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to where they are supposed to be situated. The role of the souffleur, or prompter, reaches back to the medieval theater, but has disappeared in countries like
Britain, the United States, France, and Italy. In these places, actors are expected to assist each other in case they forget their lines.
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However, in
Germany and central Europe, the job of the prompter is still very much alive and integral to the repertory system. This is because multiple plays are performed in rotation each week, making it challenging for actors to memorize all their lines.
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150:. If prompting is absolutely necessary, it is done very quietly by another actor on-stage or the conductor of the pit orchestra.
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notes, so that the prompt is always aware of the intended positions and movements of all the actors on stage at any given time.
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81:. This is the most definitive version of the script for any one performance, and will contain details of all
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In
Elizabethan theatre the function of prompting was filled by the Book-Holder, who was also in charge of
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126:(1838–1905), in which he experimented with using limelight (white-hot calcium oxide) to represent the
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85:, with their precise timings with respect to the action on stage. This allows the prompt to direct
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382:. Translated by Shantz, Christine. Toronto and Buffalo: University of Toronto Press.
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effects and scene changes during a show. The prompt book also often contains
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to instruct actors if they forget a line or movement, only during a
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In theatres without prompters, their role is undertaken by the
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380:
Dictionary of the
Theatre: Terms, Concepts, and Analysis
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when they forget their lines or neglect to move on the
313:(2nd ed.). Oxford, UK: Oxford University Press.
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404:(3rd ed.). Harmondsworth, UK: Puffin Books.
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75:, who will have a copy of the script called the
338:The Oxford Companion to Theatre and Performance
142:productions, the prompt is never used during a
309:Hartnoll, Phyllis; Found, Peter, eds. (1996).
308:
292:
311:The concise Oxford companion to the theatre
241:"The Medieval Prompter: A Reinterpretation"
153:The prompt is located on the stage, in the
357:"Meet the secret heroes of German theatre"
354:
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116:The prompt book from an 1874 staging of
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355:Oltermann, Philip (26 September 2023).
336:Kennedy, Dennis, ed. (26 August 2010).
335:
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30:For the related function in opera, see
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402:The Penguin Dictionary of the Theatre
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319:10.1093/acref/9780192825742.001.0001
340:. Oxford: Oxford University Press.
27:A person who prompts or cues actors
24:
25:
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108:A 19th-century prompter at work.
59:is a person who prompts or cues
43:A prompter with his script, 1936
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122:by English actor and manager
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239:Tribby, William L. (1964).
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293:Hartnoll & Found 1996
257:10.1017/S004055740000692X
128:ghost of Hamlet’s father
441:Theatrical occupations
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398:Taylor, John Russell
229:, pp. 253–254.
157:or "prompt side".
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431:Stage terminology
411:978-0-14-051287-8
389:978-0-8020-8163-6
347:978-0-19-957419-3
328:978-0-19-282574-2
140:community theatre
138:and high-quality
16:(Redirected from
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366:28 September
364:. Retrieved
361:The Guardian
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251:(1): 71–78.
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203:Kennedy 2010
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136:professional
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124:Henry Irving
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227:Taylor 1993
164:and calls.
144:performance
78:prompt book
51:(sometimes
436:Stagecraft
425:Categories
215:Pavis 1998
186:References
265:0040-5574
148:rehearsal
18:Souffleur
400:(1993).
378:(1998).
180:Subtitle
169:See also
134:In some
99:blocking
87:lighting
49:prompter
302:Sources
57:theatre
55:) in a
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386:
344:
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119:Hamlet
95:flying
61:actors
53:prompt
162:props
91:sound
65:stage
406:ISBN
384:ISBN
368:2023
342:ISBN
323:ISBN
261:ISSN
83:cues
47:The
315:doi
253:doi
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