36:
252:
719:‘‘Working with Feminism: Curating and Exhibitions in Eastern Europe, Acta Universitatis Tallinnensis: Artes’’, Angela Dimitrakaki, Katrin Kivimaa, Katja Kobolt, Izabela Kowalczyk, Pawel Leszkowicz, Suzana Milevska, Bojana Pejic, Rebeka Põldsam, Mara Traumane, Airi Triisberg, Hedvig Turai, p. 85. Estonia: Tallinn University Press / Tallinna Ülikooli Kirjastus.
789:
Tatiana
Smorodinskaya (Russian, Middlebury Coll.), Karen Evans-Romaine (Russian, Ohio Univ.), and Helena Goscilo (Slavic languages, Univ. of Pittsburgh) (ed.) (2007). ‘‘Encyclopedia of contemporary Russian Culture (Encyclopedias of Contemporary Culture Series), pp. 19, 42-43. Abingdon, UK and New
812:АРТ-Конституция (иллюстрированная АРТ – Конституция Российской Федерации, в создании которой принимали участие наиболее актуальные художники начала 21 века). сс. 110, 111, 131, 132, 272, 273. Тексты: Зураб Церетели, Екатерина Деготь, Наталья Колодзей. Москва: Музей современного искусства, 2003.
170:
Tania
Antoshina is one of the most significant Russian female artists since Perestroika. Her work explores the role of women artists in society and in art history and was exhibited in the iconic ‘After the Wall’ exhibition at the Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin; ‘Gender
826:
Renee
Baigell, Matthew Baigell (July 1, 2001). ‘’Peeling Potatoes, Painting Pictures: Women Artists in Post-Soviet Russia, Estonia, and Latvia. The First Decade’’. The Dodge Soviet Nonconformist Art publication series, p. 55. New Brunswick, NJ, USA: Jane Voorhees Zimmerli Art Museum: Rutgers.
257:
175:. Her works are in the collections of MUMOK, Vienna; National Museum of Women in the Arts, Washington; Neues Museum Weserburg Bremen; State Russian Museum, St Petersburg; and The Tretyakov Gallery, Moscow.
879:
928:
Pat
Simpson, ‘’Peripheralising Patriarchy? Gender and Identity in Post-Soviet Art: A View from the West’‘, Oxford Art Journal, Vol. 27, No. 3 (2004), Oxford University Press, pp. 406, 407, 2004;
708:
Viola
Hildebrand-Schat (2014). ‘‘Appropriation oder Simulacrum?’‘, p. 229-233, in Guido Isekenmeier, ‘‘Interpiktorialität: Theorie und Geschichte der Bild-Bild-Bezüge’‘, transcript Verlag,
1274:
823:СЛОВАРЬ ГЕНДЕРНЫХ ТЕРМИНОВ / Под ред. А. А. Денисовой / Региональная общественная организация "Восток-Запад: Женские Инновационные Проекты". М.: Информация XXI век, 2002. c. 256;
163:, curator, PhD in art history, one of the first participants of the gender movement in Moscow art. In 1991 she completed postgraduate studies and received a PhD in Fine Arts
164:
140:
Tania
Antoshina, Tatiana Antoshina, Tanya Antoshina, Tatjana Antoschina, Tatyana Antoschina. From 1977 to 1997 she bore the surname Машукова (Tatyana Mashukova
81:
270:
201:
154:
838:Женщина в обществе: мифы и реалии : сборник статей / редактор-составитель Круминг Л.С. , сс. 1, 4. Москва : Информация - XXI век, 2001.
621:
Best Report at the
Scientific Conference of Post-Graduate Students and Teachers of the Moscow Institute of Industrial Arts, Moscow, Russia, 1985;
763:
Julia
Tulovsky (2008). ‘’The Claude and Nina Gruen Collection of Contemporary Russian Art’’, pp. 24, 79. Jane Voorhees Zimmerli Art Museum,
57:
730:
Klaus Krüger / Leena
Crasemann / Matthias Weiß: (Hgg.) (2011). ‘‘Re-Inszenierte Fotografie’‘. Munich, Germany: Wilhelm Fink Verlag.(2011)
1259:
1254:
683:
Thomas Deecke, Markus
Bulling (2001). ‘’8. Triennale Kleinplastik Fellbach Vor-Sicht, Rück-Sicht’’. Germany, Stadt Fellbach Auflage;
752:
Alain Monvoisin (2008). ‘‘DICTIONNAIRE INTERNATIONAL DE LA SCULPTURE MODERNE ET CONTEMPORAINE’‘, p. 26-27. Paris, France, Regard.
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Hans-Dieter Fronz, KUNSTFORUM, Bd.171 Juli-August 2004, p. 370-371, ‘’Na Kurort! Russische Kunst heute’‘, Zurich, 2004;
895:
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686:Александр Боровский. «Как-то раз Зевксис с Паррасием... Современное искусство: практические наблюдения». Литрес, 2017.
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Chrictopf Wiedemann, ‘’Freie Radikale auf ihrem Weg in den Westen’‘, Seite 18, Suddeutsche Zeitung, Nr.13, 17.1.2001;
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This Leads to Fire: From Nonconformism to Global Capitalism, Selections from the Kolodzei Art Foundation Collection
849:Женщина и визуальные знаки : сборник / Ин-т "Открытое общество", сс. 232-234. - М. : Идея-Пресс, 2000.
225:
543:
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Peeling Potatoes, Painting Pictures: Women Artists in Post-Soviet Russia, Estonia, and Latvia: the first decade
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Jonson Lena (2015). ‘‘Art and Protest in Putin's Russia’‘, Taylor and Francis, pp. XII, 207, 227, 240, 261,
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Participant of the International Symposium CERAMICS - PAINTING - GRAPHICS Bad Lippspringe, Germany, 1992;
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Brita Sachs, ‘’Sei frech und zeige deine Katastrophen’‘ , Frankfurter Augemeine Zaitung, Februar 2001;
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Von Michael Dultz, ‘’Klassische Frauenszenen mit Mannern nachgestellt’‘ , Die Welt Bayern, 15.01.2001;
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Winner of the contest "Modern Russia", Photo Center on Gogol Boulevard, Moscow, Russia, 2001;
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Encyclopedia of contemporary Russian Culture (Encyclopedias of Contemporary Culture Series)
570:
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1043:
447:, Bangladesh Shilpakala Academy, National Academy of Fine and Performing Arts, Dhaka, 2018
8:
741:
Thomas Deecke (2010). ‘‘Leben mit der Kunst’‘. Germany: Nicolaische Verlagsbuchhandlung.
633:
160:
439:
From Non-Conformism to Feminisms: Russian Women Artists from the Kolodzei Art Foundation
801:Игорь Кон (2003) Мужское тело в истории культуры p. 378-382; Издательство: СЛОВО/SLOVO
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Scholarship Residence Center for Contemporary Art "Zarya", Vladivostok, Russia, 2017;
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643:, expedition to South Siberia for collection of ethnic and cultural material, 2014;
589:
Five Rings Prize, Olympic Landscape Sculpture Design Contest, Beijing, China, 2008;
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Brian Dillon, ‘’Tatiana Antoshina’‘, MODERN PAINTERS, summer 2004, pp.120-121.
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Texte zur Kunst, Band 11, Ausgaben 41-42, Texte zur Kunst GMBH, p. 142, 2001;
648:, in partnership with A.Galenz and G.Kuznetsov, InteriorDAsein, Berlin, 2012;
469:, Bangladesh Shilpakala Academy National Art Gallery, Dhaka, Bangladesh, 2016
328:, Podgorica Museums & Galleries, Gallery Art, Podgorica, Montenegro, 2015
305:
TANIA ANTOSHINA : L'ARCHE DE L'ESPACE / TANIA ANTOSHINA : SPACE ARK
91:
1094:
Smorodinskaya, Tatiana; Evans-Romaine, Karen; Goscilo, Helena, eds. (2007).
35:
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Bodycheck: Catalog of the 10th Fellbach Triennial of Contemporary Sculpture
435:, Katzen Arts Center, American University Museum, Washington, DC, USA, 2019
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61:
1066:"The National Pavilion of Mauritius: From One Citizen You Gather an Idea"
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680:(University of Zurich), ISBN 978-1-62273-277-7, Vernon Press, March 2022;
220:
143:
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625:
Best Teacher of the Krasnoyarsk Art Academy, Krasnoyarsk, Russia, 1984.
579:
Olympic Art Gold Medal, Olympic Fine Arts, London, United Kingdom, 2012;
417:
International Biennale of Vallauris – Contemporary Creation and Ceramics
264:
Asia-Pacific Institute of Art & Research, Jeollabuk-do, South Korea;
677:
658:, in partnership with G.Vysheslavsky, Champino, Velletri, Italy, 1992.
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868:“FEMINISM OF THE TENDER KIND Tatyana Antoshina: performative ceramics”
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95:
946:‘’Letzte Tage IsKusstwo 2000’‘, Oberbauer, Volksblah, 24/25, 2.2001;
673:
262:
Krasnoyarsk Cultural Historical Museum complex, Krasnoyarsk, Russia;
908:
IWMpost 110 by Institut für die Wissenschaften vom Menschen - Issuu
432:
Moves Like Walter: New Curators Open the Corcoran Legacy Collection
1098:. Abingdon, UK and New York, USA: Routledge. pp. 19, 42–43.
1093:
146:
53:
587:
Olympic Art Gold Medal, Olympic Fine Arts, Beijing, China, 2008;
419:, Musée Magnelli, Musée de la céramique, Vallauris, France, 2024
1147:
Interpiktorialität: Theorie und Geschichte der Bild-Bild-Bezüge
958:
Rod Mengham, ‘’The refugee aesthetic?’‘ , TATE, issue 20, 2000.
150:
1179:"The Mauritius Pavilion – From One Citizen You Gather an Idea"
1012:. New Jersey, USA: Rutgers University Press. pp. 55–57.
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Silver Medal of VDNH for Teaching Work, Moscow, Russia, 1985;
612:
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188:
943:
Elfi Kreis, ‘’Absurdistan’‘, Kunstzeitung, nr. 57, mai 2001;
591:
Laureate of the Magmart video festival, Naples, Italy, 2005;
577:
Scholarship Residences MARIPOSA Canary Islands, Spain, 2012;
451:
Women at Work: Subverting the Feminine in Post-Soviet Russia
316:, ZARYA Center for Contemporary Art, Vladivostok, 2017-2018
1275:
Stroganov Moscow State Academy of Arts and Industry alumni
653:, together with G.Kuznetsov, PROEKT FABRIKA, Moscow, 2011;
424:
DARK ROOM: VIDEOWORDS The fifth special project by Magmart
308:, Galerie Vallois Modern and Contemporary Art, Paris, 2023
674:“ART JUDGMENTS: Art on Trial in Russia after Perestroyka”
968:
870:, by Anna Tolstova for “Kommersant Weekend”, 01.09.2023;
123:
1075:. International Art Exhibition, La Biennale di Venezia
937:
Francesca Piovano, ‘’Art-Forum’‘, CVA, issue 33, 2001;
876:, by Alexey Tarkhanov for “Art Focus Now”, 13.04.2023;
334:, Krasnoyarsk Museum Center, Krasnoyarsk, Russia, 2014
165:
Stroganov Moscow State University of Arts and Industry
82:
Stroganov Moscow State University of Arts and Industry
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441:, Museum of Russian Art (TMORA), Minnesota, 2018-2019
670:, 2023-04-06, Galerie Robert Vallois, Paris, France;
1150:. Bielefeld: Transcript Verlag. pp. 229–232.
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575:Scholarship Residency KRITI Varanasi, India, 2013;
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934:‘’СAPITAL PERSPECTIVE’‘, Moscow, pp. 5-6, 2002;
352:, Mario Mauroner Gallery, Vienna, Austria, 2008
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136:Таня Антошина, Татьяна Константиновна Антошина
29:Таня Антошина, Татьяна Константиновна Антошина
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638:, special project of 6 Moscow Biennale 2015;
322:, Dukley Art Center, Kotor, Montenegro, 2017
58:Russian Soviet Federative Socialist Republic
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427:, Torrance Art Museum, Torrance, USA, 2021
253:Museum of Decorative-Applied and Folk Arts
34:
1006:Baigeil, Renne; Baigeil, Matthew (2001).
230:Olympic Fine Arts Museum, Beijing, China;
1038:
1036:
916:, taz, BENNO SCHIRRMEISTER, 23.12.2006;
896:Female Artists and the Nude Male, Part 5
1181:. Google Arts and Culture & pARTage
874:“ANTOSHINA AND RAIDERS OF THE LOST ARK”
628:
388:, Guelman Gallery, Moscow, Russia, 1997
382:, Guelman Gallery, Moscow, Russia, 1999
370:, Guelman Gallery, Moscow, Russia, 2002
364:, White Space Gallery, London, UK, 2004
358:, Guelman Gallery, Moscow, Russia, 2006
292:
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778:. Germany: Snoek Verlagsgesellschaft.
774:Matthias Winzen; Nicole Fritz (2007).
668:“TANIA ANTOSHINA: L'ARCHE DE L'ESPACE”
661:
406:, Regina Gallery, Moscow, Russia, 1992
376:, Florence Lynch Gallery, NY, US, 2001
340:, Galerie Vallois, Paris, France, 2010
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890:Google Arts and Culture. Quantum Leap
556:
248:National Centre for Contemporary Arts
199:National Museum of Women in the Arts
179:Antoshina lives and works in Paris.
171:Check’, MUMOK, Vienna; and the 56th
476:, State pavilion of Mauritius, 2015
453:, White Space Gallery, London, 2018
445:18-th ASIAN ART BIENNALE BANGLADESH
13:
1260:21st-century Russian women artists
1255:20th-century Russian women artists
467:17th Asian Art Biennale Bangladesh
14:
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904:, Neue Zürcher Zeitung, 5.3.2013;
534:, Berlin, Hamburger Bahnhof, 2001
394:, Guelman Gallery, Moscow, Russia
346:, VP Studio, Moscow, Russia, 2010
922:, Transit Art Space, April 2006;
886:at Purchase College, SUNY, 2015;
223:, Charlotte, North Carolina, US;
605:Winner of the "Silver Camera",
599:Winner of the "Silver Camera",
540:, Ludwig Museum, Budapest, 2000
457:ART RIOT: POST-SOVIET ACTIONISM
400:, Expo 88, Moscow, Russia, 1996
258:Perm Museum of Contemporary Art
226:Casoria Contemporary Art Museum
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615:Residence, New York, US, 2001;
410:
183:
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607:Multimedia Art Museum, Moscow
601:Multimedia Art Museum, Moscow
595:Omi International Arts Center
571:Dukley European Art Community
565:Dukley European Art Community
297:
216:Omi International Arts Center
974:Tatyana Antoshina on ARTFACT
7:
1144:Isekenmeier, Guido (2014).
1044:"Tania Antoshina Biography"
979:Tatyana Antoshina on ARTNET
490:Moscow — NY = Parallel Play
320:Reggae Feminism or 88 March
240:, Saint Petersburg, Russia;
194:New Museum Weserburg Bremen
10:
1291:
914:Die Einheit des Universums
573:, Kotor, Montenegro, 2015;
567:, Kotor, Montenegro, 2017;
368:The Voyeurism of Alice Guy
211:American University Museum
984:Tania Antoshina Sotheby's
910:, N110 may – August 2012;
532:National Gallery (Berlin)
404:The Hound of Baskervilles
313:Cold Land. Northern Tales
218:collection, New York, US;
138:; also transliterated as
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1250:Women multimedia artists
1204:"Stardust Boogie Woogie"
969:Tatyana Antoshina's site
902:Gesellschaft vor Gericht
646:V-5, Space as a Presence
1265:People from Krasnoyarsk
1209:. Art Laboratory Berlin
884:Neuberger Museum of Art
585:, Moscow, Russia, 2012;
283:collection, Washington;
276:Kolodzei Art Foundation
233:Penang State Art Museum
72:Russian, lives in Paris
892:, May - November 2015;
790:York, USA: Routledge.
651:Sons of the Big Dipper
583:“Russian Activist Art”
569:Scholarship Residence
563:Scholarship Residence
268:Francis J. Greenburger
1125:. White Space Gallery
522:Royal Academy of Arts
514:, Washington DC, 2006
504:, Moscow, Russa, 2007
629:Curatorship projects
293:Selected exhibitions
289:Collection, London.
213:, Washington DC, US;
208:, Washington DC, US;
203:, Washington DC, US;
124:http://antoshina.com
990:Notes et références
662:Select publications
611:Scholarship of the
512:Corcoran Art Museum
463:, London, 2017-2018
350:My Favorite Artists
338:My Favorite Artists
235:, Penang, Malaysia;
206:Corcoran Art Museum
161:contemporary artist
142:)) (b. 1 May 1956,
1245:Multimedia artists
635:The Quest of Power
581:Alternative Prize
557:Honours and awards
494:Chelsea Art Museum
196:, Bremen, Germany;
191:, Vienna, Austria;
1157:978-3-8376-2189-1
1123:"Tania Antoshina"
818:978-5-91611-007-4
807:978-5-85050-704-6
758:978-2-84105-211-0
747:978-3-89479-599-3
736:978-3-7705-5133-0
714:978-3-8376-2189-1
692:978-5-227-07198-9
552:, Stockholm, 1999
386:Museum of a Woman
374:Museum of a Woman
362:Museum of a Woman
344:Alice and Gagarin
326:Museum of a Woman
255:, Moscow, Russia;
250:, Moscow, Russia;
245:, Moscow, Russia;
243:Tretyakov Gallery
132:Tatyana Antoshina
129:
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