190:. The wheel rattled or bowed the strings, while the drum functioned as an acoustic resonator. Many of the instruments featured a handle on top of the box, which was used to vary the string tension. Pulling the handle raised the tone, and the horn attached to the box amplified the sound. Intonarumori ('noise tuner' in Italian) made noise, but not at a very high volume, since they were all acoustic devices. This "noise music" consisted of sounds that were found in nature or sounds that were directly, or indirectly, made by humans. These instruments used
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technologist John Ozbay, has been asked to compose for the intonarumori instruments. The performance took place in
Carnegie Mellon University's Kresge Theatre on April 4, 2013. Followed by performances of electronic/experimental music artists, Jeremy Boyle, Michael Johnsen, Eric Singer and Lesley Flanigan.
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Dutch sound artist Wessel
Westerveld made a series of replicas. Westerveld's replicas are the most professional versions with welded steel horns instead of cardboard and nailed steel cones like the Italian and New York ones. The woodwork of these versions are also real hard wood instead of plywood.
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Most of
Russolo's instruments were destroyed in Paris when the city was bombed during World War II. Others have simply disappeared. Original sketches still exist, however, along with a few sound recordings of the original instruments. Based on these sources, three collections of reconstructions
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and Spike Wolff, felt the time was ripe for a presentation of noise and decided to reconstruct the forgotten intonarumori instruments for the festival. Carl
Bajandas, a sculptor, an instrument builder, took the lead and built 10 intonarumori instruments. Meanwhile, experimental composer, music
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festival in New York City. In 2015, the
Italian band King Tongue staged a tribute to Russolo at Circolo Filologico in Milan performing along with an orchestra of four intonarumori conducted by
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written in 1913 and published in book form in 1916. The instruments were completely acoustic, not electronic. The boxes had various types of internal construction to create different types of
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Westerveld has also made a few open variants with the sound system visible from the outside. Westerveld performs regularly with his intonarumori in collaboration with Dutch sound artist
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in Prague in 2018. The Prague-based
Opening Performance Orchestra has released a recording using these replicas in Pudlák's Intonarumoris on
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on
November 12, 2009. In September 2010, Chessa presented the recreated intonarumori in its first Italian appearance, a concert event at the
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517:"HIS blog: Miroslav Pudlák: Intonarumori Concerto pro hučák, vĹ™eštnĂk, rachotnĂk a orchestr (svÄ›tová premiĂ©ra)"
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between roughly 1910 and 1930. There were 27 varieties of intonarumori built in total, with different names.
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properties to create sounds that glided from one note to the next, like the sound of a police siren.
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on
October 16, 2009, before traveling to New York City for its Performa 09 presentation at
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by
Antonio Russolo and Luigi Russolo (1924) were published on cassette in 1988 in the
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20, nos. 1 & 2 (Fall–Winter 1981, Spring–Summer 1982): 31–48; citation on 36
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As part of its celebration of the 100th anniversary of
Italian Futurism, the
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Miroslav Pudlák on his new CD and the transformations of the musical scene
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Russolo built these instruments to perform the music outlined in his
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founding member Steve Piccolo. Czech composer Miroslav Pudlák's
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Luigi Russolo, Futurist : Noise, Visual Arts, and the Occult
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Museum of Modern and Contemporary Art of Trento and Rovereto
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Luigi Russolo, Futurist. Noise, Visual Arts, and the Occult
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Barclay Brown, "The Noise Instruments of Luigi Russolo",
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Experimental musical instruments built by Luigi Russolo
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186:. Often a wheel was touching a string attached to a
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Carnegie Mellon University - An Inspirational NOISE
59:. Unsourced material may be challenged and removed.
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169:Original sketch of one of the intonarumori (1914)
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272:With 2013 being the 100th anniversary of both
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1459:Dynamism of a Soccer Player
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1278:Amadeo de Souza Cardoso
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135:Russolo, his assistant
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1802:Robert René Meyer-Sée
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1438:Dynamism of a Cyclist
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1592:Vladimir Mayakovsky
1529:The Poem of the End
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1048:Natalia Goncharova
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597:on the website of
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1382:The Art of Noises
1311:Anti-neutral suit
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1222:Enrico Prampolini
1108:Mikhail Matyushin
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109:November 2023
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1192:Tullio Crali
1093:El Lissitzky
935:Boris Gusman
867:Bruno Munari
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712:Compositions
703:Intonarumori
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663:Leo Ornstein
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51:Please help
46:verification
43:
22:Intonarumori
21:
1865:Noise music
1834:Zveno (art)
1797:Primitivism
1792:Pointillism
1775:Divisionism
1734:Suprematism
1714:Panfuturism
1346:Noise music
1288:Mary Swanzy
1217:Marisa Mori
1164:Aeropittura
960:Rurik Ivnev
862:Marisa Mori
837:Carlo CarrĂ
639:noise music
599:Bart Hopkin
563:edition of
311:Sonic Youth
307:Lee Ranaldo
305:. In 2012,
286:Golan Levin
219:09 biennial
184:noise music
1849:Categories
1674:Agit-train
1068:Ivan Kliun
1053:Elena Guro
1003:Lilya Brik
877:Ugo Piatti
696:Techniques
527:2018-06-17
523:(in Czech)
337:References
229:, invited
192:enharmonic
161:Background
137:Ugo Piatti
79:newspapers
1786:Le Chahut
1744:Vorticism
1389:BÏF§ZF+18
1177:"Barbara"
1133:Ivan Puni
1008:Osip Brik
817:"Barbara"
333:Records.
278:John Cage
180:manifesto
1753:See also
1739:Supremus
1724:Rayonism
1669:Agitprop
1243:Mina Loy
1155:(Iliazd)
793:Futurism
635:Futurism
591:Archived
413:Archived
394:Archived
331:Sub Rosa
315:Performa
303:Enschede
259:Rovereto
217:Performa
1684:Dadaism
1599:Zangezi
1501:Lacerba
1403:Cyclist
239:luthier
211:exist.
93:scholar
24:(album)
1770:Cubism
1765:5x5=25
1709:Oberiu
1536:Poesia
1207:Fillìa
646:People
571:Ubuweb
299:GOGBOT
95:
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74:
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1557:ThaĂŻs
730:Other
100:JSTOR
86:books
1351:Zaum
637:and
276:and
188:drum
146:are
72:news
977:and
309:of
257:in
55:by
1851::
519:.
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