396:, over a 44-day period, from September through October 1991. Founding guitarist Kaiser Kuo briefly returned in May to record some demos with the band, but left again for the United States before sessions formally began in order to complete graduate school. Bassist Zhang Ju had also been singing lead since Kuo's departure, but Kuo insisted that Ding Wu be designated lead vocalist instead, thereby cementing Ding's position as Tang Dynasty's frontman. According to Ding Wu, a significant portion of the songs' melodies were not established until recording was underway, although he later clarified that the band had completed most of the instrumentals before entering the studio.
641:. Critic Zai Dao praised the band, saying "They express in their own way a longing for a strong and influential China: a return to Tang Dynasty." Beijing-based journalist Stephen Schwankert, speaking of the album, observed that "Tang Dynasty produced music that looked and sounded like what Chinese people thought rock should be."
461:"We're...getting deeper and deeper into our own traditions. Rock is based on blues, and blues isn't in our blood. We can imitate it, we can play it, but eventually we'll have to go back to...traditional Chinese folk music - folk music from all over China - and then come up with something that goes beyond the boundaries."
578:(武; martial ability) respectively, and how "ideal men" were expected to possess a balance of the two. The characterization of the band members as "warrior-poets" was furthered by the album cover, the accompanying music videos, and Magic Stone's press release emphasizing the "self-confidence of the Chinese".
569:
films. Kuo characterized Tang China as "period of high heroics", stating that it worked well in the context of metal music. The band wrote its lyrics in a voice reminiscent of classic
Chinese poetry, going as far as to incorporate actual lines from Tang-era poems. Scholar Cynthia Wong noted that the
628:
was noted for its glorification of ancient China. Author Facai Guo noted the album's successful fusion of "tradition and reality", and declared the band to be the "insurrectionist of
Chinese contemporary culture”. Indeed, many saw Tang Dynasty's music as a reaction to both the polished, commercial
589:
is generally cited as China's first heavy metal album. It was "an unprecedented success" upon its release. As Kaiser Kuo recalled, the album "went absolutely crazy" by 1993, despite not receiving radio play and became a bestseller in Taiwan. Total recorded sales vary from source to source, ranging
425:
as an intensive, around-the-clock process, and that an armed guard was stationed outside the studio as they worked. Despite having never worked with a rock band before, Chia noted the ease with which he and the band members could communicate musical ideas, which streamlined the otherwise stressful
509:"A Dream Return to Tang Dynasty" begins with some textural Chinese instrumentation before transitioning into a powerful introduction. Ding Wu's high-pitched vocal delivery, drawing influences from Beijing Opera, can be heard on the song's bridge, which features lyrics drawn from works by poets
29:
644:
Although Tang
Dynasty was slated for a follow-up release in 1995, internal problems culminating with Zhang's death in a motorcycle accident on May 11 and Liu's subsequent departure the following year put the band on an indefinite hiatus. The band's second album,
502:. Early on, the band strived to create music that was distinctly and authentically Chinese, even while working within a Western musical idiom. Kuo justified this approach by pointing out that in addition to being considered the pinnacle of Chinese civilization,
555:
was a last-minute addition by Kuo while they were recording demos in July 1991. The song had been omitted from the domestic tracklisting for political reasons, but was later included on the international version as well as on subsequent reissues.
533:
that features prominent acoustic guitar and
Chinese woodwinds. These songs coexist alongside more Western-sounding heavy metal songs such as "Paradise", "Dream of the Doomsday" and "Don't Go Hiding".
596:, and subsequently became China's first guitar hero. "A Dream Return to Tang Dynasty" received some minor airplay outside of China, and its accompanying music video was
432:
was released domestically in
December 1991. Magic Stone Records spent the next year launching a massive overseas marketing campaign, securing the band a following in
926:
In late 2008, Beijing-based label
Jingwen Records reissued the album, including "The Internationale" as well as a DVD containing the five music videos off the album.
590:
from 900,000 to over 2 million legal copies, with countless other pirated versions. Liu Yijun was labeled "hands-down the best guitarist in China" by
1719:枷鎖與奔跑: 1980~2005 中國搖滾樂獨立文化生態觀察 (Shackles and Dashing: Observing the Attitude of Chinese Rock Music and Independent Culture, 1980-2005)
1502:
405:
559:
Lyrically and thematically, the band was heavily inspired by ancient
Chinese martial traditions, via classic Chinese novels such as
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The international version was released on
December 11, 1992 in Taiwan, Hong Kong, Japan, South Korea, and Southeast Asia.
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band's poetic lyricism juxtaposed with loud, aggressive musicianship was consistent with the ancient
Chinese concepts of
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he departure of Zhang Ju caused the postponement of three years (the second album was expected to be released in 1995).
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The album was engineered by Wang "Lao Ge (Chinese: 老哥; lit. 'Old
Brother')" Xinbo (Chinese: 王昕波), who had worked on
1571:
de Kloet, Jeroen (2005). "Authenticating Geographies and Temporalities: Representations of Chinese Rock in China".
597:
421:), who would go on to record other notable Beijing artists for the Magic Stone label. Chia recalled the making of
540:
on the song's verses, and begins with a guitar introduction in 13/8 time. The band makes heavy use of harmonic
525:
folk music, augmented by Middle Eastern percussion and ethereal backing vocals, before going into an anthemic
1201:"Sex, drugs, and Rush tapes: an extended conversation with musician, writer, Baidu.com evangelist Kaiser Kuo"
561:
506:-era China - for which the band was named - was decidedly cosmopolitan and open to other cultures and ideas.
417:. It was also the first album by a mainland Chinese band to be produced by Jeff Chia (Chinese: 贾敏恕; pinyin:
609:
414:
1554:""The Screaming Successor": Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)"
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364:. The success of the concert led the band to be signed by Magic Stone Records (Chinese: 魔石唱片; pinyin:
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544:, as heard on tracks such as "Choice", "Soaring Bird", and "Legend". Several tracks feature multiple
165:
1699:
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A Dream Return to Tang Dynasty: Masculinity, Male Camaraderie, and Chinese Heavy Metal in the 1990s
638:
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for "A Dream Return to Tang Dynasty", "The Sun", "Nine Rhythm", "Choice", and "Moon Dreams" were
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for several months. In October, Ding Wu returned to Beijing, and together with Zhang Ju recruited
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Progressive elements are prevalent throughout the album. "Nine Rhythm" is named for the
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forced Kuo and Szabo to leave China. The band went on hiatus, and Ding Wu moved to
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and Tomahawk, were established, and the Chinese metal scene diverged into various
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292:, released in China in December 1991 and internationally on December 11, 1992 by
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482:. Frontman Ding Wu was a founding member of seminal Chinese bands Budaoweng and
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356:. On May 1, 1990, the new lineup participated in a fundraising concert for the
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China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997
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The Garland Encyclopedia of World Music: East Asia: China, Japan, and Korea
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Geek in China: Discovering the Land of Alibaba, Bullet Trains and Dim Sum
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As Kuo noted, "Nothing like that had ever been done for a Chinese band."
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Following Tang Dynasty’s lead, numerous Chinese metal bands, such as
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nominated for MTV Asia's International Viewers Choice Awards in 1993.
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that "80% of Chinese youth came to know metal music by listening to
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lit. "Rolling Stone Records") specializing in Chinese rock acts.
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Tang Dynasty was officially formed in February 1989 by Americans
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as the decade progressed. Zhang Fan, president of Beijing's
1524:"Chinese Pop Music History 20 Years Special - Tang Dynasty"
1458:
China Off Center: Mapping the Margins of the Middle Kingdom
660:
All tracks are written by Tang Dynasty, except where noted
388:
Recording took place in the second floor studio of the
1269:
1276:. Durham, North Carolina: Duke University Press.
478:Numerous and eclectic influences can be heard on
1909:
1073:Qin Qi - lead vocals on "Dream of the Doomsday"
1301:. University of California Press. p. 217.
324:(guitar) and Andrew Szabo (drums), along with
1783:
1433:Encyclopedia of Contemporary Chinese Culture
360:, playing in front of 100,000 people at the
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1296:
529:chorus. "The Moon Hangs High" is an gentle
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1721:. Wuhan: Wuhan: Hubei People's Publishers.
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1455:
486:, while Kaiser Kuo introduced the band to
27:
1507:Encyclopedia Metallum: The Metal Archives
1570:
548:, played by both Liu Yijun and Ding Wu.
383:
952:"梦回唐朝" (A Dream Return to Tang Dynasty)
688:"梦回唐朝" (A Dream Return to Tang Dynasty)
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1910:
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368:), the fledgling mainland division of
304:with traditional Chinese folk styles,
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1435:. Taylor & Francis. p. 711.
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16:1991 studio album by Tang Dynasty
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1456:Blum, Susan; Jensen, Lionel (2002).
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651:, would not be released until 1998.
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1011:Personnel as listed in the album's
612:, revealed in the 2007 documentary
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406:Rock 'n' Roll on the New Long March
296:. The album is lauded as the first
13:
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1658:. Tuttle Publishing. p. 103.
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14:
1934:
1679:Jones, Andrew F. (October 1992).
1305:
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1095:Beijing Central People's Choir -
300:album, combining heavy metal and
54:December 11, 1992 (international)
1797:
1700:"Tang Dynasty Continues to Rock"
1617:Schwankert, Stephen (May 1999).
1530:. April 25, 2007. Archived from
190:"A Dream Return to Tang Dynasty"
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1647:
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1474:
1449:
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1199:Feola, Josh (18 January 2013).
790:"世纪末之梦" (Dream of the Doomsday)
654:
1460:. University of Hawaii Press.
1371:
1354:
1290:
1228:
1079:- additional background vocals
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931:2008 Jingwen Records bonus DVD
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666:
517:. "The Sun" is built around a
454:
266:A Dream Return to Tang Dynasty
1:
1654:Christensen, Matthew (2016).
1573:Visual Anthropology Quarterly
1164:
562:Romance of the Three Kingdoms
315:
1698:Chen, Nan (March 26, 2010).
1297:Baranovitch, Nimrod (2003).
1006:
521:riff heavily reminiscent of
7:
1552:Zheng, Yu (December 2016).
1147:
1088:Wubrick Kasam - additional
10:
1939:
1923:Tang Dynasty (band) albums
1733:"【唐朝乐队】1994香港尖沙咀演出(官方＆电台)"
985:"月梦" (The Moon Hangs High)
807:"月梦" (The Moon Hangs High)
1866:
1805:
1585:10.1080/08949460590914877
1222:"唐朝 Biography on Last.fm"
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35:
26:
21:
1637:"Rock Band Tang Dynasty"
824:"不要逃避" (Don't Go Hiding)
551:The band's cover of the
376:(Chinese: 滚石唱片; pinyin:
269:(Chinese: 梦回唐朝; pinyin:
1482:"眼界无穷世界宽，安得广厦千万间是什么意思？"
1099:on "The Internationale"
629:sound of Hong Kong pop
1431:Davis, Edward (2009).
1268:Wong, Cynthia (2011).
463:
62:September–October 1991
1534:on December 25, 2008.
869:International Edition
459:
384:Recording and release
336:(bass). However, the
230:"The Moon Hangs High"
52:December 1991 (China)
1643:. February 21, 2008.
1068:Additional musicians
773:"飞翔鸟" (Soaring Bird)
610:Midi School of Music
582:Reception and legacy
390:China National Radio
71:China National Radio
1717:Guo, Facai (2007).
1509:. 9 September 2004.
1488:. 23 December 2013.
1159:Chinese heavy metal
932:
906:(original lyrics),
870:
574:(文; intellect) and
440:. Five high-budget
294:Magic Stone Records
1681:"Beijing Bastards"
1385:. 14 October 2009.
963:"九拍" (Nine Rhythm)
930:
898:The Internationale
868:
722:"九拍" (Nine Rhythm)
446:shot and released.
312:vocal techniques.
1918:1992 debut albums
1905:
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1240:China Music Group
1003:
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923:
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916:, arr. Kaiser Kuo
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378:Gŭnshí Chàngpīan,
263:), also known as
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91:Progressive metal
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1579:(2/3): 229–256.
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1242:. 26 March 2010.
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1082:Chen Rouzheng -
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910:(Chinese lyrics)
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488:progressive rock
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362:Workers' Stadium
358:1990 Asian Games
346:"lightning-fast"
302:progressive rock
271:Mènghuí Tángcháo
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1322:. 30 June 2011.
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739:"天堂" (Paradise)
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996:"太阳" (The Sun)
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1413:
1405:
1401:
1395:
1393:
1384:
1380:
1379:"中国摇滚榜评委团：老哥"
1374:
1367:
1363:
1357:
1342:
1338:
1337:"摇滚就是那个时代的讴歌"
1332:
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1283:9780822347330
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1125:Wang Xinbo -
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974:"选择" (Choice)
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856:Total length:
853:
849:
846:
843:
841:"传说" (Legend)
840:
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756:"选择" (Choice)
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490:acts such as
489:
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484:Black Panther
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426:undertaking.
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411:Black Panther
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372:-based label
371:
367:
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359:
355:
351:
347:
343:
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332:(guitar) and
331:
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313:
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310:Beijing opera
307:
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298:Chinese metal
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210:"Nine Rhythm"
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25:
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1875:Tang Dynasty
1874:
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1853:Andrew Szabo
1831:
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1799:Tang Dynasty
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1532:the original
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1345:. Retrieved
1343:(in Chinese)
1340:
1319:
1298:
1292:
1271:
1239:
1230:
1204:
1154:Chinese rock
1115:arrangements
1109:Jeff Chia -
1103:
1102:
1092:on "The Sun"
1067:
1066:
1019:Tang Dynasty
1018:
1017:
1010:
925:
659:
655:Tracklisting
646:
643:
630:
626:Tang Dynasty
625:
624:
619:
615:Global Metal
613:
592:
587:Tang Dynasty
586:
585:
575:
571:
560:
558:
550:
546:guitar solos
535:
523:Xinjiangnese
508:
500:King Crimson
480:Tang Dynasty
479:
477:
464:
460:
450:
442:music videos
430:Tang Dynasty
429:
428:
423:Tang Dynasty
422:
418:
404:
398:
387:
377:
374:Rock Records
365:
352:and drummer
319:
290:Tang Dynasty
279:studio album
270:
265:
264:
260:
248:Tang Dynasty
247:
246:
245:
164:
157:Tang Dynasty
156:
155:
142:Tang Dynasty
42:Tang Dynasty
37:Studio album
22:Tang Dynasty
1827:Liu Jingwei
1704:China Daily
1528:CRI English
1316:"和丁武一起梦回唐朝"
1131:Paul Yan -
1121:supervision
1029:lead vocals
1013:liner notes
473:, Oct. 1992
455:Composition
415:debut album
286:heavy metal
183:Music video
126:Magic Stone
95:heavy metal
1912:Categories
1839:Kaiser Kuo
1383:Sina Music
1362:"唐朝乐队早期采访"
1347:2018-03-24
1165:References
1111:production
1104:Production
1090:percussion
830:Kaiser Kuo
542:modulation
419:Jiǎ Mǐnshù
348:guitarist
328:musicians
322:Kaiser Kuo
316:Background
144:chronology
99:folk metal
1844:Liu Yijun
1832:Fu Dalong
1817:Zhao Nian
1601:145084842
1593:0894-9468
1400:"唐朝乐队大事记"
1142:mastering
1084:keyboards
1058:Zhao Nian
1038:Liu Yijun
1007:Personnel
908:Qu Qiubai
606:subgenres
527:half-time
467:Liu Yijun
438:Singapore
434:Hong Kong
354:Zhao Nian
350:Liu Yijun
275:eponymous
273:) is the
200:"The Sun"
136:Jeff Chia
1859:Chen Lei
1849:Zhang Ju
1822:Gu Zhong
1739:. 1994.
1737:Bilibili
1558:OhioLINK
1404:唐朝乐队宫方网站
1148:See also
1127:engineer
1077:Luan Shu
1044:Zhang Ju
1040:- guitar
691:Yang Jun
602:Overload
515:Fang Gan
401:Cui Jian
342:Xinjiang
334:Zhang Ju
261:Tángcháo
220:"Choice"
132:Producer
59:Recorded
49:Released
39: by
1856:Yu Yang
1811:Ding Wu
1760:. 2000.
1406:. 2009.
1025:Ding Wu
896:"国际歌" (
633:gangtai
496:Genesis
394:Xicheng
330:Ding Wu
326:Beijing
283:Chinese
253:Chinese
235:YouTube
225:YouTube
215:YouTube
205:YouTube
195:YouTube
170:(1998)
161:(1991)
75:Beijing
1662:
1599:
1591:
1503:"梦回唐朝"
1464:
1439:
1280:
1133:mixing
1033:guitar
944:Length
888:Length
882:Lyrics
847:
844:
827:
813:
810:
796:
793:
779:
776:
762:
759:
745:
742:
728:
725:
711:
708:
694:
680:Length
674:Lyrics
565:, and
531:ballad
498:, and
370:Taiwan
308:, and
306:poetry
277:debut
257:pinyin
255:: 唐朝;
105:Length
67:Studio
1896:Thorn
1597:S2CID
1366:14:53
1097:choir
1062:drums
1015:are:
941:Title
885:Music
879:Title
860:55:41
677:Music
671:Title
567:wuxia
519:modal
511:Du Fu
288:band
122:Label
86:Genre
79:China
1882:Epic
1758:中国摇滚
1754:"唐朝"
1685:SPIN
1660:ISBN
1641:CCTV
1589:ISSN
1486:百度知道
1462:ISBN
1437:ISBN
1320:艺术中国
1278:ISBN
1048:bass
999:5:51
988:4:45
977:6:01
966:6:42
955:7:02
919:4:27
850:4:47
833:4:31
816:4:47
799:4:55
782:7:04
765:5:46
748:4:21
731:6:35
714:5:52
697:7:03
648:Epic
593:Spin
513:and
504:Tang
492:Rush
471:Spin
409:and
166:Epic
1581:doi
937:No.
893:11.
875:No.
838:10.
667:No.
572:wén
413:'s
403:'s
281:by
233:on
223:on
213:on
203:on
193:on
1914::
1756:.
1735:.
1702:.
1683:.
1639:.
1621:.
1609:^
1595:.
1587:.
1577:18
1575:.
1556:.
1540:^
1526:.
1515:^
1505:.
1494:^
1484:.
1402:.
1391:^
1381:.
1364:.
1339:.
1328:^
1318:.
1307:^
1248:^
1238:.
1213:^
1203:.
1173:^
1140:-
1060:-
1050:;
1046:-
1031:;
1027:-
993:5.
982:4.
971:3.
960:2.
949:1.
821:9.
804:8.
787:7.
770:6.
753:5.
736:4.
719:3.
702:2.
685:1.
622:"
576:wŭ
494:,
469:,
259::
114:41
110:55
97:,
93:,
77:,
1791:e
1784:t
1777:v
1706:.
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1560:.
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1350:.
1286:.
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1207:.
900:)
635:)
631:(
251:(
112::
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