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conventional DAW programs and can also allow the sound production personnel to undertake some of the more creative interactive sound tasks (that are considered to be part of sound design for computer applications) that previously would have required a computer programmer. Interactive applications have also given rise to many techniques in "dynamic audio" which loosely means sound that's "parametrically" adjusted during the program's run-time. This allows for a broader expression in sounds, more similar to that in films, because this way the sound designer can e.g. create footstep sounds that vary in a believable and non-repeating way and that also corresponds to what's seen in the picture. The digital audio workstation cannot directly "communicate" with game engines, because the game's events often occur in an unpredictable order, whereas traditional digital audio workstations as well as so called linear media (TV, film etc.) have everything occur in the same order every time the production is run. Especially, games have also brought in dynamic or adaptive mixing.
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to compose music for the play. The sound designer and the director usually work together to "spot" the cues in the play (i.e., decide when and where sound will be used in the play). Some productions might use music only during scene changes, whilst others might use sound effects. Likewise, a scene might be underscored with music, sound effects or abstract sounds that exist somewhere between the two. Some sound designers are accomplished composers, writing and producing music for productions as well as designing sound. Many sound designs for plays also require significant sound reinforcement (see Sound Design for
Musicals). Sound Design for plays was recognized by the American Theatre Wing's Tony Awards with the Tony Award for Best Sound Design of a Play until the 2014–15 season, later reinstating the award in the 2017–18 season.
824:) of a recording, and less often, of a live performance. A record producer is responsible for extracting the best performance possible from the musicians and for making both musical and technical decisions about the instrumental timbres, arrangements, etc. On some, particularly more electronic music projects, artists and producers in more conventional genres have sometimes sourced additional help from artists often credited as "sound designers", to contribute specific auditory effects, ambiences etc. to the production. These people are usually more versed in e.g. electronic music composition and synthesizers than the other musicians on board.
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263:'s voice. Whilst the term "sound designer" was not yet in use, some stage managers specialised as "effects men", creating and performing offstage sound effects using a mix of vocal mimicry, mechanical and electrical contraptions and gramophone records. A great deal of care and attention was paid to the construction and performance of these effects, both naturalistic and abstract. Over the twentieth century recorded sound effects began to replace live sound effects, though often it was the
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production. This is because sometimes there exists a difference in interests between composers and electronic musicians or sound designers. The latter specialises in electronic music techniques, such as sequencing and synthesizers, but the former is more experienced in writing music in a variety of genres. Since electronic music itself is quite broad in techniques and often separate from techniques applied in other genres, this kind of collaboration can be seen as natural and beneficial.
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Pre-recorded music must be licensed from a legal entity that represents the artist's work. This can be the artist themselves, a publisher, record label, performing rights organization or music licensing company. The theatre sound designer is also in charge of choosing and installing the sound system —speakers, sound desks, interfaces and convertors, playout/cueing software, microphones, radio mics, foldback, cables, computers, and outboard equipment like FX units and dynamics processors.
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unions. Additionally, it was a rhetorical move that legitimised the field of post-production sound at a time when studios were downsizing their sound departments, and when producers were routinely skimping on budgets and salaries for sound editors and mixers. In so doing, it allowed those who called themselves sound designers to compete for contract work and to negotiate higher salaries. The position of Sound
Designer therefore emerged in a manner similar to that of
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243:’ tragedy NERO. The event is marked in the Theatre Magazine (1906) with two photographs; one showing a musician blowing a bugle into a large horn attached to a disc recorder, the other with an actor recording the agonizing shrieks and groans of the tortured martyrs. The article states: “these sounds are all realistically reproduced by the gramophone”. As cited by
922:. There are a few extra requirements for sound production for computer applications, including re-usability, interactivity and low memory and CPU usage. For example, most computational resources are usually devoted to graphics. Audio production should account for computational limits for sound playback with audio compression or voice allocating systems.
554:. Before stereo soundtracks, film sound was of such low fidelity that only the dialogue and occasional sound effects were practical. These sound systems were originally devised as gimmicks to increase theater attendance, but their widespread implementation created a content vacuum that had to be filled by competent professionals. Dolby's immersive
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to achieve with scenery but easily conveyed with sound. The development of film sound design is giving writers and directors higher expectations and knowledge of sound design. Consequently, theatre sound design is widespread and accomplished sound designers commonly establish long-term collaborations with directors.
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heard and understood by everyone in the audience, regardless of the shape, size or acoustics of the venue, and that performers can hear everything needed to enable them to do their jobs. While sound design for a musical largely focuses on the artistic merits of sound reinforcement, many musicals, such as
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work together to decide the themes and emotions to be explored. Based on this, the sound designer for plays, in collaboration with the director and possibly the composer, decides upon the sounds that will be used to create the desired moods. In some productions, the sound designer might also be hired
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Modern audio technology has enabled theatre sound designers to produce flexible, complex, and inexpensive designs that can be easily integrated into live performance. The influence of film and television on playwriting is seeing plays being written increasingly with shorter scenes, which is difficult
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format, introduced in 2012, provides the sound team with 128 tracks of audio that can be assigned to a 7.1.2 bed that utilizes two overhead channels, leaving 118 tracks for audio objects that can be positioned around the theater independent of the sound bed. Object positions are informed by metadata
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placement, and in some cases, the addition of new equipment. In conjunction with the director and musical director, if any, the sound reinforcement designer determines the use and placement of microphones for actors and musicians. The sound reinforcement designer ensures that the performance can be
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often focuses on the design and implementation of a sound reinforcement system that will fulfill the needs of the production. If a sound system is already installed in the performance venue, it is the sound designer's job to tune the system for the best use for a particular production. Sound system
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A theatre sound designer is responsible for everything the audience hears in the performance space, including music, sound effects, sonic textures, and soundscapes. These elements are created by the sound designer, or sourced from other sound professionals, such as a composer in the case of music.
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Interactivity with computer sound can involve using a variety of playback systems or logic, using tools that allow the production of interactive sound (e.g. Max/MSP, Wwise). Implementation might require software or electrical engineering of the systems that modify sound or process user input. In
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Sound design for plays often involves the selection of music and sounds (sound score) for a production based on intimate familiarity with the play, and the design, installation, calibration and utilization of the sound system that reproduces the sound score. The sound designer for a play and the
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The advantage of calling oneself a sound designer beginning in later decades was two-fold. It strategically allowed for a single person to work as both an editor and mixer on a film without running into issues pertaining to the jurisdictions of editors and mixers, as outlined by their respective
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In the application of electroacoustic techniques (e.g. binaural sound) and sound synthesis for contemporary music or film music, a sound designer (often also an electronic musician) sometimes refers to an artist who works alongside a composer to realize the more electronic aspects of a musical
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has greatly enhanced the ability of sound designers to acquire source material quickly, easily and cheaply. Nowadays, a designer can preview and download crisper, more "believable" sounds as opposed to toiling through time- and budget-draining "shot-in-the-dark" searches through record stores,
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The rise of interest in game audio has also brought more advanced interactive audio tools that are also accessible without a background in computer programming. Some of such software tools (termed "implementation tools" or "audio engines") feature a workflow that's similar to that in more
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approach. From the comfort of their home and at any hour, they can simply use a computer, speakers and headphones rather than renting (or buying) costly equipment or studio space and time for editing and mixing. This provides for faster creation and negotiation with the director.
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also require significant sound scores (see Sound Design for Plays). Sound
Reinforcement Design was recognized by the American Theatre Wing's Tony Awards with the Tony Award for Best Sound Design of a Musical until the 2014–15 season, later reinstating in the 2017–18 season.
317:(DAW) and a variety of digital signal processing algorithms applied in them allow more complicated soundtracks with more tracks and auditory effects to be realized. Features such as unlimited undo and sample-level editing allows fine control over the soundtracks.
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systems. The greater dynamic range of the new systems, coupled with the ability to produce sounds at the sides, behind, or above the audience, provided the audio post-production team new opportunities for creative expression in film sound.
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is the art and practice of creating soundtracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio production techniques and tools. It is employed in a variety of disciplines including
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followed, in which music and sound effects were produced off-stage using devices such as bells, whistles, and horns. Cues would be written in the script for music and sound effects to be played at the appropriate time.
227:, is one of the earliest written documents on the use of abstract noise in the theatre. After his death, his intonarumori' were used in more conventional theatre performances to create realistic sound effects.
144:) and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A
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coordinates and the number of speakers available in the room. This immersive sound format expands creative opportunities for the use of sound beyond what was achievable with older 5.1 and 7.1
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Sound designers have been recognized by awards organizations for some time, and new awards have emerged more recently in response to advances in sound design technology and quality. The
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Theatrical Sound
Designers in English Canada are represented by the Associated Designers of Canada (ADC), and in Québec by l'Association des professionnels des arts du Québec (APASQ).
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interactive applications, a sound designer often collaborates with an engineer (e.g. a sound programmer) who's concerned with designing the playback systems and their efficiency.
286:. He summarized his conclusions in a document which, although somewhat dated, provides a succinct record of what was then expected. It was subsequently provided to the ADC and
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In fashion shows, the sound designer often works with the artistic director to create an atmosphere fitting the theme of a collection, commercial campaign or event.
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recognizes the finest or most aesthetic sound design for a film with the Golden Reel Awards for Sound
Editing in the film, broadcast, and game industries, and the
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Gal, Viviane; Le Prado, Cécile; Merland, J. B.; Natkin, Stéphane; Vega, Liliana (September 2002). "Processes and tools for sound design in computer games".
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536:. Several factors have led to the promotion of audio production to this level, when previously it was considered subordinate to other parts of film:
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theatrical and music performances starting around 1913. These devices were meant to simulate natural and man-made sounds, such as trains or bombs.
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respectively. In 2021, the 93rd
Academy Awards merged Best Sound Editing and Best Sound Mixing into one general Best Sound category. In 2007, the
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Possibly the first use of recorded sound in the theatre was a phonograph playing a baby's cry in a London theatre in 1890. Sixteen years later,
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1506:"How to succeed in Theater Sound Design, Podcast Sound Design, and Podcast Production – with Kirsty Gillmore, Jeff Schmidt, and Matthew McLean"
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libraries and "the grapevine" for (often) inferior recordings. In addition, software innovation has enabled sound designers to take more of a
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503:) served in this capacity during Hollywood's studio era, and are generally considered to be sound designers by a different name.
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Some directors were interested in realizing the new potential of the medium. A new generation of filmmakers, the so-called "
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The audio production team is a principal member of the production staff, with creative output comparable to that of the
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retired the awards for Sound Design as of the 2014–2015 season, then reinstated the categories in the 2017–18 season.
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times when it was used in religious practices for healing or recreation. In ancient Japan, theatrical events called
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started her own production company, Ciani/Musica. Inc., which became the #1 sound design music house in New York.
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displays, although the ideas and techniques of sound design have been around almost since theatre started.
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for the same position: the head designer of the final sound track. Editors and mixers like Murray
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Between 1980 and 1988, Charlie
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to define the duties, responsibilities, standards and procedures expected of a theatre sound designer in
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suggested new modes of storytelling and creative techniques that could be adapted to motion pictures.
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for interacting with diverse devices. The first show to fully utilize the MSC specification was the
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technology have contributed to the evolution of sound production techniques in the 1980s and 1990s.
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Sound Design: The
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and, as a result, Disney utilized systems of that type to control many facilities at their
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at the Florida USA local when they both planned to represent sound designers in the 1990s.
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began to be used in the motion picture industry in 1969. At that time, The title of
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responsible for the entirety or some specific parts of a film's soundtrack. In the
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Notable examples of (recognized) sound design in music are the contributions of
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theme park, which opened in 1989. These features were incorporated into the
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The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room
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Sound design, as a distinct discipline, is one of the youngest fields in
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became the head of the large sound department, with a staff of dozens of
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1728:"Tony Award Administration Committee Eliminates Sound Design Categories"
1699:"Starting in 2007–08, Sound Designers Will Be Recognized by Tony Awards"
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is a trade association representing theatre sound designers in the UK.
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requires proficient knowledge of audio recording and editing using a
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FilmSound.org: A Learning Space dedicated to the Art of Sound Design
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In the contemporary music business, especially in the production of
648:; many sound designers use both titles interchangeably. The role of
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Veneri, Olivier; Natkin, Stéphane; Le Prado, Cécile; Emerit, Marc.
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Plays were performed in medieval times in a form of theatre called
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was created to honor the best sound design in American theatre on
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1419:"A New Music and Sound Effects System for Theatrical Productions"
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development. Sound design commonly involves performing (see e.g.
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Sound and music for the theatre: the art and technique of design
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1107:. Back Stage Books, an imprint of Watson-Guptill Publications.
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play important roles in the creation of the overall sound (or
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1572:"Best Sound Design Categories to Return to the Tony Awards"
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The conversations: Walter Murch and the art of editing film
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Modern digital control room at Tainted Blue Studios, 2010
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sounDesign: online publication about Sound Communication
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1262:"William Cameron Menzies: One Forceful, Impressive Idea"
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Proceedings of International Computer Music Conference
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in recognition for Murch's contributions to the film
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Theatrical Sound Designers and Composers Association
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1245:: CS1 maint: bot: original URL status unknown (
780:(USA) Local USA829, which is integrated within
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1355:. Berkeley CA: Peachpit Press. p. 144.
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4483:Good Design Award (Museum of Modern Art)
1423:Journal of the Audio Engineering Society
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1540:. American Theatre Wing. Archived from
1410:
1389:. Norderstedt: GRIN Verlag. p. 2.
1077:
14:
4842:
1345:
1311:
1152:
1056:– in connection with short music films
511:, which was created in the 1930s when
4528:
4488:Good Design Award (Chicago Athenaeum)
4231:
3676:
3003:
2947:
2316:
2221:
2178:
1770:
1696:
1566:
1564:
1562:
1452:Kaye, Deena; LeBrecht, James (2009).
1416:
1382:
1376:
1212:
1127:
1103:Kaye, Deena; Lebrecht, James (1992).
910:Sound is widely used in a variety of
475:(mix) of the final track". The term
293:
2050:Parabolic aluminized reflector light
1486:from the original on January 1, 2021
1386:Sound Design for Film and Television
1293:from the original on October 8, 2021
1259:
459:. The original meaning of the title
29:
1512:from the original on August 5, 2020
148:is one who practices sound design.
24:
4529:
4432:American Institute of Graphic Arts
2317:
2222:
1641:"A Game Audio Technology Overview"
1559:
1318:. Hamburg: diplom.de. p. 24.
1287:"Dolby Atmos for content creators"
1218:
626:, away from the influence of film
501:Journey to the Center of the Earth
25:
4891:
4442:Design and Industries Association
1740:
1678:from the original on May 30, 2021
1221:"A Brief History of Sound Design"
1208:. London: Bloomsbury. p. 53.
630:and the then rapidly dissipating
230:
2160:
959:Tony Award for Best Sound Design
600:Filmmakers were inspired by the
402:In motion picture production, a
114:sound recording and reproduction
34:
3004:
2161:
2035:Ellipsoidal reflector spotlight
1720:
1690:
1664:
1632:
1606:
1588:
1498:
1472:
1445:
1339:
1305:
1279:
1105:Sound and Music For The Theatre
378:
4437:Chartered Society of Designers
3677:
1757:Association of Sound Designers
1697:Jones, Kenneth (19 Jun 2007).
1253:
1197:
1172:
1161:
1146:
1132:. Cambridge University Press.
1121:
1096:
1071:
772:Association of Sound Designers
13:
1:
4508:Prince Philip Designers Prize
3151:Architectural lighting design
1752:Kai's Theater Sound Hand Book
1082:. Columbia University Press.
1065:
731:, delay, volume, speaker and
704:American Conservatory Theater
342:(MSC) specification, an open
259:that included a recording of
4314:Electronic design automation
4297:Virtual home design software
3269:Automotive suspension design
1535:"2010–2011 Tony Award Rules"
1417:Dugan, Dan (December 1969).
1225:Advertising Week Social Club
1080:Traditional Japanese Theater
955:Academy Award for Best Sound
947:Motion Picture Sound Editors
690:, second only to the use of
583:Easy Riders and Raging Bulls
187:show (Karel Dujardins, 1657)
7:
4875:Theatrical sound production
3173:Environmental impact design
1009:
717:
479:has replaced monikers like
60:the claims made and adding
10:
4896:
4452:International Forum Design
3822:Engineering design process
2973:
2895:Computer-generated imagery
2700:Special effects supervisor
2548:Digital imaging technician
1458:. Focal Press. p. 8.
1128:Booth, Michael R. (1991).
897:
759:Professional organizations
678:Sound reinforcement system
675:
671:
638:The contemporary title of
559:that places them based on
387:
315:Digital audio workstations
155:
151:
4787:
4535:
4524:
4465:
4424:
4367:
4257:
4253:
4227:
3683:
3672:
3574:Integrated circuit design
3509:
3496:Stage/set lighting design
3428:
3385:Hardware interface design
3344:
3301:Hardware interface design
3252:
3134:
3014:
3010:
2999:
2981:
2912:
2832:
2751:
2713:
2705:Visual effects supervisor
2690:
2600:
2511:
2414:
2329:
2325:
2312:
2230:
2217:
2158:
2117:
2082:
2020:
1949:
1923:
1914:
1864:
1828:
1817:
1808:
1431:Audio Engineering Society
940:
931:digital audio workstation
912:human–computer interfaces
870:The Dark Side of the Moon
420:professional organization
418:is not controlled by any
390:Sound editor (filmmaking)
372:DIY (or "do-it-yourself")
247:, there was a play about
4409:Industrial design rights
4397:Fashion design copyright
4309:Design quality indicator
3758:Creative problem-solving
3549:Electrical system design
3405:Sonic interaction design
3316:Photographic lens design
3190:Healthy community design
2625:Utility sound technician
2012:Theatrical smoke and fog
1987:Lighting control console
1672:"About Audio Middleware"
1312:MĂĽller, Bastian (2008).
1130:Theatre In The Victorian
791:
744:
662:supervising sound editor
650:supervising sound editor
645:supervising sound editor
481:supervising sound editor
422:, unlike titles such as
4605:New product development
4570:Enterprise architecture
4498:IF Product Design Award
4457:Design Research Society
4009:Reliability engineering
2925:Unit still photographer
2610:Director of audiography
2339:Unit production manager
1078:Brazell, Karen (1999).
1038:List of sound designers
1033:Director of audiography
993:Joseph Jefferson Awards
973:Dora Mavor Moore Awards
682:Architectural acoustics
534:director of photography
513:William Cameron Menzies
398:Director of audiography
383:
344:communications protocol
280:Sound Design Commission
4870:Theatrical occupations
4061:Top-down and bottom-up
3410:User experience design
3311:Packaging and labeling
3284:Electric guitar design
3222:Landscape architecture
2615:Production sound mixer
2344:Production coordinator
1480:"How to License Music"
1153:Napier, Frank (1936).
1022:Berberian Sound Studio
499:), and Carl Faulkner (
412:American film industry
303:
188:
176:with music and dance.
106:video game development
4855:Film sound production
4590:Innovation management
4473:European Design Award
4239:Intellectual property
4056:Theory of constraints
4019:Responsibility-driven
3859:For manufacturability
3763:Creativity techniques
3601:Nuclear weapon design
3415:User interface design
3279:Corrugated box design
3200:Interior architecture
2885:Visual effects editor
2880:VFX creative director
2349:Production accountant
1383:Dakic, Vesna (2009).
778:United Scenic Artists
495:), James G. Stewart (
445:was first granted to
404:Sound Editor/Designer
301:
251:written in (1927) by
237:Herbert Beerbohm Tree
182:
102:television production
4635:Unintelligent design
4615:Philosophy of design
4329:Design specification
4282:Comprehensive layout
3854:For behaviour change
3827:Probabilistic design
3589:Power network design
3126:Visual merchandising
3083:Instructional design
3061:Postage stamp design
2804:Intimacy coordinator
2374:Production assistant
2045:Intelligent lighting
856:Famous Blue Raincoat
451:Francis Ford Coppola
348:Magic Kingdom Parade
267:'s duty to find the
27:Sound track creation
4555:Creative industries
4478:German Design Award
4387:Design infringement
4272:Architectural model
3611:Organization design
3606:Nucleic acid design
3554:Experimental design
3107:Traffic sign design
2568:Lighting technician
2424:Production designer
2002:Stage pin connector
1936:Lighting technician
1856:Technical direction
1157:. Frederick Muller.
509:Production Designer
358:in September 1991.
199:Elizabethan Theatre
4620:Process simulation
4595:Intelligent design
3919:Intelligence-based
3914:Integrated topside
3844:Framework-oriented
3529:Behavioural design
3400:Information design
3078:Information design
2862:Technical director
2635:Re-recording mixer
2364:Script coordinator
2354:Assistant director
2293:Executive producer
1941:Master electrician
1726:Bowgen, Phillipe.
1508:. 8 January 2020.
983:Helen Hayes Awards
818:recording engineer
608:of groups such as
546:became capable of
522:Gone with the Wind
491:), George Groves (
485:re-recording mixer
335:Disney-MGM Studios
304:
294:Digital technology
219:Russolo's treatise
194:Commedia dell'arte
189:
185:commedia dell'arte
172:were performed in
138:musical instrument
45:possibly contains
4837:
4836:
4783:
4782:
4550:Conceptual design
4520:
4519:
4516:
4515:
4503:James Dyson Award
4359:Website wireframe
4349:Technical drawing
4223:
4222:
4071:Transgenerational
3812:Ecological design
3688:Activity-centered
3668:
3667:
3664:
3663:
3646:Spacecraft design
3440:Public art design
3378:Video game design
3356:Experience design
3326:Production design
3306:Motorcycle design
3264:Automotive design
3168:Ecological design
3046:Film title design
2941:
2940:
2937:
2936:
2933:
2932:
2908:
2907:
2799:Acting instructor
2774:Movement director
2563:Best boy electric
2507:
2506:
2410:
2409:
2402:Storyboard artist
2359:Script supervisor
2308:
2307:
2172:
2171:
2145:Theatrical makeup
2078:
2077:
1992:Socapex connector
1910:
1909:
1465:978-0-240-81011-9
1266:davidbordwell.net
1260:Bordwell, David.
1016:Audio engineering
978:Drama Desk Awards
925:Sound design for
847:George Massenburg
722:Sound design for
519:in the making of
471:recording to the
406:is a member of a
352:Walt Disney World
340:MIDI Show Control
330:Walt Disney World
224:The Art of Noises
205:Italian composer
158:Prehistoric music
90:
89:
82:
47:original research
16:(Redirected from
4887:
4850:Sound production
4829:
4822:
4815:
4808:
4801:
4794:
4526:
4525:
4403:Geschmacksmuster
4377:Community design
4255:
4254:
4229:
4228:
3989:Process-centered
3785:Design–bid–build
3753:Cradle-to-cradle
3733:Concept-oriented
3674:
3673:
3651:Strategic design
3621:Processor design
3596:Mechanism design
3564:Geometric design
3524:Algorithm design
3464:Jewellery design
3395:Immersive design
3289:Furniture design
3234:Landscape design
3012:
3011:
3001:
3000:
2968:
2961:
2954:
2945:
2944:
2868:
2867:
2672:Music supervisor
2477:
2476:
2436:Costume designer
2390:
2389:
2379:Location manager
2369:Casting director
2327:
2326:
2314:
2313:
2250:Supporting actor
2219:
2218:
2199:
2192:
2185:
2176:
2175:
2164:
2163:
1921:
1920:
1836:Set construction
1826:
1825:
1791:
1784:
1777:
1768:
1767:
1735:
1724:
1718:
1717:
1715:
1714:
1705:. Archived from
1694:
1688:
1687:
1685:
1683:
1674:. 9 March 2016.
1668:
1662:
1661:
1659:
1658:
1652:
1646:. Archived from
1645:
1636:
1630:
1628:
1626:
1610:
1604:
1603:
1592:
1586:
1585:
1583:
1582:
1568:
1557:
1556:
1554:
1552:
1547:on 19 March 2012
1546:
1539:
1531:
1522:
1521:
1519:
1517:
1502:
1496:
1495:
1493:
1491:
1476:
1470:
1469:
1449:
1443:
1442:
1440:
1438:
1414:
1408:
1407:
1405:
1403:
1380:
1374:
1373:
1371:
1369:
1343:
1337:
1336:
1334:
1332:
1309:
1303:
1302:
1300:
1298:
1283:
1277:
1276:
1274:
1272:
1257:
1251:
1250:
1244:
1236:
1234:
1232:
1216:
1210:
1209:
1201:
1195:
1194:
1192:
1190:
1180:"Sound designer"
1176:
1170:
1165:
1159:
1158:
1150:
1144:
1143:
1125:
1119:
1118:
1100:
1094:
1093:
1075:
1054:Video production
1043:Musique concrète
806:progressive rock
654:sound supervisor
591:Steven Spielberg
255:and directed by
241:Stephen Phillips
183:A musician at a
118:live performance
85:
78:
74:
71:
65:
62:inline citations
38:
37:
30:
21:
4895:
4894:
4890:
4889:
4888:
4886:
4885:
4884:
4840:
4839:
4838:
4833:
4827:
4820:
4813:
4806:
4799:
4792:
4779:
4580:Futures studies
4531:
4512:
4461:
4420:
4369:
4363:
4249:
4248:
4219:
4125:Value sensitive
4115:User innovation
3994:Public interest
3959:Object-oriented
3679:
3660:
3641:Software design
3631:Research design
3584:Physical design
3539:Database design
3513:
3511:
3505:
3481:Property design
3476:Game art design
3430:
3424:
3347:
3340:
3255:
3248:
3205:Interior design
3156:Building design
3137:
3130:
3017:
3006:
2995:
2977:
2972:
2942:
2929:
2904:
2866:
2834:Post-production
2828:
2819:Stunt performer
2747:
2709:
2692:Special effects
2686:
2630:Dialogue editor
2596:
2526:Camera operator
2503:
2475:
2466:Property master
2416:
2406:
2388:
2321:
2304:
2276:
2260:Character actor
2226:
2213:
2203:
2173:
2168:
2154:
2113:
2085:
2074:
2040:Fresnel lantern
2016:
1945:
1931:Lighting design
1906:
1860:
1841:Scenic painting
1820:
1813:
1804:
1795:
1743:
1738:
1734:, June 11, 2014
1725:
1721:
1712:
1710:
1695:
1691:
1681:
1679:
1670:
1669:
1665:
1656:
1654:
1650:
1643:
1637:
1633:
1611:
1607:
1594:
1593:
1589:
1580:
1578:
1570:
1569:
1560:
1550:
1548:
1544:
1537:
1533:
1532:
1525:
1515:
1513:
1504:
1503:
1499:
1489:
1487:
1478:
1477:
1473:
1466:
1450:
1446:
1436:
1434:
1415:
1411:
1401:
1399:
1397:
1381:
1377:
1367:
1365:
1363:
1344:
1340:
1330:
1328:
1326:
1310:
1306:
1296:
1294:
1285:
1284:
1280:
1270:
1268:
1258:
1254:
1238:
1237:
1230:
1228:
1217:
1213:
1202:
1198:
1188:
1186:
1178:
1177:
1173:
1166:
1162:
1151:
1147:
1140:
1126:
1122:
1115:
1101:
1097:
1090:
1076:
1072:
1068:
1012:
943:
908:
900:
851:Jennifer Warnes
842:The Joshua Tree
814:record producer
794:
761:
747:
720:
684:
674:
587:Martin Scorsese
493:The Jazz Singer
456:The Rain People
400:
386:
381:
296:
233:
160:
154:
126:post-production
86:
75:
69:
66:
51:
39:
35:
28:
23:
22:
15:
12:
11:
5:
4893:
4883:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4835:
4834:
4832:
4831:
4824:
4817:
4810:
4803:
4796:
4788:
4785:
4784:
4781:
4780:
4778:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4707:
4702:
4697:
4692:
4687:
4682:
4681:
4680:
4675:
4665:
4660:
4655:
4648:
4647:
4645:Wicked problem
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4547:
4542:
4536:
4533:
4532:
4530:Related topics
4522:
4521:
4518:
4517:
4514:
4513:
4511:
4510:
4505:
4500:
4495:
4490:
4485:
4480:
4475:
4469:
4467:
4463:
4462:
4460:
4459:
4454:
4449:
4447:Design Council
4444:
4439:
4434:
4428:
4426:
4422:
4421:
4419:
4418:
4417:
4416:
4414:European Union
4406:
4399:
4394:
4389:
4384:
4379:
4373:
4371:
4365:
4364:
4362:
4361:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4321:
4316:
4311:
4306:
4301:
4300:
4299:
4294:
4284:
4279:
4274:
4269:
4263:
4261:
4251:
4250:
4247:
4246:
4243:
4240:
4237:
4233:
4225:
4224:
4221:
4220:
4218:
4217:
4212:
4207:
4202:
4197:
4192:
4187:
4182:
4177:
4172:
4167:
4162:
4157:
4152:
4147:
4142:
4135:
4134:
4133:
4132:
4122:
4117:
4112:
4111:
4110:
4100:
4095:
4093:Usage-centered
4090:
4089:
4088:
4086:Design for All
4078:
4073:
4068:
4066:Transformation
4063:
4058:
4053:
4048:
4047:
4046:
4036:
4031:
4026:
4021:
4016:
4014:Research-based
4011:
4006:
4001:
3996:
3991:
3986:
3981:
3979:Platform-based
3976:
3971:
3966:
3961:
3956:
3951:
3946:
3941:
3936:
3931:
3929:KISS principle
3926:
3921:
3916:
3911:
3906:
3901:
3896:
3891:
3886:
3881:
3876:
3871:
3866:
3861:
3856:
3851:
3846:
3841:
3839:Fault-tolerant
3836:
3834:Error-tolerant
3831:
3830:
3829:
3819:
3817:Energy neutral
3814:
3809:
3804:
3799:
3798:
3797:
3787:
3782:
3777:
3776:
3775:
3773:Design fiction
3765:
3760:
3755:
3750:
3745:
3740:
3735:
3730:
3725:
3720:
3715:
3710:
3705:
3700:
3695:
3690:
3684:
3681:
3680:
3670:
3669:
3666:
3665:
3662:
3661:
3659:
3658:
3656:Systems design
3653:
3648:
3643:
3638:
3633:
3628:
3626:Protein design
3623:
3618:
3616:Process design
3613:
3608:
3603:
3598:
3593:
3592:
3591:
3586:
3581:
3579:Circuit design
3571:
3566:
3561:
3556:
3551:
3546:
3541:
3536:
3531:
3526:
3520:
3518:
3507:
3506:
3504:
3503:
3501:Textile design
3498:
3493:
3488:
3483:
3478:
3473:
3468:
3467:
3466:
3461:
3459:Costume design
3454:Fashion design
3451:
3442:
3436:
3434:
3426:
3425:
3423:
3422:
3417:
3412:
3407:
3402:
3397:
3392:
3387:
3382:
3381:
3380:
3375:
3365:
3364:
3363:
3352:
3350:
3342:
3341:
3339:
3338:
3336:Service design
3333:
3331:Sensory design
3328:
3323:
3321:Product design
3318:
3313:
3308:
3303:
3298:
3297:
3296:
3286:
3281:
3276:
3271:
3266:
3260:
3258:
3250:
3249:
3247:
3246:
3241:
3239:Spatial design
3236:
3231:
3230:
3229:
3219:
3217:Keyline design
3214:
3213:
3212:
3202:
3197:
3192:
3187:
3186:
3185:
3183:Computer-aided
3175:
3170:
3165:
3164:
3163:
3153:
3148:
3142:
3140:
3132:
3131:
3129:
3128:
3123:
3118:
3109:
3100:
3095:
3090:
3085:
3080:
3075:
3070:
3069:
3068:
3063:
3058:
3051:Graphic design
3048:
3043:
3041:Exhibit design
3038:
3033:
3028:
3022:
3020:
3008:
3007:
2997:
2996:
2994:
2993:
2988:
2982:
2979:
2978:
2971:
2970:
2963:
2956:
2948:
2939:
2938:
2935:
2934:
2931:
2930:
2928:
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2897:
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2872:Visual effects
2865:
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2844:
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2766:
2761:
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2728:Visual effects
2725:
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2598:
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2582:
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2565:
2555:
2550:
2545:
2544:
2543:
2538:
2536:Clapper loader
2533:
2523:
2517:
2515:
2509:
2508:
2505:
2504:
2502:
2501:
2496:
2491:
2485:
2483:
2474:
2473:
2471:Weapons master
2468:
2463:
2458:
2453:
2451:Make-up artist
2448:
2443:
2438:
2433:
2432:
2431:
2420:
2418:
2412:
2411:
2408:
2407:
2405:
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2398:
2396:
2387:
2386:
2384:Location scout
2381:
2376:
2371:
2366:
2361:
2356:
2351:
2346:
2341:
2335:
2333:
2331:Pre-production
2323:
2322:
2319:Below the line
2310:
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2306:
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2303:
2302:
2301:
2300:
2295:
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2274:
2273:
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2262:
2257:
2252:
2247:
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2231:
2228:
2227:
2224:Above the line
2215:
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2202:
2201:
2194:
2187:
2179:
2170:
2169:
2159:
2156:
2155:
2153:
2152:
2147:
2142:
2137:
2132:
2127:
2125:Costume design
2121:
2119:
2115:
2114:
2112:
2111:
2106:
2101:
2096:
2090:
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2073:
2072:
2067:
2062:
2057:
2052:
2047:
2042:
2037:
2032:
2030:Beam projector
2026:
2024:
2018:
2017:
2015:
2014:
2009:
2004:
1999:
1994:
1989:
1984:
1979:
1974:
1972:Color scroller
1969:
1964:
1959:
1953:
1951:
1947:
1946:
1944:
1943:
1938:
1933:
1927:
1925:
1918:
1916:Stage lighting
1912:
1911:
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1899:
1897:Scenery wagons
1894:
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1794:
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1742:
1741:External links
1739:
1737:
1736:
1719:
1689:
1663:
1631:
1624:10.1.1.78.5543
1605:
1587:
1576:TonyAwards.com
1558:
1523:
1497:
1471:
1464:
1444:
1409:
1395:
1375:
1362:978-0321679529
1361:
1347:Hollyn, Norman
1338:
1324:
1304:
1278:
1252:
1219:Reeves, Alex.
1211:
1196:
1171:
1160:
1145:
1138:
1120:
1113:
1095:
1088:
1069:
1067:
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1057:
1051:
1048:IEZA Framework
1045:
1040:
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1025:
1018:
1011:
1008:
1000:Olivier Awards
996:
995:
990:
985:
980:
975:
942:
939:
916:computer games
907:
904:
899:
896:
808:, and similar
793:
790:
789:
788:
785:
775:
768:
760:
757:
746:
743:
738:Into the Woods
719:
716:
673:
670:
658:sound designer
640:sound designer
636:
635:
617:
606:Concept albums
598:
578:
577:
573:surround sound
477:sound designer
461:Sound Designer
443:Sound Designer
439:sound designer
416:Sound Designer
385:
382:
380:
377:
367:World Wide Web
295:
292:
257:Erwin Piscator
253:Alexej Tolstoi
245:Bertolt Brecht
232:
231:Recorded sound
229:
174:Shinto shrines
153:
150:
146:sound designer
88:
87:
42:
40:
33:
26:
18:Sound designer
9:
6:
4:
3:
2:
4892:
4881:
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4797:
4795:
4790:
4789:
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4776:
4773:
4771:
4768:
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4761:
4760:specification
4758:
4756:
4753:
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4703:
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4698:
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4688:
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4683:
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4676:
4674:
4673:architectural
4671:
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4666:
4664:
4661:
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4650:
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4640:Visualization
4638:
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4560:Cultural icon
4558:
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4443:
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4438:
4435:
4433:
4430:
4429:
4427:
4425:Organizations
4423:
4415:
4412:
4411:
4410:
4407:
4405:
4404:
4400:
4398:
4395:
4393:
4392:Design patent
4390:
4388:
4385:
4383:
4382:Design around
4380:
4378:
4375:
4374:
4372:
4366:
4360:
4357:
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4262:
4260:
4256:
4252:
4244:
4242:Organizations
4241:
4238:
4235:
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4230:
4226:
4216:
4213:
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4208:
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4128:
4127:
4126:
4123:
4121:
4118:
4116:
4113:
4109:
4106:
4105:
4104:
4103:User-centered
4101:
4099:
4096:
4094:
4091:
4087:
4084:
4083:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4064:
4062:
4059:
4057:
4054:
4052:
4051:Tableless web
4049:
4045:
4042:
4041:
4040:
4037:
4035:
4032:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3997:
3995:
3992:
3990:
3987:
3985:
3982:
3980:
3977:
3975:
3974:Participatory
3972:
3970:
3967:
3965:
3962:
3960:
3957:
3955:
3952:
3950:
3947:
3945:
3942:
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3927:
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3907:
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3902:
3900:
3897:
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3892:
3890:
3887:
3885:
3882:
3880:
3877:
3875:
3872:
3870:
3867:
3865:
3864:For Six Sigma
3862:
3860:
3857:
3855:
3852:
3850:
3847:
3845:
3842:
3840:
3837:
3835:
3832:
3828:
3825:
3824:
3823:
3820:
3818:
3815:
3813:
3810:
3808:
3807:Domain-driven
3805:
3803:
3800:
3796:
3795:architect-led
3793:
3792:
3791:
3788:
3786:
3783:
3781:
3778:
3774:
3771:
3770:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3749:
3746:
3744:
3741:
3739:
3738:Configuration
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3703:Brainstorming
3701:
3699:
3696:
3694:
3691:
3689:
3686:
3685:
3682:
3675:
3671:
3657:
3654:
3652:
3649:
3647:
3644:
3642:
3639:
3637:
3636:Social design
3634:
3632:
3629:
3627:
3624:
3622:
3619:
3617:
3614:
3612:
3609:
3607:
3604:
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3599:
3597:
3594:
3590:
3587:
3585:
3582:
3580:
3577:
3576:
3575:
3572:
3570:
3567:
3565:
3562:
3560:
3559:Filter design
3557:
3555:
3552:
3550:
3547:
3545:
3542:
3540:
3537:
3535:
3534:Boiler design
3532:
3530:
3527:
3525:
3522:
3521:
3519:
3517:
3508:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3486:Scenic design
3484:
3482:
3479:
3477:
3474:
3472:
3471:Floral design
3469:
3465:
3462:
3460:
3457:
3456:
3455:
3452:
3450:
3446:
3443:
3441:
3438:
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3427:
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3408:
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3401:
3398:
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3329:
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3312:
3309:
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3302:
3299:
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3259:
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3251:
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3215:
3211:
3208:
3207:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3184:
3181:
3180:
3179:
3178:Garden design
3176:
3174:
3171:
3169:
3166:
3162:
3161:Passive solar
3159:
3158:
3157:
3154:
3152:
3149:
3147:
3144:
3143:
3141:
3139:
3136:Environmental
3133:
3127:
3124:
3122:
3119:
3117:
3113:
3110:
3108:
3104:
3101:
3099:
3098:Retail design
3096:
3094:
3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3071:
3067:
3064:
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3042:
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3027:
3024:
3023:
3021:
3019:
3016:Communication
3013:
3009:
3002:
2998:
2992:
2989:
2987:
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2825:
2822:
2820:
2817:
2815:
2812:
2810:
2807:
2805:
2802:
2800:
2797:
2795:
2792:
2790:
2787:
2785:
2782:
2780:
2779:Choreographer
2777:
2775:
2772:
2770:
2769:Dialect coach
2767:
2765:
2762:
2760:
2757:
2756:
2754:
2750:
2744:
2743:Layout artist
2741:
2739:
2736:
2734:
2731:
2729:
2726:
2724:
2721:
2720:
2718:
2716:
2712:
2706:
2703:
2701:
2698:
2697:
2695:
2693:
2689:
2683:
2680:
2678:
2675:
2673:
2670:
2668:
2665:
2663:
2660:
2658:
2655:
2653:
2650:
2646:
2643:
2642:
2641:
2638:
2636:
2633:
2631:
2628:
2626:
2623:
2621:
2620:Boom operator
2618:
2616:
2613:
2611:
2608:
2607:
2605:
2603:
2599:
2591:
2588:
2586:
2583:
2581:
2580:Best boy grip
2578:
2577:
2576:
2573:
2569:
2566:
2564:
2561:
2560:
2559:
2556:
2554:
2551:
2549:
2546:
2542:
2539:
2537:
2534:
2532:
2529:
2528:
2527:
2524:
2522:
2519:
2518:
2516:
2514:
2510:
2500:
2499:Scenic design
2497:
2495:
2492:
2490:
2489:Matte painter
2487:
2486:
2484:
2482:
2478:
2472:
2469:
2467:
2464:
2462:
2459:
2457:
2456:Set decorator
2454:
2452:
2449:
2447:
2444:
2442:
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2437:
2434:
2430:
2427:
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2367:
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2342:
2340:
2337:
2336:
2334:
2332:
2328:
2324:
2320:
2315:
2311:
2299:
2298:Line producer
2296:
2294:
2291:
2290:
2289:
2288:Film producer
2286:
2284:
2281:
2279:
2278:Film director
2275:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2255:Ensemble cast
2253:
2251:
2248:
2246:
2245:Leading actor
2243:
2241:
2238:
2237:
2236:
2233:
2232:
2229:
2225:
2220:
2216:
2211:
2207:
2200:
2195:
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2180:
2177:
2167:
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2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2122:
2120:
2116:
2110:
2107:
2105:
2104:Prompt corner
2102:
2100:
2097:
2095:
2092:
2091:
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2087:
2081:
2071:
2068:
2066:
2063:
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2038:
2036:
2033:
2031:
2028:
2027:
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2023:
2019:
2013:
2010:
2008:
2005:
2003:
2000:
1998:
1995:
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1854:
1852:
1849:
1847:
1846:Scenic design
1844:
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1839:
1837:
1834:
1833:
1831:
1827:
1824:
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1748:
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1744:
1733:
1729:
1723:
1709:on 2007-06-26
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1600:Suzanne Ciani
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802:ambient music
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4630:STEAM fields
4600:Lean startup
4585:Indie design
4401:
4368:Intellectual
4120:Value-driven
4098:Use-centered
4004:Regenerative
3984:Policy-based
3944:Mind mapping
3849:For assembly
3790:Design–build
3708:By committee
3693:Adaptive web
3491:Sound design
3490:
3449:glass design
3447: /
3432:applied arts
3373:Level design
3244:Urban design
3195:Hotel design
3146:Architecture
3121:Video design
3114: /
3105: /
3073:Illustration
3066:Print design
3036:Brand design
2847:Sound editor
2814:Stunt double
2809:Stage combat
2789:Talent agent
2759:Acting coach
2682:Orchestrator
2677:Music editor
2640:Foley artist
2601:
2531:Focus puller
2429:Art director
2283:Screenwriter
2150:Video design
2135:Sound design
2134:
2130:Running crew
2118:Other fields
1731:
1722:
1711:. Retrieved
1707:the original
1703:Playbill.com
1702:
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1680:. Retrieved
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1648:the original
1634:
1617:. Goetborg.
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1542:the original
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628:labor unions
604:of the era.
595:George Lucas
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527:
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460:
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442:
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435:sound design
434:
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403:
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394:Foley artist
379:Applications
364:
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4668:competition
4625:Slow design
4575:Form factor
4545:Concept art
4354:HTML editor
4034:Sustainable
3869:For testing
3713:By contract
3569:Work design
3544:Drug design
3516:engineering
3390:Icon design
3368:Game design
3346:Interaction
3294:Sustainable
3227:Sustainable
3116:Type design
3093:Photography
3088:News design
3031:Book design
3026:Advertising
3005:Disciplines
2842:Film editor
2764:Body double
2645:Voice foley
2553:Second unit
2513:Photography
2494:Illustrator
2481:Visual arts
2461:Set dresser
2446:Hairdresser
2415:Production
2270:Cameo actor
2240:Voice actor
2109:Prompt book
2070:Accessories
2022:Instruments
1802:scenography
1551:26 December
1004:Tony Awards
988:Obie Awards
927:video games
920:video games
614:The Beatles
556:Dolby Atmos
530:film editor
328:systems at
273:electrician
164:prehistoric
4865:Stage crew
4860:Stagecraft
4844:Categories
4828:Wiktionary
4821:Wikisource
4775:technology
4745:principles
4344:Storyboard
4170:management
4165:leadership
4130:Privacy by
3969:Parametric
3939:Metadesign
3909:Integrated
3899:High-level
3884:Generative
3879:Functional
3748:Continuous
3743:Contextual
3718:C-K theory
3678:Approaches
3420:Web design
3274:CMF design
3254:Industrial
3112:Typography
2920:Swing gang
2890:Compositor
2824:Under-five
2585:Dolly grip
2394:Storyboard
2210:filmmaking
2086:management
2060:Striplight
1957:Barn doors
1887:Fly system
1819:Theatrical
1811:Scene shop
1798:Stagecraft
1713:2008-06-23
1682:January 6,
1657:2011-02-22
1581:2017-04-27
1516:January 6,
1490:January 6,
1402:13 October
1368:13 October
1331:13 October
1297:January 6,
1271:13 October
1231:13 October
1189:13 October
1155:Noises Off
1066:References
1060:Sound logo
879:Paul Simon
865:Pink Floyd
822:soundscape
798:rock music
733:microphone
696:multimedia
694:and other
692:projection
688:stagecraft
676:See also:
610:Pink Floyd
433:The terms
388:See also:
156:See also:
98:filmmaking
54:improve it
4814:Wikiquote
4800:Wikibooks
4750:rationale
4715:knowledge
4690:education
4610:OODA loop
4334:Prototype
4319:Flowchart
4277:Blueprint
4145:computing
4081:Universal
4029:Safe-life
3934:Low-level
3924:Iterative
3904:Inclusive
3889:Geodesign
3780:Defensive
3728:Co-design
3698:Affective
2900:Rendering
2715:Animation
2662:Subtitles
2541:Steadicam
2441:Greensman
2265:Bit actor
2206:Film crew
2065:Spotlight
1977:Cyclorama
1967:Color gel
1892:Platforms
1619:CiteSeerX
1437:March 23,
1433:: 666–670
1028:Crash box
890:In 1974,
875:Brian Eno
700:Dan Dugan
621:Hollywood
489:King Kong
408:film crew
271:, and an
134:new media
122:sound art
58:verifying
4807:Wikinews
4740:paradigm
4720:language
4700:engineer
4695:elements
4685:director
4370:property
4215:thinking
4205:strategy
4190:research
4150:controls
4108:Empathic
4039:Systemic
3999:Rational
3954:New Wave
3768:Critical
2991:Designer
2857:Animator
2852:Colorist
2794:Stand-in
2733:Modeling
2723:Animator
2667:Composer
2575:Key grip
2094:Blocking
1950:Hardware
1877:Curtains
1865:Hardware
1732:Playbill
1676:Archived
1510:Archived
1484:Archived
1349:(2009).
1291:Archived
1241:cite web
1010:See also
963:Broadway
949:and the
884:Surprise
752:director
724:musicals
718:Musicals
465:dialogue
424:Director
249:Rasputin
215:futurist
70:May 2008
4793:Commons
4765:studies
4710:history
4678:student
4663:classic
4651:Design
4565:.design
4493:Graphex
4195:science
4185:pattern
4180:methods
4155:culture
4138:Design
3949:Modular
3802:Diffuse
3723:Closure
3445:Ceramic
3103:Signage
2986:Outline
2738:Rigging
2652:Dubbing
2166:Outline
2007:Top hat
1962:C-clamp
1902:Weights
1851:Rigging
1821:scenery
1596:"MUSIC"
898:Fashion
877:to the
863:to the
849:to the
835:to the
767:(TSDCA)
672:Theatre
213:," for
152:History
110:theatre
52:Please
4880:Design
4770:studio
4755:review
4735:museum
4658:change
4466:Awards
4339:Sketch
4324:Mockup
4304:CAutoD
4245:Awards
4210:theory
4200:sprint
4175:marker
4140:choice
3514:&
3512:design
3348:design
3256:design
3138:design
3056:Motion
3018:design
2975:Design
2752:Talent
2558:Gaffer
2417:design
1924:Fields
1872:Batten
1829:Fields
1621:
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1322:
1136:
1111:
1086:
1002:. The
941:Awards
881:album
873:, and
867:album
853:album
839:album
812:, the
810:genres
541:Cinema
396:, and
169:kagura
4653:brief
4540:Agile
4259:Tools
4236:Tools
3874:For X
3510:Other
3429:Other
2913:Other
2784:Extra
2602:Sound
2235:Actor
2084:Stage
2055:Scoop
1997:Snoot
1882:Flats
1651:(PDF)
1644:(PDF)
1545:(PDF)
1538:(PDF)
1429:(6).
914:, in
792:Music
782:IATSE
745:Plays
652:, or
261:Lenin
142:Foley
130:radio
4730:load
4725:life
4705:firm
4292:CAID
4160:flow
4076:TRIZ
3964:Open
2590:Grip
2140:Prop
1982:Gobo
1800:and
1684:2022
1553:2011
1518:2022
1492:2022
1460:ISBN
1439:2011
1404:2015
1391:ISBN
1370:2015
1357:ISBN
1333:2015
1320:ISBN
1299:2022
1273:2015
1247:link
1233:2015
1191:2015
1134:ISBN
1109:ISBN
1084:ISBN
918:and
816:and
770:The
680:and
612:and
532:and
467:and
437:and
384:Film
365:The
309:and
307:MIDI
136:and
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4267:AAD
4044:SOD
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3894:HCD
3361:EED
3210:EID
2657:ADR
2099:Cue
483:or
449:by
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350:at
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