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Sigfrid Karg-Elert

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The cultural climate in Germany in the 1920s and 1930s was very hostile to the internationally oriented, French-influenced Karg-Elert; and although his works were admired outside Germany, especially in the U.K. (the Organ Music Society of London held a twelve-day festival in his honour in 1930, which
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The 30 Caprices for flute were written specifically for a friend of Karg-Elert's, a flautist bound for service in the war. These short exercises were designed to challenge linear one-staff thinking and in short, keep the friend from becoming bored. They are now a standard set of technical, dynamic,
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he attended) and in the United States, in his home country his music was almost completely neglected. All this led to him accepting an invitation for an organ concert tour of America in the spring of 1932. The tour proved to be a disastrous mistake, musically (
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and heart failure. Moreover, he was suffering from the diabetes which would soon kill him, and his limited powers as an organist compared unfavourably to the virtuoso standard of organ performance (set by the likes of
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in Leipzig. The popularity of his compositions declined for a period after World War II, before a successful revival in the late 1970s; today his works for the organ are frequently included in recitals.
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in 1882, where Siegfried received his first musical training and private piano instruction. At a gathering of composers in Leipzig, he presented his first attempts at composition to the composer
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From 1924, Karg-Elert gave weekly harmonium recitals on the radio from his home, through which he performed his second sonata for harmonium as part of his 50th birthday celebrations in 1927.
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After his return to Leipzig, his health started deteriorating rapidly. He died there in April 1933, aged 55. His grave is in the
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In 1910, Karg-Elert married Luise Kretzschmar (1890–1971); four years later their daughter Katharina was born.
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Having returned to Leipzig, he started devoting himself to composition, primarily for the piano (encouraged by
682: 2088: 1654: 1632: 999: 190:, which he was forced to decline due to his failing health; however there is no evidence for this statement. 1798: 2118: 1524: 1233: 1225: 120:, whom he greatly admired); and in 1904 he met the Berlin publisher Carl Simon, who introduced him to the 1049: 738: 652: 1639: 1516: 1131: 706: 676: 2028: 2063: 2053: 1928: 1160: 2073: 1968: 565: 2198: 1978: 1348: 1241: 1833: 1397: 194: 2208: 2148: 2103: 1983: 1878: 1508: 1289: 1119: 2263: 1733: 1332: 1141: 1100: 1848: 2183: 2128: 2098: 2003: 1868: 1708: 1617: 1547: 1308: 1265: 1084: 552: 207: 206:
Karg-Elert regarded himself as an outsider. Notable influences in his work include composers
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allowed him to stretch the limits of traditional harmony without losing tonal coherence.
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Everyone is Amazed: Sigfrid and Katharina Karg-Elert's letters from North America
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Grace, Harvey (1930). "The Karg-Elert Festival: A Talk with the Composer".
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Sigfrid Karg-Elert's 'Precepts on the Polarity of Sound and Tonality'
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and phrasing exercises for young flute students all over the world.
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at the Leipzig Conservatory in 1919. One of his pupils was composer
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From August 1901 to September 1902 he worked as a piano teacher in
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Academic staff of the University of Music and Theatre Leipzig
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Conley, Frank. 2001. "Karg-Elert , Sigfrid (Theodor)".
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Caprices for Flute, Op. 107, No. 3: Allegro alla Handel
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In: 142:, Karg-Elert was appointed instructor of 459:'Orgel und Harmonium. Eine Skizze'. In: 452:'Die Grundlagen der Musiktheorie'. (tr. 159: 96: 18: 547:Kaupenjohann, Ralf (2002). "Biography". 2365:People from the Kingdom of Württemberg 2332: 642: 170: 63: 1366: 1156: 702: 511: 299:for clarinet, flute, horn & piano 1182: 507: 505: 728: 266:66 Chorale improvisations for organ 13: 2395:20th-century German male musicians 430:Problems playing these files? See 368:Caprices for Flute, Op. 107, No. 2 338: 14: 2406: 1714:Emilie Juliane of Barby-Mühlingen 683:Free scores by Sigfrid Karg-Elert 664: 540: 502: 466:'Wie ich zum Harmonium kam'. In: 422:, flute and Anita Cummings, piano 317:20 Chorale Preludes and Postludes 282:Symphony in F-sharp minor op. 143 130:66 Chorale Improvisations, Op. 65 66:). 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I/1 (1927), P. 4f. 288:33 Stylistic Studies 76:Leipzig Conservatory 46:Karg-Elert was born 2269:Catherine Winkworth 2234:Philipp Wackernagel 2139:Cyriakus Schneegass 2014:Wilhelmi Malmivaara 1849:Bartholomäus Gesius 1754:Dieterich Buxtehude 1739:Hans Adolph Brorson 1562:Norsk salmebok 2013 1377:Den Danske Salmebog 1250:The Lutheran Hymnal 1210:Common Service Book 468:Der Harmoniumfreund 214:in Bach's honour), 210:(he often used the 52:Oberndorf am Neckar 2288:Luther § Hymnodist 2229:Gottfried Vopelius 2159:Nikolaus Selnecker 2059:Michael Praetorius 2039:Erdmann Neumeister 1939:Sigfrid Karg-Elert 1899:Valerius Herberger 1864:Britt G. Hallqvist 1859:N. F. S. 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1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 985:Expressionism 983: 981: 978: 976: 973: 972: 970: 962: 950: 947: 945: 942: 940: 937: 935: 932: 931: 929: 928: 926: 922: 914: 911: 909: 906: 904: 901: 900: 898: 894: 891: 890: 888: 884: 881: 880: 878: 874: 871: 870: 868: 864: 861: 859: 856: 855: 853: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 820: 818: 814: 811: 810: 808: 804: 801: 800: 798: 794: 791: 790: 788: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 760: 758: 757: 755: 751: 748: 744: 740: 735: 731: 724: 719: 717: 712: 710: 705: 704: 701: 694: 691: 688: 684: 681: 678: 673: 669: 668: 658: 654: 650: 649:Stanley Sadie 646: 641: 640: 628: 625: 620: 613: 610: 605: 603: 601: 592: 590:9780244449674 586: 582: 575: 567: 554: 543: 535: 531: 527: 523: 519: 515: 508: 506: 501: 490: 486: 483: 479: 476: 472: 469: 465: 462: 458: 455: 451: 450: 449: 447: 435: 433: 421: 418:Performed by 405: 387: 369: 351: 334: 328: 324: 321: 318: 315: 312: 308: 305: 301: 298: 295: 293: 289: 286: 283: 280: 277: 274: 271: 268: 267: 263: 262: 259:Notable works 256: 254: 250: 246: 245: 239: 237: 233: 229: 225: 221: 217: 213: 209: 199: 196: 191: 189: 185: 181: 176: 172: 162: 158: 155: 153: 149: 145: 141: 136: 133: 131: 127: 123: 119: 114: 112: 108: 99: 95: 93: 89: 85: 84:Carl Reinecke 81: 77: 73: 69: 65: 61: 57: 53: 49: 39: 37: 33: 29: 21: 2164:Eyvind Skeie 2144:Johann Schop 2109:Lina Sandell 2069:Adam Reusner 2004:Sigurd Lunde 1999:Matthias Loy 1974:Julius Krohn 1954:Thomas Kingo 1938: 1934:Justus Jonas 1809:Paul Fleming 1676:hymnologists 1653: 1646: 1638: 1631: 1624: 1616: 1608: 1584: 1560: 1553: 1546: 1539: 1531: 1523: 1515: 1507: 1501:Nokre salmar 1499: 1475: 1451: 1444: 1420: 1396: 1389: 1382: 1375: 1347: 1339: 1331: 1323: 1315: 1307: 1288: 1280: 1272: 1264: 1256: 1248: 1240: 1232: 1224: 1216: 1208: 1200: 1118: 1080:Tone cluster 1035:Polytonality 980:Experimental 653:John Tyrrell 644: 626: 619: 611: 583:. Lulu.com. 580: 574: 553:cite journal 542: 517: 513: 488: 481: 474: 467: 460: 453: 445: 443: 429: 331: 322: 316: 296: 287: 281: 275: 264: 243: 240: 236:music theory 230:, and early 216:Edvard Grieg 205: 192: 184:Louis Vierne 180:Marcel Dupré 167: 156: 144:music theory 137: 134: 129: 126:Paul Homeyer 118:Edvard Grieg 115: 110: 104: 59: 47: 45: 27: 26: 2345:1933 deaths 2340:1877 births 2114:Carl Schalk 2084:Johann Rist 1874:Claus Harms 1729:Carl Boberg 1719:Martin Behm 1555:Salmer 1997 1541:Salmer 1973 1030:Polyrhythms 1005:Neotonality 893:Szymanowski 309:Sonata for 195:Südfriedhof 171:Conley 2001 148:composition 140:World War I 64:Conley 2001 2334:Categories 1774:Simon Dach 1670:Hymnodists 1453:Virsikirja 1075:Surrealism 1070:Stochastic 1060:Sound mass 995:Microtonal 967:techniques 965:Genres and 913:Stravinsky 873:Skalkottas 778:Schoenberg 655:. London: 637:References 432:media help 249:pipe organ 212:BACH motif 188:Pittsburgh 36:reed organ 32:pipe organ 1789:Paul Eber 1492:Norwegian 1468:Icelandic 1336:(1640/47) 1055:Serialism 975:Atonality 903:Prokofiev 746:Composers 327:saxophone 319:for organ 292:harmonium 278:for organ 253:saxophone 224:Max Reger 175:neuralgia 132:in 1909. 122:harmonium 107:Magdeburg 42:Biography 1191:English 1132:Category 1065:Spectral 990:Futurism 924:Americas 908:Scriabin 879:Hungary 854:Germany 838:Messiaen 833:Koechlin 809:Finland 799:Czechia 793:Pousseur 789:Belgium 759:Austria 311:clarinet 247:and the 1601:Swedish 1577:Spanish 1437:Finnish 1413:Faroese 1193:hymnals 1117: ← 1045:Process 934:Antheil 899:Russia 889:Poland 869:Greece 863:Strauss 843:Milhaud 828:Jolivet 819:France 813:Bergman 689:(IMSLP) 685:at the 68:Leipzig 56:Germany 1613:(1536) 1536:(1925) 1528:(1924) 1520:(1873) 1512:(1870) 1504:(1869) 1368:Danish 1352:(1993) 1344:(1602) 1328:(1524) 1320:(1524) 1312:(1524) 1293:(1958) 1285:(2006) 1277:(1982) 1269:(2006) 1261:(1989) 1253:(1941) 1245:(1978) 1237:(2006) 1229:(1996) 1221:(1912) 1213:(1917) 1205:(1993) 1142:Portal 944:Cowell 939:Carter 883:Bartók 848:Varèse 783:Webern 773:Mahler 768:Krenek 753:Europe 587:  534:917354 532:  297:Jugend 1020:Noise 858:Reger 823:Henry 693:IMSLP 530:JSTOR 496:Notes 440:Books 304:flute 202:Music 949:Ives 803:Hába 763:Berg 651:and 585:ISBN 566:help 325:for 313:solo 306:solo 290:for 182:and 146:and 90:and 34:and 1673:and 522:doi 60:sic 50:in 2336:: 599:^ 557:: 555:}} 551:{{ 528:. 518:71 516:. 504:^ 255:. 226:, 222:, 218:, 154:. 94:. 86:, 82:, 54:, 38:. 1176:e 1169:t 1162:v 722:e 715:t 708:v 659:. 593:. 568:) 564:( 536:. 524:: 434:.

Index


pipe organ
reed organ
Oberndorf am Neckar
Germany
Conley 2001
Leipzig
Emil von Reznicek
Leipzig Conservatory
Salomon Jadassohn
Carl Reinecke
Alfred Reisenauer
Robert Teichmüller

Magdeburg
Edvard Grieg
harmonium
Paul Homeyer
World War I
music theory
composition
Gonzalo Brenes

Conley 2001
neuralgia
Marcel Dupré
Louis Vierne
Pittsburgh
Südfriedhof
Johann Sebastian Bach

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