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430:. With Byzantine Christianity came Byzantine chant and a vigorous attempt to suppress native music because of its close identification with paganism. This attempted suppression was only partially successful, because it was mainly aimed at the more populous urban centers and left the remote rural areas with their flourishing folk music relatively untouched.
298:, one of the co-founders of the Caves Monastery in the 11th century, called the skomorokhs "evils to be shunned by good Christians". Their art was related and addressed to the common people and usually opposed the ruling groups. They were considered not just useless but even ideologically detrimental and dangerous by both the feudalists and the clergy.
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The role of the skomorokhi in the preservation and dissemination of folklore was closely linked with their important contribution to the development of secular music, first in Kievan Rus’ and later in
Muscovite Russia. Before the introduction of Christianity in the late tenth century, Kievan music
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banning skomorokh art as blasphemous, their inventory was destroyed, skomorokhs fell into captivity, were pursued but actors would still occasionally perform during popular celebrations. In the 18th century, skomorokh art gradually died away; passing on some of its traditions to the
305:, when the church strenuously propagated ascetic living. Their art reached its peak in the 15th to the 17th centuries. Their repertoire included mock songs, dramatic and satirical sketches, called
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Skomorokhs performed in the streets and city squares, engaging with the spectators to draw them into their play. Usually, the main character of the skomorokh performance was a fun-loving saucy
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356:(мужик in Ukrainian) of comic simplicity. In the 16th and 17th centuries, skomorokhs would sometimes combine their efforts and perform in a
448:(1966). Seeking shelter from rain, the main characters enter a barn where a group of villagers are entertained by a skomorokh (played by
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was characterized primarily by ritualistic songs of worship, ceremonial (i.e., wedding, funeral) songs, and seasonal songs such as
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times, but only few people aware that in 17th century Russia there were burning balalaikas for the same purpose
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on skomorokhs concurs with the period. The monk chronicler denounced them as devil servants. Furthermore, the
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452:). The skomorokh earns a living with his scathing and obscene social commentary, and by making fun of the
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364:(ватага in Ukrainian, big crowd), numbering 70 to 100 people. The skomorokhs were often persecuted by the
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as being irreverent, detracting from the worship of God or being downright diabolical. For example,
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of the word is not completely clear. There are hypotheses that the word is derived from the
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order to burn all the balalaikas] (in
Russian). Cyrillitsa.ru. 7 December 2018
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555:(in Ukrainian). Vol. 9. Kyiv: Київ: Наукова думка. pp. 610–611.
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in
Ukrainian), performed in masks and skomorokh dresses to the sounds of
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657:[How did performers-bayans differ from skomorokhs in Russia?].
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Zguta, R. "Skomorokhi: The
Russian Minstrel-Entertainers"
655:"Чем исполнители-баяны отличались от скоморохов на Руси?"
622:"Почему Алексей Михайлович приказал сжечь все балалайки"
581:(Philadelphia: University of Pennsylvania Press, 1978).
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594:[Interfacts. Part 6. Balalaika] (in Russian).
553:Скоморохи. Енциклопедія історії України : у 10 т.
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was directly associated with skomorokh performances.
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126:skomorokhs as they appear in a 1555 German etching
77:for phonetic transcriptions, with an appropriate
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569:, I. I. (Izmail Ivanovich) Sreznevskii, ed., in
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577:31 No. 2 (June 1972), 297–298; Idem,
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275:Saint Sophia Cathedral in Kyiv (Ukraine)
269:no later than the mid-11th century, but
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515:https://en.wiktionary.org/скоморох
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592:"Интерфакты. Часть 6. Балалайка"
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681:https://doi.org/10.2307/2494335
596:Tomsk Regional State Philarmony
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183:. Compare with the Old Polish
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661:(in Russian). Children's Hour
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788:Medieval occupations
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704:at Wikimedia Commons
311:(glumy) in Russian (
230:, 'joke'); from the
45:specify the language
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626:Alexei Mikhailovich
376:Alexei Mikhailovich
257:; and many others.
743:Culture of Belarus
738:Culture of Ukraine
434:In popular culture
402:in Ukrainian) and
371:In 1648 and 1657,
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748:Theatre in Russia
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450:Rolan Bykov
389: [
337:(a kind of
303:Mongol yoke
267:Kievan Rus'
236:scaramuccia
139: [
763:Kobzarstvo
717:Categories
702:Skomorokhs
665:6 December
567:Sochinenia
527:"untitled"
502:References
496:Troubadour
466:Bandurists
339:tambourine
245:scaramouch
221:σκώμμαρχος
192:skomroszny
124:Belarusian
18:Skomorokhi
323:balalaika
213:etymology
207:Etymology
201:harlequin
186:skomrośny
176:скоморахъ
166:скоморохъ
151:skomorokh
491:Minstrel
476:Goliards
460:See also
442:'s film
421:koliadky
386:balagans
331:bagpipes
197:medieval
195:) was a
156:скоморох
486:Lirnyks
471:Busking
399:балаган
378:issued
261:History
254:masẋara
241:English
232:Italian
161:Russian
88:See why
778:Clowns
632:7 June
606:6 June
481:Kobzar
454:boyars
427:haivky
405:rayoks
380:ukases
360:vataga
352:muzhik
271:fresco
250:Arabic
227:σκῶμμα
145:, 1857
411:райок
393:]
335:buben
327:gudok
319:domra
314:глуми
308:глумы
224:(cf.
217:Greek
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113:lubok
667:2020
634:2019
608:2019
424:and
373:Tsar
280:The
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333:or
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