265:
144:
40:
136:
218:
s pipes prevents it from sounding, performers can be seen warming the instrument over a small charcoal brazier or electric burner when they are not playing. The instrument produces sound when the player's breath is inhaled or exhaled, allowing long periods of uninterrupted play. The
357:
in improvised, composed and electroacoustic contexts, including an album of music with photo essay dedicated to the instrument ("Delicate Paths–Music for Shō", Unsounds 2014). Other notable 20th-century composers who also studied the instrument in Japan include
288:
players who specialize in contemporary music use specially constructed instruments whose silent pipes are replaced by pipes that sound notes unavailable on the more traditional instrument, giving a wider range of pitches.
344:
and other instruments, include
Hideaki Bunno (Japan), Tamami Tono (Japan), Hiromi Yoshida (Japan), Kō Ishikawa (Japan), Remi Miura (Japan), Naoyuki Manabe (Japan), Naomi Sato (Holland), Alessandra Urso (United States),
292:
Beginning in the mid-20th century, a number of
Japanese composers have created works for the instrument, both solo and in combination with other Japanese and Western instruments. Most prominent among these are
685:— Images of and information about the reeds of the shō, its tuning methods, materials and historical ties to honey bees (see About the Shō, bottom of the page "Audio Transformations". By Sarah Peebles)
1255:
195:
pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the
1248:
435:(1966, Armenia) used shō in his composition "My Lofty Moon" scored for five eastern and eight western instruments that was premiered by the Atlas Ensemble in
1241:
528:
214:, the pipes are tuned carefully with a drop of a dense resinous wax preparation containing fine lead shot. As (breath) moisture collected in the
1596:
256:), is not widely used, although some performers, such as Hiromi Yoshida and Ko Ishikawa, began to revive it in the late 20th century.
1383:
716:
1264:
199:. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape.
1683:
543:
615:
58:
569:
682:
1673:
709:
793:
277:
447:
410:
440:
702:
645:
1207:
1083:
780:
742:
668:
488:
862:
191:
tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender
1622:
264:
1468:
1233:
1187:
963:
917:
750:
252:
89:
24:
8:
1073:
992:
803:
415:
210:
are kept—as an aesthetic element, making two symmetrical "wings". Similar to the
Chinese
203:
170:
80:
639:
366:, the latter of whom composed two works for the instrument. German avant-garde composer
340:
summer course. Other notable contemporary performers, many of whom also compose for the
1511:
1172:
1078:
922:
522:
463:
346:
302:
211:
175:
110:
101:
243:), which move gradually from one to the other, providing accompaniment to the melody.
135:
1632:
1295:
1217:
1095:
1088:
770:
765:
621:
611:
367:
20:
1160:
1155:
676:
424:
359:
294:
1678:
1315:
823:
688:
605:
574:
432:
379:
318:
240:
1548:
1212:
958:
828:
725:
601:
547:
420:
409:, who used it as the primary instrument in three songs performed by Miyata for
363:
298:
19:
This article is about the wind instrument. For the percussion instrument, see
1667:
1553:
1140:
978:
451:
390:
350:
333:
281:
232:
1058:
625:
544:"The Extraordinary Commonplace: Cage's Music for Shō, Violin, Conch Shells"
196:
180:
1627:
1601:
1574:
1543:
1538:
1526:
1369:
1150:
1125:
848:
798:
733:
389:
The instrument was introduced to a wider audience by the German musician
322:
184:
143:
45:
1521:
1584:
1441:
1327:
1290:
1167:
1145:
1100:
1053:
1022:
1017:
1012:
953:
468:
336:
for Miyata just before his death, after having met her during the 1990
314:
310:
1408:
1589:
1431:
1388:
1222:
1135:
1068:
1063:
1043:
973:
907:
892:
607:
Music of a
Thousand Autumns: The Tōgaku style of Japanese Court Music
436:
337:
329:
227:, Japan's imperial court music. Its traditional playing technique in
125:
75:
70:
887:
1569:
1436:
1413:
1322:
1130:
1120:
1048:
937:
897:
755:
306:
1348:
694:
691:—Information on instrumentation, extended techniques, and notation
406:
1652:
1531:
1484:
1418:
1398:
1393:
1332:
1305:
1300:
1115:
968:
932:
902:
788:
515:
Musical
Instruments: Highlights of the Metropolitan Museum of Art
428:
1579:
1403:
1310:
1182:
1105:
912:
882:
877:
843:
833:
224:
192:
39:
813:
1606:
1516:
1110:
1027:
927:
838:
760:
206:, and it is for this reason that the two silent pipes of the
115:
65:
1263:
382:, a Japanese experimental improv musician, incorporates the
1285:
1007:
818:
120:
808:
562:
223:
is one of the three primary woodwind instruments used in
637:
202:
The instrument's sound is said to imitate the call of a
677:
History of the Free-Reed
Instruments in Classical Music
610:. Berkeley, Calif.: University of California Press.
489:"Sho | Japanese | Early Tokugawa period | The Met"
1665:
353:(Canada). Peebles has extensively incorporated
173:musical instrument descended from the Chinese
183:era, which was introduced to Japan during the
162:
1249:
710:
641:Transactions of the Asiatic Society of Japan
527:: CS1 maint: multiple names: authors list (
1256:
1242:
717:
703:
667:Jaroslaw Kapuscinski & François Rose:
683:"Resonating Bodies" integrated media site
1265:Traditional Japanese musical instruments
276:was first used as a solo instrument for
263:
259:
142:
139:Chinese sheng (L) & Japanese shō (R)
134:
673:Stanford University / CCRMA (2010–2013)
600:
541:
517:. New York: Metropolitan Museum of Art.
1666:
405:) and the Icelandic singer-songwriter
1237:
698:
644:. Asiatic Society of Japan. pp.
512:
724:
670:Orchestration in Gagaku Music: Shō.
376:Das Mädchen mit den Schwefelhölzern
13:
594:
570:"ISS skipper plays 'sho' in space"
14:
1695:
661:
638:Asiatic Society of Japan (1891).
419:, a film by her former boyfriend
147:Standard chords (aitake) of the
38:
90:Hornbostel–Sachs classification
16:Japanese mouth organ instrument
535:
506:
493:The Metropolitan Museum of Art
481:
187:(AD 710 to 794), although the
1:
546:. Rob Haskins. Archived from
542:Haskins, Rob (October 2004).
246:A larger size of shō, called
1684:Japanese musical instruments
374:at the climax of his opera,
332:(1912–1992) created several
7:
457:
10:
1700:
513:Moore, Kenneth, J (2015).
280:by the Japanese performer
250:(derived from the Chinese
18:
1645:
1615:
1562:
1504:
1497:
1477:
1454:
1427:
1379:
1368:
1361:
1341:
1278:
1271:
1200:
1036:
1000:
991:
946:
870:
861:
779:
741:
732:
679:—History and sound sample
634:The Music of the Japanese
163:
107:
100:
96:(sho Japanese instrument)
88:
57:
52:
37:
474:
268:A woman playing the shō
441:Muziekgebouw aan 't IJ
386:in some of his music.
328:The American composer
269:
151:
140:
23:. For other uses, see
446:It was played on the
267:
260:In contemporary music
146:
138:
1674:Free reed aerophones
964:Heckelphone-clarinet
411:the soundtrack album
231:involves the use of
25:Sho (disambiguation)
416:Drawing Restraint 9
284:. Miyata and other
102:Related instruments
81:Free reed aerophone
34:
923:Reclam de xeremies
550:on 9 February 2012
464:Sheng (instrument)
347:Randy Raine-Reusch
303:Takashi Yoshimatsu
278:contemporary music
270:
152:
141:
46:Gifu Castle Museum
32:
1661:
1660:
1641:
1640:
1493:
1492:
1450:
1449:
1357:
1356:
1231:
1230:
1196:
1195:
1096:Gourd mouth organ
987:
986:
857:
856:
689:Composing for shō
368:Helmut Lachenmann
133:
132:
21:Kane (instrument)
1691:
1502:
1501:
1377:
1376:
1366:
1365:
1276:
1275:
1258:
1251:
1244:
1235:
1234:
1161:Orthotonophonium
1156:Indian harmonium
998:
997:
871:Cylindrical bore
868:
867:
743:Cylindrical bore
739:
738:
719:
712:
705:
696:
695:
657:
655:
653:
629:
588:
587:
585:
583:
566:
560:
559:
557:
555:
539:
533:
532:
526:
518:
510:
504:
503:
501:
499:
485:
425:Japanese culture
360:Benjamin Britten
295:Toshi Ichiyanagi
168:
166:
165:
42:
35:
31:
1699:
1698:
1694:
1693:
1692:
1690:
1689:
1688:
1664:
1663:
1662:
1657:
1637:
1611:
1558:
1489:
1473:
1456:
1446:
1423:
1371:
1353:
1337:
1267:
1262:
1232:
1227:
1192:
1032:
983:
942:
853:
775:
728:
726:Reed aerophones
723:
664:
651:
649:
618:
602:Garfias, Robert
597:
595:Further reading
592:
591:
581:
579:
575:The Japan Times
568:
567:
563:
553:
551:
540:
536:
520:
519:
511:
507:
497:
495:
487:
486:
482:
477:
460:
433:Vache Sharafyan
393:(in his albums
380:Otomo Yoshihide
319:Toshio Hosokawa
262:
160:
95:
48:
28:
17:
12:
11:
5:
1697:
1687:
1686:
1681:
1676:
1659:
1658:
1656:
1655:
1649:
1647:
1643:
1642:
1639:
1638:
1636:
1635:
1630:
1625:
1619:
1617:
1613:
1612:
1610:
1609:
1604:
1599:
1594:
1593:
1592:
1587:
1577:
1572:
1566:
1564:
1560:
1559:
1557:
1556:
1551:
1549:San-no-tsuzumi
1546:
1541:
1536:
1535:
1534:
1529:
1524:
1514:
1508:
1506:
1499:
1495:
1494:
1491:
1490:
1488:
1487:
1481:
1479:
1475:
1474:
1472:
1471:
1466:
1460:
1458:
1452:
1451:
1448:
1447:
1445:
1444:
1439:
1434:
1428:
1425:
1424:
1422:
1421:
1416:
1411:
1406:
1401:
1396:
1391:
1386:
1380:
1374:
1363:
1359:
1358:
1355:
1354:
1352:
1351:
1345:
1343:
1339:
1338:
1336:
1335:
1330:
1325:
1320:
1319:
1318:
1313:
1303:
1298:
1293:
1288:
1282:
1280:
1273:
1269:
1268:
1261:
1260:
1253:
1246:
1238:
1229:
1228:
1226:
1225:
1220:
1215:
1213:Quadruple reed
1210:
1204:
1202:
1198:
1197:
1194:
1193:
1191:
1190:
1185:
1180:
1175:
1170:
1165:
1164:
1163:
1158:
1153:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1108:
1103:
1098:
1093:
1092:
1091:
1086:
1081:
1076:
1066:
1061:
1056:
1051:
1046:
1040:
1038:
1034:
1033:
1031:
1030:
1025:
1020:
1015:
1010:
1004:
1002:
995:
989:
988:
985:
984:
982:
981:
976:
971:
966:
961:
959:Heckel-clarina
956:
950:
948:
944:
943:
941:
940:
935:
930:
925:
920:
915:
910:
905:
900:
895:
890:
885:
880:
874:
872:
865:
859:
858:
855:
854:
852:
851:
846:
841:
836:
831:
826:
821:
816:
811:
806:
801:
796:
791:
785:
783:
777:
776:
774:
773:
768:
763:
758:
753:
747:
745:
736:
730:
729:
722:
721:
714:
707:
699:
693:
692:
686:
680:
674:
663:
662:External links
660:
659:
658:
632:F. T. Piggot,
630:
616:
596:
593:
590:
589:
561:
534:
505:
479:
478:
476:
473:
472:
471:
466:
459:
456:
421:Matthew Barney
364:Alan Hovhaness
349:(Canada), and
299:Toru Takemitsu
261:
258:
169:is a Japanese
131:
130:
129:
128:
123:
118:
113:
105:
104:
98:
97:
92:
86:
85:
84:
83:
78:
73:
68:
61:
59:Classification
55:
54:
50:
49:
43:
15:
9:
6:
4:
3:
2:
1696:
1685:
1682:
1680:
1677:
1675:
1672:
1671:
1669:
1654:
1651:
1650:
1648:
1644:
1634:
1631:
1629:
1626:
1624:
1621:
1620:
1618:
1614:
1608:
1605:
1603:
1600:
1598:
1595:
1591:
1588:
1586:
1583:
1582:
1581:
1578:
1576:
1573:
1571:
1568:
1567:
1565:
1561:
1555:
1554:Den-den daiko
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1533:
1530:
1528:
1525:
1523:
1520:
1519:
1518:
1515:
1513:
1510:
1509:
1507:
1503:
1500:
1496:
1486:
1483:
1482:
1480:
1476:
1470:
1467:
1465:
1462:
1461:
1459:
1453:
1443:
1440:
1438:
1435:
1433:
1430:
1429:
1426:
1420:
1417:
1415:
1412:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1390:
1387:
1385:
1382:
1381:
1378:
1375:
1373:
1367:
1364:
1360:
1350:
1347:
1346:
1344:
1340:
1334:
1331:
1329:
1326:
1324:
1321:
1317:
1314:
1312:
1309:
1308:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1283:
1281:
1277:
1274:
1270:
1266:
1259:
1254:
1252:
1247:
1245:
1240:
1239:
1236:
1224:
1221:
1219:
1216:
1214:
1211:
1209:
1206:
1205:
1203:
1199:
1189:
1186:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1162:
1159:
1157:
1154:
1152:
1149:
1148:
1147:
1144:
1142:
1141:Physharmonica
1139:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1117:
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1090:
1087:
1085:
1084:Richter-tuned
1082:
1080:
1077:
1075:
1072:
1071:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1041:
1039:
1035:
1029:
1026:
1024:
1021:
1019:
1016:
1014:
1011:
1009:
1006:
1005:
1003:
999:
996:
994:
990:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
951:
949:
945:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
899:
896:
894:
891:
889:
886:
884:
881:
879:
876:
875:
873:
869:
866:
864:
860:
850:
847:
845:
842:
840:
837:
835:
832:
830:
827:
825:
822:
820:
817:
815:
812:
810:
807:
805:
802:
800:
797:
795:
792:
790:
787:
786:
784:
782:
778:
772:
769:
767:
764:
762:
759:
757:
754:
752:
749:
748:
746:
744:
740:
737:
735:
731:
727:
720:
715:
713:
708:
706:
701:
700:
697:
690:
687:
684:
681:
678:
675:
672:
671:
666:
665:
647:
643:
642:
635:
631:
627:
623:
619:
617:0-520-01977-6
613:
609:
608:
603:
599:
598:
577:
576:
571:
565:
549:
545:
538:
530:
524:
516:
509:
494:
490:
484:
480:
470:
467:
465:
462:
461:
455:
453:
452:Koichi Wakata
449:
444:
442:
438:
434:
430:
426:
422:
418:
417:
412:
408:
404:
400:
396:
392:
391:Stephan Micus
387:
385:
381:
377:
373:
369:
365:
361:
356:
352:
351:Sarah Peebles
348:
343:
339:
335:
334:Number Pieces
331:
326:
324:
320:
316:
312:
308:
304:
300:
296:
290:
287:
283:
282:Mayumi Miyata
279:
275:
266:
257:
255:
254:
249:
244:
242:
238:
234:
233:tone clusters
230:
226:
222:
217:
213:
209:
205:
200:
198:
194:
190:
186:
182:
178:
177:
172:
159:
158:
150:
145:
137:
127:
124:
122:
119:
117:
114:
112:
109:
108:
106:
103:
99:
93:
91:
87:
82:
79:
77:
74:
72:
69:
67:
64:
63:
62:
60:
56:
51:
47:
41:
36:
30:
26:
22:
1463:
1177:
1059:Couesnophone
947:Conical bore
824:Oboe d'amore
799:English horn
781:Conical bore
669:
650:. Retrieved
640:
633:
606:
582:26 September
580:. Retrieved
578:. 4 May 2014
573:
564:
552:. Retrieved
548:the original
537:
514:
508:
496:. Retrieved
492:
483:
445:
414:
402:
398:
394:
388:
383:
375:
371:
354:
341:
327:
291:
285:
273:
271:
251:
247:
245:
236:
228:
220:
215:
207:
201:
197:Heian period
188:
181:Tang dynasty
174:
156:
155:
153:
148:
29:
1628:Kagura suzu
1602:Shakubyoshi
1539:Tsuri-daiko
1527:Shime-daiko
1151:Guide-chant
1126:Martinshorn
863:Single reed
849:Taepyeongso
734:Double reed
554:12 December
431:. Composer
323:Minoru Miki
185:Nara period
1668:Categories
1585:Ita-sasara
1498:Percussion
1442:Shakuhachi
1370:Flutes and
1328:Yamatogoto
1291:Ichigenkin
1168:Saenghwang
1146:Pump organ
1101:Hornophone
1054:Concertina
1023:Pitch pipe
1018:Party horn
1013:Bullroarer
954:Aulochrome
469:Saenghwang
395:Implosions
315:Joji Yuasa
311:Maki Ishii
1590:Binzasara
1455:Free-reed
1432:Hichiriki
1389:Kagurabue
1223:Tone hole
1136:Organetto
1074:Chromatic
1069:Harmonica
1064:Harmoneon
1044:Accordion
993:Free reed
974:Saxophone
908:Launeddas
893:Chalumeau
523:cite book
498:26 August
443:in 2007.
437:Amsterdam
370:used the
338:Darmstadt
330:John Cage
179:, of the
171:free reed
126:Harmonica
76:Aerophone
71:Free reed
1597:Kokiriko
1570:Hyōshigi
1522:Ōtsuzumi
1437:Hotchiku
1414:Shinobue
1323:Shamisen
1131:Melodica
1121:Mangtong
1079:Diatonic
1049:Claviola
979:Tárogató
938:Zhaleika
898:Clarinet
756:Chirimia
604:(1975).
458:See also
423:, about
307:Jo Kondo
66:Japanese
53:Woodwind
1653:Mukkuri
1575:Mokugyo
1532:Tsuzumi
1485:Horagai
1419:Yokobue
1409:Ryūteki
1399:Minteki
1394:Komabue
1384:Gakubue
1333:Tonkori
1316:Kankara
1306:Sanshin
1279:Plucked
1116:Lusheng
1089:Tremolo
969:Octavin
933:Xaphoon
918:Pibgorn
903:Diplica
794:Bombard
789:Bassoon
751:Balaban
652:15 July
626:2001499
429:whaling
235:called
204:phoenix
44:sho at
1679:Gagaku
1646:Others
1580:Sasara
1563:Blocks
1311:Gottan
1272:String
1183:Triola
1106:Hulusi
1001:Single
913:Mijwiz
888:Bülban
883:Arghul
878:Alboka
844:Sopila
834:Rhaita
829:Piston
804:Gralla
624:
614:
401:, and
321:, and
237:aitake
229:gagaku
225:gagaku
193:bamboo
1623:Shōko
1616:Gongs
1607:Sanba
1517:Taiko
1512:Kakko
1505:Drums
1478:Horns
1457:pipes
1404:Nōkan
1372:oboes
1349:Kokyū
1342:Bowed
1201:Other
1173:Sheng
1111:Khene
1028:Sneng
928:Sipsi
839:Shawm
761:Duduk
475:Notes
407:Björk
403:Ocean
212:sheng
176:sheng
116:Khene
111:Sheng
94:34534
1633:Kane
1544:Ikko
1362:Wind
1301:Kugo
1296:Koto
1286:Biwa
1218:Reed
1208:Bore
1037:Sets
1008:Bawu
819:Oboe
771:Piri
766:Guan
654:2012
648:–305
636:in:
622:OCLC
612:ISBN
584:2014
556:2011
529:link
500:2017
427:and
399:Life
362:and
272:The
216:shō'
154:The
121:Bawu
1464:Shō
1178:Shō
814:Kèn
809:Hne
646:301
450:by
448:ISS
439:'s
413:to
384:shō
372:shō
355:shō
342:shō
286:shō
274:shō
221:shō
208:shō
189:shō
157:shō
149:shō
33:Shō
1670::
1469:Yu
1188:Yu
620:.
572:.
525:}}
521:{{
491:.
454:.
397:,
378:.
325:.
317:,
313:,
309:,
305:,
301:,
297:,
253:yu
241:合竹
1257:e
1250:t
1243:v
718:e
711:t
704:v
656:.
628:.
586:.
558:.
531:)
502:.
248:u
239:(
167:)
164:笙
161:(
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.