.
662:Sons of the Big Dipper
594:“Russian Activist Art”
580:Scholarship Residence
574:Scholarship Residence
279:Francis J. Greenburger
1136:. White Space Gallery
533:Royal Academy of Arts
525:, Washington DC, 2006
515:, Moscow, Russa, 2007
640:Curatorship projects
304:Selected exhibitions
300:Collection, London.
224:, Washington DC, US;
219:, Washington DC, US;
214:, Washington DC, US;
135:http://antoshina.com
1001:Notes et références
673:Select publications
622:Scholarship of the
523:Corcoran Art Museum
474:, London, 2017-2018
361:My Favorite Artists
349:My Favorite Artists
246:, Penang, Malaysia;
217:Corcoran Art Museum
172:contemporary artist
153:)) (b. 1 May 1956,
1256:Multimedia artists
646:The Quest of Power
592:Alternative Prize
568:Honours and awards
505:Chelsea Art Museum
207:, Bremen, Germany;
202:, Vienna, Austria;
1168:978-3-8376-2189-1
1134:"Tania Antoshina"
829:978-5-91611-007-4
818:978-5-85050-704-6
769:978-2-84105-211-0
758:978-3-89479-599-3
747:978-3-7705-5133-0
725:978-3-8376-2189-1
703:978-5-227-07198-9
563:, Stockholm, 1999
397:Museum of a Woman
385:Museum of a Woman
373:Museum of a Woman
355:Alice and Gagarin
337:Museum of a Woman
266:, Moscow, Russia;
261:, Moscow, Russia;
256:, Moscow, Russia;
254:Tretyakov Gallery
143:Tatyana Antoshina
140:
139:
126:Museum of a Woman
34:Tatyana Antoshina
16:(Redirected from
1293:
1281:Feminist artists
1230:
1229:
1227:
1225:
1219:
1211:
1202:
1201:
1199:
1197:
1186:
1180:
1179:
1177:
1175:
1152:
1146:
1145:
1143:
1141:
1130:
1121:
1120:
1102:
1096:
1095:
1093:
1091:
1081:
1073:
1067:
1066:
1064:
1062:
1051:
1042:
1041:
1039:
1037:
1014:
909:, July 14, 2014;
239:, Naples, Italy;
123:
49:
30:
29:
21:
1301:
1300:
1296:
1295:
1294:
1292:
1291:
1290:
1236:
1235:
1234:
1233:
1223:
1221:
1217:
1213:
1212:
1205:
1195:
1193:
1188:
1187:
1183:
1173:
1171:
1169:
1153:
1149:
1139:
1137:
1132:
1131:
1124:
1117:
1103:
1099:
1089:
1087:
1079:
1075:
1074:
1070:
1060:
1058:
1053:
1052:
1045:
1035:
1033:
1031:
1015:
1008:
1003:
976:
875:
675:
665:
660:
655:
652:Terra Incognita
650:
642:
635:
633:
631:
629:
627:
621:
615:
609:
608:, NY, US, 2005;
603:
601:
599:
597:
591:
589:
587:
585:
579:
573:
570:
512:Moscow Biennale
485:Venice Biennale
472:Saatchi Gallery
424:
403:Women of Russia
391:April in Moscow
367:Space Travelers
311:
306:
295:
290:
285:
276:
274:
272:
271:, Perm, Russia;
267:
262:
257:
252:
247:
242:
240:
235:
230:
225:
220:
215:
208:
203:
197:
191:
187:
184:Venice Biennale
121:
75:
58:
35:
28:
23:
22:
15:
12:
11:
5:
1299:
1289:
1288:
1283:
1278:
1273:
1268:
1263:
1258:
1253:
1248:
1232:
1231:
1203:
1181:
1167:
1147:
1122:
1116:978-0415758628
1115:
1097:
1068:
1043:
1029:
1005:
1004:
1002:
999:
998:
997:
992:
987:
982:
975:
974:External links
972:
971:
970:
967:
964:
961:
958:
955:
952:
949:
946:
943:
940:
937:
934:
928:
922:
916:
910:
904:
898:
888:
882:
874:
871:
870:
869:
858:
847:
835:
832:
821:
810:
798:
795:978-3936859645
783:
772:
761:
750:
739:
736:978-9985587539
728:
717:
706:
695:
692:
689:Sandra Frimmel
682:
674:
671:
641:
638:
569:
566:
565:
564:
561:Moderna Museet
556:After the Wall
552:
549:After the Wall
546:
539:After the wall
536:
535:, London, 2005
526:
516:
508:
498:
497:, Vienna, 2012
488:
481:
475:
465:
459:
453:
447:
439:
431:
423:
420:
419:
418:
412:
406:
400:
394:
388:
382:
376:
370:
364:
358:
352:
346:
340:
334:
328:
320:
310:
307:
305:
302:
249:Russian Museum
196:
193:
167:French-Russian
138:
137:
132:
128:
127:
124:
118:
117:
100:
99:Known for
96:
95:
89:
85:
84:
81:
77:
76:
59:
55:
51:
50:
42:
41:
37:
36:
33:
27:Russian artist
26:
9:
6:
4:
3:
2:
1298:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1251:Living people
1249:
1247:
1244:
1243:
1241:
1216:
1210:
1208:
1191:
1185:
1170:
1164:
1160:
1159:
1151:
1135:
1129:
1127:
1118:
1112:
1108:
1101:
1085:
1078:
1072:
1056:
1050:
1048:
1032:
1030:9780813529462
1026:
1022:
1021:
1013:
1011:
1006:
996:
993:
991:
988:
986:
983:
981:
978:
977:
968:
965:
962:
959:
956:
953:
950:
947:
944:
941:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
899:
896:
892:
889:
886:
883:
880:
877:
876:
867:
866:5-7333-0043-4
863:
859:
856:
855:5-86391-043-7
852:
848:
845:
844:0-8135-2946-8
841:
836:
833:
830:
826:
822:
819:
815:
811:
808:
804:
799:
796:
792:
788:
784:
781:
780:9780976903079
777:
773:
770:
766:
762:
759:
755:
751:
748:
744:
740:
737:
733:
729:
726:
722:
718:
715:
714:9781317542995
711:
707:
704:
700:
696:
693:
690:
686:
683:
680:
677:
676:
670:
668:
663:
658:
653:
648:
647:
637:
625:
619:
613:
607:
595:
583:
577:
562:
558:
557:
553:
550:
547:
544:
540:
537:
534:
530:
527:
524:
520:
519:SIGHT/INSIGHT
517:
514:
513:
509:
506:
502:
499:
496:
492:
489:
486:
482:
479:
476:
473:
469:
466:
463:
460:
457:
454:
451:
448:
445:
444:
440:
437:
436:
432:
429:
426:
425:
416:
413:
410:
407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
377:
374:
371:
368:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
335:
332:
329:
326:
325:
321:
318:
317:
313:
312:
301:
299:
293:
288:
283:
280:
270:
265:
260:
255:
250:
245:
238:
233:
228:
223:
218:
213:
211:
206:
201:
192:
188:
185:
179:
177:
173:
169:
168:
163:
159:
156:
152:
148:
144:
136:
133:
129:
125:
119:
116:
112:
108:
104:
103:Visual artist
101:
97:
94:
90:
86:
82:
78:
74:
70:
66:
62:
56:
52:
48:
43:
38:
31:
19:
1222:. Retrieved
1194:. Retrieved
1184:
1172:. Retrieved
1157:
1150:
1138:. Retrieved
1106:
1100:
1088:. Retrieved
1084:alcramer.net
1083:
1071:
1059:. Retrieved
1034:. Retrieved
1019:
786:
666:
661:
656:
651:
645:
643:
604:Scholarship
571:
555:
548:
538:
529:Photo London
528:
518:
510:
500:
491:Gender Check
490:
477:
467:
461:
455:
449:
442:
434:
427:
414:
408:
402:
396:
390:
384:
378:
372:
366:
360:
354:
348:
342:
336:
330:
323:
315:
292:Tony Podesta
198:
189:
180:
166:
150:
146:
142:
141:
122:Notable work
115:Feminist art
73:Soviet Union
1246:1956 births
1224:12 February
1174:12 February
1140:12 February
1090:12 February
1061:12 February
1036:12 February
873:Periodicals
857:, сс. 1, 4;
667:Two Museums
422:Group shows
289:, New York;
284:, New York;
232:Mint Museum
195:Collections
155:Krasnoyarsk
111:Photography
80:Nationality
61:Krasnoyarsk
1240:Categories
931:Revolution
807:0415758629
507:, NY, 2008
309:Solo shows
298:Elton John
282:collection
145:(Russian:
57:1 May 1956
797:, p. 292;
343:Cold Land
107:Sculpture
88:Education
1057:. ArtNet
164:), is a
738:, 2012;
620:, 2002;
614:, 2005;
409:To Moor
158:Siberia
131:Website
65:Siberia
1165:
1113:
1027:
864:
853:
842:
827:
816:
805:
793:
778:
767:
756:
745:
734:
723:
712:
701:
170:ultra
162:Russia
1218:(PDF)
1196:5 May
1080:(PDF)
624:Yaddo
495:MUMOK
200:MUMOK
1226:2017
1198:2015
1176:2017
1163:ISBN
1142:2017
1111:ISBN
1092:2017
1063:2017
1038:2017
1025:ISBN
862:ISBN
851:ISBN
840:ISBN
825:ISBN
814:ISBN
803:ISBN
791:ISBN
776:ISBN
765:ISBN
754:ISBN
743:ISBN
732:ISBN
721:ISBN
710:ISBN
699:ISBN
296:Sir
277:The
91:PhD
54:Born
687:by
483:56
1242::
1206:^
1125:^
1082:.
1046:^
1009:^
893:,
559:,
541:,
531:,
521:,
503:,
493:,
470:,
178:.
160:,
113:,
109:,
105:,
71:,
67:,
63:,
1228:.
1200:.
1178:.
1144:.
1119:.
1094:.
1065:.
1040:.
868:.
846:;
831:;
820:;
809:;
782:;
771:;
760:;
749:;
727:;
716:;
705:;
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
